{"id":5247,"date":"2022-07-30T15:18:38","date_gmt":"2022-07-30T12:18:38","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=5247"},"modified":"2022-07-30T15:18:43","modified_gmt":"2022-07-30T12:18:43","slug":"bestsellers-carturesti-decembrie-2021","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=5247","title":{"rendered":"Bestsellers C\u0103rture\u0219ti \u2013 decembrie 2021"},"content":{"rendered":"\n<ul class=\"has-cyan-bluish-gray-background-color has-background has-small-font-size wp-block-list\"><li><em>Cifrele din dreptul titlurilor, prezentate \u00eentre paranteze drepte, reprezint\u0103 locul ocupat \u00een topul lunii anterioare, respectiv num\u0103rul de luni \u00een top.<\/em><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Autori rom\u00e2ni<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Andreea-Savulescu-Ziua-i\u0302n-care-m-am-iubit-cu-adeva\u0306rat-.jpeg\" alt=\"\" class=\"wp-image-3827\" width=\"195\" height=\"300\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Andreea-Savulescu-Ziua-i\u0302n-care-m-am-iubit-cu-adeva\u0306rat-.jpeg 390w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Andreea-Savulescu-Ziua-i\u0302n-care-m-am-iubit-cu-adeva\u0306rat--195x300.jpeg 195w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Andreea S\u0103vulescu, <em>Ziua \u00een care m-am iubit cu adev\u0103rat<\/em><\/strong> (Bookzone) <strong>[2\/4]<\/strong><\/p>\n\n\n\n<p>\u201eZiua \u00een care m-am iubit cu adev\u0103rat\u201d este a doua carte a autiareu, dup\u0103 \u201eTr\u0103ie\u0219te autentic\u201d, pe care a scris-o \u00een primul r\u00e2nd pentru ea \u00eens\u0103\u0219i, pentru a se vindeca de traumele \u0219i de r\u0103nile trecutului, dar \u0219i pentru cititori, care pot g\u0103si \u00een ea chei de g\u00e2ndire \u0219i de analiz\u0103 a propriilor dureri. \u00cenva\u021b\u0103 al\u0103turi de Andreea s\u0103 te iube\u0219ti tu \u00een primul r\u00e2nd, s\u0103 te pui pe primul loc \u00een via\u021ba ta, s\u0103 faci pace cu trecutul \u00eentr-un mod vindec\u0103tor \u0219i asumat, nu prin negare, \u0219i s\u0103 iei ce e mai bun de la via\u021b\u0103, eliber\u00e2ndu-te de poverile care-\u021bi apas\u0103 pe suflet, con\u0219tient sau incon\u0219tient.<\/p>\n\n\n\n<p>2. <strong>Igor Bergler, <em>Minciuna lui Michelangelo. Catedrala \u00een fl\u0103c\u0103ri<\/em><\/strong>(Litera) <strong>[3\/4]<\/strong><\/p>\n\n\n\n<p>Asasinarea mai multor cardinali la Roma st\u00e2rne\u0219te panic\u0103 \u00een Cetatea Etern\u0103. Vaticanul e deja ros de scandaluri nesf\u00e2r\u0219ite de corup\u021bie \u0219i pedofilie, iar cre\u0219tinismul pierde adep\u021bi \u00eentr-un ritm \u00eengrijor\u0103tor. \u00cen spatele acestor execu\u021bii ritualice, complicate de uciderea altor cardinali \u00een Mexic, se afl\u0103 o conspira\u021bie terifiant\u0103 \u0219i un secret devastator pentru Biseric\u0103, ascuns \u00eentr-un document descoperit de Michelangelo Buonarroti, cu cinci sute de ani \u00een urm\u0103.<\/p>\n\n\n\n<p>3. <strong>Ioana P<\/strong><strong>\u00e2rvulescu<\/strong><strong>, <em>Inocen<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Humanitas) <strong>[1\/12]<\/strong><\/p>\n\n\n\n<p>Dou\u0103 viziuni asupra lumii: cea a unei feti\u021be care vede lucrurile \u00eentr-un fel extrem de personal \u015fi cea a femeii care descoper\u0103 secretele \u00eenecate \u00een trecut. Naivitatea comic\u0103 a primei voci \u00eenvinge melancolia celei de-a doua.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Lavinia Brani\u0219te, <em>M\u0103 g\u0103se\u0219ti c\u00e2nd vrei<\/em><\/strong> (Polirom) <strong>[4\/3]<\/strong><\/li><li>5.<strong> Petronela Rotar, <em>Orbi<\/em> <\/strong>(Trei)<strong> [-\/1]<\/strong><\/li><li>6. <strong>Tatiana \u021a\u00eebuleac, <em>Vara \u00een care mama a avut ochii verzi<\/em><\/strong> (Cartier) <strong>[10\/5]<\/strong><\/li><li>7. <strong>Dan Alexe, <em>Dacopatia \u0219i alte r\u0103t\u0103ciri rom\u00e2ne\u0219ti<\/em><\/strong> (Humanitas) <strong>[5\/3]<\/strong><\/li><li>8. Gabriel Liiceanu, Andrei Ple\u0219u, <em>Despre destin<\/em> (Humanitas) <strong>[-\/7]<\/strong><\/li><li>9. <strong>Mircea C\u0103rt\u0103rescu, <em>Nostalgia<\/em><\/strong> (Humanitas) <strong>[6\/4]<\/strong><\/li><li>10. <strong>Mircea C\u0103rt\u0103rescu, <em>Melancolia<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Fic\u021biune<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--653x1024.png\" alt=\"\" class=\"wp-image-2305\" width=\"195\" height=\"306\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--653x1024.png 