{"id":5262,"date":"2022-07-30T15:44:37","date_gmt":"2022-07-30T12:44:37","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=5262"},"modified":"2022-07-30T16:30:25","modified_gmt":"2022-07-30T13:30:25","slug":"bestsellers-carturesti-ianuarie-2022-2","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=5262","title":{"rendered":"Bestsellers C\u0103rture\u0219ti \u2013 februarie-martie 2022"},"content":{"rendered":"\n<ul class=\"has-cyan-bluish-gray-background-color has-background has-small-font-size wp-block-list\"><li><em>Cifrele din dreptul titlurilor, prezentate \u00eentre paranteze drepte, reprezint\u0103 locul ocupat \u00een topul lunii anterioare, respectiv num\u0103rul de luni \u00een top.<\/em><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Autori rom\u00e2ni<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Radu-Paraschivescu-Noi-suntem-roma\u0302ni-666x1024.jpeg\" alt=\"\" class=\"wp-image-5264\" width=\"195\" height=\"301\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Radu-Paraschivescu-Noi-suntem-roma\u0302ni-666x1024.jpeg 666w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Radu-Paraschivescu-Noi-suntem-roma\u0302ni-195x300.jpeg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Radu-Paraschivescu-Noi-suntem-roma\u0302ni-768x1181.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Radu-Paraschivescu-Noi-suntem-roma\u0302ni-480x738.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Radu-Paraschivescu-Noi-suntem-roma\u0302ni.jpeg 800w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Radu Paraschivescu, <em>Noi suntem rom\u00e2ni <\/em>(nimeni nu-i perfect)<\/strong> (Humanitas) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p>\u201eNoi suntem rom\u00e2ni\u201c este titlul unui c\u00e2ntec patriotic. \u201eNimeni nu-i perfect\u201c este ultima replic\u0103 din filmul <em>Unora le place jazzul<\/em>. Chiar dac\u0103 pare straniu, cele dou\u0103 enun\u0163uri nu se bat cap \u00een cap. \u00centre ele exist\u0103 de fapt o leg\u0103tur\u0103 pe care via\u0163a \u00een Rom\u00e2nia de azi o str\u00e2nge de la o zi la alta. Desf\u0103\u015fura\u0163i \u00een paralel cu musicalul de mare succes \u201eMama Pandemia\u201c, ultimii doi ani de via\u0163\u0103 rom\u00e2neasc\u0103 te pun \u00een situa\u0163ia de-a duce frecvent m\u00e2inile la cap: fie pentru atingerea frun\u0163ii fierbin\u0163i, fie pentru smulgerea p\u0103rului. Tragicomedia na\u0163ional\u0103 e surprins\u0103 aici \u00een c\u00e2teva zeci de texte din care scot capul tovar\u0103\u015fi de drum mai vechi sau mai noi: excep\u0163ionalismul, reflexul de obedien\u0163\u0103, ciubucul, discursul urii, bunul-plac \u015fi prostul-gust. De r\u00e2s \u015fi de pl\u00e2ns. De citit \u015fi de c\u0103zut pe g\u00e2nduri.<\/p>\n\n\n\n<p><strong>2. Hora\u021biu M\u0103l\u0103ele, <em>O poveste cam ciudat\u0103 \u0219i alte dou\u0103 povestiri<\/em><\/strong> (Bookzone) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p>Drama personajelor lui Hora\u021biu M\u0103l\u0103ele se na\u0219te la intersec\u021bia dintre real \u0219i fantastic. Prin puterea imagina\u021biei sale prodigioase, autorul celor 3 povestiri transform\u0103 o boal\u0103 misterioas\u0103, o gar\u0103 uitat\u0103 de vreme \u0219i o bucat\u0103 de tencuial\u0103 \u00eens\u00e2ngerat\u0103 \u00een simboluri care \u00ee\u021bi r\u0103m\u00e2n mult\u0103 vreme \u00een minte. \u00cen proza sa, nu exist\u0103 semnifica\u021bii exacte, doar o infinitate de posibilit\u0103\u021bi \u0219i interpret\u0103ri. Eroii solitari contura\u021bi de M\u0103l\u0103ele sunt prizonierii unei lumi \u00een care domne\u0219te ambiguitatea, dezv\u0103luindu-\u0219i secretele treptat, la fiecare nou\u0103 lectur\u0103. Artistul creeaz\u0103 o adev\u0103rat\u0103 bijuterie literar\u0103, concentr\u00e2nd un \u00eentreg univers plin de mister \u00eentr-un volum de buzunar.<\/p>\n\n\n\n<p><strong>3.<\/strong> <strong>Ioana P<\/strong><strong>\u00e2rvulescu<\/strong><strong>, <em>Inocen<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Humanitas) <strong>[1\/15]<\/strong><\/p>\n\n\n\n<p>Dou\u0103 viziuni asupra lumii: cea a unei feti\u021be care vede lucrurile \u00eentr-un fel extrem de personal \u015fi cea a femeii care descoper\u0103 secretele \u00eenecate \u00een trecut. Naivitatea comic\u0103 a primei voci \u00eenvinge melancolia celei de-a doua.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>4. Tatiana \u021a\u00eebuleac, <em>Vara \u00een care mama a avut ochii verzi<\/em><\/strong> (Cartier) <strong>[7\/8]<\/strong><\/li><li><strong>5. Andreea Savulescu, <em>Ziua \u00een care m-am iubit cu adev\u0103rat<\/em><\/strong> (Bookzone) <strong>[2\/7]<\/strong><\/li><li><strong>6. Radu Paraschivescu, <em>Cu inima smuls\u0103 din piept<\/em><\/strong> (Humanitas) <strong>[-\/2]<\/strong><\/li><li><strong>7. Igor Bergler, <em>Minciuna lui Michelangelo. Catedrala \u00een fl\u0103c\u0103ri<\/em><\/strong><em> <\/em>(Litera) <strong>[3\/8]<\/strong><\/li><li><strong>8. Valeriu Nicolae, <em>\u021aigan \u021b\u0103nd\u0103ri<\/em><\/strong> (Asocia\u021bia Casa Bun\u0103) <strong>[-\/2]<\/strong><\/li><li><strong>9. Lavinia Brani\u0219te, <em>M\u0103 g\u0103se\u0219ti c\u00e2nd vrei<\/em><\/strong> (Polirom) <strong>[4\/6]<\/strong><\/li><li><strong>10. Doina