{"id":5383,"date":"2022-08-25T19:40:40","date_gmt":"2022-08-25T16:40:40","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=5383"},"modified":"2022-09-19T04:46:06","modified_gmt":"2022-09-19T01:46:06","slug":"ce-este-o-familie","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=5383","title":{"rendered":"Ce este o familie?"},"content":{"rendered":"
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Madres paralelas (regia: Pedro Almod\u00f3var)<\/figcaption><\/figure>\n<\/div>\n\n\n

\u00cen Madres paralelas<\/em>, Almod\u00f3var aduce \u00een actualitate regimul franchist, prin excavarea gropii comune (simbol al trecutului care revine obsesiv), \u00een care fuseser\u0103 \u00eenhuma\u021bi numero\u0219i b\u0103rba\u021bi din satul \u00een care copil\u0103rise Janis; fuseser\u0103 lua\u021bi de l\u00e2ng\u0103 familiile lor \u0219i \u00eempu\u0219ca\u021bi, iar locul r\u0103m\u0103sese nemarcat, de aceea eroina are o datorie moral\u0103 fa\u021b\u0103 de amintirea str\u0103bunicului s\u0103u. \u00centre 1936 \u0219i 1975, Spania a fost sub dictatura lui Francisco Franco. Regimul franchist a fost instaurat dup\u0103 victoria fasci\u0219tilor \u00een R\u0103zboiul Civil. Rebeliunea lui Franco a fost sprijinit\u0103 de Italia fascist\u0103 \u0219i de Germania nazist\u0103, \u00een vreme ce a doua republic\u0103 spaniol\u0103 a fost sus\u021binut\u0103 de Uniunea Sovietic\u0103. \u00cenc\u0103 de la primele sale filme \u2013 \u0219i m\u0103 g\u00e2ndesc mai ales la comi-drama Femei \u00een pragul unei c\u0103deri nervoase\/Mujeres al borde de un ataque de nervios<\/em> (1988), dar \u0219i la comedia dark \u00c1tame!\/Tie Me Up! Tie Me Down!<\/em> (1989), melodrama Tocuri \u00eenalte\/Tacones lejanos<\/em> (1991), thrillerul Carne tremula<\/em>\/Live Flesh<\/em> (1997) \u2013 Almod\u00f3var investigheaz\u0103 umorul dark, libertatea sexual\u0103 \u0219i politic\u0103, scandalul de orice fel. Urm\u0103toarele dou\u0103 pelicule \u2013 Totul despre mama<\/em>\/Todo sobre mi madre <\/em>(1999) \u0219i Hable con ella<\/em> (2002) \u2013 i-au adus lui Almod\u00f3var Oscarul pentru cel mai bun regizor \u0219i Oscarul pentru cel mai bun scenariu.<\/p>\n\n\n\n

Ac\u021biunea debuteaz\u0103 \u00een Madrid, \u00een 2016, \u0219i are drept intrig\u0103 excavarea unei gropi comune \u00een care str\u0103bunicul lui Janis (la r\u00e2ndul s\u0103u, fotograf \u0219i profesor) fusese \u00eengropat. Protagonista (interpretat\u0103 de Pen\u00e9lope Cruz) face apel la legea memoriei istorice \u0219i, gra\u021bie lui Arturo (Israel Elejalde), arheolog tenace \u0219i priceput \u00een chestiuni at\u00e2t de \u00eencurcate, reu\u0219e\u0219te, dup\u0103 c\u00e2\u021biva ani, s\u0103 restabileasc\u0103 adev\u0103rul. Maternitatea lui Janis d\u0103 o nou\u0103 dimensiune condi\u021biei de femeie independent\u0103, matur\u0103. Regizorul fixeaz\u0103 aceast\u0103 \u00eendr\u0103zneal\u0103 a eroinelor sale \u2013 Janis, \u00een prim\u0103 instan\u021b\u0103, apoi Ana (interpretat\u0103 de Milena Smit) \u2013 prin cadre precise, mai ales profiluri \u0219i prim-planuri, care pun sub lup\u0103 reac\u021biile personajelor, ritmate de imagini foarte puternice \u0219i, adesea, de un umor ireveren\u021bios, tipic lui Almod\u00f3var.<\/p>\n\n\n\n

