{"id":5091,"date":"2022-07-22T20:23:44","date_gmt":"2022-07-22T17:23:44","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=5091"},"modified":"2022-07-22T20:23:49","modified_gmt":"2022-07-22T17:23:49","slug":"simulari-ale-cosmogoniei-in-camera-fara-interior","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=5091","title":{"rendered":"Simul\u0103ri ale cosmogoniei \u00een camera f\u0103r\u0103 interior"},"content":{"rendered":"\n
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Vlad Beu, mamifere subatomice<\/em>, Tracus Arte, Bucure\u0219ti, 2022, 66 p.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Cu c\u00e2t ne afund\u0103m mai tare \u00een secolul curent, cu at\u00e2t devine mai evident aportul autorilor cu o alt\u0103 forma\u021bie dec\u00e2t cea literar\u0103 la inovarea discursului poetic autohton. Poe\u021bi precum Dmitri Miticov, Dumitru Vlad sau Florentin Popa au f\u0103cut ravagii prin volume a c\u0103ror miz\u0103 conceptual\u0103 exploateaz\u0103, \u00een diferite grade \u0219i forme, un imaginar propriu \u0219tiin\u021belor reale. Dar, de\u0219i paradigma acestui filon a prins r\u0103d\u0103cini relativ repede \u00een lirica noastr\u0103 postdou\u0103miist\u0103, prea pu\u021bini newcomers<\/em> au riscat s\u0103 urmeze, cu notele particulare de rigoare, aceast\u0103 direc\u021bie.<\/p>\n\n\n\n

Tocmai din acest motiv surprinde extrem de pl\u0103cut placheta de debut a lui Vlad Beu. IT-st \u0219i rafinat cititor de literatur\u0103, autorul mamiferelor subatomice<\/em> vine s\u0103 ranforseze o estetic\u0103 pe c\u00e2t de nou\u0103 la noi, pe at\u00e2t de \u0219ubred\u0103, c\u0103ci deocamdat\u0103 prea timid & sacadat teoretizat\u0103. Vorbim de o poezie structural insolent\u0103 fa\u021b\u0103 de modelele poetice tradi\u021bionale, una care, \u00eenainte de a fi creat\u0103 (generat\u0103?), pare s\u0103-\u0219i fi optimizat parametrii \u00een func\u021bie de posibilit\u0103\u021bile dimensiunii virtuale \u00een raport cu emo\u021biile umane. Expresia poetic\u0103, livrat\u0103 algoritmic, este aici supus\u0103 unei str\u00e2nse concordan\u021be dintre memoria natural\u0103 \u0219i cea artificial\u0103, coagul\u00e2nd un tip de abstrac\u021biune tributar percep\u021biei hibride. Grila ei de interpretare vine, desigur, cu un nou set de concepte.<\/p>\n\n\n\n

\u00cen primul r\u00e2nd, mamiferele subatomice<\/em> abund\u0103 \u00een asamblaje abisale dependente de factorul entropic<\/em>: \u201e\u00eencepem acel cucubau \u00eentre cel mai p\u0103rinte\/ \u0219i cel mai copil abandonat\/ \u00eentr-o superpozi\u021bie levitez clipa gard \u00een gard cu pr\u0103bu\u0219irea\u201d (cu un cui mai aproape de tine<\/em>). Experien\u021ba trip<\/em>-ului, at\u00e2t de vizitat\u0103 de noile genera\u021bii de poe\u021bi, fluctueaz\u0103 datorit\u0103 gradelor haosului Marii Crea\u021bii reflectate \u00een cotidian. Demiurgul-programator, cel care supravegheaz\u0103 \u2013 ori chiar orchestreaz\u0103 \u2013 introspec\u021bia, are un \u201ecomportament\u201d v\u0103dit straniu, c\u0103ci, de\u0219i prezent prin filtrare stilistic\u0103, r\u0103m\u00e2ne indiferent la consecin\u021be: \u201eam \u00eenfundat la repezeal\u0103 pansamente \u00een ran\u0103\/ ca un criminal care face neglijent cur\u0103\u021benie\/ la locul faptei\u201d (am sim\u021bit opusul realit\u0103\u021bii sub piele<\/em>). Altoirea tehnologic\u0103 a traumei \u00eensumeaz\u0103, de fapt, gesturi de integrare a glitch<\/em>-urilor \u00een inflexiunile istoriei personale pentru o mai atent\u0103 dirijare a fluxului prezentului.<\/p>\n\n\n\n

Vorbim de o poezie structural insolent\u0103 fa\u021b\u0103 de modelele poetice tradi\u021bionale, una care, \u00eenainte de a fi creat\u0103 (generat\u0103?), pare s\u0103-\u0219i fi optimizat parametrii \u00een func\u021bie de posibilit\u0103\u021bile dimensiunii virtuale \u00een raport cu emo\u021biile umane.<\/p><\/blockquote>\n\n\n\n

