{"id":8549,"date":"2023-09-23T10:31:50","date_gmt":"2023-09-23T07:31:50","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=8549"},"modified":"2023-09-25T09:23:47","modified_gmt":"2023-09-25T06:23:47","slug":"hajdu-tamas-cartierul-ca-santier-de-creatie","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=8549","title":{"rendered":"Hajdu Tam\u00e1s: Cartierul ca \u0219antier de crea\u021bie"},"content":{"rendered":"\n

Medic veterinar de profesie, n\u0103scut \u00een \u0218imleu Silvaniei, stabilit \u00een Baia Mare. Autodidact. Surprinz\u0103tor prin viziune \u0219i stil, Hajdu Tam\u00e1s este unul dintre cei mai activi \u0219i aprecia\u021bi fotografi \u00een arta vizual\u0103 rom\u00e2neasc\u0103. Un alchimist \u00een c\u0103utarea pietrei filozofale, care nu st\u0103 ascuns\u0103 nicidecum \u00een laboratoare regale, ci mai degrab\u0103 \u00een scara blocului sau pe aleea din vecini. Publicat \u00een Punctum<\/em> \u0219i PHOTO Magazine<\/em> (RO), Practical Photography<\/em> (UK), LensCratch<\/em> (USA), Feature Shot<\/em> (Australia), The Independent<\/em> \u0219i The Guardian<\/em> (UK), La Republica<\/em> (Italia) etc. Finalist \u0219i c\u00e2\u0219tig\u0103tor la o sumedenie de concursuri na\u021bionale \u0219i interna\u021bionale de marc\u0103 (Sony World Photography, LensCulture Exposure Awards).<\/p>\n\n\n\n

Dup\u0103 o perioad\u0103 de tatonare cu iz experimental \u00een ceea ce prive\u0219te fotografia, \u00een special cea de interior, Hajdu Tam\u00e1s migreaz\u0103 cu mare succes de la universurile liliputane \u00eenchise \u00een spa\u021biul unor tuburi de sticl\u0103 la realitatea de-afar\u0103. De la un conceptual de laborator, oarecum previzibil pentru un medic veterinar, la un ambient exterior mai pu\u021bin guvernabil. De la macro \u0219i instrumentar medical, \u00een primele sale proiecte, la fotografie de strad\u0103. Mutat cu totul \u00eentr-o alt\u0103 paradigm\u0103, \u00ee\u0219i schimb\u0103 tematica \u0219i modalitatea de expresie. Dintr-o realitate fabricat\u0103 \u0219i controlabil\u0103 trece \u0219i se fixeaz\u0103 comod \u00een concretul neprev\u0103zut \u2013 dar at\u00e2t de fertil \u2013 al str\u0103zii. Calm \u0219i f\u0103r\u0103 anestezie. \u201eVede\u201d color \u0219i face fotografie cu inser\u021bii de umor absurd uneori, \u00een spa\u021bii \u00een care pare c\u0103 nu se \u00eent\u00e2mpl\u0103 nimic: alei aproape pustii, gr\u0103dinile dintre blocuri, cur\u021bi interioare \u2013 aproape toate populate de figuri singulare aflate \u00een maxima lor reprezentare. Cartierul a devenit ast\u0103zi \u0219antierul s\u0103u de crea\u021bie.<\/p>\n\n\n

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Atent la detalii, la lucrurile m\u0103runte care se pierd \u00een (in)consisten\u021ba zilei, Hajdu Tam\u00e1s re\u00eenvie o lume r\u0103mas\u0103 prizonier\u0103 \u00een timp, at\u00e2t ca spa\u021biu eminamente fizic, c\u00e2t \u0219i ca univers cultural. Fiecare fotografie pe care o face poart\u0103 o amprent\u0103 unic\u0103 prin poveste \u0219i maniera de execu\u021bie, cea din urm\u0103 apropiat\u0103 de fotografia pe film. Istorisirile sale sunt c\u00e2nd hazlii \u0219i ironice, c\u00e2nd triste \u0219i revelatoare. Nu for\u021beaz\u0103 \u00eens\u0103 limitele \u00een nicio \u00eemprejurare. Nimic nu biciuie \u00een fotografiile sale: umorul e autentic \u0219i reconfortant, ironia e bine st\u0103p\u00e2nit\u0103, iar absurdul, tandru. Universul s\u0103u experimental nu mai e spa\u021biul \u00eenchis cu storurile trase \u0219i miros de eprubete, ci lumea din spatele blocurilor, cu multiplele ei fa\u021bete \u0219i pove\u0219ti tragi-comice.<\/p>\n\n\n\n

\u00cen aproape toate fotografiile pe care le face, Hajdu Tam\u00e1s documenteaz\u0103 o metarealitate printr-un asamblaj vizual particular, sensibil diferit de a altor fotografi, dublat de o admirabil\u0103 \u0219tiin\u021b\u0103 a secven\u021bierii unei realit\u0103\u021bi date. Dac\u0103 aceea\u0219i scen\u0103 este dat\u0103 mai multor fotografi pentru a fi reprezentat\u0103 vizual, el va vedea diferit \u0219i va alege acea \u00eencadrare care se afl\u0103 cel mai aproape de esen\u021ba locului. Adept al unei \u201ediafragme scurte\u201d, Hajdu Tam\u00e1s trece dincolo de stereotip \u0219i transform\u0103 realitatea \u00een ceva mult mai aproape de un cotidian testamentar. Despre asta este vorba \u0219i \u00een fotografiile care ilustreaz\u0103 acest num\u0103r al revistei Familia<\/em>. O serie fine art<\/em> despre via\u021ba surprinz\u0103toare \u0219i nefardat\u0103 din cartierele ora\u0219ului Baia Mare.<\/p>\n\n\n\n

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Medic veterinar de profesie, n\u0103scut \u00een \u0218imleu Silvaniei, stabilit \u00een Baia Mare. Autodidact. Surprinz\u0103tor prin viziune \u0219i stil, Hajdu Tam\u00e1s este unul dintre cei mai activi \u0219i aprecia\u021bi fotografi \u00een arta vizual\u0103 rom\u00e2neasc\u0103. Un alchimist \u00een c\u0103utarea pietrei filozofale, care nu st\u0103 ascuns\u0103 nicidecum \u00een laboratoare regale, ci mai degrab\u0103 \u00een scara blocului sau pe aleea din vecini. Publicat \u00een Punctum \u0219i PHOTO Magazine (RO), Practical Photography (UK), LensCratch (USA), Feature Shot (Australia), The Independent \u0219i The Guardian (UK), La Republica (Italia) etc. Finalist \u0219i c\u00e2\u0219tig\u0103tor la o sumedenie de concursuri na\u021bionale \u0219i interna\u021bionale de marc\u0103 (Sony World Photography, LensCulture<\/p>\n","protected":false},"author":76,"featured_media":8568,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,63],"tags":[406,155,599,1838,1812],"coauthors":[1202],"class_list":["post-8549","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-artistul-lunii","tag-arte","tag-artistul-lunii","tag-florin-sipos","tag-hajdu-tamas","tag-nr-5-2023"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/09\/Hajdu-Tamas.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/8549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8549"}],"version-history":[{"count":5,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/8549\/revisions"}],"predecessor-version":[{"id":8595,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/8549\/revisions\/8595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/8568"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8549"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=8549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}