Debutului optzecist din 1982, cu Scrisori din muzeul pendulelor<\/em>, \u00eei urmeaz\u0103 Biblioteca de os <\/em>(1991), Pietrele nimicului<\/em> (1995), Ramele Nordului<\/em> (1998), Poeme <\/em>(1999), Lumina absent\u0103<\/em> (2000), Ceremonia ruinelor <\/em>(2003), S\u00eemb\u0103ta lucrurilor<\/em> (2000), Buchetul de platin\u0103 <\/em>(2010), Locul<\/em> unde se va deschide cartea <\/em>(2011), Soare t\u0103iat cu o foarfec\u0103 <\/em>(antologie de autor, 2011), Salonul de toamn\u0103<\/em> (2013), Rafturi cu lini\u0219te <\/em>(2014), Po\u0219ta\u0219ul rural <\/em>(antologie de autor, 2015). O bibliografie nu tocmai opulent\u0103, dar marcant\u0103.<\/p>\n\n\n Volumul din anul acesta, Monede \u00een aer<\/em> (cuprinsul e \u00eemp\u0103r\u021bit \u00een sec\u021biunile: Respira\u021bie sub ap\u0103<\/em>, Avu\u021bii plutitoare<\/em> \u0219i Arhiva p\u0103ianjenului<\/em>), se \u00eenf\u0103\u021bi\u0219eaz\u0103 ca o carte mereu am\u00e2nat\u0103, poemele incluse miz\u00e2nd pe surpriz\u0103. Mottoul e o sugestie: ,,Poezia este \u00eenchiderea unei u\u0219i, l\u0103s\u00e2ndu-i pe cei care privesc prin deschiz\u0103tur\u0103 s\u0103 ghiceasc\u0103 ce s-a v\u0103zut \u00een fr\u00e2ntura aceea de clip\u0103\u2026\u201d<\/p>\n\n\n\n Poezia lui Viorel Mure\u0219an interiorizeaz\u0103 aceast\u0103 poetic\u0103 a unui fel de haiku, a unei maxime libert\u0103\u021bi de asociere lexical\u0103 \u00een timpi minimi. Acum \u00eens\u0103, poetul prefer\u0103 s\u0103 spun\u0103 pove\u0219ti stranii, doldora de suprarealism opulent, dar concentrat, dens \u00een substan\u021b\u0103 liric\u0103.<\/p>\n\n\n\n Asemeni unui olar dublat de un pictor pe faian\u021b\u0103, poetul nostru imagineaz\u0103 pove\u0219ti \u00een care personajele fac n\u0103stru\u0219nicii, deambuleaz\u0103 prin decoruri fabuloase sau, dimpotriv\u0103, printr-un cotidianism \u00een orice clip\u0103 gata a se r\u0103suci \u00een suprarealismul ecran\u00e2nd emo\u021bii \u0219i sentimente din sfera delicat\u0103 a iubirii.<\/p>\n\n\n\n Lectura e desf\u0103t\u0103toare \u0219i majoritatea poemelor sunt veritabile bijuterii lirice. Iat\u0103 c\u00e2teva exemple, luate la \u00eent\u00e2mplare: \u201ee o gar\u0103 din care pleac\u0103 o trup\u0103 de studen\u021bi\/\/ pe o \u0219in\u0103 de o\u021bel\/ \u00ee\u0219i trag umbra \u0219ubred\u0103 sub picioare\/\/ un om f\u0103r\u0103 m\u00e2ini a salutat toat\u0103 ziua\/ cu draperii negre de ciori\/\/ din ochii alba\u0219tri ai unei feti\u021be\/ doi c\u00e2ini se arunc\u0103 \u00een gol\/ cu limbile scoase\/\/ alerg\u00e2nd dup\u0103 un fluture\/ \u00eentr-o dup\u0103-amiaz\u0103 am p\u0103r\u0103sit\/ o veche fotografie de grup\u201d (Gara<\/em>), \u201east\u0103zi trebuie s\u0103-mi arunc \u00een cuptor\/ m\u00e2inile\/\/ s-ar c\u0103dea s\u0103 le \u0219i cert\/ c\u0103 \u00een lipsa mea acolo departe\/ aprindeau chibrituri \u00een sloiurile de ghea\u021b\u0103\/\/ p\u0103rea c\u0103 m\u0103tur\u0103 podul unei biserici\/ c\u00e2nd se h\u00e2rjoneau\/ arunc\u00e2ndu-\u0219i lovituri de ciocan\/\/ azi-noapte