{"id":6093,"date":"2022-12-05T12:57:13","date_gmt":"2022-12-05T09:57:13","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=6093"},"modified":"2022-12-06T20:18:45","modified_gmt":"2022-12-06T17:18:45","slug":"2%c2%bd-ani-in-asteptarea-trupei-riverside","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=6093","title":{"rendered":"2\u00bd ani \u00een a\u0219teptarea trupei Riverside"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211524-1024x576.jpg\" alt=\"\" class=\"wp-image-6097\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211524-1024x576.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211524-300x169.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211524-768x432.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211524-1536x864.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211524-2048x1152.jpg 2048w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211524-480x270.jpg 480w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-right\"><\/p>\n\n\n\n<pre class=\"wp-block-verse\"><strong>Setlist Quantic<\/strong>[1]: The Same River \/ #Addicted \/ Rainbow Box \/ Story of My Dream \/ Escalator Shrine \/ Towards the Blue Horizon \/ Time Travellers \/ Egoist Hedonist \/ We Got Used to Us \/ Left Out \/ Second Life Syndrome\n\n<strong>Encore<\/strong>: 02 Panic Room \/ Conceiving You<\/pre>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"has-text-align-left\"><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Un scriitor ruso-francez spunea \u00eentr-un interviu c\u0103 regimurile ce tind spre autocra\u021bie genereaz\u0103 (indirect) produse artistice extraordinare, pe care vremurile de pace arareori g\u0103sesc for\u021ba s\u0103 le construiasc\u0103. \u0218tim c\u0103 Andre\u00ef Makine se revendic\u0103 mai mult de la Fran\u021ba dec\u00e2t de la Rusia, \u00eens\u0103 afirma\u021bia r\u0103m\u00e2ne valabil\u0103.<\/p>\n\n\n\n<p>\u021ain\u00e2nd cont de aceast\u0103 corela\u021bie, putem trece \u00een revist\u0103 trupe cu un poten\u021bial uria\u0219 \u2013 dar \u0219i cu realiz\u0103ri discografice nemaipomenite \u2013 ce au luat na\u0219tere \u00een Ucraina, Rusia sau Polonia. (Polonia \u2013 din cauza legii anti-avort, care reprezint\u0103, \u00een continuare, un subiect controversat ce polarizeaz\u0103 societ\u0103\u021bile \u00een mod dramatic.) A\u0219adar, am \u00een vedere pentru viitoarele mele analize albumele unor <em>band<\/em>-uri precum Jinjer, Stoned Jesus, Sinoptik, Somali Yacht Club (toate patru din Ucraina, acoperind zone de la death-metal melodic, la stoner, post-metal \u0219i p\u00e2n\u0103 la progresiv), iamthemorning, Ascorbic Acid (ambele trupe din Rusia, prima fiind 100% relocat\u0103 \u00een Marea Britanie de c\u00e2\u021biva ani), Tides of Nebula, Lebowski, Behemoth, Sunnata, Weedpecker, Lunatic Soul (toate \u0219ase din Polonia).<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Riverside, un pariu c\u00e2\u0219tig\u0103tor \u00een rela\u021bia cu publicul<\/h5>\n\n\n\n<p>La aprofundarea scenei estice, \u0219i mai ales a celei din Polonia, au contribuit decisiv edi\u021biile de SoundArt Festival (2017, 2018, 2019), un demers de familie, cum spuneau organizatorii \u00eentr-un interviu din 2018. Acest sens intim se datoreaz\u0103 cunoa\u0219terii publicului de c\u0103tre organizatori. Proiectul, ce se desf\u0103\u0219ura prim\u0103vara la Clubul Quantic din Bucure\u0219ti, a fost blocat \u2013 surprize-surprize! \u2013 de pandemia de coronavirus.<\/p>\n\n\n\n<p>Tot atunci, pe 12 martie 2020, ar fi trebuit s\u0103 se desf\u0103\u0219oare \u0219i concertul Riverside, intitulat <em>Wasteland \u2013 With the Sun Tour<\/em>. Din p\u0103cate, cel pu\u021bin deocamdat\u0103, SoundArt Festival nu s-a reluat, \u00eens\u0103 Riverside \u0219i-au \u021binut promisiunea: au c\u00e2ntat la Quantic din Groz\u0103ve\u0219ti \u00een sec\u021biunea european\u0103 a turneului european reprogramat \u00een 2022.