{"id":9744,"date":"2024-02-12T13:24:42","date_gmt":"2024-02-12T10:24:42","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=9744"},"modified":"2024-02-12T13:24:48","modified_gmt":"2024-02-12T10:24:48","slug":"poetul-ca-hermeneut-cu-experienta","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=9744","title":{"rendered":"Poetul ca \u201ehermeneut cu experien\u021b\u0103\u201d"},"content":{"rendered":"
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Ion Pop, Proba focului<\/em>, Limes, Flore\u0219ti, 2023<\/figcaption><\/figure>\n<\/div>\n\n\n

Seva poeziei lui Ion Pop curge pe dou\u0103 etaje sau, altfel spus, dou\u0103 partituri paralele duc frazarea de ad\u00e2ncime, d\u00e2ndu-i spa\u021biu de profunzime \u0219i rezonan\u021b\u0103, comunic\u00e2nd \u00eentre ele. Primul etaj e cel uzual, cotidian, intrat \u00eentr-un fel de automatism al sensului; un limbaj al c\u0103rui lexic nu are func\u021bie evocatoare, expresiv\u0103. A\u0219teptarea vreunei aventuri a desprinderii de utilizarea colectiv\u0103 nu are \u0219ans\u0103 de particularizare.<\/p>\n\n\n\n

Al doilea etaj este cel \u00een slujba c\u0103ruia stau sarcinile simboliz\u0103rii (\u0219i ale tropilor ce intr\u0103 \u00een acolada acesteia). Acesta are la dispozi\u021bie natura celui dint\u00e2i ca un fel de cer cu fulger\u0103ri ale revel\u0103rii fe\u021bei ascunse a \u201ecuvintelor tribului\u201d. Ca un \u201ehermeneut cu experien\u021b\u0103\u201d \u2013 cum se spune \u00eentr-un vers \u2013, Ion Pop ajunge la \u201eproba focului\u201d ca la un final aduc\u0103tor de expresivit\u0103\u021bi surprinz\u0103toare care nu p\u0103reau posibile \u00een inerta mas\u0103 a limbajului uzat, obosit, erodat. Iat\u0103 poezia care d\u0103 \u0219i titlul noii c\u0103r\u021bi: \u201eM\u0103 g\u00e2ndesc, prozaic \u0219i birocrat, c\u0103, la urma urmei,\/ cel mai economic cap\u0103t de drum\/ ar fi cenu\u0219a.\/ S-ar c\u00e2\u0219tiga ceva\/ \u0219i din expresivitatea poetic\u0103 a sf\u00e2r\u0219itului.\/ compara\u021bia cu focul\/ neput\u00e2nd fi ratat\u0103 nici ea.\/\/ Foarte uzata metafor\u0103, ve\u0219tedul simbol al fl\u0103c\u0103rii.\/ ar mai c\u0103p\u0103ta un lustru oarecare, de mult\u0103 vreme,\/ luminoasa, ultima transfigurare\/ ar lic\u0103ri c\u00e2t de c\u00e2t\/ \u00een Universul cu at\u00e2tea,\/ prea multe, g\u0103uri negre,\/ iar cenu\u0219iul de sub ea\/ s-ar identifica mai simplu \u0219i mai direct\/ cu p\u0103m\u00e2ntul, scurt\u00e2nd Purgatoriul\/ inestetic, cu fo\u0219g\u0103iala impur\u0103\/ de scandaloase larve\/ inculte \u0219i primitive.\/\/ S-ar pierde, desigur, destul de mult\/ din autenticitatea imaginilor \u2013\/ cei doi metri de p\u0103m\u00e2nt tradi\u021bionali arunca\u021bi deasupra\/ ar \u00eentre\u021bine, vai, minima obscuritate\/ a\u0219a de necesar\u0103 \u00eenmul\u021birii conota\u021biilor\/ dar \u00eentorc\u00e2nd anacronic lectura Textului\/ la o dep\u0103\u0219it\u0103, obositoare close reading<\/em>,\/ <\/em>\u00eempiedic\u00e2nd mai lejera\/ interpretare deconstructivist\u0103 \u0219i tranzitiv\u0103.\/ mai potrivit\u0103 cu mult, desigur,\/ ba chiar \u00een pas cu\/ noile vremuri poetice\u0219ti.\/\/ A\u0219a vom \u00eempiedica, poate, s\u0103 putrezeasc\u0103\/ \u00eensu\u0219i Marele Sens\/ cum m\u0103 temeam odat\u0103\/ evoc\u00e2nd ni\u0219te pe\u0219ti otr\u0103vi\u021bi din Sena\/ \u0219i m\u0103 mai tem uneori\/ \u00een c\u00e2te-un prea pu\u021bin demn\/ moment de sl\u0103biciune.\/\/ Da, m\u0103 chiar tem uneori,\/ \u0219i mi-e de pe-acum ru\u0219ine,\/ de acel prea pu\u021bin demn\/ moment de sl\u0103biciune.\/\/ 12 iunie 2020\u201d.<\/p>\n\n\n\n

Ad\u0103postul \u00een flac\u0103r\u0103, recursul la miturile istorice \u0219i la cele culturale, iner\u021bia cotidian\u0103 ca stare de am\u00e2nare a strig\u0103tului final (m\u0103runtele \u00eent\u00e2mpl\u0103ri ale zilei), anonimatul ca odihn\u0103 a fiin\u021bei obosite de a fi, recursul frecvent la oferta scrierii \u0219i lecturii ca opera\u021biuni metafizice,\u00a0frecventa utilizare a \u201electurii\u201d obiectelor \u0219i \u00eent\u00e2mpl\u0103rilor prezentului imediat ca ocazii de a \u00eennobila insignifiantul ca suport al metaforei mitice, \u00eentr-un cuv\u00e2nt, o mare bog\u0103\u021bie de fapte transfiguratorii ale inteligen\u021bei poetice. Nu \u00een ultimul r\u00e2nd, cititorului mai pu\u021bin cunosc\u0103tor al mecanismelor scrisului poetic al lui Ion Pop trebuie spus c\u0103 nu lipse\u0219te aici umorul, ironia, autoironia, o anume deta\u0219are pe care intelectul le impune ca ingrediente ale scriiturii.<\/p>\n","protected":false},"excerpt":{"rendered":"

Poe\u021bi \u00een c\u0103r\u021bi de Ioan Moldovan<\/p>\n","protected":false},"author":4,"featured_media":9745,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[56,52],"tags":[8,763,2000,68],"coauthors":[1219],"class_list":["post-9744","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poeti-in-carti","category-rubrici","tag-ioan-moldovan","tag-ion-pop","tag-nr-11-12-2023","tag-poeti-in-carti"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/02\/Ion-Pop-proba-focului.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9744"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9744\/revisions"}],"predecessor-version":[{"id":9747,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9744\/revisions\/9747"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/9745"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9744"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=9744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}