Ru\u0219ti, <em>Ciud\u0103\u021benii amoroase \u00een Bucure\u0219tiul fanariot<\/em><\/strong> (Litera) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Fic\u021biune<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Holly-Jackson-Crima-perfecta\u0306.jpeg\" alt=\"\" class=\"wp-image-5265\" width=\"195\" height=\"273\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Holly-Jackson-Crima-perfecta\u0306.jpeg 573w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Holly-Jackson-Crima-perfecta\u0306-214x300.jpeg 214w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Holly-Jackson-Crima-perfecta\u0306-480x674.jpeg 480w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\"><strong>1. Holly Jackson, <em>Crima perfect\u0103. Vol. 1. Instruc\u021biuni pentru fete cumin\u021bi<\/em> <\/strong>(Corint)<strong> [-\/2]<\/strong><\/p>\n\n\n\n<p>To\u021bi locuitorii din Little Kilton \u0219tiu povestea. Frumoas\u0103 \u0219i popular\u0103 printre colegii de liceu, Andie Bell a fost ucis\u0103 de iubitul ei, Sal Singh, care, mai apoi, cuprins de remu\u0219c\u0103ri, \u0219i-a luat via\u021ba. Cinci ani mai t\u00e2rziu, tragedia \u00eenc\u0103 \u00eei b\u00e2ntuie pe locuitorii lini\u0219titului or\u0103\u0219el britanic. Prietena din copil\u0103rie a presupusului criminal, Pip nu poate sc\u0103pa de sentimentul obsedant c\u0103 lucrurile nu s-au petrecut chiar a\u0219a cum vorbe\u0219te lumea. Adolescenta se transform\u0103 \u00eentr-un veritabil detectiv particular \u0219i \u00eencearc\u0103 s\u0103 afle adev\u0103rul. Perseverent\u0103 \u0219i atent\u0103 la detalii, Pip ajunge s\u0103 descopere o serie de secrete \u00eentunecate care demonstreaz\u0103 f\u0103r\u0103 putin\u021b\u0103 de t\u0103gad\u0103 c\u0103 Sal a fost \u00eenvinuit pe nedrept. Cineva \u00eens\u0103 nu e deloc \u00eenc\u00e2ntat de \u00eentors\u0103tura pe care au luat-o lucrurile, iar via\u021ba lui Pip este \u00een pericol.<\/p>\n\n\n\n<p><strong>2. Colleen Hoover, <em>Totul se termin\u0103 cu noi<\/em><\/strong> (Epica) <strong>[1\/7]<\/strong><\/p>\n\n\n\n<p>Uneori, cei care te iubesc te r\u0103nesc cel mai tare. Lily Bloom nu a avut \u00eentotdeauna o via\u021b\u0103 u\u0219oar\u0103, dar asta nu a oprit-o niciodat\u0103 s\u0103 munceasc\u0103 din greu pentru a-\u0219i \u00eendeplini \u021belurile. A evoluat foarte mult: a absolvit liceul, s-a mutat la Boston \u0219i \u0219i-a \u00eenceput propria afacere. C\u00e2nd Lily \u00eel cunoa\u0219te pe Ryle Kincaid, un chipe\u0219 neurochirurg, se simte imediat foarte atras\u0103 de el \u0219i via\u021ba i se schimb\u0103 brusc.<\/p>\n\n\n\n<p><strong>3. Colleen Hoover, <em>Verity<\/em><\/strong> (Epica) <strong>[10\/3]<\/strong><\/p>\n\n\n\n<p>Lowen este o scriitoare debutant\u0103, cu mari dificult\u0103\u021bi financiare. De aceea, c\u00e2nd Jeremy, so\u021bul celebrei autoare Verity Crawford, \u00eei propune s\u0103 completeze seria de romane pe care so\u021bia lui, grav v\u0103t\u0103mat\u0103 \u00eentr-un accident, nu mai este capabil\u0103 s-o duc\u0103 la bun sf\u00e2r\u0219it, Lowen nu poate s\u0103 refuze oferta. Astfel, ajunge la re\u0219edin\u021ba Crawford, cu inten\u021bia de a sta c\u00e2teva zile \u2014 at\u00e2t c\u00e2t s\u0103 caute prin haoticul birou al lui Verity orice noti\u021be \u0219i posibile schi\u021be de care ar avea nevoie ca s\u0103 \u00eenceap\u0103 s\u0103 scrie urm\u0103toarele romane. Dar cu c\u00e2t petrece mai mult timp \u00eempreun\u0103 cu Jeremy, cu at\u00e2t mai pu\u021bin se gr\u0103be\u0219te s\u0103 plece.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>4. Eric-Emmanuel Schmitt, <em>Paradisuri pierdute<\/em><\/strong> (Humanitas Fiction) <strong>[-\/2]<\/strong><\/li><li><strong>5.<\/strong> <strong>Alex Michaelides, <em>Pacienta t\u0103cut\u0103<\/em><\/strong> (Litera) <strong>[5\/11]<\/strong><\/li><li><strong>6.<\/strong> <strong>Delia Owens, <em>Acolo unde c\u00e2nt\u0103 racii<\/em><\/strong> (Trei) <strong>[3\/15]<\/strong><\/li><li><strong>7.<\/strong> <strong>Narine Abgarian, <em>Din cer au c\u0103zut trei mere<\/em><\/strong> (Humanitas Fiction) <strong>[-\/2]<\/strong><\/li><li><strong>8. Caroline Bernard, <em>Frida Kahlo \u0219i culorile dragostei<\/em> <\/strong>(Nemira) <strong>[-\/2]<\/strong><\/li><li><strong>9. Irvin d. Yalom, <em>Minciuni pe canapea<\/em> <\/strong>(Humanitas Fiction) <strong>[8\/11]<\/strong><\/li><li><strong>10. Osamu Dazai, <em>\u0218col\u0103ri\u021ba<\/em> <\/strong>(Alice Books)<strong> [-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Poezie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Horat\u0326iu-Ma\u0306la\u0306ele-Poezii-s\u0326i-vorbe-n-va\u0302nt.jpeg\" alt=\"\" class=\"wp-image-5266\" width=\"195\" height=\"270\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Horat\u0326iu-Ma\u0306la\u0306ele-Poezii-s\u0326i-vorbe-n-va\u0302nt.jpeg 405w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Horat\u0326iu-Ma\u0306la\u0306ele-Poezii-s\u0326i-vorbe-n-va\u0302nt-217x300.jpeg 217w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\"><strong>1. Hora\u021biu M\u0103l\u0103ele, <em>Poezii \u0219i vorbe-n v\u00e2nt<\/em> <\/strong>(Bookzone)<strong> [-\/2]<\/strong><\/p>\n\n\n\n<p>Scrise pentru cititori cu mintea treaz\u0103 \u0219i cu chef de joac\u0103, cuvintele alese de autor nu sunt niciodat\u0103 vorbe-n v\u00e2nt, dimpotriv\u0103, au puterea de a st\u00e2rni adev\u0103rate furtuni \u00een imagina\u021bia celor care le citesc sau le recitesc.