{"id":7069,"date":"2023-03-24T09:54:42","date_gmt":"2023-03-24T06:54:42","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=7069"},"modified":"2023-03-24T09:54:48","modified_gmt":"2023-03-24T06:54:48","slug":"eu-tarzan-tu-neaclaus","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=7069","title":{"rendered":"Eu Tarzan, tu Neaclaus!"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/03\/Eu_Tarzan-651x1024.jpg\" alt=\"\" class=\"wp-image-7070\" width=\"488\" height=\"768\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/03\/Eu_Tarzan-651x1024.jpg 651w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/03\/Eu_Tarzan-191x300.jpg 191w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/03\/Eu_Tarzan-768x1208.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/03\/Eu_Tarzan-977x1536.jpg 977w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/03\/Eu_Tarzan-1302x2048.jpg 1302w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/03\/Eu_Tarzan-480x755.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/03\/Eu_Tarzan-scaled.jpg 1628w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">\u00centr-o discu\u021bie purtat\u0103 de cur\u00e2nd, cineva depl\u00e2ngea lipsa unei componente didactice \u00een literatura pentru cei mici scris\u0103 la noi dup\u0103 1989. Prima mea reac\u021bie a fost s\u0103 pufnesc \u00een r\u00e2s. Mi se pare c\u0103 lucrurile stau exact pe dos. Azi e \u0219i greu s\u0103 te descurci printre zecile de c\u0103r\u021bi care t\u00e2njesc s\u0103-l \u00eenve\u021be pe t\u00e2n\u0103rul cititor \u00eenc\u0103 din burta mamei cum s\u0103 se descurce mai bine \u00een via\u021b\u0103, cum s\u0103 devin\u0103 un cet\u0103\u021bean respectabil sau cum s\u0103-\u0219i \u00eemp\u0103tureasc\u0103 corect batista. Dup\u0103 zeci de ani \u00een care scriitorii au dus pe culmile rafinamentului didacticismul \u0219i scrierea \u201ecu t\u00e2lc\u201d, te-ai fi g\u00e2ndit c\u0103 dup\u0103 Revolu\u021bie fluxul creator se va manifesta \u00een sf\u00e2r\u0219it liber \u0219i ne\u00eengr\u0103dit. C\u0103 va da na\u0219tere pe band\u0103 rulant\u0103 unei altfel de literaturi pentru copii, fie prin noi opere, fie apar\u021bin\u00e2nd categoriei numite literatur\u0103 de sertar. Dup\u0103 cum \u0219tim, nu s-a \u00eent\u00e2mplat a\u0219a.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ce a proliferat \u00eens\u0103 a fost tocmai o literatur\u0103 didactic\u0103, cu mesaj. Cu <em>foarte multe<\/em> mesaje \u0219i, dac\u0103 se poate, educative. Potrivit acestei g\u00e2ndiri, copilul nu mai poate citi doar pentru pl\u0103cerea lecturii, el trebuie s\u0103 r\u0103m\u00e2n\u0103 cu ceva concret de pe urma c\u0103r\u021bilor. S\u0103 \u00eenve\u021be ceva folositor. Literatura se vede instrumentalizat\u0103 din nou, fiind pus\u0103 de asta \u00een slujba unui utilitarism prost \u00een\u021beles, cu b\u0103taie scurt\u0103. Tendin\u021ba e \u021binut\u0103 \u00een via\u021b\u0103 chiar de c\u0103tre unii p\u0103rin\u021bi sau educatori, care le deleag\u0103 scriitorilor sarcina de a face educa\u021bie, pun\u00e2nd presiune pe ace\u0219tia \u0219i cer\u00e2ndu-le s\u0103 scrie adev\u0103rate c\u0103r\u021bi de dezvoltare personal\u0103 pentru cei mici.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eu am fost sceptic \u00eenc\u0103 din copil\u0103rie cu c\u0103r\u021bile care \u00eemi erau l\u0103udate de cei mari \u0219i am \u00eencercat s\u0103 evit pe c\u00e2t s-a putut recomand\u0103rile oficiale, prefer\u00e2nd s\u0103-mi caut singur calea prin bibliotec\u0103. Cu timpul, am ajuns s\u0103 apreciez tot mai mult o carte scris\u0103 din simpla pl\u0103cere de a scrie \u0219i, mai ales pentru distrac\u021bia pur\u0103 a cititorului, cu at\u00e2t mai mult dac\u0103 e un cititor de v\u00e2rst\u0103 fraged\u0103. De fapt, cred c\u0103 o mare parte a literaturii pentru copii care se scrie acum la noi nu e defel literatur\u0103 pentru <em>copii<\/em>. E literatur\u0103 pentru<em> p\u0103rin\u021bi<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Editura Portocala albastr\u0103 e una relativ t\u00e2n\u0103r\u0103, dar care merit\u0103 urm\u0103rit\u0103 cu mult\u0103 aten\u021bie. Are \u00een portofoliu c\u00e2\u021biva autori de elit\u0103 din zona <em>picture book<\/em>: Eric Carle, Nadine Brun-Cosme sau Roger Duvoisin \u0219i printre ultimele titluri ap\u0103rute aici se num\u0103r\u0103 \u0219i volumul <em>Eu Tarzan, tu, Neaclaus<\/em> de Marie-Aude Murail.