{"id":6653,"date":"2023-02-15T12:49:02","date_gmt":"2023-02-15T09:49:02","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=6653"},"modified":"2023-02-15T13:03:04","modified_gmt":"2023-02-15T10:03:04","slug":"depozitarul-fricilor-si-nelinistilor","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=6653","title":{"rendered":"Depozitarul fricilor \u0219i nelini\u0219tilor"},"content":{"rendered":"
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Karim Kattan, Palatul celor dou\u0103 coline<\/em>, Casa C\u0103r\u021bii de \u0218tiin\u021b\u0103, Cluj-Napoca, 2022<\/figcaption><\/figure>\n<\/div>\n\n\n

Deodat\u0103 am primit o invita\u021bie incitant\u0103: 9 noiembrie, 2022, lansare de carte la Institutul Francez din Cluj \u2013 romanul lui Karim Kattan, proasp\u0103t tradus de Adriana Copaciu-Laz\u0103r \u0219i Andrei Laz\u0103r, la editura Casa C\u0103r\u021bii de \u0218tiin\u021b\u0103 din Cluj, cu titlul Palatul celor dou\u0103 coline.<\/em> La Mediateca Institutului nu se mai g\u0103seau locuri. A\u0219adar, o \u00eent\u00e2lnire literar\u0103 empatic\u0103, provocatoare, cu multe discu\u021bii \u00een francez\u0103.<\/p>\n\n\n\n

Cine e Karim Kattan? Scriitor palestinian n\u0103scut la Ierusalim \u00een 1989, doctor \u00een literatur\u0103 cu o tez\u0103 despre imaginarul de\u0219ertului. Romanul Palatul celor dou\u0103 coline<\/em> (2021) a ob\u021binut Premiul celor cinci continente ale Francofoniei. Protagonistul c\u0103r\u021bii e Faysal, care ne antreneaz\u0103 \u00eentr-o lung\u0103 confesiune, sfid\u00e2nd premeditat orice cronologie, cutreier\u00e2nd \u00een ambele sensuri miezul temporalit\u0103\u021bii, \u00eentre magie \u0219i realitate, imaginar \u0219i poetic. Dup\u0103 un exil prelungit, revine \u00een Palestina cea plin\u0103 de durere, ca s\u0103 reg\u0103seasc\u0103 oameni, pove\u0219ti, dar mai ales r\u0103spunsuri la fr\u0103m\u00e2nt\u0103rile acute, excluz\u00e2nd orice resentimente, con\u0219tient c\u0103 e \u201edepozitarul fricilor \u0219i nelini\u0219tilor\u201d. La poalele dealului, satul Jabalayn e \u00eencremenit, iar coloni\u0219tii \u00eel \u00eenconjoar\u0103 din dep\u0103rtare cu jeepurile \u2013 \u201eni\u0219te vulturi gata s\u0103 se n\u0103pusteasc\u0103 asupra noastr\u0103\u201d. Timpul e dens, sonor \u0219i tactil, orizontul e ce\u021bos, \u00een timp ce Faysal prive\u0219te de pe teras\u0103 o \u021bar\u0103 \u00een plin r\u0103zboi. O fric\u0103 visceral\u0103 se insinueaz\u0103 treptat, mai ales c\u00e2nd bunica Nawal verific\u0103 fiecare fereastr\u0103 s\u0103 fie \u00eenchis\u0103. Da, \u201ecoloni\u0219tii vor ajunge \u00een cur\u00e2nd, vor ocupa triumf\u0103tori casele\u201d. Oricum, romanul debuteaz\u0103 cu uciderea unui colonist, a\u0219adar suntem \u00een plin suspans, printr-un truc narativ func\u021bional. Bunica, militant\u0103 convins\u0103, ocup\u0103 un loc preponderent \u00een carte, iar uneori vorbe\u0219te ea, l\u0103s\u00e2ndu-l pe narator s\u0103… respire. \u00cen palatul pustiu al copil\u0103riei, Faysal r\u0103t\u0103ce\u0219te cuprins de melancolie, p\u00e2n\u0103 c\u00e2nd reapare trecutul mustind de secrete nedeslu\u0219ite.<\/p>\n\n\n\n

