{"id":7106,"date":"2023-03-28T15:04:57","date_gmt":"2023-03-28T12:04:57","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=7106"},"modified":"2023-03-28T15:05:03","modified_gmt":"2023-03-28T12:05:03","slug":"girl-on-fire","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=7106","title":{"rendered":"Girl on Fire"},"content":{"rendered":"
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Ioana Vintil\u0103, bunc\u0103rul de origami<\/em>, Casa de Editur\u0103 Max Blecher, Bistri\u021ba, 2022<\/figcaption><\/figure>\n<\/div>\n\n\n

F\u0103r\u0103 prea mult zgomot se consum\u0103, cel pu\u021bin p\u00e2n\u0103 acum, revenirea Ioanei Vintil\u0103 \u00een poezie. Cu aceea\u0219i nelini\u0219te \u0219i un discurs vorace-anxios, bunc\u0103rul de origami<\/em> (Casa de Editur\u0103 Max Blecher, 2022) e un soi de cazemat\u0103 de unde \u00ee\u0219i proiecteaz\u0103 viziunile pline de for\u021b\u0103 \u0219i atac\u0103 tot ce \u00eei iese \u00een cale. La cinci ani distan\u021b\u0103 fa\u021b\u0103 de debutul din P\u0103s\u0103ri \u00een furtuna de nisip<\/em> (Casa de Editur\u0103 Max Blecher, 2018), poeta \u0219i-a mai lucrat \u00eentre timp metodele; bunc\u0103rul<\/em> e, \u00eentr-un fel, sora mai mare, ceva mai trecut\u0103 prin via\u021b\u0103 \u0219i mai rafinat\u0103, a P\u0103s\u0103rii<\/em>, un volum care func\u021bioneaz\u0103 foarte bine \u00eentr-un registru pu\u021bin \u00eent\u00e2lnit la al\u021bi poe\u021bi tineri, \u0219i anume unul \u00een acela\u0219i timp exterminator \u0219i delicat, ghidat de suficient\u0103 maturitate \u00eenc\u00e2t s\u0103 canalizeze foarte bine astea dou\u0103 impulsuri esen\u021biale.<\/p>\n\n\n\n

Ioana Vintil\u0103 scrie aici (o f\u0103cea \u0219i la debut, dar poate nu at\u00e2t de evident) o poezie care e un melanj \u00eentre incisivitatea filmelor lui I\u00f1\u00e1rritu (prima lui perioad\u0103) & melancolia ironic\u0103 a vis\u0103torilor realist-viscerali\u0219ti din Detectivii s\u0103lbatici<\/em>. Spiritul \u0103sta tulbure treneaz\u0103 peste toate sferele de interes ale plachetei; ea pare, la \u00eenceput, c\u0103 vrea s\u0103 vorbeasc\u0103 despre tot, c\u0103 textele nu au o unitate, ci mizeaz\u0103, mai degrab\u0103, pe impactul loviturii; treptat, se decanteaz\u0103 tot mai clar un discurs al fragilit\u0103\u021bii, bine mascat sub terminologia inginereasc\u0103 (folosit\u0103 cu maxim\u0103 eficien\u021b\u0103) & un imaginar al micilor \u0219i marilor dezastre, pe o scar\u0103 care merge de la personal, de la poemele care recupereaz\u0103 micile biografii latino (vezi pictogramele degrad\u0103rii din poemele ochii Omayrei S\u00e1nchez \u00een pia\u021ba San Pietro<\/em>, ce-ai f\u0103cut, Mauricio<\/em>, \u0219i, mai ales, rug\u0103ciune pentru Luc\u00eda & Chiara<\/em>, una dintre cele mai puternice \u201epiese\u201d ale c\u0103r\u021bii, care e \u0219i-un bun indicator pentru direc\u021bia \u00een care poate merge experimentul Ioanei Vintil\u0103 \u00een acest volum), la poemele dedicate tat\u0103lui, de o fragilitate special\u0103, \u0219i p\u00e2n\u0103 spre o zon\u0103 mai general\u0103 (cum merge lumea asta, direc\u021bia ei \u0219i-o critic\u0103 social\u0103 implicit\u0103, care \u00eei reliefeaz\u0103 cinismul).<\/p>\n\n\n\n