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marie-Aude Murail s-a n\u0103scut \u00een 1954, \u00een ora\u0219ul Le Havre (Fran\u021ba), \u00eentr-o familie de arti\u0219ti. A studiat literele la Sorbona \u0219i \u0219i-a f\u0103cut debutul ca autoare de literatur\u0103 pentru copii \u0219i adolescen\u021bi \u00een anul 1986, opera ei num\u0103r\u00e2nd peste 80 de titluri. Umorul e una dintre armele cu ajutorul c\u0103rora \u00ee\u0219i stimuleaz\u0103 cititorii. \u201eUmorul are capacitatea de a atenua tragicul existen\u021bei \u0219i de a relativiza anumite forme de opresiune la care sunt supu\u0219i mul\u021bi copii la \u0219coal\u0103 sau \u00een familie. Are rolul de a educa, permi\u021b\u00e2ndu-ne s\u0103 continu\u0103m s\u0103 credem \u00een lumea \u00een care tr\u0103im, s\u0103 facem parte din ea particip\u00e2nd activ, chiar dac\u0103, uneori, aceasta \u00eenseamn\u0103 o adev\u0103rat\u0103 lupt\u0103.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eEu Tarzan, tu, Neaclaus\u201d e o poveste lejer\u0103, care se cite\u0219te rapid \u0219i \u00ee\u021bi r\u0103m\u00e2ne \u00een cap mult\u0103 vreme. Premisa de la care se pleac\u0103 e simpl\u0103: familia lui Ioan pleac\u0103 \u00een concediu \u00een Germania pentru ca el \u0219i sora lui s\u0103 fac\u0103 \u201eo baie de limb\u0103\u201d, adic\u0103 s\u0103 prind\u0103 gustul germanei. Ideea \u00eei apar\u021bine tat\u0103lui, care e convins c\u0103 nu po\u021bi reu\u0219i \u00een via\u021b\u0103 dac\u0103 nu cuno\u0219ti o limb\u0103 str\u0103in\u0103. Lucrurile merg bine p\u00e2n\u0103 apar primele bariere lingvistice. Copiii sunt iste\u021bi \u0219i se descurc\u0103 de minune folosind limbajul semnelor. Apoi Ioan \u00ee\u0219i face un prieten olandez \u0219i \u00eencepe un \u00eentreg festival al confuziilor. Cei doi inventeaz\u0103 \u00eentr-o veselie noi cuvinte doar ca s\u0103 se amuze, cre\u00e2ndu-\u0219i un limbaj hibrid din care niciunul nu \u00een\u021belege nimic, dar fiecare \u0219tie ce vrea cel\u0103lalt s\u0103 spun\u0103. Pare complicat? \u00een carte e mult mai simplu. P\u00e2n\u0103 la urm\u0103 afl\u0103m c\u0103 cei doi copii au \u00eencercat s\u0103 se p\u0103c\u0103leasc\u0103 unul pe cel\u0103lalt, iar a\u0219a-zisul pu\u0219ti olandez era de fapt irlandez.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chiar dac\u0103 n-are o moral\u0103 v\u00e2r\u00e2t\u0103 ostentativ pe g\u00e2t, sunt destule lucruri pe care le po\u021bi \u00eenv\u0103\u021ba citind cartea aceasta: faptul c\u0103 prietenia trece uneori dincolo de limbaj, c\u0103 exist\u0103 bariere care pot fi dep\u0103\u0219ite cu ajutorul imagina\u021biei sau c\u0103 trebuie s\u0103 fii atent c\u00e2nd \u00eentinzi o capcan\u0103, pentru c\u0103 po\u021bi c\u0103dea tu \u00eensu\u021bi \u00een ea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Traducerea din limba francez\u0103 \u00eei apar\u021bine Patriciei R\u0103dulescu, iar ilustra\u021biile lui Michel Gay.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cartea pentru copii de Alex Moldovan<\/p>\n","protected":false},"author":10,"featured_media":7070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[60,52],"tags":[94,95,1579],"coauthors":[1128],"class_list":["post-7069","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cartea-pentru-copii","category-rubrici","tag-alex-moldovan","tag-cartea-pentru-copii","tag-nr-1-2023"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/03\/Eu_Tarzan-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7069"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7069\/revisions"}],"predecessor-version":[{"id":7071,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7069\/revisions\/7071"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/7070"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7069"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=7069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}