653w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--191x300.png 191w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--768x1204.png 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--480x752.png 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii-.png 957w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Delia Owens<\/strong><strong>, <em>Acolo <\/em><\/strong><strong><em>unde <\/em><\/strong><strong><em>c\u00e2nt<\/em><\/strong><strong><em>\u0103 <\/em><\/strong><strong><em>racii<\/em><\/strong> (Trei) <strong>[4\/12]<\/strong><\/p>\n\n\n\n<p>Zvonurile despre Fata Mla\u0219tinii au circulat mul\u021bi ani \u00een Barkley Cove, un or\u0103\u0219el lini\u0219tit de pe coasta Carolinei de Nord. A\u0219a c\u0103, \u00een 1969, c\u00e2nd frumosul Chase Andrews este g\u0103sit mort, localnicii b\u0103nuiesc imediat c\u0103 a fost ucis de Kya Clark, adev\u0103ratul nume al Fetei Mla\u0219tinii. \u00cens\u0103 Kya nu este nici pe departe s\u0103lb\u0103ticiunea pe care \u0219i-o \u00eenchipuie lumea.<\/p>\n\n\n\n<p>2. <strong>Colleen Hoover, <em>Totul se termin\u0103 cu noi<\/em><\/strong> (Epica) <strong>[2\/4]<\/strong><\/p>\n\n\n\n<p>Uneori, cei care te iubesc te r\u0103nesc cel mai tare. Lily Bloom nu a avut \u00eentotdeauna o via\u021b\u0103 u\u0219oar\u0103, dar asta nu a oprit-o niciodat\u0103 s\u0103 munceasc\u0103 din greu pentru a-\u0219i \u00eendeplini \u021belurile. A evoluat foarte mult: a absolvit liceul, s-a mutat la Boston \u0219i \u0219i-a \u00eenceput propria afacere. C\u00e2nd Lily \u00eel cunoa\u0219te pe Ryle Kincaid, un chipe\u0219 neurochirurg, se simte imediat foarte atras\u0103 de el \u0219i via\u021ba i se schimb\u0103 brusc.<\/p>\n\n\n\n<p>3. <strong>Colleen Hoover,<\/strong> <strong><em>Ugly Love \u2013 despre fa\u021ba ur\u00e2t\u0103 a iubirii<\/em><\/strong> (Epica) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>Atunci c\u00e2nd Tate Collins \u00eel \u00eent\u00e2lne\u0219te pe Miles Archer, un pilot de avioane t\u0103cut, la locul lui, b\u00e2ntuit de un trecut \u00eentunecat, ea e con\u0219tient\u0103 c\u0103 ceea ce simte nu e tocmai dragoste la prima vedere. Cei doi nu se consider\u0103 nici m\u0103car prieteni, iar singurul lucru pe care \u00eel au \u00een comun este o atrac\u021bie fizic\u0103 de net\u0103g\u0103duit. Dup\u0103 ce dorin\u021bele lor ies la iveal\u0103, cei doi \u00ee\u0219i dau seama c\u0103 tocmai au g\u0103sit solu\u021bia perfect\u0103 pentru o rela\u021bie f\u0103r\u0103 alte implica\u021bii. El nu caut\u0103 iubire, iar ea nu are timp pentru a\u0219a ceva. Aranjamentul lor ar fi extrem de satisf\u0103c\u0103tor, dac\u0103 Tate ar putea s\u0103 respecte cele dou\u0103 reguli impuse de Miles: nu pune \u00eentreb\u0103ri despre trecut, nu te a\u0219tepta la un viitor \u00eempreun\u0103.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Matt Haig, <em>Biblioteca de la miezul nop\u021bii<\/em><\/strong>(Nemira) <strong>[-\/10]<\/strong><\/li><li>5. <strong>Guzel Iahina, <em>Trenul spre Samarkand<\/em><\/strong> (Humanitas) <strong>[1\/3]<\/strong><\/li><li>6. <strong>Alex Michaelides, <em>Pacienta t\u0103cut\u0103<\/em><\/strong> (Litera) <strong>[7\/8]<\/strong><\/li><li>7. <strong>Frank Herbert, <em>Dune <\/em><\/strong>(Nemira)<strong> [-\/1]<\/strong><\/li><li>8. <strong>Narine Abgarian, <em>Din cer au c\u0103zut trei mere<\/em><\/strong> (Humanitas) <strong>[3\/3]<\/strong><\/li><li>9. <strong>Josie Silver, <em>O zi de decembrie<\/em> <\/strong>(Nemira)<strong> [-\/1]<\/strong><\/li><li>10.<strong> Irvin d. Yalom, <em>Minciuni pe canapea<\/em> <\/strong>(Humanitas Fiction) <strong>[9\/8]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Poezie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Simona-Popescu-Cartea-plantelor-s\u0326i-a-animalelor.jpeg\" alt=\"\" class=\"wp-image-5249\" width=\"195\" height=\"273\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Simona-Popescu-Cartea-plantelor-s\u0326i-a-animalelor.jpeg 650w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Simona-Popescu-Cartea-plantelor-s\u0326i-a-animalelor-214x300.jpeg 214w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Simona-Popescu-Cartea-plantelor-s\u0326i-a-animalelor-480x672.jpeg 480w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Simona Popescu, <em>Cartea plantelor \u0219i a animalelor<\/em> <\/strong>(Nemira) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>Dup\u0103 15 ani, Simona Popescu revine cu un nou volum de poezie. E un prim