{"id":7742,"date":"2023-06-08T16:54:55","date_gmt":"2023-06-08T13:54:55","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=7742"},"modified":"2023-06-08T16:55:04","modified_gmt":"2023-06-08T13:55:04","slug":"calcand-peste-sarea-uitarii","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=7742","title":{"rendered":"C\u0103lc\u00e2nd peste sarea uit\u0103rii"},"content":{"rendered":"
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Yasmina Khadra, Le sel de tous les oublis<\/em>, Julliard, 2020<\/figcaption><\/figure>\n<\/div>\n\n\n

Scriitorul Yasmina Khadra are 68 de ani. E algerian, exilat \u00een Fran\u021ba din 2001. Cum \u0219i-a ales acest pseudonim, care te determin\u0103 s\u0103 crezi c\u0103 e vorba de o scriitoare? A \u00eemprumutat prenumele so\u021biei, care semna contracte cu editorii, atunci c\u00e2nd el era re\u021binut de Comitetul de cenzur\u0103 militar\u0103. La noi \u00een \u021bar\u0103, i-au fost traduse romanele Atentatul<\/em>, Ceea ce ziua datoreaz\u0103 nop\u021bii<\/em>, Sirenele Bagdadului<\/em>. Am avut \u0219ansa s\u0103 citesc mult mai multe \u00een francez\u0103. Chiar recent m-am delectat cu Le sel de tous les oublis<\/em> (Sarea tuturor uit\u0103rilor<\/em>; Julliard, 2020).<\/p>\n\n\n\n

Suntem \u00een Algeria anului 1963. R\u0103nile r\u0103zboiului mai dor, la fel \u0219i discriminarea femeii. Adem e \u00eenv\u0103\u021b\u0103tor. \u00cen ziua \u00een care so\u021bia pleac\u0103 de la el pentru un altul, el \u00ee\u0219i p\u0103r\u0103se\u0219te elevii \u0219i porne\u0219te \u00een lume s\u0103 uite vidul imens. \u00cen ciuda educa\u021biei sale, Adem se complace \u00een suferin\u021b\u0103. Supravie\u021buie\u0219te generozit\u0103\u021bii altora \u0219i nu dore\u0219te apropieri amicale. Pa coperta c\u0103r\u021bii sunt umbrele lui Don Quijote \u0219i Sancho Panza. Exact: Adem \u0219i piticul Mika, care devine un \u00eenger p\u0103zitor, amintind adesea de Micul prin\u021b<\/em>. Plecarea lui Adem \u00een lume \u00eenseamn\u0103 a ie\u0219i din zona de confort, a deveni un marginal, un\u2026 antierou. Drumuri, alcool, azil psihiatric, totul f\u0103r\u0103 un scop precis, refuz\u00e2nd m\u00e2inile \u00eentinse. Mereu se complace \u00een suferin\u021b\u0103. Mizantropie \u0219i nevoie de singur\u0103tate. Totu\u0219i, Adem are un caiet \u00een care noteaz\u0103, \u201epicteaz\u0103\u201d lumea pe care o str\u0103bate. \u00cen partea a doua a romanului, se \u00eendr\u0103goste\u0219te de Hedda. Piticul Mika ur\u0103\u0219te lumea, dar profit\u0103 de via\u021b\u0103. \u00cel \u00eenva\u021b\u0103 pe Adem retragerea \u00een natur\u0103, c\u0103lc\u00e2nd pe sarea uit\u0103rii. Unde sunt visele? Nu cumva ne cheltuim \u00een nimicuri \u0219i neglij\u0103m esen\u021bialul? Ca \u00een Alchimistul <\/em>lui Coelho, oamenii caut\u0103 departe ceea ce, de fapt, e aproape de ei. O medita\u021bie despre desp\u0103r\u021bire, despre locul pe care \u00eel ocup\u0103 femeile \u00een societ\u0103\u021bile obtuze. \u0218i atunci unde e locul lui Adem? Libertatea \u00eenseamn\u0103 drumul? A tr\u0103i precum v\u00e2ntul, a merge \u00een locuri diferite, uit\u00e2nd apoi totul? Un labirint uman ca \u00een Hanu-Ancu\u021bei<\/em>, poate, sau chiar 1001 de nop\u021bi<\/em>.<\/p>\n\n\n\n

Romanul constituie \u0219i o reflec\u021bie despre dificultatea Algeriei de a se rupe de trecutul s\u0103u. Yasmina Khadra e un povestitor f\u0103r\u0103 pereche, cu empatie pentru personajele sale, altern\u00e2nd scene dramatice cu fior de poezie, incluz\u00e2nd fapte istorice, sociale, politice, dar \u0219i tradi\u021bii, prezent\u00e2nd arhetipuri ale societ\u0103\u021bii epocii.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cartea str\u0103in\u0103 de Alexandru Jurcan<\/p>\n","protected":false},"author":208,"featured_media":7743,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[550,52],"tags":[1417,551,1692],"coauthors":[1416],"class_list":["post-7742","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cartea-straina","category-rubrici","tag-alexandru-jurcan","tag-cartea-straina","tag-nr-3-2023"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/06\/Yasmina-Khadra-\u2013-Le-Sel-de-tous-les-oublis-2020.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7742"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7742\/revisions"}],"predecessor-version":[{"id":7744,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7742\/revisions\/7744"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/7743"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7742"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=7742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}