{"id":9623,"date":"2024-01-08T16:28:08","date_gmt":"2024-01-08T13:28:08","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=9623"},"modified":"2024-01-08T16:28:14","modified_gmt":"2024-01-08T13:28:14","slug":"microhabitatele-precaritatii","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=9623","title":{"rendered":"Microhabitatele precarit\u0103\u021bii"},"content":{"rendered":"
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Ion Agaci, Descul\u021b. Pavaj proasp\u0103t turnat<\/em>, Editura Tracus Arte, Bucure\u0219ti, 2023<\/figcaption><\/figure>\n<\/div>\n\n\n

Ap\u0103rut la doi ani distan\u021b\u0103 fa\u021b\u0103 de debutul din \u0219ampanie pentru acest sf\u00e2r\u0219it<\/em> (Tracus Arte, 2021), noul volum al lui Ion Agaci reia linia exerci\u021biilor fine, discret sentimentale, de sondare personal\u0103 pe care o inaugura atunci destul de hot\u0103r\u00e2t. Descul\u021b. Pavaj proasp\u0103t turnat<\/em>, care a ap\u0103rut recent la aceea\u0219i editur\u0103, e un proiect care func\u021bioneaz\u0103, \u00eens\u0103, mai mult dec\u00e2t o f\u0103cuse primul, prin asimilarea unor spa\u021bii ale cartografierii umanului (chiar declarat, cum se va vedea imediat) ceva mai rafinate \u0219i mai pu\u021bin estetizante (nu c\u0103 ar fi f\u0103cut excese \u00een sensul \u0103sta dincolo).<\/p>\n\n\n\n

Altfel spus, placheta \u00ee\u0219i ruleaz\u0103 poemele tot printr-un soi de depanare a h\u0103r\u021bilor personale, \u00een care \u00eencap cam toate anxiet\u0103\u021bile \u0219i blocajele poetului (aceasta din urm\u0103, o tem\u0103 de suprafa\u021b\u0103, vizibil\u0103 de departe), depanare care prinde acum ni\u0219te accente mai pronun\u021bat sociale. Cel pu\u021bin \u00een prim\u0103 faz\u0103, dragostea \u0219i precaritatea, \u0219i aici, \u00een desfolierea mecanismelor ultimei, cred c\u0103 e de g\u0103sit, de fapt, marea tem\u0103 a acestor poeme, se \u00eentrec \u00eentr-un lan\u021b de episoade ale unei afectivit\u0103\u021bi difuze, mai ales \u00een prima parte a volumului, afectivitate pe care Ion Agaci o construie\u0219te cu o mai mare aten\u021bie la nuan\u021bele sociale fa\u021b\u0103 de debut. Volumul abund\u0103 \u00een imagini ale instabilit\u0103\u021bii, at\u00e2t intime, c\u00e2t \u0219i v\u0103zute \u00eentr-un sens mai larg, prin obiectivizare, iar texte ca unde-ai disp\u0103rut<\/em>, sau m-am v\u0103zut cu un tip normal<\/em> sunt dovezi concrete ale modului \u00een care Ion Agaci \u00een\u021belege s\u0103 ias\u0103 pu\u021bin din sfera personalului \u0219i s\u0103 construiasc\u0103 ni\u0219te momente \u00een care amploarea am\u0103r\u0103ciunii & a neputin\u021bei vin din ni\u0219te \u201estudii de caz\u201d foarte eficiente, cu o \u0219tiin\u021b\u0103 a calibr\u0103rii am\u0103nuntului debusolant.<\/p>\n\n\n\n

