{"id":6063,"date":"2022-11-28T17:45:50","date_gmt":"2022-11-28T14:45:50","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=6063"},"modified":"2022-11-28T17:45:59","modified_gmt":"2022-11-28T14:45:59","slug":"minimum-maximorum","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=6063","title":{"rendered":"Minimum maximorum"},"content":{"rendered":"
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Silviu Dachin, circuitul l\u0103tratului \u00een natur\u0103<\/em>, Editura Tracus Arte, Bucure\u0219ti, 2022<\/figcaption><\/figure>\n<\/div>\n\n\n

De la Bilet \u00een loj\u0103<\/em>[1]<\/a> \u00eencoace, Silviu Dachin reu\u0219e\u0219te s\u0103-\u0219i adjudece tot mai mul\u021bi cititori amatori de \u0219otii existen\u021bialiste detonate-n versuri dulci-am\u0103rui. Placheta sa recentisim\u0103 circuitul l\u0103tratului \u00een natur\u0103<\/em>, girat\u0103 \u2013 \u00een sf\u00e2r\u0219it! \u2013 de unul dintre cele mai importante radare autohtone de poezie, nu face altceva dec\u00e2t s\u0103 confirme, printr-un imaginar \u00een continu\u0103 expansiune \u0219i-o execu\u021bie fatalist-pozna\u0219\u0103, o poetic\u0103 minimalist\u0103 inconfundabil\u0103.<\/p>\n\n\n\n

Sorescian p\u00e2n\u0103-n m\u0103duva oaselor, dar rezon\u00e2nd \u0219i cu poezia dramatic\u0103 \u00e0 la Vi\u0219niec respectiv cu cea de nota\u021bie a unui Acosmei, Dachin alege s\u0103-\u0219i jaloneze periplul verbal witty<\/em> ajut\u00e2ndu-se, pe de-o parte, de personajul ad\u00e2nd\u0103lade (op\u021biune onomastic\u0103 amintind vag de protagoni\u0219ti arhicunoscu\u021bi precum T\u00e2ndal\u0103 sau [c\u0103pitanul] Pandele), iar pe de alt\u0103 parte, a\u0219a cum reiese \u0219i din titlu, de laitmotivul c\u00e2inelui: \u201eam cel mai frumos l\u0103trat din cartier\u201d (vecinii mei \u0219i-au cump\u0103rat c\u00e2ine<\/em>), \u201emoartea \u0219i-a tatuat pe m\u00e2na dreapt\u0103 numele t\u0103u\/ vecinul de deasupra \u0219i-a cump\u0103rat c\u00e2ine\/ (i-a pus numele protein\u0103)\/\/ vezi\/ cam a\u0219a stau lucrurile\u201d (unele lucruri \u00ee\u021bi seam\u0103n\u0103 cumplit<\/em>) etc. Astfel de pasaje st\u00e2rnesc cascade de r\u00e2sete deoarece autorul, nerat\u00e2nd poten\u021bialele jocuri imagistice \u0219i de limbaj cerute de context, d\u0103 senza\u021bia c\u0103 \u0219tie mereu \u00een ce forme poetice s\u0103 livreze rela\u021bia \u00eent\u00e2mpl\u0103rilor cotidiene terne cu semantemele st\u00e2rnite de c\u0103tre acestea \u00een fantezia unui observator\/receptor atent la detalii.<\/p>\n\n\n\n