motiv de bucurie. Al doilea e dat de \u0219ansa oferit\u0103 cititorului de a se (re)\u00eent\u00eelni cu frapanta sa originalitate. Av\u00eend certe r\u0103d\u0103cini \u00een volumele ei anterioare, imaginarul naturii ajunge \u00een&nbsp;<em>Cartea plantelor \u0219i animalelor<\/em>&nbsp;la des\u0103v\u00eer\u0219ire, \u00eentr-o structurare savant\u0103, subtil\u0103 \u0219i \u00eendeaproape supravegheat\u0103. Cu precizarea imediat\u0103 c\u0103 e un imaginar al naturii apar\u021bin\u00eend unei poete care vine din cultur\u0103 \u0219i care a citit c\u0103r\u021bile care o glorific\u0103, a v\u0103zut tablourile \u0219i filmele care i-au fost consacrate, a ascultat muzica dedicat\u0103 temei, de unde dimensiunea cultural\u0103 a volumului. \u00be Sanda Cordo\u0219<\/p>\n\n\n\n<p>2. <strong>Nichita St\u0103nescu, <em>Cuvintelor, necuvintelor<\/em> <\/strong>(Cartier)<strong> [5\/9]<\/strong><\/p>\n\n\n\n<p>\u201eLimbajul poetic inventat de Nichita era \u00een acela\u0219i timp un nou continent, dar \u0219i un mijloc de naviga\u021bie. Mai mult dec\u00e2t oricare alt poet, de la Nichita am \u00eenv\u0103\u021bat c\u0103 poezia poate fi busol\u0103 \u0219i instrument de cunoa\u0219tere, ritual \u0219i mister, explorare a sinelui \u0219i bucurie de a tr\u0103i, form\u0103 de libertate \u0219i mijloc de eliberare, zbor planat peste toate celelalte discipline ale spiritului \u0219i expresie a tot ceea ce sim\u021burile \u0219i creierul pot produce mai frumos \u0219i mai subtil \u00eempreun\u0103.\u201d (Matei Vi\u0219niec)<\/p>\n\n\n\n<p>3. <strong>Svetlana C\u00e2rstean, <em>Gravita\u021bie<\/em> <\/strong>(Nemira) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>Prezen\u021b\u0103 feminin\u0103 puternic\u0103 \u0219i grav\u0103, ie\u0219it\u0103 parc\u0103 din tenebrele unei \u201emine a sufletelor\u201c, Svetlana C\u00e2rstean, asemenea Atenei cu coif pictate de Klimt, pare uneori a celebra, cu un mic z\u00eembet de triumf, victoria asupra cine \u0219tie c\u0103rei Gorgone interioare. \u00be Mircea C\u0103rt\u0103rescu<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Svetlana C\u00e2rstean, <em>S\u00eent alta<\/em><\/strong> (Nemira) <strong>[2\/12]<\/strong><\/li><li>5. <strong>Svetlana C\u00e2rstean, <em>Floarea de menghin\u0103<\/em><\/strong> (Nemira) <strong>[-\/1]<\/strong><\/li><li>6. <strong>Alina Purcaru, Paula Erizanu,<em> Un secol de poezie rom\u00e2n\u0103 scris\u0103 de femei I<\/em><\/strong> <strong><em>(1990-2019)<\/em><\/strong> (Cartier) [6\/3]<\/li><li>7. <strong>Mariana Marin, <em>La \u00eentret\u0103ierea drumurilor<\/em><\/strong>(Cartier) <strong>[-\/1]<\/strong><\/li><li>8. <strong>Mihai Eminescu, <em>Poezii<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><li>9. <strong>Ana Blandiana, <em>Integrala poemelor<\/em><\/strong> (Humanitas) <strong>[-\/3]<\/strong><\/li><li>10. <strong>Ana Blandiana, <em>Varia\u021biuni pe o tem\u0103 dat\u0103<\/em> <\/strong>(Humanitas) <strong>[-\/5]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Istorie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii-.jpg\" alt=\"\" class=\"wp-image-1767\" width=\"195\" height=\"284\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii-.jpg 685w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii--206x300.jpg 206w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii--480x701.jpg 480w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Yuval Noah Harari, <em>Sapiens. Scurt\u0103 istorie a omenirii<\/em> <\/strong>(Polirom)<strong> [1\/9]<\/strong><\/p>\n\n\n\n<p>Acum 100.000 de ani, pe p\u0103m\u00eent existau cel pu\u021bin \u0219ase specii de oameni. Ast\u0103zi exist\u0103 una singur\u0103: noi, Homo sapiens. Ce s-a \u00eent\u00eemplat cu celelalte? \u0218i cum am ajuns s\u0103 fim st\u0103p\u00eenii planetei?<\/p>\n\n\n\n<p>2. <strong>Hannah Jewell, <em>100 de femei afurisite. O istorie<\/em><\/strong>(Nemira) <strong>[2\/9]<\/strong><\/p>\n\n\n\n<p>Femeile din istoria de fa\u021b\u0103 au fost considerate prea afurisite pentru vremea lor. Nu e de mirare c\u0103, atunci c\u00e2nd citim despre (pu\u021binele) femei din istorie, ele sunt \u00een general formale \u0219i con\u0219tiincioase. Adev\u0103rul este c\u0103 istoricii (majoritatea b\u0103rba\u021bi) \u00eendulcesc detaliile sau le exclud pe femeile care nu corespund imaginii lor idealizate.