<\/p>\n\n\n\n<p>\u201eScriitorul M\u0103l\u0103ele trebuie recuperat, smuls din sala cu aplauze \u0219i \u00eembr\u00e2ncit \u00een bra\u021bele literaturii, acolo unde talentul lui str\u0103luce\u0219te cel pu\u021bin la fel de tare.\u201d \u2013 Doru Buc\u0219u<\/p>\n\n\n\n<p><strong>2. Nichita St\u0103nescu, <em>Cuvintelor, necuvintelor<\/em> <\/strong>(Cartier)<strong> [2\/12]<\/strong><\/p>\n\n\n\n<p>\u201eLimbajul poetic inventat de Nichita era \u00een acela\u0219i timp un nou continent, dar \u0219i un mijloc de naviga\u021bie. Mai mult dec\u00e2t oricare alt poet, de la Nichita am \u00eenv\u0103\u021bat c\u0103 poezia poate fi busol\u0103 \u0219i instrument de cunoa\u0219tere, ritual \u0219i mister, explorare a sinelui \u0219i bucurie de a tr\u0103i, form\u0103 de libertate \u0219i mijloc de eliberare, zbor planat peste toate celelalte discipline ale spiritului \u0219i expresie a tot ceea ce sim\u021burile \u0219i creierul pot produce mai frumos \u0219i mai subtil \u00eempreun\u0103.\u201d (Matei Vi\u0219niec)<\/p>\n\n\n\n<p><strong>3.<\/strong> <strong>Svetlana C\u00e2rstean<\/strong><strong>, <em>S\u00eent <\/em><\/strong><strong><em>alta<\/em><\/strong> (Nemira) <strong>[5\/15]<\/strong><\/p>\n\n\n\n<p>\u201eArthur Rimbaud ar fi iubit arta cu care Svetlana C\u00e2rstean a actualizat Je est un autre. Svetlana este une autre \u00een sensul precis inten\u021bionat de Rimbaud \u2013 cu adaosul capacit\u0103\u021bii poeziei de a povesti direct \u0219i curajos o via\u021b\u0103 de azi. Un subtil sim\u021b al umorului, auzul perfect \u0219i privirea f\u0103r\u0103 ifose dau acestei c\u0103r\u021bi o caden\u021b\u0103 deosebit\u0103, care pune de acord istoria poetei cu via\u021ba ob\u0219teasc\u0103. Frumuse\u021bea lumii \u00een mi\u0219care, prezentul care se \u00eendep\u0103rteaz\u0103 \u0219i devine pove\u0219ti, plutesc prin t\u0103r\u00eemuri geografice \u0219i psihologice \u00een acest poem-fluviu.\u201c \u2013 Andrei Codrescu<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>4. Nichita St\u0103nescu, <em>Integrala poeziei<\/em><\/strong> (Vasiliana) <strong>[-\/10]<\/strong><\/li><li><strong>5. Ileana Negrea, <em>Jum\u0103tate din via\u021ba mea de acum <\/em><\/strong>(Fractalia) <strong>[-\/2]<\/strong><\/li><li><strong>6.<\/strong> <strong>Simona Popescu, <em>Cartea plantelor \u0219i a animalelor<\/em> <\/strong>(Nemira) <strong>[3\/4]<\/strong><\/li><li><strong>7. Mihai Eminescu, <em>Poezii<\/em><\/strong> (Humanitas) <strong>[1\/4]<\/strong><\/li><li><strong>8. Dan Sociu, <em>Vino cu mine, \u0219tiu exact unde mergem<\/em> <\/strong>(Polirom) <strong>[-\/2]<\/strong><\/li><li><strong>9. Marius Tuc\u0103, <em>Am s\u0103 te iubesc p\u00e2n\u0103&#8230;<\/em> <\/strong>(Art)<strong> [-\/2]<\/strong><\/li><li><strong>10. <\/strong>8. <strong>Alina Purcaru, Paula Erizanu,<em> Un secol de poezie rom\u00e2n\u0103 scris\u0103 de femei II<\/em><\/strong> <strong><em>(1945-1989)<\/em><\/strong> (Cartier) [-\/2]<\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Istorie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Mark-Galeotti-Hai-sa\u0306-vorbim-despre-Putin-665x1024.jpeg\" alt=\"\" class=\"wp-image-5267\" width=\"195\" height=\"300\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Mark-Galeotti-Hai-sa\u0306-vorbim-despre-Putin-665x1024.jpeg 665w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Mark-Galeotti-Hai-sa\u0306-vorbim-despre-Putin-195x300.jpeg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Mark-Galeotti-Hai-sa\u0306-vorbim-despre-Putin-768x1182.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Mark-Galeotti-Hai-sa\u0306-vorbim-despre-Putin-480x739.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Mark-Galeotti-Hai-sa\u0306-vorbim-despre-Putin.jpeg 800w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\"><strong>1. Mark Galeotti, <em>Hai s\u0103 vorbim despre Putin!<\/em> <\/strong>(Humanitas)<strong> [-\/2]<\/strong><\/p>\n\n\n\n<p>E v\u0103zut drept cel mai periculos om din lume. A\u0219a s\u0103 fie cu adev\u0103rat? Cine e de fapt Vladimir Putin? Ce vrea? Ce planuri are? S-a scris enorm despre Rusia de azi, \u00eens\u0103 Occidentul \u00eenc\u0103 nu-l \u00een\u021belege pe acest politician a c\u0103rui sfer\u0103 de influen\u021b\u0103 cuprinde \u00eentreaga planet\u0103 \u0219i ale c\u0103rui rela\u021bii de putere p\u0103trund p\u00e2n\u0103 \u00een cele mai intime sfere ale vie\u021bii noastre de zi cu zi. Mark Galeotti ne arat\u0103 cine e omul din spatele mitului, analizeaz\u0103 cele mai frecvente prejudec\u0103\u021bi despre Putin \u0219i \u00eei descifreaz\u0103 motiva\u021biile. Urm\u0103rindu-i cariera de la \u00eenceputuri, de c\u00e2nd era un simplu ofi\u021ber KGB, p\u00e2n\u0103 \u00een prezent, cartea aceasta ne ofer\u0103 o viziune inedita \u0219i realist\u0103 asupra omului care \u00eenclin\u0103, de multe ori decisiv, balan\u021ba politicii interna\u021bionale.