le-am aflat\/ trimi\u021b\u00e2nd cu pra\u0219tia stele \u00een ap\u0103\/\/ le a\u0219tept s\u0103 tac\u0103\/ s\u0103 fie perne purtate de v\u00e2nt\/ din care cad viermi. (Arhiva p\u0103ianjenului<\/em>). Fire\u0219te, acest \u201e\u00een lipsa mea\u201d care vrea s\u0103 dea impresia c\u0103 suprarealismul este, totu\u0219i, o vorbire ocupat\u0103 s\u0103 redea cu \u201eobiectivitate\u201d realit\u0103\u021bile l\u0103untrice este un artificiu de momit cititorul n\u0103r\u0103vit la \u201epove\u0219ti\u201d epice cu \u201eeroi\u201d de uz personal.<\/p>\n\n\n C\u00e2t prive\u0219te cartea de comentarii critice Poarta de filde\u0219<\/em>, o not\u0103 orienteaz\u0103 direc\u021bia dinspre care vin textele: \u201eTextele din acest volum au ap\u0103rut \u00een revistele Caiete Silvane<\/em> (Zal\u0103u), Familia <\/em>(Oradea), Vatra<\/em> (Tg. Mure\u0219), Steaua<\/em> (Cluj-Napoca) \u0219i Avalon<\/em> (Cluj-Napoca).\u201d Textul liminar (Din biblioteca lui Don Quijote<\/em>) deconspir\u0103 \u0219i o autoevaluare: \u201eCondi\u021bia mea de cititor de poezie, care, \u00een fuga creionului, las\u0103 \u0219i c\u00e2teva \u00eensemn\u0103ri pe marginea paginii, m\u0103 a\u0219tepta de mult\u0103 vreme exprimat\u0103 \u0219i pitit\u0103, acolo unde nici n-a\u0219 fi crezut, \u00eentr-un minuscul roman al lui Hermann Hesse: \u00ab\u00cenc\u0103 de mic copil avusesem din c\u00e2nd \u00een c\u00e2nd \u00eenclina\u021bia de a privi forme bizare ale naturii, nu cercet\u00e2ndu-le, ci d\u0103ruindu-m\u0103 farmecului lor specific, limbajului lor \u00eentortocheat \u0219i ad\u00e2nc. R\u0103d\u0103cini lungi \u0219i lemnoase de copac, vini\u0219oare colorate \u00een pietri\u0219, pete de ulei plutind pe ap\u0103, plesnituri \u00een sticl\u0103, toate lucrurile de felul \u0103sta m\u0103 vr\u0103jiser\u0103 la vremea aceea din cale-afar\u0103, mai cu seam\u0103 fumul, norii, praful \u0219i \u00eendeosebi petele rotunde de culoare pe care le vedeam c\u00e2nd \u00eenchideam ochii.\u00bb Da, bine, ve\u021bi putea spune, nic\u0103ieri \u00een aceste fraze nu a fost vorba de poezie. \u0218i eu r\u0103m\u00e2n mirat cum \u00een r\u00e2ndurile lui Hesse au \u00eenc\u0103put at\u00e2t de multe din uitarea de sine, gesturile \u0219i voluptatea cu care m\u0103 iau la tr\u00e2nt\u0103 cu ni\u0219te semne.\u201d<\/p>\n\n\n\n Partea I, De-ale poe\u021bilor<\/em>, cuprinde cronici la c\u0103r\u021bile recente ale unui num\u0103r apreciabil de autori selecta\u021bi dup\u0103 gustul \u0219i interesul recenzentului; partea a II-a, cronici ale c\u0103r\u021bilor de critic\u0103 literar\u0103, mai pu\u021bine, semnate de Al. Cistelecan, Nicolae Coande, Dinu Fl\u0103m\u00e2nd, Andreea H. Hede\u0219, Daniel Mo\u0219oiu, Mircea Mo\u021b, Ion Mure\u0219an, Nicolae Oprea \u2013 unii dintre ace\u0219tia, poe\u021bi-comentatori.