{"id":243,"name":"Kayo CHINGONYI","url":"","description":"N\u0103scut \u00een Zambia \u00een 1987 \u0219i emigrat \u00een Regatul Unit la v\u00e2rsta de \u0219ase ani, Kayo Chingonyi s-a f\u0103cut remarcat ca o voce aparte, deopotriv\u0103 sofisticat\u0103 \u0219i tranzitiv\u0103, \u00een peisajul liric britanic. Cu fiecare text al s\u0103u, autorul exploreaz\u0103 diferen\u021be multiculturale, dar \u0219i prejudec\u0103\u021bi societale, \u00een c\u0103utarea \u0219i afirmarea unei identit\u0103\u021bi proprii. Discursul poetic al lui Chingonyi poate fi receptat ca un melting pot formal \u0219i tonal, \u00een care autorul mixeaz\u0103 ritmuri \u0219i rime hip-hop cu versifica\u021bia liber\u0103, rafinamentul expresiv \u0219i aluzia fin\u0103 cu directe\u021bea argotic\u0103, uneori suburban\u0103, profunzimea emo\u021bional\u0103 cu pulsiunile de nemul\u021bumire \u0219i revolt\u0103. Debutul s\u0103u din 2017, intitulat Kumukanda \u2013 denumirea original\u0103 a unui rit de trecere tribal la care sunt supu\u0219i b\u0103ie\u021bii zambieni pentru a deveni b\u0103rba\u021bi \u2013, aprofundeaz\u0103 natura mo\u0219tenirii socio-culturale \u0219i rela\u021biile deseori tensionate \u00eentre societate \u0219i individ, \u00eentre art\u0103 \u0219i sinele creator, prin concepte precum pierderea, culoarea pielii, apartenen\u021ba, ars poetica \u0219.a., \u00een tonalit\u0103\u021bi ce variaz\u0103 de la jocularitatea muzical\u0103 sau nota\u021bia ironic-acid\u0103 la nostalgia liric\u0103 intens\u0103. Volumul de poeme a fost r\u0103spl\u0103tit cu distinc\u021biile Dylan Thomas \u0219i Somerset Maugham. O a doua colec\u021bie de versuri (A Blood Condition), ap\u0103rut\u0103 \u00een 2021, a fost nominalizat\u0103 la premiile Costa \u0219i T.S. Eliot.\r\nKayo Chingonyi scrie \u2013 dar \u0219i editeaz\u0103 \u2013 poezie, este DJ, moderator cultural \u0219i pred\u0103 scriere creatoare \u00een cadrul Universit\u0103\u021bii din Durham. \u00cen 2022 a fost ales membru al Societ\u0103\u021bii Regale de Literatur\u0103.","link":"https:\/\/revistafamilia.ro?author_name=kayochingonyi","slug":"kayochingonyi","avatar_urls":{"24":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/04\/Kayo-Chingonyi-Credit-foto-Big-Issue-North-150x150.jpg","48":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/04\/Kayo-Chingonyi-Credit-foto-Big-Issue-North-150x150.jpg","96":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/04\/Kayo-Chingonyi-Credit-foto-Big-Issue-North-150x150.jpg"},"meta":{"jetpack_donation_warning_dismissed":false},"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users"}]}}