Chiar cu toat\u0103 partitura asta tematic\u0103 generoas\u0103, atitudinea general\u0103 \u2013 \u0219i ceea ce o deosebe\u0219te de debut \u2013 e un fel anume de a se raporta la poezie, \u00eentr-un mod mult mai asumat, fire\u0219te, cum e de a\u0219teptat la un al doilea volum, \u0219i cu o energie a pozi\u021bion\u0103rii care se vede la tot pasul. Sub forma gestului virulent \u2013 textul ei se ia la tr\u00e2nt\u0103 cu tot, e cuprins de o energie a demol\u0103rii de necontestat \u2013 se ascunde, mai degrab\u0103, a\u0219 zice, un soi de elan cultural, o form\u0103 de radicalizare poetic\u0103, prin care Ioana Vintil\u0103 \u00ee\u0219i define\u0219te & individualizeaz\u0103 demersul de fa\u021b\u0103. E drept, \u00eel mascheaz\u0103 bine, a\u0219a cum o face \u0219i \u00eentr-un text ca \u0103sta nu e un poem de dragoste<\/em>, pe care \u00eel prefa\u021beaz\u0103 cu mult\u0103 (auto)luciditate \u2013 \u201epoemele de dragoste prind cel mai bine\u201d \u2013, pe un care \u00eel construie\u0219te apoi cu inteligen\u021b\u0103 pe un fir al anxiet\u0103\u021bii & al locului c\u0103ldu\u021b pe care \u00eel g\u0103se\u0219te \u00een cuplu, \u00een ciuda tezei anun\u021bat\u0103 ini\u021bial \u00een titlu: \u201edintre toate, doar dragostea a fost bun\u0103 cu mine. te-am\/ avut de la \u00eenceput, complet. simt c\u0103 ar fi imposibil s\u0103 fii cu\/ dorin\u021bele \u00een al\u0103 parte. c\u0103 \u00ee\u021bi simt bun\u0103tatea ca pe o p\u0103tur\u0103\/ flau\u0219at\u0103, \u00eenvelindu-m\u0103 str\u00e2ns, str\u00e2ns, mai ales c\u00e2nd logic\/ ar fi s\u0103 te \u021bii c\u00e2t mai departe. s\u0103 simplifici. s\u0103 ai lini\u0219te pe\/ care s-o umpli cu muzica ta \u0219i at\u00e2t. s\u0103 dormi nop\u021bile f\u0103r\u0103\/ s\u0103 te \u00eengrijorezi de v\u00e2rtejul din capul meu, de picioru\u0219e\/ care \u021bes imagini ce m\u0103-nsp\u0103im\u00e2nt\u0103, glazurate de lumina\/ alburie de la 4 a.m. s\u0103-mi sim\u021bi \u00eembr\u0103\u021bi\u0219\u0103rile f\u0103r\u0103 tremurat\/\/ \u00een schimb, tragi draperiile, \u00een spatele lor, lumina lil\u00e0 a\/ dimine\u021bii se arcuie\u0219te pe spinarea pisicii\u201d. Sunt locuri, \u00eens\u0103, unde vehemen\u021ba Ioanei Vintil\u0103 \u00een ceea ce prive\u0219te propriul act artistic e explicit\u0103, f\u0103r\u0103 aluzii, ori f\u0103r\u0103 subtilit\u0103\u021bi de orice fel, \u0219i \u00een care poezia bunc\u0103rului<\/em> e, f\u0103r\u0103 \u00eendoial\u0103, a\u0219a cum o spune chiar titlul, o form\u0103 de rezisten\u021b\u0103\/ instigare \u0219i-o redut\u0103 \u2013 protectiv\u0103 \u0219i precar\u0103, \u00een acela\u0219i timp \u2013 \u00een fa\u021ba amenin\u021b\u0103rilor \u0219i fricilor de tot soiul.<\/p>\n\n\n\n

Cred c\u0103 \u00een cheia asta se cite\u0219te cel mai bine poezia ei, prin valoarea cultural\u0103 implicit\u0103, ca form\u0103 de a se raporta la tot. Iar un text ca who’s that girl<\/em> vorbe\u0219te suficient de limpede despre modul \u00een care proceseaz\u0103 poeta toat\u0103 politica asta a (re)configur\u0103rii identitare: \u201enu \u00een\u021beleg poezia genera\u021biei #\/ vreau scandal & unghii ascu\u021bite\/ nu mi-e de-ajuns un poem confesiv\/\/ am nevoie de penibil: un limbaj\/  g\u00e2tuit de istoria \u00eentregii umanit\u0103\u021bi\/\/ :: asta con\u021bine \/ implicit \/ violen\u021b\u0103\/ m\u0103 doare undeva c\u0103 poezia asta poate fi etichetat\u0103\/ expirat\u0103\/\/ nu \u00eenghit poezia panselu\u021belor \u015fi a micilor drame\/ personale\/\/ transformate \u00een elefan\u021bi care cad mor\u021bi de epuizare\/ dup\u0103 ce \u015fi-au f\u0103cut a mia oar\u0103 num\u0103rul de circ\/\/ nu \u00een\u021beleg altlit\/ le trag altlit-i\u0219tilor \u0219uturi p\u00e2n\u0103 au un motiv adev\u0103rat\/ s\u0103 scrie\/\/ ar trebui s-o ard\/ cuminte\/ postuman\u0103\/ cu berea artizanal\u0103 la buzele conturate perfect\u201d. Toat\u0103 afectarea asta n-are nimic cu vreo poz\u0103 cool\/badass<\/em> la Ioana Vintil\u0103, ea vine dintr-o convingere organic\u0103 \u0219i, \u00een acela\u0219i timp, dintr-un mod foarte interiorizat de a \u00een\u021belege & practica poezia \u0219i \u0103sta e, deja, un