A\u0219a cum se \u00eent\u00e2mpla \u0219i \u00een \u0219ampanie<\/em>…, toat\u0103 schema asta ia na\u0219tere nu oricum, ci cu mult\u0103 \u201einvesti\u021bie\u201d cinematic\u0103, printr-o anume fascina\u021bie a decorului \u0219i-o \u201ere\u021bet\u0103\u201d specific\u0103 de turnare a cadrelor. Poemele lui Ion Agaci \u00ee\u0219i arat\u0103 punctele de fragilitate cel mai bine, adic\u0103, prin frecventarea unor locuri difuze, vibreaz\u0103 prin \u00eenl\u0103n\u021buirea u\u0219or melancolic\u0103 a imaginilor: \u201eo casc\u0103 \u021bie, una mie\/ \u00een scuarul teatrului de p\u0103pu\u0219i,\/ a\u0219tept\u0103m ultimul autobuz\/ care poate fi \u0219i primul de diminea\u021b\u0103.\/ str\u0103zile sunt goale\/ ar putea \u00eencepe o ploaie nebun\u0103\/ dar nu suntem romantici \u2013\/ suntem be\u021bi, suntem alcoolici.\/ doi alcoolici tineri f\u0103r\u0103 cas\u0103\/ doi alcoolici tineri f\u0103r\u0103 bani.\/ dar nimeni nu poate vedea asta\/ suntem bine \u00eembr\u0103ca\u021bi\/ ar\u0103t\u0103m adecvat\/ cine-ar crede una ca asta\/ alerg\u0103m pe un c\u00e2ntec lo-fi\/ p\u00e2n\u0103-n scuarul teatrului de oper\u0103\/ ne arunc\u0103m \u00een f\u00e2nt\u00e2na artezian\u0103\/ \u0219i facem o baie \u00een ochii tuturor.\/ ni\u0219te copii needuca\u021bi suntem\/ n-avem cei \u0219apte ani de-acas\u0103.\/ str\u00e2ngem b\u0103nu\u021bii turi\u0219tilor\/ de la fundul f\u00e2nt\u00e2nii\/ c\u00e2t s\u0103 ne-ajung\u0103 pentr-un pachet de \u021big\u0103ri.\/ a\u0219tept\u0103m ultimul autobuz\/ care poate fi \u0219i primul de diminea\u021b\u0103\u201d, dans\u0103m pe un c\u00e2ntec lo-fi<\/em>. Nu e, \u00eens\u0103, o melancolie \u00een sensul clasic al cuv\u00e2ntului, ci mai degrab\u0103 una ce vine din autoironie \u0219i exerci\u021biu de deta\u0219are, f\u0103r\u0103 umori patetice.<\/p>\n\n\n\n

\u00cen orice caz, sunt multe locuri ale triste\u021bii \u00een cartea lui Ion Agaci, o triste\u021be care vine din oboseal\u0103 \u0219i precaritate, un dublet eficient, pe care poetul \u0219i-l gestioneaz\u0103 cu un soi de inocen\u021b\u0103 copil\u0103reasc\u0103 prin care se raporteaz\u0103 la lume (\u201eperiferiile unei inimi naive\u201d, cum le nume\u0219te la un moment dat). \u201eFilmele\u201d lui vorbesc, \u00een linii mari, despre nebunia tinereasc\u0103, marginalitate, s\u0103r\u0103cie \u0219i lipsa banilor, a afec\u021biunii \u0219i, \u00een general, a nevoii esen\u021biale de \u00een\u021belegere e aici, pe ritmuri indie<\/em> la intersec\u021bia dintre Sufjan Stevens \u0219i M83, \u0219i prin ni\u0219te modula\u021bii care prind foarte reu\u0219it toat\u0103 angoasa asta milenial\u0103, \u0219i nu doar at\u00e2t. E loc, adic\u0103, \u00een toat\u0103 simfonia disper\u0103rii ce rezult\u0103 de aici, orchestrat\u0103 cu mult calcul \u0219i f\u0103r\u0103 ie\u0219iri dramatice, a\u0219a cum spuneam mai sus, \u0219i de-o doz\u0103 de \u00een\u021belepciune b\u0103tr\u00e2neasc\u0103, prin micile glis\u0103ri pe care poemele le opereaz\u0103 pe marginea \u201etimpului libertin\u201d, a competi\u021biei dintre \u201einima musculoas\u0103\u201d vs. cea \u201enuclear\u0103\u201d \u0219i, \u00een general, prin toate modula\u021biile \u201einimii microfonice\u201d pe care le prind textele. Sunt c\u00e2teva din conceptele tari ale acestui volum care func\u021bioneaz\u0103 ca ni\u0219te exerci\u021bii de respira\u021bie, \u0219i care vorbe\u0219te despre un puternic sentiment de inadecvare. \u0218i, dincolo de el, despre nevoia de c\u0103ldur\u0103 & apropiere, dar o apropiere care nu promite o solu\u021bie definitiv\u0103: \u201echiar \u0219i acolo, unde nimic nu e atins\/ de bure\u021bii fragili \u0219i criminali ai ru\u0219inii,\/ chiar \u0219i \u00een cele mai impenetrabile ego-uri,\/ \u00een cea mai jalnic\u0103 lamenta\u021bie,\/ \u00een m\u0103runtaiele la\u0219it\u0103\u021bii de sticl\u0103,\/ \u00een perseveren\u021ba fricii,\/ \u00een dorin\u021b\u0103 \u0219i gre\u0219elile comise \u00een numele ei,\/ \u00een apocaliptic \u0219i r\u0103u,\/ \u00een frustrarea mo\u0219tenit\u0103 genetic,\/ \u00een elucidarea unui mister\/ chiar \u0219i \u00een cutia pandorei\/ chiar \u0219i \u00een cea mai nemotivat\u0103 triste\u021be\/ sau solitudine conving\u0103toare\/ vai de mine, \u00een ur\u0103 \u0219i gelozie,\/ \u00een declin \u0219i degradare,\/ \u00een pierderea indispensabil\u0103 a inocen\u021bei,\/ apoi a speran\u021bei,\/ \u00een caracterul invaziv al dragostei\/ chiar \u0219i acolo unde dragostea nu-i compromi\u021b\u0103toare,\/ \u00een frumuse\u021bea misterioas\u0103 a sexului,\/ \u00een servicii, rutin\u0103 \u0219i ne\u0219tiin\u021b\u0103,\/ chiar \u0219i \u00een evolu\u021bie, robotic\u0103 sau\/ nemurire,\/ chiar \u0219i \u00een Dumnezeu sau tot\/ ce nu mai are nevoie de noi,\/ nu g\u0103sesc altceva dec\u00e2t \u2013 umanul\/ iar asta e tot ce-a mai r\u0103mas\/ s\u0103 m\u0103 sperie sau s\u0103 m\u0103 dezmeticeasc\u0103\u201d, chiar \u0219i \u00een cele mai indisponibile ascunz\u0103tori ale t\u0103cerii<\/em>. Suficient \u00eens\u0103, c\u00e2t s\u0103 arate cum textele din Descul\u021b<\/em> prizeaz\u0103 o anumite sensibilitate fa\u021b\u0103 de sfera asta a umanului, cu toate modula\u021biile lui instabile, care, sigur, se vede mai greu \u00een toat\u0103 povestea asta despre c\u0103utare de sine \u0219i reconfigurare personal\u0103, dar care are suficient\u0103 priz\u0103 c\u00e2t s\u0103 poat\u0103 fi exploatat\u0103 \u00eentr-un volum viitor.<\/p>\n\n\n\n

