{"id":9502,"date":"2023-12-19T18:33:07","date_gmt":"2023-12-19T15:33:07","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=9502"},"modified":"2023-12-19T18:33:13","modified_gmt":"2023-12-19T15:33:13","slug":"iubirea-duce-la-crima","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=9502","title":{"rendered":"Iubirea duce la crim\u0103"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/12\/Loving-adults-1024x576.webp\" alt=\"\" class=\"wp-image-9503\" style=\"width:600px\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/12\/Loving-adults-1024x576.webp 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/12\/Loving-adults-300x169.webp 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/12\/Loving-adults-768x432.webp 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/12\/Loving-adults-480x270.webp 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/12\/Loving-adults.webp 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>K\u00e6rlighed for voksne\/Loving adults<\/em> (2022, regia: Barbara Tops\u00f8e-Rothenborg)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Regizoarea danez\u0103 Barbara Tops\u00f8e-Rothenborg pleac\u0103 de la lumea deloc simpl\u0103 a rela\u021biilor de putere din lumea adul\u021bilor, restituind o poveste matrimonial\u0103 cu multe fa\u021bete. <em>Loving Adults<\/em> are la baz\u0103 romanul Annei Ekberg, <em>Krlighed For Voksne<\/em>. Scenariul, semnat de Anna Ekberg, Anders R\u00f8nnow Klarlund \u0219i Jacob Weinreich, surprinde povestea unui cuplu c\u0103s\u0103torit de aproape 20 de ani, \u00eentre care nu mai exist\u0103 niciun fel de atrac\u021bie. Christian \u0219i Leonora se autoam\u0103gesc c\u0103 vor avea puterea s\u0103 continue sub acelea\u0219i auspicii, \u00een condi\u021biile \u00een care fiecare \u00eel suspecteaz\u0103 pe cel\u0103lalt c\u0103 ar fi capabil de crim\u0103. Aparent, duc o via\u021b\u0103 ideal\u0103, fac parte din elita danez\u0103, \u00ee\u0219i permit confortul unei vile \u0219i lansarea unor \u00eendr\u0103zne\u021be proiecte imobiliare. Recuperarea dup\u0103 o boal\u0103 \u00eendelungat\u0103 a fiului lor ar fi trebuit s\u0103 aduc\u0103 echilibru \u0219i armonie \u00een cuplu, numai c\u0103 Leonora descoper\u0103 c\u0103 partenerul s\u0103u o \u00een\u0219al\u0103 cu o coleg\u0103 de \u0219antier, arhitecta Xenia (interpretat\u0103 de Sus Wilkins), mult mai t\u00e2n\u0103r\u0103 dec\u00e2t ea.<\/p>\n\n\n\n<p>Vocea din <em>off<\/em>, care \u00eencearc\u0103 s\u0103 dezlege misterul unei crime, \u00eei apar\u021bine comisarului de poli\u021bie (actorul danez Mikael Birkkj\u00e6r). Parafraz\u00e2ndu-l pe profesorul din <em>Lec\u021bia<\/em> ionescian\u0103, care afirma c\u0103 \u201eliteratura duce la crim\u0103\u201d, comisarul de poli\u021bie avertizeaz\u0103, la r\u00e2ndul s\u0103u, c\u0103 \u201eiubirea poate duce la crim\u0103\u201d, atunci c\u00e2nd prezentul scap\u0103 de sub control. P\u00e2n\u0103 \u0219i dragostea e o rela\u021bie de putere, mai ales \u00eentr-o lume \u00een care cuplurile se fac \u0219i se desfac. Comisarul investigase dispari\u021bia unei tinere prinse \u00een mrejele unei c\u0103snicii toxice. E un avertisment rostit \u00een ziua nun\u021bii propriei fiice, pretext pentru derularea \u00eentregului scenariu, \u00een care oameni c\u0103s\u0103tori\u021bi de mul\u021bi ani se re\u00eendr\u0103gostesc de persoane diferite, caut\u0103 cu disperare solu\u021bii, amenin\u021b\u0103, se lamenteaz\u0103, se \u00eempac\u0103, astfel \u00eenc\u00e2t linia fin\u0103 dintre dragoste \u0219i ur\u0103 genereaz\u0103 conflicte matrimoniale foarte puternice.<\/p>\n\n\n\n<p>Nenum\u0103rate schimb\u0103ri de situa\u021bie, bine reprezentate vizual (\u00een acest sens, Hummer Hojmark s-a ocupat de efectele speciale \u0219i \u00een filme ca <em>Adam\u2019s Apples<\/em> \u2013 2005 \u0219i comedia neagr\u0103 <em>Riders of Justice<\/em> \u2013 2020, ambele regizate de Anders Thomas Jensen, ori \u00een <em>Melancholia<\/em> din 2011 a lui Lars von Trier) \u0219i muzical (Kristian Eidnes Andersen, Rasmus Christensen), amplific\u0103 suspansul \u0219i contureaz\u0103 personaje complexe \u00een acest thriller danez care are ceva reflexe hitchcockiene.<\/p>\n\n\n\n<p>Pe alocuri, <em>Loving Adults<\/em> se aseam\u0103n\u0103 cu filmul din 2014 al lui David Fincher, <em>Gone Girl<\/em>, regizoarea danez\u0103 surprinz\u00e2nd derutele grave din spatele unui mariaj problematic: Leonora \u00eel \u0219antajeaz\u0103 pe Christian c\u0103 va divulga secrete financiare care au stat la baza afacerii sale dac\u0103 o va \u00een\u0219ela, \u00een vreme ce Christian se hr\u0103ne\u0219te din ura pe care o poart\u0103 so\u021biei sale \u0219i se hot\u0103r\u0103\u0219te s\u0103 o ucid\u0103. Scenariul cap\u0103t\u0103 tu\u0219e de-a dreptul diabolice, sco\u021b\u00e2nd la iveal\u0103 momente tulbur\u0103toare din trecutul Leonorei. Pl\u0103nuind s\u0103 \u00ee\u0219i omoare so\u021bia, Christian alunec\u0103 pe o pant\u0103 existen\u021bial\u0103 cople\u0219itoare. \u00cen definitiv, regizoarea danez\u0103 restituie imaginea unui cuplu nefericit. Aflat \u00een criza v\u00e2rstei de mijloc, lui Christian \u00eei este greu s\u0103 aleag\u0103 \u00eentre so\u021bie \u0219i amant\u0103, iar nehot\u0103r\u00e2rea sa aduce \u0219i mai multe prejudicii situa\u021biei \u00een care se afl\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rubrica Cinemascop de Irina-Roxana Georgescu<\/p>\n","protected":false},"author":21,"featured_media":9503,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,62],"tags":[406,142,141,1974],"coauthors":[1223],"class_list":["post-9502","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cinemascop","tag-arte","tag-cinemascop","tag-irina-roxana-georgescu","tag-nr-10-2023"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/12\/Loving-adults.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9502"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9502\/revisions"}],"predecessor-version":[{"id":9505,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9502\/revisions\/9505"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/9503"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9502"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=9502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}