{"id":7133,"date":"2023-04-04T12:14:20","date_gmt":"2023-04-04T09:14:20","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=7133"},"modified":"2023-04-04T12:14:27","modified_gmt":"2023-04-04T09:14:27","slug":"a-dormi-intr-un-muzeu","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=7133","title":{"rendered":"A dormi \u00eentr-un muzeu"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/04\/le-parfum-des-fleurs-670x1024.jpeg\" alt=\"\" class=\"wp-image-7134\" width=\"503\" height=\"768\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/04\/le-parfum-des-fleurs-670x1024.jpeg 670w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/04\/le-parfum-des-fleurs-196x300.jpeg 196w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/04\/le-parfum-des-fleurs-480x734.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/04\/le-parfum-des-fleurs.jpeg 696w\" sizes=\"auto, (max-width: 503px) 100vw, 503px\" \/><\/figure>\n<\/div>\n\n\n<p>Da, e o idee cumva inedit\u0103&#8230; s\u0103 dormi \u00eentr-un muzeu. Suntem \u00een cartea scris\u0103 de Le\u1f34la Slimani&nbsp; &#8211; <em>Le parfum des fleurs la nuit\/Parfumul florilor noaptea<\/em>, Gallimard, 2021. Autoarea s-a remarcat prin premiul Goncourt din 2016, pentru romanul <em>La chanson douce.<\/em><\/p>\n\n\n\n<p>\u00cen <em>Parfumul&#8230; <\/em>totul \u00eencepe cu criza de inspira\u021bie, cu starea flaubertian\u0103 de <em>les affres de la cr\u00e9ation. <\/em>\u00centr-adev\u0103r, scrisul necesit\u0103 o oarecare disciplin\u0103 \u0219i \u00eenseamn\u0103 a renun\u021ba la bucuriile cotidianului. Autoarea \u0219tie c\u0103 trebuie s\u0103 spui NU telefoanelor, vizitelor, propunerilor, chiar dac\u0103 vei fi numit un mizantrop notoriu. Trebuie s\u0103 te concentrezi, s\u0103 rezi\u0219ti tenta\u021biilor. A scrie \u00eenseamn\u0103 \u201ea descoperi libertatea\u201d. C\u00e2nd Tolstoi nu avea inspira\u021bie, afirma c\u0103 \u201eAnna Karenina a plecat&#8230;\u201d.<\/p>\n\n\n\n<p>Slimani e cople\u0219it\u0103 de grijile cotidiene \u0219i nu are inspira\u021bie. Editoarea sa \u2013 Alina \u2013 \u00eei propune s\u0103 stea \u00eenchis\u0103 o noapte \u00een muzeul de art\u0103 contemporan\u0103 din Vene\u021bia. Mitul scriitorului \u201ehors du monde\u201d, care dore\u0219te o izolare perfect\u0103 pentru a crea. C\u00e2nd scria <em>Chanson douce<\/em>, Slimani s-a retras \u00een Normandia. F\u0103r\u0103 telefon, m\u00e2nc\u00e2nd pe apucate, \u00een dezordinea cresc\u00e2nd\u0103 a camerei. Poate c\u0103 literatura const\u0103 \u00eentr-un \u201eerotism al lini\u0219tii\u201d. Iat\u0103 c\u0103 ajunge la Vene\u021bia, unde remarc\u0103 nebunia miilor de turi\u0219ti, mereu interesa\u021bi de poze, de a marca locurile \u00een grab\u0103, f\u0103r\u0103 a sesiza spiritul localit\u0103\u021bii, nici latura uman\u0103. Portarul muzeului o prime\u0219te \u0219i \u00eei d\u0103 primele informa\u021bii. La etaj, patul portocaliu. Pentru ea, muzeul r\u0103m\u00e2ne o emana\u021bie a culturii occidentale, un spa\u021biu elitist. Totu\u0219i se plimb\u0103 prin muzeu, f\u0103r\u0103 a fi convins\u0103 de perenitatea acelor opere de art\u0103. G\u00e2ndul \u00eei zboar\u0103 mereu la actul scrierii, de\u0219i crede c\u0103 a scrie \u00eenseamn\u0103 \u201eexperien\u021ba unui continuu e\u0219ec\u201d. Apoi spaima ei de a prinde r\u0103d\u0103cini, de a deveni \u201eproprietar\u201d. Tolstoi a fugit de acas\u0103 la finalul vie\u021bii spre o destina\u021bie necunoscut\u0103 \u0219i a murit \u00een camera unui \u0219ef de gar\u0103. Familia a primit o lad\u0103 imens\u0103 pe care scria&#8230; \u201ecadavru\u201d. Slimani crede c\u0103 frumuse\u021bea a murit, sacrificat\u0103 pe altarul banului. Vene\u021bia agonizeaz\u0103, dar \u0219i Notre-Dame, s\u0103tul\u0103 de at\u00e2\u021bia vizitatori, \u00eenc\u00e2t a devenit un obiect turistic de consum. Religia? Dac\u0103 nu mai crezi \u00een nimic, r\u0103m\u00e2ne literatura, care nu va muri niciodat\u0103. Scriitoarea s-a n\u0103scut \u00een Maroc \u0219i evoc\u0103 mereu trecutul \u0219i obiceiurile de-acolo, unde oamenii sunt resemna\u021bi, \u0219tiind c\u0103 nimic nu dureaz\u0103, c\u0103 totul va disp\u0103rea, c\u0103 prezen\u021ba omului \u00een lume e efemer\u0103. Da, oamenii accept\u0103 greu cruzimea hazardului, se revolt\u0103, caut\u0103 un sens, un semn, o explica\u021bie.<\/p>\n\n\n\n<p>Ce face, deci, Slimani \u00een muzeu? O invadeaz\u0103 trecutul, r\u0103d\u0103cinile, familia, copil\u0103ria. Intuia oare editoarea c\u0103 muzeul va declan\u0219a introspec\u021bii, asocia\u021bii, reflec\u021bii inedite? Revin amintiri, odat\u0103 cu fantomele trecutului. O doare \u0219i acum nedreptatea f\u0103cut\u0103 tat\u0103lui s\u0103u (\u00eentemni\u021bat pe nedrept). Paginile efervescente despre rela\u021bia controversat\u0103 cu tat\u0103l amintesc de Kafka. &nbsp;Dar literatura nu red\u0103 realul, ci acoper\u0103 lacune, a\u0219a crede scriitoarea. A scrie \u00eenseamn\u0103 a corecta memoria. Destinul celorlal\u021bi o fascineaz\u0103. Colec\u021bia Pinault din muzeu na\u0219te o magie: construirea unui pod \u00eentre literatur\u0103 \u0219i operele de art\u0103 de acolo.<\/p>\n\n\n\n<p>Ora trei spre diminea\u021b\u0103. Ea continu\u0103 s\u0103 viziteze muzeul, \u00een vechea cl\u0103dire Douane, dat\u00e2nd din secolul al \u0219aptesprezecelea. Ea, care se simte bine \u00een Fran\u021ba, venind din Maroc, \u0219tie c\u0103 navigheaz\u0103 mereu \u00eentre Orient \u0219i Occident, asemenea instabilit\u0103\u021bii Vene\u021biei. Pentru ea, a scrie devine un act reparatoriu, vrea s\u0103 domoleasc\u0103 toate infamiile: cele ale familiei \u0219i ale poporului s\u0103u. A scrie \u00eenseamn\u0103 a decela secretele indicibile ale lumii reale.<\/p>\n\n\n\n<p>Cartea de fa\u021b\u0103 e un omagiu adus literaturii, \u00een consens cu libertatea interioar\u0103 a scriitorului. Pe Slimani o seduce ideea de claustrare efemer\u0103, ca s\u0103 poat\u0103 ajunge \u00een suflul visceral al literaturii.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cartea str\u0103in\u0103 de Alexandru Jurcan<\/p>\n","protected":false},"author":208,"featured_media":7134,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[550],"tags":[1417,551,1579],"coauthors":[1416],"class_list":["post-7133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cartea-straina","tag-alexandru-jurcan","tag-cartea-straina","tag-nr-1-2023"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/04\/le-parfum-des-fleurs.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7133"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7133\/revisions"}],"predecessor-version":[{"id":7136,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7133\/revisions\/7136"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/7134"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7133"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=7133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}