<\/p>\n\n\n\n<p>\u0218i de aceast\u0103 dat\u0103, amfitrionii s-au numit Cavalleria Events (aceia\u0219i actori din povestea SoundArt). \u00centr-un fel, Riverside poate fi considerat\u0103 un port-drapel al cre\u0219terii gustului publicului din Rom\u00e2nia pentru muzica asta (ceva) mai sofisticat\u0103. A\u0219tept\u0103m cu interes \u0219i r\u0103spunsul trupelor autohtone la vizitele Leprous, Haken, Opeth, Dream Theater din ultimii ani. Dar s\u0103 trecem la spectacolul Riverside din 5 septembrie, de la Quantic; 2\u00bd ani de a\u0219teptare care au meritau din plin!<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Nostalgii \u0219i cronic\u0103 de concert<\/h5>\n\n\n\n<p>Concertul a \u00eenceput pu\u021bin mai t\u00e2rziu fa\u021b\u0103 de ora stabilit\u0103. Publicul, \u00een fervoarea a\u0219tept\u0103rii. Piesa de deschidere din <em>show<\/em>-ul Riverside a fost <em>The Same River<\/em> \u2013 dou\u0103 p\u0103r\u021bi instrumentale \u0219i scurte buc\u0103\u021bi vocale, \u00een care Mariusz Duda, solistul trupei, se joac\u0103 de-a afirma\u021biile categorice de tipul \u201e<em>I am your fear, I am your hope\/ I am your grief, I am your joy<\/em>\u201d. Bolta peste timp ne-a purtat prin 2015 \u0219i 2007, mai apoi 2021, cu <em>#Addicted<\/em>, <em>Rainbow Box<\/em> \u0219i <em>Story of My Dream<\/em>, piese LEGO care au preg\u0103tit al doilea \u201eboom\u201d al serii.<\/p>\n\n\n\n<p><em>Escalator Shrine<\/em> s-a dovedit puntea perfect\u0103 \u00eentre primul meu Riverside (2013) \u0219i al treilea, acesta: o compozi\u021bie complex\u0103 despre dezumanizare, iluzii v\u00e2ndute la pre\u021b de dumping \u0219i un soi de anticipare a mcdonaldiz\u0103rii<a href=\"#_ftn2\" id=\"_ftnref2\">[2]<\/a> societ\u0103\u021bii. Versurile acestea, fiind scrise prin 2012-2013, le consider premonitorii:<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<pre class=\"wp-block-verse\"><em>Used to have our love\nAnd now \u2013 disposable needs\nUsed to have our souls\nAnd now \u2013 refined new skins\nTake \u2013 use \u2013 throw away \u2013 forget<\/em><\/pre>\n<\/div><\/div>\n\n\n\n<p>A urmat momentul evoc\u0103rii chitaristului Piotr Grudzi\u0144ski, decedat \u00een 2016. Mi-l amintesc tot la Bucure\u0219ti, \u00een Silver Church (2013), c\u00e2nd mi-a d\u0103ruit una dintre penele cu care a concertat. P.G. a fost al\u0103turi de noi prin piesele <em>Towards the Blue Horizon<\/em> \u0219i<em> Time Travellers<\/em>, \u00een timpul c\u0103rora emo\u021bia s\u0103lii a atins cel mai \u00eenalt grad.<\/p>\n\n\n\n<p>Continuarea a echivalat cu explozia serii: <em>Egoist Hedonist<\/em>, o bucl\u0103 temporal\u0103 de aproape 15 ani, un exerci\u021biu <em>extreme <\/em>de heavy, \u00een care autocunoa\u0219terea \u0219i autodescoperirea joac\u0103 roluri-cheie, purt\u00e2ndu-te prin toat\u0103 istoria prog-ului, de la King Crimson, la Cynic sau Porcupine Tree. De la acest punct \u00eencolo, concertul nu putea s\u0103 scurg\u0103 dec\u00e2t \u201ematerie grea\u201d precum <em>We Got Used to Us<\/em> (cu referire clar\u0103 la pandemie \u0219i la r\u0103zboiul din Ucraina), <em>Left Out <\/em>(acel dialog cu publicul \u00een care predomin\u0103 multe \u201eo\u201d-uri, amintind de Iron Maiden) \u0219i <em>Second Life Syndrome<\/em> (\u00een care suntem practic imersa\u021bi to\u021bi de la na\u0219terea <em>social media<\/em> \u00eencoace).<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">A fost \u0219i-un bis la Quantic<\/h5>\n\n\n\n<p><em>02 Panic Room <\/em>(momentul de luciditate din \u00eentunericul sinelui) a fost exact clipa \u00een care mi-am dat seama c\u00e2t de mult au evoluat din punct de vedere muzical Mariusz Duda, Piotr Kozieradzki, Micha\u0142 \u0141apaj \u0219i Maciej Meller \u0219i c\u00e2t de pu\u021bin mai conteaz\u0103 geografia \u00een r\u0103sp\u00e2ndirea muzicii de calitate \u00een Europa \u0219i \u00een lume. <em>Panic Room<\/em> e \u0219edin\u021ba de psihoterapie de care te fereai sau, mai degrab\u0103, pe care nu \u021bi-o permiteai acum 15 ani.