<\/p>\n\n\n\n<p><strong>2. Yuval Noah Harari, <em>Sapiens. Scurt\u0103 istorie a omenirii<\/em> <\/strong>(Polirom)<strong> [1\/12]<\/strong><\/p>\n\n\n\n<p>Acum 100.000 de ani, pe p\u0103m\u00eent existau cel pu\u021bin \u0219ase specii de oameni. Ast\u0103zi exist\u0103 una singur\u0103: noi, Homo sapiens. Ce s-a \u00eent\u00eemplat cu celelalte? \u0218i cum am ajuns s\u0103 fim st\u0103p\u00eenii planetei?<\/p>\n\n\n\n<p><strong>3. Mark Galeotti, <em>O scurt\u0103 istorie a Rusiei<\/em> <\/strong>(Humanitas)<strong> [-\/2]<\/strong><\/p>\n\n\n\n<p>\u201eRusia este o \u021bar\u0103 f\u0103r\u0103 grani\u021be naturale, nu are un singur neam sau popor, nici o adev\u0103rat\u0103 identitate central\u0103. Dimensiunile sale sunt uluitoare \u2013 se \u00eentinde pe 11 fusuri orare, de la regiunea european\u0103 Kaliningrad p\u00e2n\u0103 la Str\u00e2mtoarea Bering, aflat\u0103 la doar 82 de kilometri de Alaska. Dac\u0103 ne mai g\u00e2ndim \u0219i c\u0103 multe dintre regiunile sale sunt greu accesibile, iar popula\u021bia este izolat\u0103, toate acestea ne ajut\u0103 s\u0103 explic\u0103m de ce men\u021binerea controlului central a fost o adev\u0103rat\u0103 provocare \u0219i de ce pierderea acestui control asupra \u021b\u0103rii i-a obsedat pe conduc\u0103torii ei. Am \u00eent\u00e2lnit odat\u0103 un ofi\u021ber KGB (\u00een rezerv\u0103) care mi-a spus a\u0219a: \u00abAm crezut \u00eentotdeauna c\u0103 e vorba despre totul sau nimic: fie \u021binem \u021bara cu pumn de fier, fie se va destr\u0103ma\u00bb. Presupun c\u0103 predecesorii lui, de la ofi\u021berii \u021bari\u0219ti la primii cneji medievali, aveau cam acelea\u0219i \u00eengrijor\u0103ri \u2013 iar demnitarii lui Putin, cu toate progresele comunica\u021biilor moderne, le au cu siguran\u021b\u0103 \u00een ziua de azi.\u201c \u2014 MARK GALEOTTI<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>4. Neagu Djuvara, <em>O scurt\u0103 istorie ilustrat\u0103 a rom\u00e2nilor<\/em><\/strong> (Humanitas) <strong>[2\/10]<\/strong><\/li><li><strong>5. Hannah Jewell, <em>100 de femei afurisite. O istorie<\/em><\/strong><em> <\/em>(Nemira) <strong>[3\/12]<\/strong><\/li><li>6. <strong>Catherine Belton, <em>Oamenii lui Putin. Cum a recuperat KGB-ul Rusia \u0219i apoi a atacat Occidentul<\/em><\/strong>(Litera) <strong>[-\/2]<\/strong><\/li><li><strong>7. Yuval Noah Harari, <em>Homo Deus. Scurt\u0103 istorie a viitorului<\/em><\/strong> (Polirom) <strong>[9\/11]<\/strong>&nbsp;<\/li><li><strong>8.<\/strong> <strong>Yuval Noah Harari, <em>21 de lec\u021bii pentru secolul XXI<\/em><\/strong> (Polirom) <strong>[6\/10]<\/strong><\/li><li>9. <strong>Serhii Plokhy, <em>Por\u021bile Europei. O istorie a Ucrainei<\/em><\/strong> (Trei) <strong>[-\/2]<\/strong><\/li><li><strong>10. Francoise Thom, <em>Putin \u0219i putinismul<\/em><\/strong><em> <\/em>(Humanitas) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Filosofie\/Psihologie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU-725x1024.jpeg\" alt=\"\" class=\"wp-image-5241\" width=\"195\" height=\"275\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU-725x1024.jpeg 725w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU-212x300.jpeg 212w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU-768x1085.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU-1087x1536.jpeg 1087w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU-480x678.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU.jpeg 1200w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\"><strong>1. Gabor Mat\u00e9, <em>C\u00e2nd corpul spune nu. Costul stresului ascuns<\/em><\/strong> (Curtea Veche) <strong>[1\/6]<\/strong><\/p>\n\n\n\n<p>Dup\u0103 c\u00e2teva decenii de carier\u0103 medical\u0103 de excep\u021bie, \u00een care a urm\u0103rit leg\u0103tura dintre stres \u0219i boal\u0103, Gabor Mat\u00e9 a str\u00e2ns laolalt\u0103 pove\u0219tile pacien\u021bilor s\u0103i, le-a confruntat cu cele mai recente studii clinice \u0219i a dezv\u0103luit consecin\u021bele imediate, deseori ignorate, ale stresului de zi cu zi. Cartea sa este un semnal de alarm\u0103 \u0219i o pledoarie pentru medicina biopsihosocial\u0103, una dintre cele mai bune c\u0103i prin care ne putem elibera de aceast\u0103 cumplit\u0103 afec\u021biune a epocii noastre.<\/p>\n\n\n\n<p><strong>2. Marcus Aurelius<\/strong><strong>, <em>G<\/em><\/strong><strong><em>\u00e2nduri <\/em><\/strong><strong><em>c\u0103tre <\/em><\/strong><strong><em>sine <\/em><\/strong><strong><em>\u00eensu<\/em><\/strong><strong><em>\u0219i<\/em><\/strong> (Humanitas) <strong>[2\/15]<\/strong><\/p>\n\n\n\n<p>\u201eO carte de c\u0103p\u0103t\u00e2i a civiliza\u0163iei europene.\u201c \u2013 Andrei Ple\u0219u<\/p>\n\n\n\n<p>\u201eCu ani \u00een urm\u0103 am cump\u0103rat o edi\u0163ie veche din Marc Aureliu care purta urm\u0103toarea dedica\u0163ie: \u00abS\u0103-\u0163i fie prieten \u00een ceasurile grele \u015fi s\u0103 te sprijine cum m-a sprijinit pe mine.\u00bb Nu cred c\u0103 i se poate face unei c\u0103r\u0163i un elogiu mai frumos dec\u00e2t acest \u00abprieten \u00een ceasurile grele\u00bb.\u201c \u2014 Emil Cioran<\/p>\n\n\n\n<p>\u201eMarcus Aurelius a fost primul personaj care s-a aventurat sistematic pe teritoriul eului, care l-a vizitat \u015fi care a scris de fapt un tratat despre tehnici de ameliorare \u015fi de \u0163inere \u00een fr\u00e2u a eului propriu.