{"id":5144,"date":"2022-07-26T06:39:55","date_gmt":"2022-07-26T03:39:55","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=5144"},"modified":"2022-07-26T06:39:57","modified_gmt":"2022-07-26T03:39:57","slug":"radem-glumim-plangem-glumim","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=5144","title":{"rendered":"R\u00e2dem, glumim, pl\u00e2ngem… glumim?"},"content":{"rendered":"\n
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Dan Sociu, porc \u0219i sentimental, \u00een\u021belept \u0219i r\u0103u<\/em>, Polirom, 2021<\/figcaption><\/figure><\/div>\n\n\n\n

\u00cen prefa\u021ba volumului porc \u0219i sentimental, \u00een\u021belept \u0219i r\u0103u<\/em>, Dan Sociu afirm\u0103: \u201e\u00eemi plac limitele, karati\u0219tii zbur\u0103tori prin copaci \u0219i pe acoperi\u0219uri nu m\u0103 impresioneaz\u0103, doar cei supu\u0219i ca noi to\u021bi gravita\u021biei c\u00eend \u0219tiu s\u0103 par\u0103 c\u0103 aproape au sc\u0103pat de ea (ca salturile unui om \u00een ap\u0103, un pic parc\u0103 zboar\u0103 \u0219i totu\u0219i e tras mereu \u00een jos)\u201d. \u00centr-adev\u0103r, limitele pot da sens literaturii. Mul\u021bi poe\u021bi \u00eencearc\u0103 prea mult, consider\u00e2nd c\u0103 ajung la un nivel poetic superior dac\u0103 se screm, c\u0103z\u00e2nd, \u00een fapt, \u00eentr-un penibil greu reconciliabil (arhicunoscute sunt \u00een spa\u021biul literar rom\u00e2nesc autoproclamatele avataruri eminesciene). Capacitatea unui scriitor de-a se dedubla denot\u0103, \u00een primul \u0219i \u00een primul r\u00e2nd, o anume inteligen\u021b\u0103 artistic\u0103, dar \u0219i o poft\u0103 c\u00e2t se poate de s\u0103n\u0103toas\u0103 a crea\u021biei, iar Dan Sociu pare s\u0103 fie de-a dreptul \u00eenfometat.<\/p>\n\n\n\n

Faptul c\u0103 poetul \u00eencepe s\u0103 calce \u00eentr-o direc\u021bie anume \u021bine de domeniul eviden\u021bei. Dup\u0103 cum spuneam \u00eentr-o cronic\u0103 anterioar\u0103 (\u00een Familia <\/em>7-8\/2021), Sociu pare s\u0103 se fi reinventat, vocea grav\u0103, narco-psihotic\u0103 din c\u0103r\u021bile dint\u00e2i disip\u00e2ndu-se treptat. A\u0219 spune c\u0103, de\u0219i \u00een 17 poezii<\/em>, precedenta sa apari\u021bie editorial\u0103, poetul reu\u0219e\u0219te s\u0103 se desprind\u0103 \u00een totalitate de \u00eenceputurile sale literare, \u00een porc \u0219i sentimental, \u00een\u021belept \u0219i r\u0103u<\/em> mici urme de trecut \u00ee\u0219i fac sim\u021bit\u0103 prezen\u021ba. Tot cu poetul-ghidu\u0219,         care sap\u0103 cu umor \u00een semantic\u0103, avem \u0219i aici, \u00eens\u0103 un iz melancolic, subtil, tot pare s\u0103 existe.<\/p>\n\n\n\n

