{"id":5448,"date":"2022-08-28T12:52:57","date_gmt":"2022-08-28T09:52:57","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=5448"},"modified":"2022-08-28T12:53:04","modified_gmt":"2022-08-28T09:53:04","slug":"noua-smerenie","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=5448","title":{"rendered":"Noua smerenie"},"content":{"rendered":"
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Vlad Mu\u0219at, O lume-ntreag\u0103 \u00een picioarele goale<\/em>, Junimea, Ia\u0219i, 2022, 90 p.<\/figcaption><\/figure>\n<\/div>\n\n\n

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Proasp\u0103t absolvent al reziden\u021bei literare online \u201eQpoem\u201d, Vlad Mu\u0219at \u00ee\u0219i marca \u00een 2020 debutul editorial cu La inaugurarea cimitirului de elefan\u021bi<\/em>[1]<\/a>, volum \u00een care, spuneam printre altele, poetul, prins \u00een \u201emenghina dintre erudi\u021bie \u0219i sacralitate\u201d, pare c\u0103 \u201esupureaz\u0103 \u0219i jubileaz\u0103 concomitent\u201d. La doi ani distan\u021b\u0103, constat\u0103m c\u0103 t\u00e2n\u0103rul prahovean nu \u0219i-a mutat sondele de pe t\u0103r\u00e2mul paradoxurilor, prefer\u00e2nd \u00een continuare s\u0103 se erijeze \u00een reporter al realit\u0103\u021bilor antitetice. C\u00e2nd bukowskian-dezinvolt, c\u00e2nd cristic-pilduitor, Vlad \u0219i-a setat ca deviz\u0103 \u00een a doua sa plachet\u0103 simplitatea existen\u021bial\u0103 ca liant al ontologiilor eterogene.<\/p>\n\n\n\n

O lume-ntreag\u0103 \u00een picioarele goale<\/em> penduleaz\u0103, \u00eenainte de toate, \u00eentre registrele parodic \u0219i visceral, dizolv\u00e2nd \u00een ace\u0219ti doi solven\u021bi toat\u0103 melancolia receptat\u0103 \u0219i resim\u021bit\u0103. \u00cenc\u0103 de la \u00eenceput, tonul de fond al poemelor pare a se constitui \u00eentr-un melanj exotic, \u00eemprumut\u00e2nd c\u00e2te pu\u021bin din ironia optzecist\u0103, am\u0103r\u0103ciunea dou\u0103miist\u0103 respectiv hazul internautic postdou\u0103miist: \u201eo s\u0103 r\u00e2d mereu de cei ce\/ vor ca prin scrisul lor s\u0103 schimbe\/ lumea a\u0219 da orice s\u0103 r\u0103m\u00e2n\u0103 a\u0219a\u201d (ini\u021bial<\/em>). \u00centregul proiect poetic graviteaz\u0103, cum bine observ\u0103 \u0218erban Axinte \u00een prefa\u021b\u0103, \u00een jurul precarit\u0103\u021bii condi\u021biei umane. Circumscrise temei principale, motivele via\u021ba post-rela\u021bie, sentimentul de singur\u0103tate printre oameni (observator gastronomic<\/em>, dic\u021bie<\/em>), viciile & bolile (\u00een numele anxieTat\u0103lui\/ al anxieFiului \u0219i al anxieSf\u00e2ntului Duh\/ Amin<\/em>, c\u0103lug\u0103r-influencer<\/em>), moartea, demascarea artificialit\u0103\u021bii (ted vs al bundy<\/em>, anul \u0219obolanului de metal<\/em>) \u0219i credin\u021ba cur\u0103\u021bat\u0103 de dogm\u0103 sunt invocate aici, \u00een majoritatea cazurilor, critic \u0219i autocritic. Inten\u021bia e, deci, una evident deconstructiv\u0103. Dar ce mize poate \u00eengloba un atare demers butaforic?<\/p>\n\n\n\n

\u00cen primul r\u00e2nd, forma tabloid\u0103 a acestor comprimate poetice se datoreaz\u0103 cel mai probabil dorin\u021bei poetului de a pasti\u0219a impertinen\u021ba noilor tendin\u021be ale industriei publicitare. Astfel, fluxul aparent necontrolat al aser\u021biunilor care mai de care mai tran\u0219ante nu duce lips\u0103 de regie, aceasta identific\u00e2ndu-se cu eficien\u021ba entropic\u0103<\/em>. Ca un feed<\/em> de social media<\/em> \u00eenc\u0103rcat nu doar cu con\u021binuturi generale utile, ci \u0219i cu post\u0103ri personale mai pu\u021bin relevante pentru utilizator, poezia lui Vlad aluvioneaz\u0103 \u0219i revars\u0103 tot ce algoritmii con\u0219tiin\u021bei \u00eei detecteaz\u0103 \u00een prealabil ca fiind de actualitate.<\/p>\n\n\n\n