\u201c \u2014 Gabriel Liiceanu<\/p>\n\n\n\n<p><strong>3. Viktor E. Frankl<\/strong><strong>,<\/strong> <strong><em>Omul <\/em><\/strong><strong><em>\u00een <\/em><\/strong><strong><em>c\u0103utarea <\/em><\/strong><strong><em>sensului <\/em><\/strong><strong><em>vie<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Vellant) <strong>[3\/14]<\/strong><\/p>\n\n\n\n<p><em>Omul \u00een c\u0103utarea sensului vie\u021bii<\/em> este cronica experien\u021belor \u00eengrozitoare tr\u0103ite de psihiatrul Viktor Frankl \u00een timpul deten\u021biei sale la Auschwitz \u0219i \u00een alte lag\u0103re concentra\u021bioniste.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>4.<\/strong> <strong>Sun Tzu, <em>Arta r\u0103zboiului<\/em><\/strong> (Cartex) <strong>[4\/12]<\/strong><\/li><li><strong>5.<\/strong> <strong>Gordon Neufeld, Gabor Mat\u00e9, <em>Cum s\u0103 ne p\u0103str\u0103m copiii aproape<\/em><\/strong> (MultiMedia Est) <strong>[-\/2]<\/strong><\/li><li><strong>6. Gabor Mat\u00e9, <em>Min\u021bi \u00eempr\u0103\u0219tiate \u2013 originile \u0219i vindecarea tulbur\u0103rii de deficit de aten\u021bie \u2013 ADD \u2013 ADHD<\/em> <\/strong>(Herald)<strong> [-\/2]<\/strong><\/li><li><strong>7. Dr. Kevin Dutton \u0219i Andy McNab, <em>ABC-ul psihopatului de succes<\/em><\/strong><em> <\/em>(Vidia) <strong>[5\/12]<\/strong><\/li><li><strong>8. Marshall B. Rosenberg, <em>Comunicarea nonviolent\u0103<\/em> <\/strong>(Casa editorial\u0103 Ponte)<strong> [-\/2]<\/strong><\/li><li><strong>9. Seneca, <em>Alt timp nu am <\/em>(SNK) [-\/7]<\/strong><\/li><li><strong>10. Thomas Erickson, <em>\u00cenconjurat de psihopa\u021bi<\/em> <\/strong>(Litera)<strong> [-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Critic\u0103 \u0219i istorie literar\u0103<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Stephen-King-Despre-scris.jpeg\" alt=\"\" class=\"wp-image-5268\" width=\"195\" height=\"285\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Stephen-King-Despre-scris.jpeg 645w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Stephen-King-Despre-scris-205x300.jpeg 205w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Stephen-King-Despre-scris-480x702.jpeg 480w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\"><strong>1. Stephen King, <em>Despre scris. Autobiografia unui me\u0219te\u0219ug<\/em> (Nemira) [-\/2]<\/strong><\/p>\n\n\n\n<p>Stephen King, unul dintre cei mai \u00eendr\u0103gi\u021bi autori contemporani, \u00ee\u0219i dezv\u0103luie, \u00een aceast\u0103 carte, toate secretele \u201emeseriei de scriitor\u201c. Par\u021bial memoir, par\u021bial eseu, acest volum cuprinde sfaturi practice despre scris \u0219i \u201etrusa cu unelte\u201c indispensabile oricui vrea s\u0103 se dedice acestui me\u0219te\u0219ug.<\/p>\n\n\n\n<p>Sfaturile lui King se bazeaz\u0103 pe amintirile \u0219i experien\u021bele sale, din copil\u0103rie \u0219i p\u00e2n\u0103 la consacrarea ca autor de bestselleruri, de la tulbur\u0103toarele \u00eenceputuri \u0219i p\u00e2n\u0103 la accidentul aproape fatal pe care l-a suferit \u00een 1999 \u0219i care i-a confirmat leg\u0103tura inextricabil\u0103 dintre scris \u0219i vindecare.<\/p>\n\n\n\n<p>Prietenos \u0219i onest, volumul de fa\u021b\u0103 se adreseaz\u0103 nu doar fanilor lui Stephen King, ci tuturor scriitorilor \u0219i cititorilor care iubesc pove\u0219tile bine scrise.<\/p>\n\n\n\n<p><strong>2.<\/strong> <strong>Mario Vargas-Llosa, Gabriel Garcia Marquez, <em>Dou\u0103 singur\u0103t\u0103\u021bi. Despre roman \u00een America Latin\u0103<\/em><\/strong> (Humanitas Fiction) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p>O conversa\u021bie uitat\u0103, de la \u00eenceputul carierei celor mai mari nume ale romanului latinoamerican, care au marcat literatura ultimului secol \u0219i \u00eenceputul secolului XXI, Dou\u0103 singur\u0103t\u0103\u021bi aduce fa\u021b\u0103 \u00een fa\u021b\u0103 \u0219i contrapune doi scriitori de geniu, dou\u0103 viziuni artistice, dou\u0103 modalit\u0103\u021bi de a spune \u0219i imagina pove\u0219ti. \u00cembog\u0103\u021bit cu m\u0103rturii ale litera\u021bilor prezen\u021bi, cu interviuri \u0219i cu fotografii, volumul \u00eei atrage pe cititori \u00een laboratorul unde realitatea \u0219i biografia se transform\u0103 \u00een fic\u021biune \u0219i mit.<\/p>\n\n\n\n<p><strong>3. Ioan-Aurel Pop, <em>Identitatea rom\u00e2neasc\u0103. Felul de a fi rom\u00e2n de-a lungul timpului<\/em><\/strong><em> <\/em>(Contemporanul) <strong>[5\/8]<\/strong><\/p>\n\n\n\n<p>Toate popoarele sunt preocupate de identitatea lor, dar la rom\u00e2ni aceast\u0103 chestiune a \u00eembr\u0103cat forme speciale. Rom\u00e2nii, locuitori p\u00e2n\u0103 \u00een epoca modern\u0103 \u00een dou\u0103 principate autonome supuse Por\u021bii Otomane \u0219i r\u00e2vnite de mul\u021bi al\u021bi vecini, dar tr\u0103itori \u0219i \u00een vaste provincii ocupate de unguri, de austrieci, de ru\u0219i \u0219i de turci, pierdu\u021bi \u00een mijlocul at\u00e2tor str\u0103ini rapace, s-au \u00eentrebat, parc\u0103 mai mult dec\u00e2t al\u021bii, de unde vin \u0219i cine sunt ei. P\u00e2n\u0103 la urm\u0103 \u00eens\u0103, toate popoarele mici, lovite de soart\u0103 \u0219i l\u0103sate la cheremul celor mari, au asemenea