{"id":9088,"date":"2023-11-21T19:34:59","date_gmt":"2023-11-21T16:34:59","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=9088"},"modified":"2023-11-21T19:35:05","modified_gmt":"2023-11-21T16:35:05","slug":"miscarea-murenei","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=9088","title":{"rendered":"Mi\u0219carea murenei"},"content":{"rendered":"\n<pre class=\"wp-block-verse\" style=\"font-size:18px\"><strong>mi\u0219care pendular\u0103 \/ pendul dublu\n<\/strong>\nNu arbitrar, doar haotic \u2013 curbe\npr\u0103bu\u0219indu-se una peste alta, \u00een jocul lor\name\u021bitor un dublu grad de libertate: c\u00e2nd murenele\n\u021b\u00e2\u0219nind din ascunzi\u0219ul lor st\u00e2ncos atac\u0103 sepii, execut\u0103 mi\u0219c\u0103ri\nimprevizibile de pendul dublu. Dans lateral al aten\u021biei,\nprada e prelungirea pr\u0103d\u0103torului.\nDar murena e semn: fuge de sine \u00eens\u0103\u0219i,\n\u0219i ca un deget ar\u0103t\u0103tor \u00eentins, se a\u021bine\nde victim\u0103. De voluptoasa delicates\u0103 roman\u0103,\ndin a c\u0103rei carne se-nfrupt\u0103, ori de sluga poftit\u0103\n\u00eentre pe\u0219tii \u00eenseta\u021bi de s\u00e2nge. La Crassus a f\u0103cut referire\npropriul s\u0103u animal de companie, \u00eempodobit cu bijuterii\nde aur \u2013 se spune c\u0103 pe\u0219tele putea fi strigat pe nume\nde c\u0103tre st\u0103p\u00e2n, \u00eei m\u00e2nca din palm\u0103.\n\u00centruc\u00e2t e suficient s\u0103 st\u0103vile\u0219ti un golf\nca oaspe\u021bii s\u0103 nu r\u0103m\u00e2n\u0103 fl\u0103m\u00e2nzi,\ncu prilejul intr\u0103rii triumfale a cezarului\nexemplarele crescute cu carne de om ajung\npentru toat\u0103 lumea. Tot a\u0219a, numele e infidel\nfa\u021b\u0103 de sine \u00eensu\u0219i, indic\u0103 murena, apoi se retrage-n\nzig-zag, p\u00e2n\u0103 c\u00e2nd semnifica\u021bia o captureaz\u0103,\ndevenind prad\u0103 pr\u0103zii sale.\n\n\n<strong>mi\u0219care pendular\u0103 \/ \u00een cornul abunden\u021bei din ureche\n<\/strong>\nAm putea crede c\u0103 urechile sunt cele dou\u0103\nfresce laterale ale triptichonului fe\u021bei\n\u0219i c\u0103 Dumnezeu le-a creat dup\u0103 chipul \u0219i asem\u0103narea Lui,\ncu toate c\u0103 nu exist\u0103 nimic divin \u00een ele.\nUrechea nu e organul echilibrului, mai corect\nar fi s\u0103 spunem c\u0103 e al cerii \u2013 cur\u0103\u021barea ei \u00een exces\npoate provoca inflama\u021bii dureroase \u2013,\n\u0219i chiar \u0219i atunci c\u00e2nd pozeaz\u0103 \u00een aripi\nvestigiale, e vorba mai degrab\u0103\nde aripi de g\u00e2sc\u0103 sau ra\u021b\u0103 sfrijit\u0103,\n\u0219i nu de aripi sterile de \u00eenger, oglind\u0103\nvene\u021bian\u0103 pl\u0103cut\u0103 la vedere. Cu toate astea, e bine\ns\u0103 credem despre urechi c\u0103 atunci c\u00e2nd le \u00eenfund\u0103m\ne ca \u0219i cum ne-am fi lipit de c\u0103ile auditive\no uria\u0219\u0103 cochilie de melc sau scoic\u0103,\nca s\u0103 putem auzi urletul m\u0103rii mutate\n\u00een noi. Timpanul \u00eel amintim admirativ\nca pe-un concept-limit\u0103 al imaginii corpului \u00eenchis,\nde care suntem dispu\u0219i s\u0103 ne apropiem pe furi\u0219\ndoar din afar\u0103, ori tremur\u0103m piti\u021bi tocmai\n\u00een cornul abunden\u021bei din urechea clasicului\ntat\u0103-Colos, ce vom p\u0103\u021bi dac\u0103 va ie\u0219i la iveal\u0103\nc\u0103 drept Marsyas e\u0219uat ne-am \u00eentins la\nintrarea cavit\u0103\u021bii urechilor c\u00e2te o buc\u0103\u021bic\u0103\ndin propria noastr\u0103 piele jupuit\u0103\nca s\u0103 danseze cu noi ori de c\u00e2te ori\nauzim sunete de flaut. \u0218i nu al recluziunii \u2013\nurechea a fost dintotdeauna organul v\u0103t\u0103m\u0103rii.\nCum \u00een gr\u0103dina b\u0103tr\u00e2nului Hamlet veninul de \u0219arpe\nsimboliza fluidele corporale, tot a\u0219a \u0219arpele\norganul genital ce p\u0103trunde nepoftit,\niar spargerea timpanului pierderea virginit\u0103\u021bii.\n\u2014 Auzi, tu, b\u0103tr\u00e2ne \u2013 putu g\u00e2ndi junele Hamlet \u2013,\ndac\u0103 urechile au \u00eenghi\u021bit sperma,\nde ce n-ai audiat conspira\u021bia\ncu anusul? Nu-ncape \u00eendoial\u0103: Van Gogh\n\u0219ov\u0103ia tot de teama s\u0103 nu aib\u0103 soarta\nFecioarei Maria, cea care \u00een loc de himen\na preferat s\u0103-\u0219i fixeze pe catarg, ca vel\u0103,\ntimpanul pentru a ie\u0219i la liman.