<\/p>\n\n\n\n<p>Concertul s-a \u00eencheiat cu un moment de medita\u021bie, <em>Conceiving You<\/em>, iar perspectiva unui nou spectacol Riverside (care va \u00eenso\u021bi discul ce urmeaz\u0103 s\u0103 fie lansat \u00een ianuarie 2023) chiar m\u0103 \u00eenc\u00e2nt\u0103. Am toate motivele s\u0103 cred \u00een promisiunea lui Mariusz Duda, f\u0103cut\u0103 la finalul serii de luni, 5 septembrie. Nu de alta, dar nu cred c\u0103 va dura mai mult de 2\u00bd ani p\u00e2n\u0103 vor reveni.<\/p>\n\n\n\n<pre class=\"wp-block-verse\"><\/pre>\n\n\n\n<p><a href=\"#_ftnref1\" id=\"_ftn1\">[1]<\/a> Conform setlist.fm.<\/p>\n\n\n\n<p><a id=\"_ftn2\" href=\"#_ftnref2\">[2]<\/a> https:\/\/www.thoughtco.com\/mcdonaldization-of-society-3026751.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211439-1024x576.jpg\" alt=\"\" class=\"wp-image-6096\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211439-1024x576.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211439-300x169.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211439-768x432.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211439-1536x864.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211439-2048x1152.jpg 2048w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211439-480x270.jpg 480w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211529-1024x576.jpg\" alt=\"\" class=\"wp-image-6095\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211529-1024x576.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211529-300x169.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211529-768x432.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211529-1536x864.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211529-2048x1152.jpg 2048w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211529-480x270.jpg 480w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Setlist Quantic[1]: The Same River \/ #Addicted \/ Rainbow Box \/ Story of My Dream \/ Escalator Shrine \/ Towards the Blue Horizon \/ Time Travellers \/ Egoist Hedonist \/ We Got Used to Us \/ Left Out \/ Second Life Syndrome Encore: 02 Panic Room \/ Conceiving You Un scriitor ruso-francez spunea \u00eentr-un interviu c\u0103 regimurile ce tind spre autocra\u021bie genereaz\u0103 (indirect) produse artistice extraordinare, pe care vremurile de pace arareori g\u0103sesc for\u021ba s\u0103 le construiasc\u0103. \u0218tim c\u0103 Andre\u00ef Makine se revendic\u0103 mai mult de la Fran\u021ba dec\u00e2t de la Rusia, \u00eens\u0103 afirma\u021bia r\u0103m\u00e2ne valabil\u0103. \u021ain\u00e2nd cont de aceast\u0103<\/p>\n","protected":false},"author":179,"featured_media":6097,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,1405],"tags":[997,1406,1395,1407],"coauthors":[1291],"class_list":["post-6093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-discografic","tag-andrei-zbirnea","tag-discografic","tag-nr-9-2022","tag-riverside"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/12\/IMG20220905211524-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/179"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6093"}],"version-history":[{"count":13,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6093\/revisions"}],"predecessor-version":[{"id":6132,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6093\/revisions\/6132"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/6097"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6093"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=6093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}