atu evident al volumului. E aici, p\u00e2n\u0103 la urm\u0103, o veritabil\u0103 pledoarie pentru literatur\u0103, foarte agil mascat\u0103, e drept, un proces de asimilare a experien\u021belor topite pe o practic\u0103 artistic\u0103 probabil \u00eenc\u0103 \u00een curs, dar care, chiar \u0219i p\u00e2n\u0103 acum, d\u0103 semne clare de schimbare. \u00cen orice caz, o voce care \u00ee\u0219i pune problema rolului poeziei & a posibilit\u0103\u021bii ei de a mi\u0219ca ceva \u00een lume, \u0219i \u0103sta nu-i pu\u021bin lucru. De textele cu b\u0103taie social\u0103 nu mai zic, unde e limpede sensibilitatea vibrant\u0103 la tot ce nu func\u021bioneaz\u0103 \u00een jur, care puncteaz\u0103 foarte precis \u0219i caustic ipocrizia lumii: \u201ene l\u0103f\u0103im \u00een groapa martirilor\/ plant\u0103m o dat\u0103 la c\u00e2teva luni c\u00e2te-un cop\u0103cel la gura\/ de metrou\/ armele nucleare & platformele petroliere\/ de-acum \u00een fiecare curte\/\/ haide, cere-i scuze ultimului rinocer\/ uit\u0103-te \u00een ochiul lui m\u00e2ncat de mu\u0219te\/ \u015fi f\u0103-i o poz\u0103 cu filtru vintage\/ relaxeaz\u0103-te f\u0103c\u00e2nd surf pe calota glaciar\u0103 care \u00eencape\/ \u00eentr-un mojito\/\/ s\u00e2ngele o s\u0103 fie singurul care ud\u0103 p\u0103m\u00e2ntul\/ p\u00e2n\u0103 o s\u0103 crape de tot\/ cu aripile papagalilor \u00een fl\u0103c\u0103ri ling\u00e2nd cerul\/ \u00eentre timp, India arde c\u0103ut\u00e2nd carcase de vac\u0103 \u00een Gange\/\/ restul -\/ \u00een bula de CO2\/ cu trotinetele electrice pe turbo\u201d, franjuri<\/em>. Dincolo de aproape fiecare dintre poemele ei \u0219i mai ales cele de tipul celui tocmai citat se \u00eentrevede, \u00eentr-o perpetu\u0103 stare de veghe, un spirit critic neobosit \u00een exerci\u021biile lui demistificatoare. A\u0219 zice c\u0103 prima calitate a poemelor din bunc\u0103rul de origami<\/em> e curajul, de\u0219i nu-i de aruncat nici \u00eencercarea Ioanei Vintil\u0103 de a inova la nivel stilistic; textele ei alunec\u0103 ca ni\u0219te bolovani, \u00een sensul c\u0103-s \u00eenc\u0103rcate emo\u021bional, nu c\u0103 nu ar suna bine. Un curaj al sincerit\u0103\u021bii (\u201ece pot alege\/ & ce se alege de inima asta t\u00e2n\u0103r\u0103\/ \u00een care se trage cu revolverul pe jum\u0103tate \u00eenc\u0103rcat\u201d, limax<\/em>) care traverseaz\u0103 de la un cap\u0103t la altul poezia asta b\u0103t\u0103ioas\u0103, politic\u0103 prin to\u021bi porii, dar cu o consisten\u021b\u0103 delicat\u0103 esen\u021bial\u0103, chiar dac\u0103 nu se las\u0103 mereu v\u0103zut\u0103. \u00cen orice caz, e o deta\u0219are fa\u021b\u0103 de debut (sau mai degrab\u0103 o transcendere) \u0219i fa\u021b\u0103 de mode poetice de tot felul, \u00een acela\u0219i timp.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cronic\u0103 literar\u0103 de Andreea Pop<\/p>\n","protected":false},"author":15,"featured_media":7107,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[111,140,1587,1579],"coauthors":[1139],"class_list":["post-7106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-andreea-pop","tag-critica-literara","tag-ioana-vintila","tag-nr-1-2023"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/03\/buncarul-de-origami-ioana-vintila-a253548.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7106"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7106\/revisions"}],"predecessor-version":[{"id":7117,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7106\/revisions\/7117"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/7107"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7106"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=7106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}