preocup\u0103ri, transformate uneori \u00een adev\u0103rate obsesii. (Ioan-Aurel POP)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>4. Daniel Mendelsohn, <em>Trei inele<\/em> <\/strong>(Polirom)<strong> [-\/2]<\/strong><\/li><li><strong>5. Umberto Eco, <em>Cum se face o tez\u0103 de licen\u021b\u0103<\/em><\/strong><em> <\/em>(edi\u021bia 2020) (Polirom) <strong>[3\/11]<\/strong><\/li><li><strong>6. N. Steinhardt, <em>Prin al\u021bii spre sine<\/em> <\/strong>(Polirom)<strong> [-\/5]<\/strong><\/li><li><strong>7. Mihai Iov\u0103nel, <em>Istoria literaturii rom\u00e2ne contemporane 1990-2020<\/em> <\/strong>(Polirom)<strong> [7\/11]<\/strong><\/li><li><strong>8. Mircea Mih\u0103ie\u0219, <em>Finnegans Wake, 628<\/em><\/strong><em> <\/em>(Polirom) <strong>[1\/2]<\/strong><\/li><li><strong>9. Ioan-Aurel Pop, <em>Veghea asupra limbii rom\u00e2ne<\/em> <\/strong>(Litera)<strong> [-\/2]<\/strong><\/li><li><strong>10. N. Steinhardt, <em>Escale \u00een timp \u0219i spa\u021biu<\/em><\/strong><em> <\/em>(Polirom) <strong>[9\/5]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi pentru copii<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Jeff-Kinney-Jurnalul-unui-pus\u0326ti-16.jpeg\" alt=\"\" class=\"wp-image-5269\" width=\"195\" height=\"290\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Jeff-Kinney-Jurnalul-unui-pus\u0326ti-16.jpeg 471w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Jeff-Kinney-Jurnalul-unui-pus\u0326ti-16-202x300.jpeg 202w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\"><strong>1. Jeff Kinney, <em>Jurnalul unui pu\u0219ti 16. Meciul sezonului<\/em> <\/strong>(Arthur)<strong> [-\/2]<\/strong><\/p>\n\n\n\n<p>Greg Heffley pur \u0219i simplu n-are nicio treab\u0103 cu sportul.<\/p>\n\n\n\n<p>Dup\u0103 dezastrul de Ziua Sportului de la \u0219coal\u0103, Greg e hot\u0103r\u00e2t s\u0103 se retrag\u0103 oficial din cariera de sportiv. P\u00e2n\u0103 la urm\u0103, la insisten\u021bele mamei, \u00eei mai d\u0103 o \u0219ans\u0103 sportului \u0219i e de-acord s\u0103 se \u00eenscrie la baschet.<\/p>\n\n\n\n<p>Preselec\u021bia e un dezastru \u0219i e sigur c\u0103 n-o s\u0103 fie printre cei ale\u0219i. Dar, surprinz\u0103tor, e primit \u00eentr-o echip\u0103 din ora\u0219. La \u00eenceputul sezonului, Greg \u0219i coechipierii lui nu prea au \u0219anse s\u0103 c\u00e2\u0219tige nici m\u0103car un meci. C\u00e2nd e vorba de sport, totu\u0219i, orice e posibil.<\/p>\n\n\n\n<p><strong>2. Sophie Rigal-Goulard, <em>15 zile f\u0103r\u0103 internet<\/em><\/strong> (Rao) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p>Ce oroare! P\u0103rin\u021bii mei au decis c\u0103 vom sta 15 zile \u00eentr-un loc pe care NIMENI nu-l cunoa\u0219te \u0219i unde nu se \u00eent\u00e2mpl\u0103 NIMIC NICIODAT\u0102. MAI R\u0102U, va trebui s\u0103 renun\u021b\u0103m la orice conexiune! Adio, computer, consol\u0103, telefon mobil, adio, via\u021b\u0103 modern\u0103. Adio, fanii mei fideli. Adio, prietene dragi. Bine ai venit, vacan\u021b\u0103 groaznic\u0103! V\u0103 voi g\u0103si \u00eenc\u0103 aici, atunci c\u00e2nd m\u0103 voi \u00eentoarce din mor\u021bi?!<\/p>\n\n\n\n<p><strong>3. Ioana Chicet-Macoveiciuc, <em>Iubim s\u0103 c\u0103l\u0103torim \u2013 Ema \u0219i Eric descoper\u0103 Rom\u00e2nia<\/em><\/strong> (Didactica Publishing House)<strong> [-\/12]<\/strong><\/p>\n\n\n\n<p>\u00cen acest volum, Familia Pofticio\u0219ilor face turul Rom\u00e2niei cu autorulota! Cei patru simpatici exploreaz\u0103 p\u0103duri \u0219i cascade, muzee \u0219i castele, m\u0103n\u0103stiri, Delta Dun\u0103rii, sanctuarul de ur\u0219i \u0219i rezerva\u021bia de zimbri. Nu uit\u0103 s\u0103 aib\u0103 grij\u0103 de natur\u0103 la orice pas, povestesc despre istoria \u0219i legendele locurilor, gust\u0103 m\u00e2nc\u0103ruri specifice fiec\u0103rei zone \u0219i sunt recunosc\u0103tori pentru tot ce tr\u0103iesc \u00eempreun\u0103!<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>4. Al. Mitru, <em>Legendele Olimpului 1. Zeii<\/em><\/strong> (Art) <strong>[-\/4]<\/strong><\/li><li><strong>5.<\/strong> <strong>Antoine De Saint-Exupery, <em>Micul Prin\u021b<\/em><\/strong> (Rao) <strong>[3\/15]<\/strong><\/li><li><strong>6.<\/strong> <strong>Keri Smith, <em>Jurnalul meu tr\u0103snit&#8230; \u00een culori<\/em><\/strong> (Paralela 45) <strong>[2\/8]<\/strong><\/li><li><strong>7. ***, <em>25 de pove\u0219ti minunate<\/em><\/strong> (Flamingo) <strong>[6\/3]<\/strong><\/li><li><strong>8.<\/strong> <strong>Keri Smith, <em>Jurnalul meu tr\u0103snit&#8230; \u00een alb \u0219i negru<\/em><\/strong> (Paralela 45) <strong>[9\/3]<\/strong><\/li><li><strong>9.<\/strong> <strong>Alex Rovira, Francesc Miralles, <em>Pove\u0219ti pentru copii ferici\u021bi<\/em><\/strong><em> <\/em>(Humanitas) <strong>[4\/3]<\/strong><\/li><li><strong>10. ***, <em>Colorez semnele mele de carte \u2013 Fluturi<\/em><\/strong> (Didactica Publishing House) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Eseu<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-671x1024.jpeg\" alt=\"\" class=\"wp-image-3411\" width=\"195\" height=\"298\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-671x1024.jpeg 671w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-197x300.jpeg 197w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-768x1172.