Primul poem ne introduce \u00een atmosfera ludic\u0103: \u201ela Galeria Na\u021bional\u0103 de portrete\/ i-o curator\u0103 c-un cur c\u00e2t un perete\/ c\u00eend trage o be\u0219in\u0103\/ portretele le\u0219in\u0103\u201d. Este clar c\u0103 rolul alitera\u021biei este unul fundamental din punct de vedere stilistic, \u00eentr-o poetic\u0103 juc\u0103u\u0219\u0103, \u00een care poetul pare c\u0103 nu se ia \u00een serios. Totu\u0219i, \u00een chiar urm\u0103torul poem, un strop de melancolie \u2013 asemeni puroiului dintr-o ran\u0103 prost tratat\u0103: \u201eie\u0219iser\u0103m spre diminea\u021b\u0103 de la Veioze droga\u021bi\/ eu, Dul\u0103mi\u021b\u0103 \u0219i Deoanc\u0103 pe Doroban\u021bi\/\/ era aprilie dar ger ca-n februarie\/ trop\u0103iam pe trotuare, aburi gro\u0219i\/ ie\u0219eau din canale\/ orele nop\u021bii intraser\u0103-n fazele lor terminale\/\/ \u0219i era numai noi pe str\u0103zi\/ \u0219i echipele de m\u0103tur\u0103tori chiori de somn\/ \u0219i p\u0103s\u0103rile \u00ee\u0219i \u00eencepuser\u0103 c\u00eent\u0103rile\/ Bucure\u0219tiul \u00eenc\u0103 nu se trezise poate dormea\/ poate murise\/ \u0219i eu cu Dul\u0103mi\u021b\u0103 \u0219i Deoanc\u0103 pluteam\/ undeva \u00eentre realitate \u0219i vise\/\/ [\u2026] nu \u0219tiu de unde-a ie\u0219it, nu \u0219tiu de unde-a venit\/ poate era o parte din min\u021bile noastre sparte\/ materializat\u0103 \u00een realitate\/ o bunic\u0103 o b\u0103tr\u00e2nic\u0103 o femeie b\u0103tr\u00e2n\u0103 \u0219i mic\u0103\/ [\u2026]\/ via\u021ba grea \u0219i pensia pu\u021bin\u0103, ne-a vr\u0103jit baba\/ insomniac\u0103\/ ne-a ame\u021bit b\u0103tr\u00e2na vr\u0103jitoare, ne-a b\u0103gat\/ \u00eentr-o stare necrofiliac\u0103\/ ne-a \u021binut \u00een loc \u0219i a v\u0103rsat tot, ne-a blocat\/ femeia ne-a manipulat\/ f\u0103r\u0103 fine\u021be, ne-a exploatat la polite\u021be\/\/ [\u2026] cu ochii ei \u00eenl\u0103crima\u021bi \u0219i mi-a \u0219optit\/ printre din\u021bii strica\u021bi:\/ s\u0103 te fere\u0219ti b\u0103iete s\u0103 te-ndr\u0103goste\u0219ti\/ r\u0103suflarea \u00eei pu\u021bea a boal\u0103 grea [\u2026]\u201d. Dac\u0103 tot am vorbit despre limite, iat\u0103, primele dou\u0103 poeme ale c\u0103r\u021bii delimiteaz\u0103 grani\u021bele stilistice, de la bufoneria semantic\u0103, la tonul grav, \u00een continuare ludic \u00een esen\u021ba sa, dar afectat, c\u0103ci \u00een cel de al doilea poem se poate sim\u021bi influen\u021ba lui Baudelaire cel din ciclul Tablouri pariziene<\/em>, dar \u0219i Bacovia din Plumb<\/em>, mai ales ca stil, \u00eens\u0103 un Bacovia ajuns \u00een pragul demen\u021bei, care r\u00e2de isteric \u00een salonul unui spital de nebuni \u00een timp ce se joac\u0103 cu un trenule\u021b \u0219i strig\u0103 \u201eCIU-CIUUU\u201d. \u00centre ace\u0219ti doi poli graviteaz\u0103 poezia lui Dan Sociu din porc \u0219i sentimental, \u00een\u021belept \u0219i r\u0103u<\/em>, c\u0103ci totul este luat \u00een glum\u0103, totul trebuie luat \u00een glum\u0103, poetul trec\u00e2nd de la inocenta ghidu\u0219ie, pentru care o iubit\u0103 l-ar blagoslovi cu alintul de \u201eporc\u201d, la str\u0103fundurile interiorit\u0103\u021bii \u0219i cele mai intense tr\u0103iri, expuse, \u00eens\u0103, cu haz \u2013 fiecare poem av\u00e2nd aceste dou\u0103 elemente, \u00eentr-o mai mic\u0103 sau mai mare m\u0103sur\u0103, dup\u0103 caz.<\/p>\n\n\n\n

Nu prea sunt multe de explicat din punct de vedere conceptual, Dan Sociu propun\u00e2nd el \u00eensu\u0219i cadrul ideatic \u00een prefa\u021ba volumului: \u201e[\u2026] vocea mea e cea a omului mediu, a unui fel de mostr\u0103 social\u0103, b\u0103rbatul tipic bucure\u0219tean de 40 de ani, oarecum educat, dar nu intelectual, poate un proletar intelectual, c\u0103ruia \u00eei place \u0219i la mall, \u0219i la un joint cu b\u0103ie\u021bii, senzualist, cum s-ar fi zis c\u00e2ndva, mo\u0219tenitor al socialismului \u0219i al tranzi\u021biei capitaliste, oleac\u0103 vulg\u0103rel \u00een raport cu standardele ridicole de distinc\u021bie, f\u0103r\u0103 limbaj privat sau idiosincrazii extraordinare, comun deci, de\u0219i \u0219tie ce-i aia alitera\u021bie, totu\u0219i, porc \u0219i sentimental, \u00een\u021belept \u0219i r\u0103u \u2013 dar mai s\u00eent eu a\u0219a?\u201d<\/p>\n\n\n\n

Interesant pentru evolu\u021bia stilistic\u0103 a poetului, noul volum al lui Dan Sociu este o lectur\u0103 pl\u0103cut\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00cen prefa\u021ba volumului porc \u0219i sentimental, \u00een\u021belept \u0219i r\u0103u, Dan Sociu afirm\u0103: \u201e\u00eemi plac limitele, karati\u0219tii zbur\u0103tori prin copaci \u0219i pe acoperi\u0219uri nu m\u0103 impresioneaz\u0103, doar cei supu\u0219i ca noi to\u021bi gravita\u021biei c\u00eend \u0219tiu s\u0103 par\u0103 c\u0103 aproape au sc\u0103pat de ea (ca salturile unui om \u00een ap\u0103, un pic parc\u0103 zboar\u0103 \u0219i totu\u0219i e tras mereu \u00een jos)\u201d. \u00centr-adev\u0103r, limitele pot da sens literaturii. Mul\u021bi poe\u021bi \u00eencearc\u0103 prea mult, consider\u00e2nd c\u0103 ajung la un nivel poetic superior dac\u0103 se screm, c\u0103z\u00e2nd, \u00een fapt, \u00eentr-un penibil greu reconciliabil (arhicunoscute sunt \u00een spa\u021biul literar rom\u00e2nesc autoproclamatele avataruri eminesciene). Capacitatea unui scriitor<\/p>\n","protected":false},"author":17,"featured_media":5145,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[140,715,1093,9,119],"coauthors":[],"class_list":["post-5144","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-critica-literara","tag-dan-sociu","tag-nr-5-2022","tag-poezie","tag-radu-bejan"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/porc-si-sentimental_Dan-Sociu-HC-a.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5144"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5144\/revisions"}],"predecessor-version":[{"id":5147,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5144\/revisions\/5147"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/5145"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5144"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=5144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}