\n\n\n<strong>mi\u0219care pendular\u0103 \/ regim insular\n<\/strong>\nPentru cunoa\u0219terea obiectelor, pruncul,\nasemeni puiului de elefant cu trompa, bag\u0103 \u00een gur\u0103\ntot ce prinde. Astfel \u00ee\u0219i amenajeaz\u0103 el lumea din\u0103untru.\nAre organe minuscule precum elefantul pitic\n\u2013 pentru reducerea drastic\u0103 a dimensiunilor speciei e responsabil\u0103\nrestr\u00e2ngerea ambientului. Corpul pruncului e, deci, o insul\u0103 m\u0103runt\u0103,\nfierea, splina, ficatul \u00eei sunt mici animale cu tromp\u0103 l\u0103untrice.\nElefantul e, vedem, locul sinesteziei.\nOrganul mirosului e deopotriv\u0103 cel tactil. \u0218i acolo unde\na fost organul musculos al apuc\u0103rii, acum, pe craniu,\nse casc\u0103 o lips\u0103: n\u0103rile \u0219i orbitele ochilor\nau f\u0103cut schimb de roluri pe-un chip bulversat\nacum c\u00e2teva milenii. Copia trompei mobile,\nflexibile e tija ascu\u021bit\u0103, incandescent\u0103\nde la j\u0103ratic, pe care au \u00eenfipt-o \u00een mijlocul frun\u021bii,\nsco\u021b\u00e2nd ochiul-de-Ciclop. Se zice c\u0103 elefan\u021bii-s \u00een\u021belep\u021bi,\nc\u0103 nu uit\u0103: parc\u0103 \u0219i pielea ridat\u0103 a nou-n\u0103scutului\nar fi a unui mo\u0219neag. \u00ce\u0219i amintesc cum\nextinc\u021bia speciei ancestrale a dat na\u0219tere\nunui mit eroic. Elefantul e \u00eensul\u0103 \u00een jurul nostru.\n\u00cen interiorul lui ne mic\u0219or\u0103m regulamentar, precum ficatul.\n\n\n<strong>mi\u0219care pendular\u0103 \/ cuv\u00e2ntul caracati\u021b\u0103 p\u0103trunde \u00een limb\u0103 precum \u00een mare\n<\/strong>\nCuv\u00e2ntul caracati\u021b\u0103 p\u0103trunde \u00een limb\u0103\nprecum \u00een mare, umple locul de unde se revars\u0103\napa, limba \u00eei ridic\u0103 preten\u021bii, astfel se deschide\npentru ea o nou\u0103 pia\u021b\u0103 \u00een sistemul de semne al m\u0103rii.\n\u0218tim c\u0103 premisa caracati\u021bei e marea,\nincompresibilitatea apei \u2013 sacului \u00eenot\u0103tor\ncu mu\u0219chi. Animalul se propulseaz\u0103 prin\nmi\u0219c\u0103ri de pompare \u00eenapoi, \u00een contra rezisten\u021bei mediului.\nFactorii de mediu au format-o a\u0219a cum\nse prezint\u0103 azi, precum \u00eendelunga purtare m\u0103nu\u0219ile de piele\nponosite sau rela\u021biile economice ale \u00eenc\u0103l\u021b\u0103mintelor politica firmei\ncizmarului vigilent. P\u00e2n\u0103 la urm\u0103 \u0219i caracati\u021ba e-un produs,\nr\u0103spunsul mali\u021bios al naturii la apa incompresibil\u0103\ndin sistemul de schimburi complexe\nal m\u0103rii. Dar nu e suficient s\u0103 observ\u0103m\no singur\u0103 variabil\u0103, cum ar fi, de pild\u0103,\nc\u0103 dac\u0103 pre\u021bul cre\u0219te, cererea scade.\nTrebuie s\u0103 urm\u0103rim mi\u0219carea laolalt\u0103 a unei multitudini\nde factori complec\u0219i, dansul vehement al func\u021biilor\n\u0219i curbelor, care seam\u0103n\u0103 mai degrab\u0103 cu ni\u0219te tentacule\nsc\u0103pate de sub control. Astfel, imposibilitatea\nmediului de a se schimba cere adaptare\ncontinu\u0103, exact a\u0219a cum sunetele vivace de clopo\u021bel\nale protoplasmei embrionului caracati\u021bei\nse armonizeaz\u0103 cu valurile.\n<\/pre>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Traducere \u0219i prezentare de Mih\u00f3k Tam\u00e1s<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Poeme de Z\u00c1VADA P\u00e9ter<\/p>\n","protected":false},"author":285,"featured_media":9091,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[30,27],"tags":[1906,9,157,1855],"coauthors":[1907],"class_list":["post-9088","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poezie","category-traduceri","tag-nr-7-8-9-2023","tag-poezie","tag-traduceri","tag-zavada-peter"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/11\/ZP-poza-1-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9088","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/285"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9088"}],"version-history":[{"count":3,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9088\/revisions"}],"predecessor-version":[{"id":9094,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9088\/revisions\/9094"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/9091"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9088"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9088"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9088"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=9088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}