{"id":6283,"date":"2022-12-25T19:01:01","date_gmt":"2022-12-25T16:01:01","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=6283"},"modified":"2022-12-25T19:01:06","modified_gmt":"2022-12-25T16:01:06","slug":"distopii-contemporane","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=6283","title":{"rendered":"Distopii contemporane"},"content":{"rendered":"
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Triunghiul triste\u021bii<\/em>, regia: Ruben \u00d6stlund, 2022<\/figcaption><\/figure>\n<\/div>\n\n\n

La conferin\u021ba de pres\u0103 de la Festivalul de la Cannes, la care Ruben \u00d6stlund a primit pentru a doua oar\u0103 Palme D\u2019Or \u2013 al\u0103turi de Francis Ford Coppola, Ken Loach, Emir Kusturica, Alf Sj\u00f6berg, Bille August, fra\u021bii Dardenne, Sh\u00f4hei Imamura \u0219i Michael Haneke \u2013, regizorul suedez declara c\u0103 Triunghiul triste\u021bii<\/em> (2022) este mai degrab\u0103 \u201eun rollercoaster pentru adul\u021bi\u201d, o suprapunere fireasc\u0103 de divertisment, provoc\u0103ri intelectuale, comic, experien\u021ba complet\u0103 a cinematografului aduc\u00e2nd \u00eempreun\u0103 oameni \u0219i care le d\u0103 subiecte rodnice de discu\u021bie.<\/p>\n\n\n\n

Pelicula lui \u00d6stlund debuteaz\u0103 cu un sondaj \u00een r\u00e2ndul modelelor masculine \u00eenaintea unei probe pentru o firm\u0103 de lux: cum exprimi cel mai bine atitudinea superioar\u0103 de Balenciaga sau figura t\u00e2mp\u0103, dar fericit\u0103 pentru cump\u0103r\u0103torul H&M? Ce primeaz\u0103 \u00eentr-o \u00eentrecere corp la corp, \u00een lumea modelelor masculine? Frumuse\u021bea sculptural\u0103, sur\u00e2sul inteligent, mersul pe firul \u00fcber<\/em>-sub\u021bire al celebrit\u0103\u021bii efemere? Ce \u00eenseamn\u0103 succesul? Cum se contabilizeaz\u0103 via\u021ba glamourous<\/em>? Num\u0103rul de fani de pe Instagram, adularea imediat\u0103, c\u00e2t mai multe zerouri \u00een cont, hedonismul, petrecerile, luxul, luxul, luxul? Ce e triunghiul triste\u021bii? O simpl\u0103 expresie sau un nou fel de a \u00een\u021belege lumea, dispre\u021buind-o?<\/p>\n\n\n\n

Ruben \u00d6stlund, cunoscut pentru Involuntary<\/em> (2008), Force Majeure<\/em> (2014), The Square<\/em> (2017), repune \u00een discu\u021bie, odat\u0103 cu Triangle of Sadness<\/em> (2022), ideea de frumuse\u021be, autarhia boga\u021bilor, privilegiul albilor, feminism \u0219i feti\u0219ism. Apel\u00e2nd la o puternic\u0103 satir\u0103 social\u0103, adaug\u0103 tu\u0219e groase unui tablou contemporan extrem de versatil.<\/p>\n\n\n\n