Dar dincolo de efectul lor umoristic, \u201eschi\u021bele caricaturale\u201d din circuit…<\/em> ne vorbesc despre singur\u0103tatea \u0219i sila, generice ambele, ale omului zilelor noastre nevoit s\u0103 \u00eenglobeze \u00een sediul sinelui, din cauza contradic\u021biilor soci(et)ale in crescendo<\/em>, tot mai multe valen\u021be ale grotescului: \u201e\u0219tiu sunt zeflemea optzeci la sut\u0103\/ dar cum altfel s\u0103 fiu c\u00e2nd trebuie s\u0103 gestionez\/ optzeci la sut\u0103 grea\u021b\u0103\u201d (trec pe l\u00e2ng\u0103 mine f\u0103r\u0103 s\u0103-l salut<\/em>), \u201ese f\u0103cea c\u0103 nu se mai f\u0103cea nimic\/ ba mai mult\/ ce fusese f\u0103cut tocmai se desf\u0103cea\/ am intrat obosit \u00eentr-o camer\u0103 f\u0103r\u0103 pere\u021bi\/ voi dormi am spus\/ voi dormi a r\u0103spuns ecoul\/ de jur \u00eemprejur vecinii cre\u0219teau p\u0103s\u0103ri\/ ba mai mult\/ de jur \u00eemprejur p\u0103s\u0103rile nu prea zburau\u201d (se f\u0103cea c\u0103 nu se mai f\u0103cea nimic<\/em>), \u201es\u0103 \u0219ti\u021bi c\u0103 mie-mi plac \u021biganii ce dac\u0103-s oameni\/ de fapt pentru ei s\u0103 fie oameni e o pedeaps\u0103\/ ar fi putut primi chipurile unor lucruri mult mai frumoase\u201d (urc bulevardul republicii cu cinci kilometri la or\u0103<\/em>). Non\u0219alant maestru al plot twist<\/em>-urilor, Dachin are grij\u0103 ca secven\u021bele sale s\u0103 sf\u00e2r\u0219easc\u0103 departe de zonele ro\u0219ii ale bullying<\/em>-ului; ceea ce nu e tocmai o \u00eendeletnicire u\u0219oar\u0103 \u00een cazul comedian\u021bilor intransigen\u021bi.<\/p>\n\n\n\n

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(\u2026) \u00een fibra acestor dolean\u021be comice se discerne un Mitsein<\/em> heideggerian ce nu \u00eenceteaz\u0103 s\u0103 supureze, oglindind umorile participan\u021bilor involuntari la un macro-proiect (co)existen\u021bial ratat (\u2026)<\/p>\n<\/blockquote>\n\n\n\n

Nu mai pu\u021bin important de remarcat e cum \u00een fibra acestor dolean\u021be comice se discerne un Mitsein<\/em> heideggerian ce nu \u00eenceteaz\u0103 s\u0103 supureze, oglindind umorile participan\u021bilor involuntari la un macro-proiect (co)existen\u021bial ratat. Aici se afl\u0103, de fapt, miza demersului poietic: eul locutor se \u00eenstr\u0103ineaz\u0103 pe m\u0103sura lans\u0103rii, la foc continuu, a obuzelor satirice: \u201e\u0219tiu\/ nu suntem de vin\u0103 nici m\u0103car pentru cele dou\u0103\/ r\u0103zboaie mondiale\/ pentru hiroshima nagasaky (sic!) holocaust\/ au fost nenorociri at\u00e2t de mari \u00eenc\u00e2t am\/ transformat istoria \u00een carte de colorat\/ de team\u0103 c\u0103 vom \u00eennebuni privind oglinda\u201d (nu \u00ee\u021bi voi spune prea multe<\/em>), \u201enoi nu\/ vom vorbi\/ niciodat\u0103\/ nimic\/\/ fiindc\u0103 tot ce ne-am putea spune\/ \u0219i-au spus deja al\u021bii\/ despre care \u0219tim\/ c\u0103 au vorbit degeaba\u201d (noi nu<\/em>).<\/p>\n\n\n\n