[…] forma tabloid\u0103 a acestor comprimate poetice se datoreaz\u0103 cel mai probabil dorin\u021bei poetului de a pasti\u0219a impertinen\u021ba noilor tendin\u021be ale industriei publicitare.<\/p><\/blockquote>\n\n\n\n

Apoi, acest volum se individualizeaz\u0103 fa\u021b\u0103 de proiectele literare autohtone similare prin faptul c\u0103 nu se opre\u0219te la faza chestion\u0103rii problemelor sociale sau intime. Cu toate c\u0103 ar fi avut sor\u021bi de izb\u00e2nd\u0103 chiar \u0219i numai a\u0219a (lirica neconfund\u00e2ndu-se, \u00een genere, cu \u00eendreptarele etice), O lume-ntreag\u0103…<\/em> nu ezit\u0103 s\u0103 formuleze, \u00een subsidiar, o solu\u021bie la conglomeratul de crize, \u0219i anume legiferarea smereniei<\/em>: \u201ecred c\u0103\/ \u0219mecher e \u0103la care are de \u00eentre\u021binut o\/ familie \u0219i nu \u00eent\u00e2rzie la munc\u0103 sau cum\/ \u00eei zice\u021bi voi omu\u2019 de r\u00e2nd\u201d (acela\u0219i poem<\/em>). Pacifist \u0219i moderat \u00een cuget \u0219i fapt\u0103, eului locutor nu i se poate imputa vreo ostenta\u021bie \u00een procesul elabor\u0103rii fr\u00e2nturilor radiografice. Chiar \u0219i \u00een momentele deton\u0103rii poantelor, emfaza lipse\u0219te cu des\u0103v\u00e2r\u0219ire.<\/p>\n\n\n\n

Refrene ale alien\u0103rii<\/em> post-tranzi\u021bie<\/em>, poemele lui Vlad sunt \u00eembibate, totodat\u0103, cu suferin\u021b\u0103 colectiv\u0103. Repercusiunile s\u0103r\u0103ciei asupra s\u0103n\u0103t\u0103\u021bii fizice \u0219i mentale, dar \u0219i lipsa de orizont cauzat\u0103 de corup\u021bia parc\u0103 imposibil de eradicat (\u201edac\u0103 \u00ee\u021bi cuno\u0219ti drepturile atunci \u021bi-e\/ imposibil s\u0103 te bucuri de via\u021b\u0103\u201d, mtv \u0219i cartoon network<\/em>) reprezint\u0103 principalii factori care st\u00e2rnesc nervul poetic al prahoveanului. Cu un haz de necaz cu iz mioritic \u0219i jocule\u021be de cuvinte iscusite (\u201eobservator gastronomic\u201d, \u201ela ploie\u0219ti nu po\u021bi s\u0103 te pite\u0219ti\u201d etc.), sunt luate \u00een colimator tot felul de banalit\u0103\u021bi nocive perpetuate din genera\u021bie \u00een genera\u021bie, aparen\u021be politice \u0219i mercantile suplinind, axiologic, esen\u021be vitale. \u201e[T]r\u0103ie\u0219te-\u021bi via\u021ba ca \u0219i cum ai fi subiectul unui documentar de 2 ore jumate cu tot cu publicitate\u201d, afirm\u0103 metaironic poetul \u00een ted vs al bundy<\/em>.<\/p>\n\n\n\n

Un filon de\u0219i mai pu\u021bin dezvoltat, lesne recognoscibil \u00een cele trei cicluri ale volumului este cel ecocritic<\/em>. Vlad nu r\u0103m\u00e2ne dator nici la acest capitol, amintindu-ne c\u0103 a instrumentaliza via\u021ba animalelor de dragul unor pl\u0103ceri de moment ridic\u0103 reale semne de \u00eentrebare din punct de vedere etic: \u201ec\u00e2nd eram mic excursiile la\/ zoo m\u0103 afectau emo\u021bional\/ dar trebuia s\u0103 merg cu grupul\/ mai t\u00e2rziu am ur\u00e2t be\u021biile n-am\/ mai mers cu grupul \u0219i mi-am\/ dat seama c\u0103 sem\u0103n cu elefantul\/ legat cu lan\u021buri care toat\u0103 via\u021ba va\/ tr\u0103i doar pentru a se scutura de\/ praf \u00eenainte de a bea ap\u0103\u201d (clasa a 2-a B<\/em>). \u0218i \u00een cadrul acestei abord\u0103ri ecologiste, \u00een\u0219el\u0103ciunea (bun\u0103oar\u0103 greenwashing<\/em>-ul) este demascat\u0103 \u0219i \u00eenfierat\u0103 corespunz\u0103tor: \u201e\u00eenc\u0103 mai port \u00een loc de nimb un cer cu p\u0103s\u0103ri pedepsite de industrii \u00eenfloritoare eco friend lee re\u00eenva\u021b\u0103-ne a iubi\u201d (weekend pl\u0103cut<\/em>).<\/p>\n\n\n\n