Efebul Carl, prietenul lui Yaya, aduce Ulise<\/em> de Joyce pe iaht, ca un clin d\u2019\u0153il<\/em> intertextual, dar cartea pare, mai degrab\u0103, un accesoriu. Organizarea impecabil\u0103 de pe iahtul luxos, gestionat\u0103 de o adev\u0103rat\u0103 hidr\u0103 a serviciilor care trebuie remunerate dup\u0103 rang, este pus\u0103 \u00een pericol de capriciile pasagerilor, dar \u0219i de nazurile c\u0103pitanului. O scen\u0103 semnificativ\u0103, \u00een acest sens, este cea \u00een care to\u021bi membrii echipajului trebuie s\u0103 se dea pe trambulin\u0103, l\u0103s\u00e2nd \u00een deriv\u0103 responsabilit\u0103\u021bile pentru care erau angaja\u021bi. Mai t\u00e2rziu, cina pe timp de furtun\u0103 produce o stare general\u0103 de r\u0103u. Duelul de citate din Marx \u0219i Noam Chomsky, dintre c\u0103pitanul Thomas Smith (Woody Harrelson) \u0219i magnatul rus (Zlatko Buri\u0107) este un alt moment bine gradat \u00een grotescul situa\u021biilor de pe iaht. Aproape tuturor pasagerilor li se face r\u0103u, vomit\u0103, unul dintre ei sufer\u0103 chiar de un atac de cord, toaletele explodeaz\u0103 \u00eentr-o simfonie a viscerelor purulente \u0219i a chinului trupesc, pentru a culmina cu naufragiul c\u00e2torva pe o insul\u0103 pustie \u0219i cu moartea celorlal\u021bi pasageri. Un vas de croazier\u0103 se scufund\u0103, iar singurii supravie\u021buitori care ajung pe insul\u0103 sunt un cuplu de tineri \u00eendr\u0103gosti\u021bi \u2013 Yaya (interpretat\u0103 de actri\u021ba \u0219i modelul de origine sud-african\u0103 Charlbi Dean Kriek, care \u0219i-a pierdut via\u021ba \u00een mod tragic, \u00een august 2022) \u0219i Carl (Harris Dickinson) \u2013 al\u0103turi de IT-istul milionar Jarmo (interpretat de suedezul Henrik Dorsin), un magnat rus (Zlatko Buri\u0107), \u0219efa personalului de pe vas (Vicki Berlin), nem\u021boaica Therese (Iris Berben), care, \u00een urma un atac cerebral, r\u0103m\u00e2ne imobilizat\u0103 \u0219i nu poate rosti dec\u00e2t \u201ein der Wolken\u201d \u2013 \u201e\u00een nori!\u201d. Acestei galerii de personaje li se adaug\u0103 Abigail (interpretat\u0103 de actri\u021ba filipinez\u0103 Dolly de Leon), care, pe iaht, avea atribu\u021biile managerului responsabil cu cur\u0103\u021b\u0103toria, dar, odat\u0103 naufragia\u021bi pe insul\u0103, va prelua sarcinile unui lider, pentru c\u0103 \u0219tie s\u0103 pescuiasc\u0103 \u0219i s\u0103 fac\u0103 focul.<\/p>\n\n\n\n

Cei boga\u021bi \u0219i puternici, care beneficiau de privilegiile vie\u021bii \u00eendestulate \u2013 de la influenceri<\/em>, la \u00eembog\u0103\u021bi\u021bii peste noapte, de la fabrican\u021bii de arme la petrec\u0103re\u021bii la dolce vita<\/em> \u2013 sunt lipsi\u021bi de orice calit\u0103\u021bi odat\u0103 deposeda\u021bi de avere. Triunghiul triste\u021bii<\/em> este, \u00een definitiv, o comedie neagr\u0103, marcat\u0103 de umor grosier. Ceea ce merit\u0103 s\u0103 ajung\u0103 pe re\u021belele sociale, exprim\u00e2nd visul bog\u0103\u021biei \u0219i al frumuse\u021bii f\u0103r\u0103 cusur se va transforma \u00eentr-o lupt\u0103 inert\u0103 pentru supravie\u021buire, punct\u00e2nd, o dat\u0103 \u00een plus, efemeritatea rolurilor sociale \u0219i absen\u021ba oric\u0103ror abilit\u0103\u021bi de via\u021b\u0103 pentru cei obi\u0219nui\u021bi cu via\u021ba de huzur.<\/p>\n","protected":false},"excerpt":{"rendered":"

O cronic\u0103 de film de Irina-Roxana Georgescu<\/p>\n","protected":false},"author":21,"featured_media":6284,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[62,52],"tags":[1432,142,1428,1431,1433],"coauthors":[1223],"class_list":["post-6283","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinemascop","category-rubrici","tag-cannes","tag-cinemascop","tag-nr-10-2022","tag-ruben-ostlund","tag-triunghiul-tristetii"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/Triangle.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6283"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6283\/revisions"}],"predecessor-version":[{"id":6285,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6283\/revisions\/6285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/6284"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6283"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=6283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}