{"id":8079,"date":"2023-07-29T16:02:54","date_gmt":"2023-07-29T13:02:54","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=8079"},"modified":"2023-07-29T16:02:58","modified_gmt":"2023-07-29T13:02:58","slug":"jurnalul-de-insingurare","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=8079","title":{"rendered":"Jurnalul de \u00eensingurare"},"content":{"rendered":"
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Dac\u0103 l-ar putea scrie, fiecare poet ar scrie un singur poem (Poemul, cum ar veni). Se pare \u00eens\u0103 c\u0103 acel poem nu se las\u0103 scris de nimeni a\u0219a \u00eenc\u00eet poe\u021bii scriu mereu fragmente aproximative din el, chiar \u00een ideea aproxima\u021biei. Nici Leti\u021bia Ilea, cu toate c\u0103 \u0219i-a propus anume, n-a putut scrie Un singur poem <\/em>(Editura Limes, Flore\u0219ti, 2022) dec\u00eet adun\u00eend buc\u0103\u021bi din el \u0219i asambl\u00eendu-le \u00eentr-un miraj creativ \u0219i \u00eentr-un jurnal de \u00eensingurare. Acum Leti\u021bia scrie, zice Irina Petra\u0219 pe copert\u0103, cu o \u201eparadoxal\u0103 senin\u0103tate \u00een restri\u0219te\u201d. Dar n-a fost Leti\u021bia at\u00eet de consolat\u0103 \u00een restri\u0219tea ei cum a ajuns acum. La \u00eenceput, dac\u0103 ne lu\u0103m dup\u0103 Ion Pop (\u0219i de ce nu?), f\u0103cea \u201efigur\u0103 de t\u00een\u0103r furios<\/em>\u201d, \u00eenainte de a desf\u0103\u0219ura un \u201eevantai de ipostaze ale eului vulnerabil\u201d (Echinox, vocile poeziei, <\/em>Tribuna, 2008, pp. 313, 317). Sau, cu vorbele lui Mircea A. Diaconu, construind \u201eo fenomenologie a unei identit\u0103\u021bi \u00een criz\u0103\u201d (Biblioteca rom\u00e2n\u0103 de poezie postbelic\u0103, <\/em>Universitatea \u201e\u0218tefan cel Mare\u201d, 2016, p. 340). To\u021bi tinerii furio\u0219i s\u00eent sup\u0103ra\u021bi pe lume pentru c\u0103 nu-i las\u0103 s\u0103 tr\u0103iasc\u0103 a\u0219a cum ar vrea ei (de\u0219i nici ei nu \u0219tiu cum ar vrea) \u0219i pentru c\u0103 le limiteaz\u0103 condi\u021bia la una de lag\u0103r. Str\u00eeng astfel un sac de irit\u0103ri \u0219i resentimente \u0219i dau vina pe lume c\u0103-i nedreapt\u0103 \u0219i ur\u00eet\u0103 \u2013 \u0219i moral, \u0219i estetic. Dau vina \u0219i pe poezie, deoarece aceasta nu-\u0219i respect\u0103 contractul cu adev\u0103rul \u0219i prezint\u0103 ca \u201efrumoas\u0103\u201d o via\u021b\u0103 cum nu se poate mai ur\u00eet\u0103 \u0219i mai nesuferit\u0103. Poezia trebuie s\u0103 fie \u00een consonan\u021b\u0103 cu via\u021ba \u0219i nu s\u0103 fardeze realitatea. Ea are cu adev\u0103rul existen\u021bial o rela\u021bie de-a dreptul tautologic\u0103 \u0219i, prin urmare, nu-i cazul de zorzoane, \u00eenflorituri \u0219i idilice. \u0218i Leti\u021bia a f\u0103cut procesul poeziei \u00een m\u0103sura \u00een care a f\u0103cut procesul lumii, scriind pamflete la real \u0219i vituper\u00eend din mijlocul unei condi\u021bii umane reduse la morfologia \u201e\u021bip\u0103tului\u201d. Iulian Boldea zice c\u0103 Leti\u021bia lucreaz\u0103 la o \u201earheologie a sinelui\u201d (Poe\u021bi rom\u00e2ni postmoderni, <\/em>Ardealul, 2006, p. 316), dar \u201esinele\u201d ei nu e dec\u00eet un \u021bip\u0103t (chiar are o poezie intitulat\u0103 \u201eArheologia \u021bip\u0103tului\u201d, un fel de rezumat biografic). Furie, irit\u0103ri, denun\u021buri s\u00eent materialele de \u00eenceput, dar p\u00een\u0103 la urm\u0103, lumea\/via\u021ba fiind mai tare, poe\u021bii trec la decep\u021bionisme \u0219i la comp\u0103timirea de sine, consol\u00eendu-se \u00een final cu ce-au avut \u0219i cu ce le-a r\u0103mas \u2013 adic\u0103 nimic. Bine\u00een\u021beles, pe tot acest traseu poetul r\u0103m\u00eene victim\u0103, criteriu al purit\u0103\u021bii \u0219i cur\u0103\u021beniei morale, o excep\u021bie \u00eentr-o lume detracat\u0103 la toate nivelurile. Ion Pop a marcat etapele acestui drum care devine tot mai funest, iar de la Blues<\/em>-ul pentru cai verzi<\/em> din 2010 \u2013 drum de agonie pur\u0103.<\/p>\n\n\n\n