Totu\u0219i, cele mai reu\u0219ite poeme \u00eei ies lui Vlad atunci c\u00e2nd, angaj\u00e2ndu-se s\u0103 critice societatea insensibil\u0103 la art\u0103, prezint\u0103 la firul ierbii condi\u021bia lipsit\u0103 de protec\u021bie a scriitorului<\/em> secolului XXI: \u201epoezia m-ar scuipa \u0219i m\u00e2ine\/ dar m\u0103 \u021bin de ea altceva nu\/ am\u201d (poem nepublicat<\/em>), \u201eversuri\/ cu rime \u00eembr\u0103\u021bi\u0219ate pentru a sublinia\/ sentimentul comun de singur\u0103tate\u201d (dic\u021bie<\/em>), \u201eam fost\/ \u00eencuia\u021bi la minte de team\u0103 s\u0103 nu\/ ie\u0219im din tipare \u0219i voi vre\u021bi ca\/ poe\u021bii s\u0103 aib\u0103 poft\u0103 de via\u021b\u0103\u201d (anul \u0219obolanului de metal<\/em>).<\/p>\n\n\n\n

Exist\u0103, nu \u00een ultimul r\u00e2nd, o doz\u0103 semnificativ\u0103 de grotesc<\/em> \u00een imaginarul acestei poezii, corolar al devaloriz\u0103rii voite a sinelui. Fiziologicul se \u00eemplete\u0219te semantic cu firul afectiv la tot pasul, iar organicitatea \u00ee\u0219i disput\u0103 \u00eent\u00e2ietatea cu transcenden\u021ba. Poate c\u0103 poetul nu urm\u0103re\u0219te altceva dec\u00e2t s\u0103 execute ni\u0219te preschimb\u0103ri viabile \u00eentre semanteme omoloage \u00een speran\u021ba c\u0103, prin astfel de coresponden\u021be, va izbuti s\u0103 p\u0103trund\u0103 noi taine ori s\u0103 bifeze noi deziluzii edificatoare.<\/p>\n\n\n\n

Datorit\u0103 nihilismului \u0219ugub\u0103\u021b \u00een mijlocul c\u0103ruia, \u00een r\u0103stimpuri, parc\u0103 de nic\u0103ieri se aprinde cre\u0219tine\u0219te o lum\u00e2nare a speran\u021bei, deseori se creeaz\u0103 impresia c\u0103 poezia din O lume-ntreag\u0103 \u00een picioarele goale<\/em> \u00eencepe \u00een realitatea mundan\u0103 tern\u0103 \u0219i sf\u00e2r\u0219e\u0219te \u00eentr-un banc generic reciclat ingenios (v. titlul de c\u00e2\u021bi poe\u021bi e nevoie\/ ca s\u0103 schimbi un bec?<\/em>). Dincolo de competen\u021bele stilistice, pe care Vlad Mu\u0219at le posed\u0103 f\u0103r\u0103 \u00eendoial\u0103, \u00eent\u00e2iul merit al autorului e c\u0103 \u00een loc s\u0103-\u0219i pl\u00e2ng\u0103 de mil\u0103, cum era la mod\u0103 mult\u0103 vreme \u00een poezia rom\u00e2neasc\u0103 recent\u0103, alege, senin, s\u0103-\u0219i… r\u00e2d\u0103 de mil\u0103.<\/p>\n\n\n\n

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[1]<\/a> Editura Junimea.<\/p>\n","protected":false},"excerpt":{"rendered":"

Proasp\u0103t absolvent al reziden\u021bei literare online \u201eQpoem\u201d, Vlad Mu\u0219at \u00ee\u0219i marca \u00een 2020 debutul editorial cu La inaugurarea cimitirului de elefan\u021bi[1], volum \u00een care, spuneam printre altele, poetul, prins \u00een \u201emenghina dintre erudi\u021bie \u0219i sacralitate\u201d, pare c\u0103 \u201esupureaz\u0103 \u0219i jubileaz\u0103 concomitent\u201d. La doi ani distan\u021b\u0103, constat\u0103m c\u0103 t\u00e2n\u0103rul prahovean nu \u0219i-a mutat sondele de pe t\u0103r\u00e2mul paradoxurilor, prefer\u00e2nd \u00een continuare s\u0103 se erijeze \u00een reporter al realit\u0103\u021bilor antitetice. C\u00e2nd bukowskian-dezinvolt, c\u00e2nd cristic-pilduitor, Vlad \u0219i-a setat ca deviz\u0103 \u00een a doua sa plachet\u0103 simplitatea existen\u021bial\u0103 ca liant al ontologiilor eterogene. O lume-ntreag\u0103 \u00een picioarele goale penduleaz\u0103, \u00eenainte de toate, \u00eentre registrele<\/p>\n","protected":false},"author":14,"featured_media":5449,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[177,1315,9,1320],"coauthors":[1252],"class_list":["post-5448","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-mihok-tamas-2","tag-nr-6-2022","tag-poezie","tag-vlad-musat"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/08\/Coperta-Vlad-Musat.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5448","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5448"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5448\/revisions"}],"predecessor-version":[{"id":5451,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5448\/revisions\/5451"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/5449"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5448"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5448"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=5448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}