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-480x733.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane.jpeg 800w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\"><strong>1.<\/strong> <strong>Carlo Cipolla<\/strong><strong>, <em>Legile <\/em><\/strong><strong><em>fundamentale <\/em><\/strong><strong><em>ale <\/em><\/strong><strong><em>imbecilit<\/em><\/strong><strong><em>\u0103\u021bii <\/em><\/strong><strong><em>umane<\/em><\/strong> (Humanitas) <strong>[1\/15]<\/strong><\/p>\n\n\n\n<p>\u201eUn imbecil este o persoan\u0103 care cauzeaz\u0103 pierderi unui alt individ sau grup de indivizi, f\u0103r\u0103 a c\u00e2\u0219tiga nimic \u00een schimb, uneori chiar suferind pierderi de pe urma ac\u021biunilor sale.\u201c \u2014 A treia lege fundamental\u0103 a imbecilit\u0103\u021bii (Regula de Aur)<\/p>\n\n\n\n<p><strong>2. Camelia Cavadia, <em>Sufletul lumii <\/em><\/strong>(Trei) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p>\u201eAm scris aceast\u0103 carte pentru c\u0103 m\u0103 tem de lumea care va veni, dar, mai ales, m\u0103 tem s\u0103 nu moar\u0103 POVE\u0218TILE. S\u0103 nu dezbr\u0103cam de tot lumea de mister sau nu cumva s\u0103 nu\u00adl mai recunoa\u0219tem c\u00e2nd ni se arat\u0103. Uneori, \u00een miezul unor zile c\u00e2t se poate de obi\u0219nuite, \u00ee\u0219i fac loc \u00eent\u00e2mpl\u0103ri inexplicabile, al c\u0103ror sens \u00eel pricepem poate mai t\u00e2rziu sau niciodat\u0103. \u00cent\u00e2mpl\u0103ri care fractureaz\u0103 logica \u0219i sfideaz\u0103 ra\u021bionalul, care supun la grea \u00eencercare capacitatea de \u00een\u021belegere \u0219i acceptare.\u201d Camelia Cavadia<\/p>\n\n\n\n<p><strong>3. Malcolm Gladwell, <em>Excep\u021bionalii. Povestea succesului<\/em> <\/strong>(Publica)<strong> [3\/11]<\/strong><\/p>\n\n\n\n<p>Pove\u0219tile despre cei care au un foarte, foarte mare succes se \u00eenv\u00e2rt \u00een jurul inteligen\u021bei \u0219i ambi\u021biei. \u00cen Excep\u021bionalii, Malcolm Gladwell spune c\u0103 adev\u0103rata explica\u021bie e cu totul alta, iar dac\u0103 vrem s\u0103 \u00een\u021belegem cum se ajunge at\u00e2t de departe, ar trebui s\u0103 ne lu\u0103m timp s\u0103 cunoa\u0219tem tot ce \u021bine de contextul acestor oameni: familia, locul unde au copil\u0103rit, data na\u0219terii. Gladwell contest\u0103 mitul a\u0219a-zisului merit personal, explor\u00e2nd raportul dintre succes \u0219i cultur\u0103, hazard, sincronizare, na\u0219tere \u0219i noroc, \u0219i felul \u00een care, \u00een pofida calit\u0103\u021bilor \u0219i talentului cuiva, mo\u0219tenirea cultural\u0103 poate func\u021biona ca o piedic\u0103.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>4. Angelo Mitchievici, <em>Farmecul vie\u021bii distruse<\/em><\/strong><em> <\/em>(Humanitas) <strong>[-\/2]<\/strong><\/li><li><strong>5. Alessandro Baricco, <em>Bun venit la circ<\/em><\/strong> (Humanitas) <strong>[2\/4]<\/strong><\/li><li><strong>6. Fredric Jameson, <em>Postmodernismul sau logica cultural\u0103 a capitalismului t\u00e2rziu <\/em><\/strong>(Universitatea \u201eLucian Blaga\u201d din Sibiu)<strong> [-\/2]<\/strong><\/li><li><strong>7. Monica Pillat, <em>Ceasuri de demult<\/em> <\/strong>(Baroque Books &amp; Arts) <strong>[-\/2]<\/strong><\/li><li><strong>8.<\/strong> <strong>Aldous Huxley, <em>Por\u021bile percep\u021biei. Raiul \u0219i iadul <\/em><\/strong>(Polirom) <strong>[4\/7]<\/strong><\/li><li><strong>9.<\/strong> <strong>Mario Vargas-Llosa, <em>Civiliza\u021bia spectacolului<\/em><\/strong>(Humanitas) <strong>[8\/3]<\/strong><\/li><li><strong>10. Sirma Bilge, Patricia Hill Collins, <em>Intersec\u021bionalitate<\/em><\/strong> (Universitatea \u201eLucian Blaga\u201d din Sibiu) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi de c\u0103l\u0103torie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Sacheverell-Sitwell-Ca\u0306la\u0306torie-i\u0302n-Roma\u0302nia--665x1024.jpeg\" alt=\"\" class=\"wp-image-5270\" width=\"195\" height=\"299\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Sacheverell-Sitwell-Ca\u0306la\u0306torie-i\u0302n-Roma\u0302nia--665x1024.jpeg 665w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Sacheverell-Sitwell-Ca\u0306la\u0306torie-i\u0302n-Roma\u0302nia--195x300.jpeg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Sacheverell-Sitwell-Ca\u0306la\u0306torie-i\u0302n-Roma\u0302nia--768x1182.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Sacheverell-Sitwell-Ca\u0306la\u0306torie-i\u0302n-Roma\u0302nia--480x739.