Simbolic\u0103 este \u0219i perdeaua flutur\u00e2nd \u00een v\u00e2nt de la etajul unde se \u00eent\u00e2lnesc cei doi aman\u021bi, ca o e\u0219arf\u0103 a c\u0103rei transparen\u021b\u0103 \u00eei leag\u0103 indelebil unul de cel\u0103lalt. Voalul acesta este enga\u00f1o<\/em> \u0219i desenga\u00f1o<\/em> deopotriv\u0103, altereaz\u0103 realitatea celor doi, pentru a confirma puterea fiec\u0103ruia de a-\u0219i continua via\u021ba, dincolo de aceast\u0103 parantez\u0103 erotic\u0103: Janis se hot\u0103r\u0103\u0219te s\u0103 devin\u0103 mam\u0103, iar Arturo revine la so\u021bia care se lupta cu o boal\u0103 incurabil\u0103. Dup\u0103 o vreme, destinele celor doi se suprapun din nou, pentru c\u0103 Arturo are ve\u0219ti legate de excavarea gropii comune.<\/p>\n\n\n\n

O alt\u0103 dimensiune a peliculei rezid\u0103 \u0219i \u00een puterea fotografiei \u2013 filmul \u00eencepe cu \u0219edin\u021ba foto prilejuit\u0103 de publica\u021bia la care lucreaz\u0103 Janis \u0219i se \u00eencheie simetric cu Arturo f\u0103c\u00e2nd poze osemintelor g\u0103site \u00een urma excav\u0103rii, metafor\u0103 extins\u0103 a de\u0219ert\u0103ciunii existen\u021bei, traiect rectiliniu spre moarte al fiec\u0103ruia dintre noi, dar \u0219i imagine a celuilalt \u2013 prieten, \u00eenso\u021bitor de drum, amant, confesor etc. \u2013 \u00een marea c\u0103l\u0103torie care e via\u021ba \u00eens\u0103\u0219i. Totu\u0219i, cel mai recent film al regizorului spaniol lanseaz\u0103 \u0219i \u00eentrebarea ce \u00eenseamn\u0103 maternitatea \u0219i, mai ales, ce \u00eenseamn\u0103 s\u0103 \u00ee\u021bi cre\u0219ti copilul de unul singur? Un vechi proverb budist spune c\u0103 a cre\u0219te f\u0103r\u0103 tat\u0103 e ca \u0219i cum ai construi o cas\u0103 f\u0103r\u0103 acoperi\u0219. Regimul franchist a decimat popula\u021bia masculin\u0103 \u0219i a l\u0103sat numero\u0219i orfani \u0219i mame care \u0219i-au crescut singure copiii. Almod\u00f3var, crescut, la r\u00e2ndul s\u0103u, de o mam\u0103 singur\u0103, a tr\u0103it \u00eenconjurat de m\u0103tu\u0219i. Universul s\u0103u este predominant feminin, iar temele sale majore r\u0103m\u00e2n sexualitatea, maternitatea, inadaptarea, erotismul.<\/p>\n\n\n\n

Cu un titlu intrigant ce realizeaz\u0103 o punte \u00eentre prezentul \u00een care se produce o \u00eencurc\u0103tur\u0103 la maternitate, iar fiecare mam\u0103 ia feti\u021ba celeilalte femei, dar \u0219i o leg\u0103tur\u0103 cu trecutul ostil, pus tot sub semnul maternit\u0103\u021bii \u0219i al istoriei convulsive, Madres paralelas<\/em> este un film provocator, care r\u0103scole\u0219te trecutul recent al Spaniei franchiste, pentru a redimensiona conceptul de dragoste.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00cen Madres paralelas, Almod\u00f3var aduce \u00een actualitate regimul franchist<\/p>\n","protected":false},"author":21,"featured_media":5385,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,62],"tags":[142,141,1311,1315,1310],"coauthors":[1223],"class_list":["post-5383","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cinemascop","tag-cinemascop","tag-irina-roxana-georgescu","tag-madres-paralelas","tag-nr-6-2022","tag-pedro-almodovar"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/08\/MADRES-PARALELAS-scaled.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5383"}],"version-history":[{"count":8,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5383\/revisions"}],"predecessor-version":[{"id":5696,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5383\/revisions\/5696"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/5385"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5383"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=5383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}