Pentru a nu r\u0103m\u00e2ne dator cu ilustrarea alien\u0103rii omului contemporan, poetul ne propune \u00een subtext un triptic sugestiv, \u0219i anume: poeme-secven\u021be septice de sanatoriu, poeme-ecouri din copil\u0103rie \u0219i, nu \u00een ultimul r\u00e2nd, poeme-r\u0103fuieli cu divinitatea. Dintre toate, \u00een a treia categorie pare s\u0103 se mi\u0219te Dachin cel mai familiar (\u201ee timpul s\u0103 r\u00e2zi\/ pune-\u021bi masca de clovn \u0219i umbl\u0103\/ iube\u0219te oamenii\/ ai grij\u0103 cum cobori scara\/\/ \u0219tiu\/ suflete al meu\/ vrei doar s\u0103 te a\u0219ez \u00eentr-un loc din care se vede\/ bine dumnezeu\/\/ stai lini\u0219tit\/ toate pove\u0219tile astea f\u0103r\u0103 rost\/ le voi \u021bine pentru mine\u201d \u2013 nu \u00ee\u021bi voi spune prea multe<\/em>, \u201esunt aproape sigur c\u0103 dumnezeu mi-a \u0219terpelit un poem\/\/ \u0219i-l va citi f\u0103r\u0103 s\u0103 specifice autorul\/\/ exact \u00een ziua \u00een care voi intra \u00een cer\/ c\u0103lare pe destinul meu str\u0103veziu\u201d \u2013 sc\u0103ri<\/em>), aceasta av\u00e2nd toate \u0219ansele s\u0103 se impun\u0103 ca principala cale de explorat a viitoarelor proiecte literare ale albaiulianului.<\/p>\n\n\n\n

circuitul l\u0103tratului \u00een natur\u0103<\/em> reprezint\u0103 \u00eenc\u0103 o dovad\u0103 c\u0103 poe\u021bii scumpi la vedere, dar meseria\u0219i \u00een fapt\u0103, pot stimula at\u00e2t cele mai puternice rafale de hohote, c\u00e2t \u0219i emo\u021biile cele mai profunde. Surclas\u00e2nd discret Bilet \u00een loj\u0103<\/em>, noul volum \u00eei asigur\u0103 autorului s\u0103u bilet \u00een primul r\u00e2nd la spectacolul puseurilor tardive ale dou\u0103miismului rom\u00e2nesc.<\/p>\n\n\n\n

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[1]<\/a> Al patrulea volum de poeme semnat Silviu Dachin; Editura Grinta, 2016.<\/p>\n","protected":false},"excerpt":{"rendered":"

De la Bilet \u00een loj\u0103[1] \u00eencoace, Silviu Dachin reu\u0219e\u0219te s\u0103-\u0219i adjudece tot mai mul\u021bi cititori amatori de \u0219otii existen\u021bialiste detonate-n versuri dulci-am\u0103rui. Placheta sa recentisim\u0103 circuitul l\u0103tratului \u00een natur\u0103, girat\u0103 \u2013 \u00een sf\u00e2r\u0219it! \u2013 de unul dintre cele mai importante radare autohtone de poezie, nu face altceva dec\u00e2t s\u0103 confirme, printr-un imaginar \u00een continu\u0103 expansiune \u0219i-o execu\u021bie fatalist-pozna\u0219\u0103, o poetic\u0103 minimalist\u0103 inconfundabil\u0103. Sorescian p\u00e2n\u0103-n m\u0103duva oaselor, dar rezon\u00e2nd \u0219i cu poezia dramatic\u0103 \u00e0 la Vi\u0219niec respectiv cu cea de nota\u021bie a unui Acosmei, Dachin alege s\u0103-\u0219i jaloneze periplul verbal witty ajut\u00e2ndu-se, pe de-o parte, de personajul ad\u00e2nd\u0103lade (op\u021biune onomastic\u0103 amintind<\/p>\n","protected":false},"author":14,"featured_media":6064,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[106,177,1395,1404],"coauthors":[1252],"class_list":["post-6063","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-cronica-literara","tag-mihok-tamas-2","tag-nr-9-2022","tag-silviu-dachin"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/11\/COPERTA-Circuitul-latratului-in-natura.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6063"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6063\/revisions"}],"predecessor-version":[{"id":6066,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6063\/revisions\/6066"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/6064"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6063"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6063"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=6063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}