Faysal simte nevoia clarific\u0103rii, mai ales c\u0103 \u0219i-a smuls c\u00e2ndva r\u0103d\u0103cinile. \u201eCe r\u0103d\u0103cini? Am ni\u0219te belciuge \u00eenfipte \u00een g\u00e2t care m\u0103 \u021bin locului (…) \u0219i de \u00eendat\u0103 ce \u00eencerc s\u0103 m\u0103 mi\u0219c, ele m\u0103 sf\u00e2rtec\u0103 tot mai tare, p\u00e2n\u0103 ce trupul mi se gole\u0219te de s\u00e2nge\u201d. Personajul narator caut\u0103 fr\u00e2nturi de adev\u0103r printre fantome, vise, \u00eendoieli, \u00eentr-un jurnal plasat \u00eentre fragmentar, violen\u021b\u0103, angoas\u0103 \u0219i bl\u00e2nde\u021be, \u00eentr-o \u021bar\u0103 plasat\u0103 \u00eentre paradis \u0219i infern, cu pove\u0219ti care nu iart\u0103 nimic, cu p\u0103reri politice diverse. Faysal e revoltat c\u0103 nimeni nu l-a \u00eenv\u0103\u021bat istoria Palestinei, dar \u201eam luat-o \u00een primire ca pe un blestem\u201d.<\/p>\n\n\n\n

La discu\u021biile cu autorul s-au f\u0103cut asocia\u021bii cu Mishima, Duras \u0219i Proust, mai ales c\u0103 Faysal se adreseaz\u0103 amantului s\u0103u George. L-am \u00eentrebat pe Karim Kattan dac\u0103 a ales aspectul homosexual dintr-o mod\u0103 recurent\u0103, iar r\u0103spunsul m-a edificat: textul ar fi fost altfel dac\u0103 naratorul n-ar fi fost homosexual \u0219i n-ar fi avut acea sensibilitate poetic\u0103, specific\u0103 romanului. \u00cen concluzie, ce trebuie s\u0103 fac\u0103 Faysal? S\u0103 plece cu iubitul sau s\u0103 r\u0103m\u00e2n\u0103 p\u0103zitorul str\u0103mo\u0219ilor, spre pacea sa interioar\u0103?<\/p>\n\n\n\n

Nu pot trece cu vederea calitatea extrem\u0103 a unei traduceri curg\u0103toare, fire\u0219ti, de parc\u0103 autorul ar fi scris \u00een rom\u00e2ne\u0219te: \u201eAcolo, departe, luminile coloni\u0219tilor m\u0103 ame\u021besc, ei sunt mul\u021bi, iau masa \u00een familie, poate c\u0103 dup\u0103 cin\u0103 ies noaptea la o plimbare, e at\u00e2t de pl\u0103cut acum la \u00eenceputul prim\u0103verii, sf\u00e2r\u0219itul iernii, ce \u0219tiu eu, \u0219i habar n-au c\u0103, pe dealurile \u00eentunecate din fa\u021ba lor, sunt singurul care \u00eei prive\u0219te, \u00eei invidiaz\u0103, \u00eei ur\u0103\u0219te.\u201d Romanul de fa\u021b\u0103 con\u021bine o savoare muzical\u0103 fabuloas\u0103, despre o Palestin\u0103 tandr\u0103 \u0219i nesupus\u0103, \u00eentre crepuscul \u0219i lumin\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"

O cronic\u0103 de Alexandru Jurcan<\/p>\n","protected":false},"author":208,"featured_media":6654,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[1417,140,1500,1493],"coauthors":[1416],"class_list":["post-6653","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-alexandru-jurcan","tag-critica-literara","tag-karim-kattan","tag-nr-11-12-2022"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2023\/02\/Karim-Kattan.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6653"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6653\/revisions"}],"predecessor-version":[{"id":6742,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6653\/revisions\/6742"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/6654"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6653"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=6653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}