<\/p>\n\n\n\n<p>3. <strong>Yuval Noah Harari, <em>Homo Deus. Scurt\u0103 istorie a viitorului<\/em><\/strong> (Polirom) <strong>[3\/8]<\/strong>&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Yuval Noah Harari exploreaz\u0103 proiectele, visurile \u015fi co\u015fmarurile care ne vor marca viitorul. Omul va \u00eencerca s\u0103 devin\u0103 asemenea zeilor, \u00eenving\u00eend moartea \u015fi cre\u00eend via\u0163a artificial\u0103. Este chiar urm\u0103torul stadiu al evolu\u0163iei \u2013 Homo deus.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Neagu Djuvara, <em>O scurt\u0103 istorie ilustrat\u0103 a rom\u00e2nilor<\/em><\/strong> (Humanitas) <strong>[4\/7]<\/strong><\/li><li>5. <strong>Constan\u021ba Vintil\u0103, <em>Lux, mod\u0103 \u0219i alte bagatele politice\u0219ti \u00een Europa<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><li>6. <strong>Yuval Noah Harari, <em>21 de lec\u021bii pentru secolul XXI<\/em><\/strong> (Polirom) [6\/7]<\/li><li>7. <strong>Patricia Posner, <em>Farmacistul de la Auschwitz<\/em><\/strong> (Rao) <strong>[7\/8]<\/strong><\/li><li>8. <strong>Georges Minois, <em>Istoria Evului Mediu. O mie de ani de splendoare \u0219i tic\u0103lo\u0219ie<\/em><\/strong>(Nemira) <strong>[8\/6]<\/strong><\/li><li>9. <strong>Andrei Ursu, Roland O. Thomasson, M\u0103d\u0103lin Hodor, <em>Tr\u0103g\u0103tori \u0219i mistificatori. Contrarevolu\u021bia Securit\u0103\u021bii \u00een decembrie 1989<\/em><\/strong> (Polirom) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Ben Wilson,<em> Metropolis<\/em><\/strong> (Trei) <strong>[10\/5]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Filosofie\/Psihologie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU-725x1024.jpeg\" alt=\"\" class=\"wp-image-5241\" width=\"195\" height=\"276\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU-725x1024.jpeg 725w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU-212x300.jpeg 212w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU-768x1085.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU-1087x1536.jpeg 1087w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU-480x678.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/GABOR-MATE\u0301-CAND-CORPUL-SPUNE-NU.jpeg 1200w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Gabor Mat\u00e9, <em>C\u00e2nd corpul spune nu. Costul stresului ascuns<\/em><\/strong> (Curtea Veche) <strong>[1\/3]<\/strong><\/p>\n\n\n\n<p>Dup\u0103 c\u00e2teva decenii de carier\u0103 medical\u0103 de excep\u021bie, \u00een care a urm\u0103rit leg\u0103tura dintre stres \u0219i boal\u0103, Gabor Mat\u00e9 a str\u00e2ns laolalt\u0103 pove\u0219tile pacien\u021bilor s\u0103i, le-a confruntat cu cele mai recente studii clinice \u0219i a dezv\u0103luit consecin\u021bele imediate, deseori ignorate, ale stresului de zi cu zi. Cartea sa este un semnal de alarm\u0103 \u0219i o pledoarie pentru medicina biopsihosocial\u0103, una dintre cele mai bune c\u0103i prin care ne putem elibera de aceast\u0103 cumplit\u0103 afec\u021biune a epocii noastre.<\/p>\n\n\n\n<p>2. <strong>Marcus Aurelius<\/strong><strong>, <em>G<\/em><\/strong><strong><em>\u00e2nduri <\/em><\/strong><strong><em>c\u0103tre <\/em><\/strong><strong><em>sine <\/em><\/strong><strong><em>\u00eensu<\/em><\/strong><strong><em>\u0219i<\/em><\/strong> (Humanitas) <strong>[2\/12]<\/strong><\/p>\n\n\n\n<p>\u201eO carte de c\u0103p\u0103t\u00e2i a civiliza\u0163iei europene.\u201c \u2013 Andrei Ple\u0219u<\/p>\n\n\n\n<p>\u201eCu ani \u00een urm\u0103 am cump\u0103rat o edi\u0163ie veche din Marc Aureliu care purta urm\u0103toarea dedica\u0163ie: \u00abS\u0103-\u0163i fie prieten \u00een ceasurile grele \u015fi s\u0103 te sprijine cum m-a sprijinit pe mine.\u00bb Nu cred c\u0103 i se poate face unei c\u0103r\u0163i un elogiu mai frumos dec\u00e2t acest \u00abprieten \u00een ceasurile grele\u00bb.\u201c \u2014 Emil Cioran<\/p>\n\n\n\n<p>\u201eMarcus Aurelius a fost primul personaj care s-a aventurat sistematic pe teritoriul eului, care l-a vizitat \u015fi care a scris de fapt un tratat despre tehnici de ameliorare \u015fi de \u0163inere \u00een fr\u00e2u a eului propriu.\u201c \u2014 Gabriel Liiceanu<\/p>\n\n\n\n<p>3. <strong>Viktor E. Frankl<\/strong><strong>,<\/strong> <strong><em>Omul <\/em><\/strong><strong><em>\u00een <\/em><\/strong><strong><em>c\u0103utarea <\/em><\/strong><strong><em>sensului <\/em><\/strong><strong><em>vie<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Vellant) <strong>[3\/11]<\/strong><\/p>\n\n\n\n<p><em>Omul \u00een c\u0103utarea sensului vie\u021bii<\/em> este cronica experien\u021belor \u00eengrozitoare tr\u0103ite de psihiatrul Viktor Frankl \u00een timpul deten\u021biei sale la Auschwitz \u0219i \u00een alte lag\u0103re concentra\u021bioniste.