Cine e \u00eens\u0103 de vin\u0103 pentru aceast\u0103 rela\u021bie tensionat\u0103 \u0219i conflictual\u0103 dintre poet \u0219i lume? Lumea, fire\u0219te. Dar nu e de tot sigur, c\u0103ci iat\u0103 ce m\u0103rturise\u0219te Leti\u021bia: \u201eunde era soare eu am v\u0103zut furtuna\/ unde era rod am v\u0103zut \u00eentotdeauna\/ creanga despuiat\u0103 de \u00eenghe\u021b\u201d (Privirea<\/em>). Convertirea negativ\u0103 a lumii pare a fi un program al resentimentului. Aceast\u0103 privire sensibil\u0103 numai la traume \u0219i care reduce lumea la registrul supliciului poate fi ea de vin\u0103 pentru \u00eenf\u0103\u021bi\u0219area atroce a lumii. \u0218i mai e un vinovat, nu mai pu\u021bin decisiv: poezia, \u00eentruc\u00eet \u201edac\u0103 n-ai fi scris\/ \u00een via\u021ba ta niciun poem\/ ai fi v\u0103zut \u0219i tu\/ doar jum\u0103tatea plin\u0103 a paharului\u201d etc. (Dac\u0103 n-ai fi scris<\/em>). \u0218i a\u0219a iese din ascuns fondul romantic al unei poete de denun\u021buri ontologice pentru care voca\u021bia e blestem crunt, devorator de via\u021b\u0103. \u0218i pentru care poezia e voca\u021bie criminal\u0103: \u201edar vine o zi\/ c\u00eend vei fi spus toate\/ chiar toate cuvintele potrivite\/ silabele ie\u0219indu-\u021bi din gur\u0103 ca \u00een vis\/ cu tot cu din\u021bi\/\/ o zi c\u00eend cartea se-nchide\/ strivindu-te \u00eentre coper\u021bi\/ ca pe un fluture de noapte r\u0103t\u0103cit\u201d (Vine o zi<\/em>). Jertfelnicul romantic apare \u00een toate competen\u021bele sale.<\/p>\n\n\n\n

Nu \u0219tiu dac\u0103 atunci c\u00eend a zis-o Octavian Soviany \u2013 numind-o pe Leti\u021bia \u201eo minimalist\u0103 purs\u00eenge<\/em>\u201d (Cinci decenii de experimentalism. II, <\/em>Casa de pariuri literare, 2011, p. 43) \u2013 era chiar a\u0219a, dar acum, cu acest jurnal, poate revendica pe drept un asemenea titlu. E o poezie despuiat\u0103 de orice preten\u021bie imaginativ\u0103 \u0219i \u201eexpresiv\u0103\u201d, redus\u0103 doar la confesiunea nud\u0103: \u201eei te ascult\u0103 cu un aer distrat\/ c\u00eend pomene\u0219ti de vreo suferin\u021b\u0103 de-a ta\/ apoi pun o \u00eentrebare ce dezv\u0103luie\/ c\u0103 de fapt n-au ascultat nimic\/ totu\u0219i \u00eei cau\u021bi\/ asemeni mu\u0219tei ce zboar\u0103\/ \u00eenspre p\u0103ianjenul ce o va ucide\/ \u00ab<\/strong>ce dup\u0103-amiaz\u0103 pl\u0103cut\u0103\/ ce \u00eent\u00eelnire reu\u0219it\u0103 c\u00eet m\u0103 bucur\u00bb<\/strong>\/ spui \u0219i \u00eentre timp \u00een camera ta a ap\u0103rut\/ o nou\u0103 fisur\u0103 \u00een tencuial\u0103\/ \u00een inim\u0103 o nou\u0103 durere\/ ce nu va fi spus\u0103\/ \u0219i azi ai ratat ceva\/ \u0219i asta se adaug\u0103 vie\u021bii tale\/ cum cre\u0219te rana s\u0103pat\u0103 de vierme\/ \u00eentr-un fruct necopt\u201d (\u00cent\u00eelniri<\/em>). Chiar via\u021ba<\/em>, a\u0219a cum a ajuns ea acum, populat\u0103 doar de absen\u021be \u0219i tr\u0103it\u0103 ca doliu \u0219i a\u0219teptare, e ceea ce scrie Leti\u021bia. Senin\u0103tatea acestei confesiuni brute are ceva atroce, neiert\u0103tor. Examenul biografic, la fel ca \u0219i cel cotidian, relev\u0103 doar pustiul. Nu exist\u0103 lupt\u0103tor mai \u00eenvins \u0219i mai p\u0103r\u0103sit dec\u00eet Leti\u021bia.<\/p>\n","protected":false},"excerpt":{"rendered":"

Carnete critice de Al. Cistelecan<\/p>\n","protected":false},"author":7,"featured_media":8081,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[376,52],"tags":[82,375,1791,1788],"coauthors":[1120],"class_list":["post-8079","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carnete-critice","category-rubrici","tag-al-cistelecan","tag-carnete-critice","tag-letitia-ilea","tag-nr-4-2023"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/07\/Letitia_Ilea.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/8079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8079"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/8079\/revisions"}],"predecessor-version":[{"id":8083,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/8079\/revisions\/8083"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/8081"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8079"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=8079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}