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Sacheverell-Sitwell-Ca\u0306la\u0306torie-i\u0302n-Roma\u0302nia-.jpeg 800w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\"><strong>1. Sir Sacheverell Sitwell, <em>C\u0103l\u0103torie \u00een Rom\u00e2nia<\/em> <\/strong>(Humanitas)<strong> [-\/2]<\/strong><\/p>\n\n\n\n<p>\u00cen 1937, scriitorul britanic Sacheverell Sitwell a fost invitat de familia de vechi boieri Callimachi s\u0103 ne viziteze \u0163ara. Rod al unui aranjament privat, c\u0103l\u0103toria unui cet\u0103\u0163ean britanic at\u00e2t de cultivat \u015fi de p\u0103trunz\u0103tor s-a dovedit mai fructuoas\u0103 dec\u00e2t orice ac\u0163iune de propagand\u0103 cultural\u0103 pus\u0103 la cale de vreun minister de resort. Peste nici un an, Sitwell a publicat la Londra volumul <em>Roumanian Journey<\/em>, splendid tip\u0103rit \u015fi legat, \u00eembog\u0103\u0163it cu fotografii \u00een alb-negru de o frumuse\u0163e extraordinar\u0103, pe care edi\u0163ia de fa\u0163\u0103 le recupereaz\u0103 \u00een bun\u0103 parte. Cartea lui Sacheverell Sitwell este un document complex \u015fi emo\u0163ionant despre Rom\u00e2nia interbelic\u0103, a\u015fa cum apare ea unui c\u0103l\u0103tor str\u0103in, \u015fi nu cum suntem prea adesea tenta\u0163i s\u0103 o supraidealiz\u0103m dintr-o perspectiv\u0103 prea rom\u00e2nocentrist\u0103. Este o Rom\u00e2nie aflat\u0103, la acea vreme, la cea mai mare \u00eentindere teritorial\u0103 \u015fi, \u00een consecin\u0163\u0103, la cea mai divers\u0103 \u00eenf\u0103\u0163i\u015fare cultural\u0103 \u015fi etnografic\u0103, un regat prosper \u015fi tolerant, deopotriv\u0103 modern \u015fi tradi\u0163ional, \u00een care to\u0163i locuitorii s\u0103i tr\u0103iesc \u00een lini\u015fte \u015fi pace. \u015ei totu\u015fi interesul documentar al acestei c\u0103r\u0163i aproape c\u0103 este pus \u00een umbr\u0103 de emo\u0163ia sf\u00e2\u015fietoare de a descoperi, prin ochii unui c\u0103l\u0103tor str\u0103in, un paradis pierdut pentru totdeauna.<\/p>\n\n\n\n<p><strong>2. Kapka Kassabova, <em>Frontiera<\/em> <\/strong>(Pandora M) <strong>[3\/4]<\/strong><\/p>\n\n\n\n<p>\u00cen acest excep\u021bional reportaj literar, Kapka Kassabova se \u00eentoarce \u00een Bulgaria, de unde a emigrat cu 25 de ani \u00een urm\u0103, pentru a explora zona de frontier\u0103 pe care fosta ei \u021bar\u0103 o \u00eemparte cu Turcia \u0219i Grecia. Frontiera&nbsp;red\u0103 c\u0103l\u0103toria autoarei \u00een regiune, \u00een timpul c\u0103reia aceasta intervieveaz\u0103 diverse personaje pitore\u0219ti, de la contrabandi\u0219ti, v\u00e2n\u0103tori de comori \u0219i gr\u0103niceri la \u021b\u0103rani ce venereaz\u0103 puterea focului. At\u00e2t istorie, c\u00e2t \u0219i literatur\u0103, cartea ei aduce la lumin\u0103 un teritoriu misterios \u0219i forfotind de for\u021be obscure, unde modernitatea pare a se fi sfiit s\u0103 p\u0103trund\u0103.<\/p>\n\n\n\n<p><strong>3.<\/strong> <strong>H.C. Andersen, <em>Bazarul unui poet. Memorii de c\u0103l\u0103torie<\/em><\/strong> (Humanitas) <strong>[1\/4]<\/strong><\/p>\n\n\n\n<p><em>Bazarul unui poet<\/em>, publicat acum \u00een edi\u021bie integral\u0103, cel mai cunoscut dintre volumele cuprinz\u00e2nd memorii de c\u0103l\u0103torie ale lui H.C. Andersen, este considerat o capodoper\u0103 a expresivit\u0103\u021bii, pitorescului \u0219i detaliului poetic. \u00cen peregrin\u0103rile sale a ajuns \u0219i pe teritorii ale Rom\u00e2niei de azi, prilej cu care descrie popasurile la K\u00fcstendje (Constan\u021ba), Giurgiu \u0219i Or\u0219ova (unde a stat mai mult, \u00een carantin\u0103), drumul \u00een tr\u0103sur\u0103 spre Cernavod\u0103, \u00eenf\u0103\u021bi\u0219area exotic\u0103 a p\u0103storilor valahi \u0219i priveli\u0219tile de pe malurile Dun\u0103rii, \u00een croaziera spre Por\u021bile de Fier.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>4. Ben Fogle, <em>Din s\u0103lb\u0103ticie<\/em> <\/strong>(Pilot Books) <strong>[2\/4]<\/strong><\/li><li><strong>5. Colin Thubron, <em>Fluviul Amur<\/em> <\/strong>(Polirom) <strong>[-\/2]<\/strong><\/li><li><strong>6.<\/strong> <strong>Marius Chivu, <em>Trei s\u0103pt\u0103m\u00e2ni \u00een Anzi<\/em><\/strong> (Humanitas) <strong>[4\/5]<\/strong><\/li><li><strong>7.<\/strong> <strong>F.M. Dostoievski, <em>\u00censemn\u0103ri de iarn\u0103 despre impresii de var\u0103<\/em><\/strong> (Polirom) <strong>[7\/4]<\/strong><\/li><li><strong>8.<\/strong> <strong>Constantin Ardeleanu, <em>O croazier\u0103 de la Viena la Constantinopol<\/em> <\/strong>(Humanitas) <strong>[5\/4]<\/strong><\/li><li><strong>9.<\/strong> <strong>Jessica Bruder, <em>\u021ainutul nomazilor<\/em> <\/strong>(Trei)<strong> [6\/4]<\/strong><\/li><li><strong>10.<\/strong> <strong>Joshua Slocum, <em>Navig\u00e2nd singur \u00een jurul lumii<\/em><\/strong>(Sapiens) <strong>[9\/6]<\/strong><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Urm\u0103toarele topuri au fost realizate \u00een func\u021bie de v\u00eenz\u0103rile \u00eenregistrate \u00een intervalul 1 februarie &#8211; 31 martie 2022 \u00een re\u021beaua de libr\u0103rii C\u0103rture\u0219ti \u0219i pe carturesti.ro.<\/p>\n","protected":false},"author":2,"featured_media":5263,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[161],"tags":[162,1064],"coauthors":[1278],"class_list":["post-5262","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bestsellers-carturesti","tag-bestsellers-carturesti","tag-nr-4-2022"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/carturesti3.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5262"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5262\/revisions"}],"predecessor-version":[{"id":5295,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5262\/revisions\/5295"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/5263"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5262"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=5262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}