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Sun Tzu, <em>Arta r\u0103zboiului<\/em><\/strong> (Cartex) <strong>[4\/9]<\/strong><\/li><li>5. <strong>Dr. Kevin Dutton \u0219i Andy McNab, <em>ABC-ul psihopatului de succes<\/em><\/strong>(Vidia) <strong>[6\/9]<\/strong><\/li><li>6. <strong>Arthur Schopenhauer, <em>Arta de a avea \u00eentotdeauna dreptate<\/em><\/strong> (Art) <strong>[7\/5]<\/strong><\/li><li>7. <strong>Dr. Clarissa Pinkola Estes, <em>Femei care alearg\u0103 cu lupii. Pove\u0219ti \u0219i mituri ale arhetipului femeii s\u0103lbatice<\/em><\/strong> (Niculescu) <strong>[-\/1]<\/strong><\/li><li>8. <strong>Kevin Dutton, <em>\u00cen\u021belepciunea psihopa\u021bilor <\/em><\/strong>(Vidia) <strong>[-\/6]<\/strong><\/li><li>9. <strong>Irvin D. Yalom \u0219i Marilyn Yalom, <em>O chestiune de via\u021b\u0103 \u0219i de moarte<\/em><\/strong> (Vellant) <strong>[5\/9]<\/strong><\/li><li>10. <strong>Judson Brewer, <em>\u00cembl\u00e2nzirea anxiet\u0103\u021bii. Cum s\u0103 oprim spirala \u00eengrijor\u0103rii \u0219i a fricii ca s\u0103 ne vindec\u0103m mintea<\/em> <\/strong>(Crtea Veche) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Critic\u0103 \u0219i istorie literar\u0103<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Matei-Ca\u0306linescu-A-citi-a-reciti.jpeg\" alt=\"\" class=\"wp-image-5242\" width=\"195\" height=\"303\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Matei-Ca\u0306linescu-A-citi-a-reciti.jpeg 560w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Matei-Ca\u0306linescu-A-citi-a-reciti-194x300.jpeg 194w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Matei-Ca\u0306linescu-A-citi-a-reciti-480x744.jpeg 480w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Matei C\u0103linescu, <em>A citi, a reciti: c\u0103tre o poetic\u0103 a (re)lecturii<\/em><\/strong> (Humanitas) <strong>[1\/3]<\/strong><\/p>\n\n\n\n<p>\u201ePrin nenum\u0103rate reflec\u021bii extraordinar de inteligente \u0219i ingenioase, mustind de informa\u021bie istoric\u0103 de calitate, Matei C\u0103linescu reu\u0219e\u0219te de fiecare dat\u0103 s\u0103 elucideze misterul, dar \u015fi s\u0103 arate c\u0103 misterul textului literar nu este o criptografie, ci un mister consubstan\u021bial. Iar acest mister ireductibil \u00eendeamn\u0103 la recitire chiar cartea pe care o citi\u021bi.\u201d (Horia-Roman Patapievici)<\/p>\n\n\n\n<p>2. <strong>N. Steinhardt, <em>Escale \u00een timp \u0219i spa\u021biu<\/em><\/strong>(Polirom) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p>\u00cen&nbsp;<em>Escale <\/em><em>\u00een timp <\/em><em>\u0219i spa<\/em><em>\u021biu<\/em>, ca de altfel \u00een mai toat\u0103 opera sa, N. Steinhardt abordeaz\u0103 domenii dintre cele mai variate. \u00cen \u201enotele necronologice de drum\u201d din Elve\u021bia, Fran\u021ba, Belgia \u0219i \u00een convorbirile purtate \u00een redac\u021bia revistei&nbsp;Vatra&nbsp;\u0219i \u00een notele \u201eliterare \u0219i de alt fel\u201d, comentariile operelor lui Dostoiesvki, Camus sau Ion Pillat se \u00eempletesc cu considera\u021bii privitoare la istorie, \u0219tiint\u0103 \u0219i arhitectur\u0103, \u00eentr-un discurs fluid, care captiveaz\u0103 imediat cititorul.<\/p>\n\n\n\n<p>3. <strong>N. Steinhardt, <em>Prin al\u021bii spre sine<\/em><\/strong> (Polirom) <strong>[5\/3]<\/strong><\/p>\n\n\n\n<p>Pus sub semnul unui citat ilustrativ din Cioran (\u201eCritica este un contrasens: se cuvine s\u0103 citim nu pentru a-i \u00een\u021belege pe ceilal\u021bi, ci pentru a ne \u00een\u021belege pe noi \u00een\u0219ine\u201d), volumul apare \u00eentr-o prim\u0103 edi\u021bie \u00een 1988, bucur\u00eendu-l pe cel care devenise \u00eentre timp monahul Nicolae Delarohia \u0219i care dorise mult s\u0103 \u00ee\u0219i vad\u0103 retiparite \u00een timpul vie\u021bii textele ap\u0103rute \u00een&nbsp;Revista Funda\u021biilor Regale, dar \u0219i mi\u00eenindu-l din pricina interven\u021biilor cenzurii.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Camelia Dinu, coordonator, <em>Recitindu-l pe Dostoievski. 