<\/p>\n\n\n\n Gabriel Co\u0219oveanu sintetizeaz\u0103 calit\u0103\u021bile de comentator ale lui Viorel Mure\u0219an: \u201e\u00cen postura de critic, echinoxistul Viorel Mure\u0219an atest\u0103 c\u00e2teva atribute imediat vizibile: temperan\u021b\u0103, buna strunire a frazei, mi\u0219carea \u00een interiorul unor genera\u021bii \u0219i tendin\u021be pe care le cunoa\u0219te temeinic \u0219i, nu \u00een ultimul r\u00e2nd, un fel de sf\u0103to\u0219enie tipic\u0103 zonei pe care o reprezint\u0103, mai ales dac\u0103 \u021binem seama c\u0103 are ascenden\u021b\u0103 maramure\u0219ean\u0103. Poetului din el \u00eei face ne\u00eendoios pl\u0103cere s\u0103-i promoveze pe confra\u021bii stihuitori, \u0219i nu ne mir\u0103m c\u0103 peste dou\u0103 sute de pagini reprezint\u0103 comentarii la volume ap\u0103rute mai ales \u00een ultimii ani.\u201d<\/p>\n\n\n\n Tot astfel nu m\u0103 mir, \u00een ce m\u0103 prive\u0219te, c\u0103 Viorel Mure\u0219an devine acum unul dintre titularii unei rubrici \u00een Rom\u00e2nia literar\u0103<\/em> (revista cea mai important\u0103 a Uniunii Scriitorilor), iar cititorii vor c\u0103uta cu tot interesul s\u0103 o frecventeze. Succes \u0219i felicit\u0103ri, Vio! <\/p>\n","protected":false},"excerpt":{"rendered":" La Viorel Mure\u0219an, izvoarele creativit\u0103\u021bii \u00ee\u0219i extrag energia din acela\u0219i strat freatic. Poetul \u0219i comentatorul de poezie sunt deopotriv\u0103 instrui\u021bi, dovedindu-se temeinici \u0219i aviza\u021bi cunosc\u0103tori ai poeziei contemporane, rom\u00e2ne \u0219i str\u0103ine. Iat\u0103 c\u0103, dup\u0103 o foarte lung\u0103 perioad\u0103, poetul revine \u00een actualitatea editorial\u0103 cu un volum nou \u2013 Monede \u00een aer. Lectura acestuia e d\u0103t\u0103toare de delicii lirice. Autorul practic\u0103 o formul\u0103 liric\u0103 \u00een care expresionismul marilor cavaleri ai rumina\u021biei metafizice (Rilke, Trakl, Stefan George, Paul Celan) se conjug\u0103 cvasi-alchimic cu suprarealismul mereu-substan\u021bial al lui Gellu Naum. Ca \u00eentr-o melopee elegiac\u0103, halucinante diaporame ale melancoliei, caligrafiate de un japonez transilv\u0103nean<\/p>\n","protected":false},"author":4,"featured_media":8145,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[56,52],"tags":[106,8,1788,68,1795],"coauthors":[1219],"class_list":["post-8144","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poeti-in-carti","category-rubrici","tag-cronica-literara","tag-ioan-moldovan","tag-nr-4-2023","tag-poeti-in-carti","tag-viorel-muresan"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/08\/Viorel-Muresan-Monede-in-aer-coperta-1-1536x759-1.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/8144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8144"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/8144\/revisions"}],"predecessor-version":[{"id":8485,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/8144\/revisions\/8485"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/8145"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8144"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=8144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/08\/Viorel-Muresan-Monede-in-aer-coperta-1-1536x759-1.jpg\")
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