P\u00e2n\u0103 la urm\u0103, e aici o poveste despre singur\u0103tate, a\u0219a cum se cite\u0219te \u00een poemul aceast\u0103 triste\u021be<\/em>: \u201edespre care nu vreau s\u0103 vorbesc\/ e ap\u0103.\/ apa de sub stratul sub\u021bire de ghea\u021b\u0103 al unui lac de munte\/ care nu-\u0219i schimb\u0103 niciodat\u0103 starea. iar eu\/ cred c\u0103 m\u0103 aflu sub acel strat de ghea\u021b\u0103,\/ \u00eencerc\u00e2nd s\u0103-l sparg cu c\u0103ldura palmei,\/ \u00eencerc\u00e2nd s\u0103-l g\u0103uresc cu degetul.\/ e-at\u00e2t de clar\/ aceast\u0103 triste\u021be despre care nu vreau s\u0103 vorbesc e\/ un microhabitat.\/ nu am num\u0103rat niciodat\u0103 c\u00e2\u021bi dintre noi tr\u0103im \u00een el\/ dar \u00eentr-o zi,\/ c\u00e2nd m\u0103 voi plictisi de acela\u0219i peisaj,\/ voi face un sondaj \u0219i \u00eei voi \u00eentreba pe to\u021bi\/ cum am ajuns aici,\/ cum am ajuns s\u0103 sem\u0103n\u0103m at\u00e2t de mult \u00eentre noi\/ \u00eenc\u00e2t s\u0103 nu-mi dau seama dac\u0103 sunt singur\/ sau sunt o mie de forme ale singur\u0103t\u0103\u021bii mele\/ \u00een o mie de persoane complet diferite.\u201d R\u0103m\u00e2ne, oricum, o poezie curajoas\u0103 prin felul \u00een care \u00ee\u0219i asum\u0103 toat\u0103 miza asta a \u201edeconspir\u0103rii\u201d fragilit\u0103\u021bii, c\u0103ci altfel Ion Agaci e un soi de (post) romantic animat mai degrab\u0103 de gesturi reflexive. \u00cen orice caz, emo\u021bionant\u0103 toat\u0103 spirala asta descendent\u0103 a \u00eencrederii, cum o nume\u0219te \u00eentr-un text spre final, geografia asta a disper\u0103rii mute care arde lent.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cronic\u0103 literar\u0103 de Andreea Pop<\/p>\n","protected":false},"author":15,"featured_media":9624,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[111,140,1414,1974],"coauthors":[1139],"class_list":["post-9623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-andreea-pop","tag-critica-literara","tag-ion-agaci","tag-nr-10-2023"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/01\/Ion-Agaci.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9623"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9623\/revisions"}],"predecessor-version":[{"id":9625,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9623\/revisions\/9625"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/9624"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9623"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=9623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}