200 de ani de la na\u0219tere<\/em><\/strong> (Litera) <strong>[-\/1]<\/strong><\/li><li>5. <strong>Mihai Iov\u0103nel, <em>Istoria literaturii rom\u00e2ne contemporane 1990-2020<\/em> <\/strong>(Polirom)<strong> [2\/8]<\/strong><\/li><li>6. <strong>Ioan-Aurel Pop, <em>Identitatea rom\u00e2neasc\u0103. Felul de a fi rom\u00e2n de-a lungul timpului<\/em><\/strong>(Contemporanul) <strong>[8\/5]<\/strong><\/li><li>7. <strong>Umberto Eco, <em>Cum se face o tez\u0103 de licen\u021b\u0103<\/em><\/strong>(edi\u021bia 2020) (Polirom) <strong>[3\/8]<\/strong><\/li><li>8. <strong>Adrian Papahagi,<\/strong>\u00a0<em>Shakepseare. Sonete. Romeo \u0219i Julieta<\/em>\u00a0(Polirom) <strong>[-\/6]<\/strong><\/li><li>9. <strong>Adrian Papahagi,\u00a0<\/strong><em>Shakespeare. Titus Andronicus. Hamlet<\/em>\u00a0(Polirom)\u00a0<strong>[-\/3]<\/strong><\/li><li>10. <strong>Adrian Papahagi,<\/strong>\u00a0<em>Shakespeare interpretat de Adrian Papahagi. Visul unei nop\u021bi de var\u0103 \u2022 Cum v\u0103 place<\/em>\u00a0(Polirom)\u00a0<strong>[-\/5]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi pentru copii<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Matt-Haig-Un-ba\u0306iat-numit-Cra\u0306ciun.jpeg\" alt=\"\" class=\"wp-image-5243\" width=\"195\" height=\"299\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Matt-Haig-Un-ba\u0306iat-numit-Cra\u0306ciun.jpeg 650w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Matt-Haig-Un-ba\u0306iat-numit-Cra\u0306ciun-480x733.jpeg 480w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Matt Haig, <em>Un b\u0103iat numit Cr\u0103ciun<\/em><\/strong> (Nemira) <strong>[1\/3]<\/strong><\/p>\n\n\n\n<p>Nikolas, un b\u0103ie\u021bel de unsprezece ani, a primit \u00een copil\u0103rie o singur\u0103 juc\u0103rie \u2013 o p\u0103pu\u0219\u0103 sculptat\u0103 dintr-un nap. Dar el e fericit a\u0219a, pentru c\u0103 aceast\u0103 juc\u0103rie e de la p\u0103rin\u021bii lui, pe care \u00eei iube\u0219te foarte tare. Apoi, \u00eentr-o bun\u0103 zi, tat\u0103l lui dispare, iar Nikolas trebuie s\u0103 c\u0103l\u0103toreasc\u0103 p\u00e2n\u0103 la Polul Nord s\u0103 \u00eel salveze.<\/p>\n\n\n\n<p>2. <strong>J.K. Rowling, <em>M\u0103re\u021bele aventuri ale porcului de Cr\u0103ciun<\/em><\/strong>(Arthur) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p><em>Una dintre cele mai mari povestitoare din lume ne d\u0103ruie\u0219te aceast\u0103 aventur\u0103 \u00eenduio\u0219\u0103toare \u0219i fascinant\u0103 despre dragostea unui copil pentru cea mai pre\u021bioas\u0103 juc\u0103rie a lui \u0219i despre c\u00e2t ajunge de departe \u00een c\u0103utarea ei. Cu ilustra\u021bii uimitoare realizate de un artist foarte \u00eendr\u0103git, Jim Field,&nbsp;<\/em><em>M\u0103re\u021bele aventuri ale Porcului de Cr\u0103ciun&nbsp;este menit\u0103 s\u0103 devin\u0103 o carte clasic\u0103 \u00eendr\u0103git\u0103 de \u00eentreaga familie.<\/em><\/p>\n\n\n\n<p>3. <strong>Kimberly Brubaker Bradley,&nbsp;<\/strong><em>R\u0103zboiul care mi-a salvat via\u021ba&nbsp;<\/em><strong>(Arthur) [<\/strong><strong>-\/<\/strong><strong>6]<\/strong><\/p>\n\n\n\n<p>R\u0103zboiul nu e doar un eveniment istoric. El are loc \u0219i \u00een inima Adei. Via\u021ba \u00een izolare nu este u\u0219oar\u0103, iar supravie\u021buirea \u00eentr-o astfel de vreme, cu resurse limitate, este complicat\u0103. Ada lupt\u0103 cu sine pentru a accepta sensul nou pe care \u00eel cap\u0103t\u0103 pentru ea cuv\u00e2ntul familie, dar lupt\u0103 \u0219i cu propria identitate, demonstr\u00e2nd c\u0103 adev\u0103rata libertate nu este reprezentat\u0103 doar de posibilitatea de a alege, ci de a face alegerea corect\u0103. Odat\u0103 ce descoper\u0103 c\u0103 frica nu exclude curajul, devine invincibil\u0103 \u0219i \u00ee\u0219i adun\u0103 puterile pentru a le aduce speran\u021b\u0103 celor din jur, ba chiar \u0219i pilo\u021bilor din al Doilea R\u0103zboi Mondial.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Sven Nordqvist, <em>Petrecerea de Cr\u0103ciun a lui Pettson<\/em><\/strong> (PanDa) <strong>[-\/1]<\/strong><\/li><li>5. <strong>Alexandru Mitru, <em>Legendele Olimpului. 1. Zeii<\/em><\/strong>(Art) <strong>[-\/3]<\/strong><\/li><li>6. <strong>Keri Smith, <em>Jurnalul meu tr\u0103snit&#8230; \u00een culori!<\/em><\/strong> (Paralela 45) <strong>[-\/5]<\/strong><\/li><li>7. <strong>Antoine De Saint-Exupery, <em>Micul Prin\u021b<\/em><\/strong> (Rao) <strong>[5\/12]<\/strong><\/li><li>8. <strong>Tom Fletcher, <em>Cr\u0103ciunozaurul<\/em><\/strong>(Arthur) <strong>[-\/1]<\/strong><\/li><li>9. <strong>Sven Nordqvist, <em>Surpriz\u0103 de Cr\u0103ciun pentru Findus<\/em> <\/strong>(Pandora M) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Michael Ende, <em>Poveste f\u0103r\u0103 sf\u00e2r\u0219it<\/em><\/strong> (Arthur) <strong>[2\/3]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Eseu<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-671x1024.jpeg\" alt=\"\" class=\"wp-image-3411\" width=\"195\" height=\"298\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-671x1024.jpeg 671w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-197x300.jpeg 197w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-768x1172.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-480x733.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane.jpeg 800w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Carlo Cipolla<\/strong><strong>, <em>Legile <\/em><\/strong><strong><em>fundamentale <\/em><\/strong><strong><em>ale <\/em><\/strong><strong><em>imbecilit<\/em><\/strong><strong><em>\u0103\u021bii <\/em><\/strong><strong><em>umane<\/em><\/strong> (Humanitas) <strong>[1\/12]<\/strong><\/p>\n\n\n\n<p>\u201eUn imbecil este o persoan\u0103 care cauzeaz\u0103 pierderi unui alt individ sau grup de indivizi, f\u0103r\u0103 a c\u00e2\u0219tiga nimic \u00een schimb, uneori chiar suferind pierderi de pe urma ac\u021biunilor sale.\u201c \u2014 A treia lege fundamental\u0103 a imbecilit\u0103\u021bii (Regula de Aur)<\/p>\n\n\n\n<p>2. <strong>Malcolm Gladwell, <em>Excep\u021bionalii. Povestea succesului<\/em> <\/strong>(Publica)<strong> [4\/8]<\/strong><\/p>\n\n\n\n<p>Pove\u0219tile despre cei care au un foarte, foarte mare succes se \u00eenv\u00e2rt \u00een jurul inteligen\u021bei \u0219i ambi\u021biei. \u00cen Excep\u021bionalii, Malcolm Gladwell spune c\u0103 adev\u0103rata explica\u021bie e cu totul alta, iar dac\u0103 vrem s\u0103 \u00een\u021belegem cum se ajunge at\u00e2t de departe, ar trebui s\u0103 ne lu\u0103m timp s\u0103 cunoa\u0219tem tot ce \u021bine de contextul acestor oameni: familia, locul unde au copil\u0103rit, data na\u0219terii. Gladwell contest\u0103 mitul a\u0219a-zisului merit personal, explor\u00e2nd raportul dintre succes \u0219i cultur\u0103, hazard, sincronizare, na\u0219tere \u0219i noroc, \u0219i felul \u00een care, \u00een pofida calit\u0103\u021bilor \u0219i talentului cuiva, mo\u0219tenirea cultural\u0103 poate func\u021biona ca o piedic\u0103.<\/p>\n\n\n\n<p>3. <strong>John Green, <em>Antropocenul acum<\/em><\/strong> (Trei) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>Antropocenul este un termen propus pentru actuala er\u0103 geologic\u0103, \u00een care oamenii au remodelat profund planeta \u0219i biodiversitatea sa. \u00cen aceast\u0103 formidabil\u0103 colec\u021bie de eseuri adaptate \u0219i dezvoltate din fai\u00acmosul s\u0103u podcast, folosind scala de cinci stele \u0219i inspir\u00e2ndu-se din experien\u021ba sa ca recenzent de carte, John Green scrie despre diversele fa\u021bete ale planetei noastre \u00een care suntem creatura dominant\u0103 \u2014 de la tastatura QWERTY \u0219i apusuri de soare la g\u00e2\u0219tele canadiene \u0219i Pinguinii din Madagascar.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Alessandro Baricco, <em>Bun venit la circ<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><li>5. <strong>Aldous Huxley, <em>Por\u021bile percep\u021biei. Raiul \u0219i iadul <\/em><\/strong>(Polirom) <strong>[-\/4]<\/strong><\/li><li>6. <strong>Sorin Ioni\u021b\u0103, <em>Deceniul furiei \u0219i indign\u0103rii<\/em><\/strong> (Humanitas) <strong>[6\/4]<\/strong><\/li><li>7. <strong>Neagu Djuvara, <em>444 de fragmente memorabile ale lui Neagu Djuvara<\/em><\/strong> (Humanitas) <strong>[-\/2]<\/strong><\/li><li>8. <strong>Serenela Ghi\u021bescu, <em>Cartea cu delfini. Convorbiri cu Ana Blandiana<\/em><\/strong>(Humanitas) <strong>[-\/1]<\/strong><\/li><li>9. <strong>Robert Hopcke, <em>Nimic nu e \u00eent\u00e2mpl\u0103tor: coinciden\u021be \u0219i destin<\/em> <\/strong>(Humanitas) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Tatiana Niculescu, <em>Spovedanie la Tanacu<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi de c\u0103l\u0103torie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/HC-Andersen-Bazarul-unui-poet-665x1024.jpeg\" alt=\"\" class=\"wp-image-5250\" width=\"195\" height=\"301\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/HC-Andersen-Bazarul-unui-poet-665x1024.jpeg 665w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/HC-Andersen-Bazarul-unui-poet-195x300.jpeg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/HC-Andersen-Bazarul-unui-poet-768x1182.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/HC-Andersen-Bazarul-unui-poet-480x739.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/HC-Andersen-Bazarul-unui-poet.jpeg 800w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>H.C. Andersen, <em>Bazarul unui poet. Memorii de c\u0103l\u0103torie<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p><em>Bazarul unui poet<\/em>, publicat acum \u00een edi\u021bie integral\u0103, cel mai cunoscut dintre volumele cuprinz\u00e2nd memorii de c\u0103l\u0103torie ale lui H.C. Andersen, este considerat o capodoper\u0103 a expresivit\u0103\u021bii, pitorescului \u0219i detaliului poetic. \u00cen peregrin\u0103rile sale a ajuns \u0219i pe teritorii ale Rom\u00e2niei de azi, prilej cu care descrie popasurile la K\u00fcstendje (Constan\u021ba), Giurgiu \u0219i Or\u0219ova (unde a stat mai mult, \u00een carantin\u0103), drumul \u00een tr\u0103sur\u0103 spre Cernavod\u0103, \u00eenf\u0103\u021bi\u0219area exotic\u0103 a p\u0103storilor valahi \u0219i priveli\u0219tile de pe malurile Dun\u0103rii, \u00een croaziera spre Por\u021bile de Fier.<\/p>\n\n\n\n<p>2. <strong>Ben Fogle, <em>Din s\u0103lb\u0103ticie<\/em> <\/strong>(Pilot Books) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>Cunoscutul explorator \u0219i autor de bestselleruri Ben Fogle ne invit\u0103 \u00een aceast\u0103 carte, scris\u0103 \u00een perioada lockdown a pandemiei, s\u0103 \u00eel \u00eenso\u021bim \u00een c\u00e2teva din spectaculoasele sale aventuri: traversarea oceanului, experien\u021ba ghe\u021barilor, a junglei \u0219i a de\u0219ertului devin pove\u0219ti captivante care ne poart\u0103 \u00een mijlocul naturii s\u0103lbatice, \u00eendemn\u00e2ndu-ne s\u0103 reflect\u0103m asupra semnifica\u021biei acesteia \u00een via\u021ba noastr\u0103.<\/p>\n\n\n\n<p>3. <strong>Kapka Kassabova, <em>Frontiera<\/em> <\/strong>(Pandora M) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>\u00cen acest excep\u021bional reportaj literar, Kapka Kassabova se \u00eentoarce \u00een Bulgaria, de unde a emigrat cu 25 de ani \u00een urm\u0103, pentru a explora zona de frontier\u0103 pe care fosta ei \u021bar\u0103 o \u00eemparte cu Turcia \u0219i Grecia. Frontiera&nbsp;red\u0103 c\u0103l\u0103toria autoarei \u00een regiune, \u00een timpul c\u0103reia aceasta intervieveaz\u0103 diverse personaje pitore\u0219ti, de la contrabandi\u0219ti, v\u00e2n\u0103tori de comori \u0219i gr\u0103niceri la \u021b\u0103rani ce venereaz\u0103 puterea focului. At\u00e2t istorie, c\u00e2t \u0219i literatur\u0103, cartea ei aduce la lumin\u0103 un teritoriu misterios \u0219i forfotind de for\u021be obscure, unde modernitatea pare a se fi sfiit s\u0103 p\u0103trund\u0103.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Constantin Ardeleanu, <em>O croazier\u0103 de la Viena la Constantinopol<\/em> <\/strong>(Humanitas) <strong>[-\/1]<\/strong><\/li><li>5. <strong>Marius Chivu, <em>Trei s\u0103pt\u0103m\u00e2ni \u00een Anzi<\/em><\/strong> (Humanitas) <strong>[-\/2]<\/strong><\/li><li>6. <strong>Jessica Bruder, <em>\u021ainutul nomazilor<\/em> <\/strong>(Trei)<strong> [-\/1]<\/strong><\/li><li>7. <strong>F.M. Dostoievski, <em>\u00censemn\u0103ri de iarn\u0103 despre impresii de var\u0103<\/em><\/strong> (Polirom) <strong>[-\/1]<\/strong><\/li><li>8. <strong>Nuseir Nas Yassin, Bruce Kluger, <em>\u00cen jurul lumii \u00een 60 de secunde<\/em> <\/strong>(Lifestyle) <strong>[9\/10]<\/strong><\/li><li>9. <strong>Ze\u2019ev Rozenkranz, <em>Jurnalele de c\u0103l\u0103torie ale lui Albert Einstein<\/em><\/strong> (Corint) <strong>[-\/3]<\/strong><\/li><li>10. <strong>Marius Chivu, <em>Trei s\u0103pt\u0103m\u00e2ni \u00een Himalaya<\/em><\/strong> (Humanitas) <strong>[-\/9]<\/strong><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Urm\u0103toarele topuri au fost realizate \u00een func\u021bie de v\u00eenz\u0103rile \u00eenregistrate \u00een intervalul 1 &#8211; 31 decembrie 2021 \u00een re\u021beaua de libr\u0103rii C\u0103rture\u0219ti \u0219i pe carturesti.ro.<\/p>\n","protected":false},"author":2,"featured_media":5248,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[161],"tags":[162,974],"coauthors":[],"class_list":["post-5247","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bestsellers-carturesti","tag-bestsellers-carturesti","tag-nr-1-2022"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/carturesti1.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5247"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5247\/revisions"}],"predecessor-version":[{"id":5251,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5247\/revisions\/5251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/5248"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5247"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=5247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}