Pe urm\u0103, \u00een str\u00e2ns\u0103 leg\u0103tur\u0103 cu entropia sistemului de biografeme al acestei poezii identific\u0103m tendin\u021ba de reciclare a sinelui prin restartare<\/em> \u00eentr-o faz\u0103 inferioar\u0103, func\u021bie ac\u021bionat\u0103 direct de resorturile nostalgiei: \u201em\u0103 \u00eentorc \u00een materie prim\u0103\/ \u00eenapoi \u00een accelerat\/ \u00eentre blocuri, \u00een cartiere, \u00een betoane\/\/ \u00een partea ne\u00eenceput\u0103 a realit\u0103\u021bii\u201d (m\u0103 \u00eentorc \u00een partea ne\u00eenceput\u0103 a realit\u0103\u021bii<\/em>). Anul\u00e2nd c\u00e2teva concaten\u0103ri pe axa temporal\u0103, Vlad se repozi\u021bioneaz\u0103, modular, \u00een diferite momente din trecut, din al c\u0103ror unghi fund\u0103turile actuale cap\u0103t\u0103 ramifica\u021bii viabile. Astfel \u00eei ies poetului, corelativ, excep\u021bionale mini-radiografii ale tranzi\u021biei postdecembriste, a\u0219a cum se \u00eent\u00e2mpl\u0103 \u00een poemul insectar de vibra\u021bii<\/em>, dar \u0219i \u00een alte texte-cheie unde instantaneele copil\u0103riei (post)comuniste clipocesc ca ni\u0219te pop-up<\/em>-uri.<\/p>\n\n\n\n

Dar nu doar timpul cade victim\u0103 simul\u0103rilor poetico-informatice, ci \u0219i coordonatele spa\u021biale. Laitmotivul \u201ecamera f\u0103r\u0103 interior\u201d, \u00een care se activeaz\u0103 to\u021bi stimulii ontologici ai eului (\u201eeram un bloc de piatr\u0103 decuplat\/ de camera mea f\u0103r\u0103 interior\/ urcat \u00een marfarul de oameni\/ acceleratul satu mare-bucure\u0219ti\u201d, m\u0103 \u00eentorc \u00een partea ne\u00eenceput\u0103 a realit\u0103\u021bii<\/em>), comprim\u0103 \u00een sine o \u00eentreag\u0103 cosmogonie<\/em> fragmentat\u0103,<\/em> derulat\u0103 \u00een<\/em> loop<\/em>-uri: \u201eecrane albastre, siguran\u021be s\u0103rite\/ panic\u0103 \u00een corpora\u021bia crea\u021biei\u201d (la \u00eenceput (nu) a fost cartierul<\/em>), \u201eca o camer\u0103 f\u0103r\u0103 interior\/ dintr-un joc video\/ poarta logic\u0103 nu permite accesul\u201d (la \u00eenceput (nu) a fost cartierul<\/em>). Subsecvent, are loc, fire\u0219te, (auto)geneza propriei (id)entit\u0103\u021bi, unul dintre animalele subatomice prinse \u00een \u201ealgoritmi nomazi\/ subponderali \u00een c\u0103utarea\/ unei camere \u00een c\u0103utarea\/ unui interior\u201d (sunt tot acolo<\/em>). Putem spune c\u0103 poezia lui Vlad Beu se \u00eenf\u0103\u021bi\u0219eaz\u0103 ca un joc video cu input neurologic \u0219i output metafizic: \u201ecu neuronii brambura \u00een re\u021bea\/ sinapsele \u00een disonan\u021be\/ termin un nivel nou\/ la final un premiu simpatic:\/ \u00een locul \u00een care aveam inima\/ acum sunt desenate flori\u201d (matrio\u0219ka sacilor cu vlazi<\/em>).<\/p>\n\n\n\n

Nu \u00een ultimul r\u00e2nd, poetul uziteaz\u0103 de un tip de ludic transumanist<\/em> (\u201ea\u0219 vrea s\u0103 primesc o notificare de fiecare dat\u0103\/ c\u00e2nd te g\u00e2nde\u0219ti la mine\u201d, ochii panterelor<\/em>; \u201em\u0103 \u00eentrebi cum merge treaba la interior […] \u00ee\u021bi trimit emoticoane\/ un poo<\/em> z\u00e2mbitor pe un r\u00e2nd\/ un steag pe urm\u0103torul\/\/ \u0219i m\u00e2ine aceea\u0219i zi\u201d, exteriorul e \u021bipl\u0103<\/em>), lans\u00e2nd aceste pastile \u00een chip de repausuri \u00een procesul c\u0103ut\u0103rii particulei lips\u0103 din explicarea \u0219tiin\u021bific\u0103 a facerii lumii.<\/p>\n\n\n\n

Una peste alta, Vlad las\u0103 impresia c\u0103 ar cunoa\u0219te, intuitiv, ingredientele unui Big Bang cibernetic, execut\u00e2nd cu ele necontenit permut\u0103ri valid(abil)e: \u201eo combina\u021bie corect\u0103 a parametrilor\/ o s\u0103 ne \u00eenal\u021be din eprubet\u0103 […] am aruncat din balon variabilele grele\u201d (gr\u0103mada de <\/em>feluri de-a spune), \u201e\u00een urn\u0103 doar numerele mele r\u0103t\u0103cite\/ \u00een jurul unui soare consumat\u201d (micro-ancor\u0103 abandonat\u0103 \u00een larg<\/em>), \u201esau poate\/ printr-o explica\u021bie la \u00eendem\u00e2n\u0103 tr\u0103im\/ revolta fecund\u0103 a probabilit\u0103\u021bilor minore\u201d (antiparticula lui dumnezeu<\/em>). Practic, aceast\u0103 con\u0219tiin\u021b\u0103 poetic\u0103 gone\u0219te dup\u0103 raporturi de \u0219ans\u0103 tributare probabilisticii & entropiei \u2013 de ce via\u021ba a luat-o pe un f\u0103ga\u0219 \u0219i nu pe un altul, de ce a activat un anume tablou \u0219i a ocolit altele. E interesat\u0103 bun\u0103oar\u0103 de subterfugiile mecanismului uman de luare de decizii pe baza unei sume de percep\u021bii particulare. \u201e[\u00ce]nspre cea mai luxuriant\u0103\/ siberie ad\u00e2nc \u00een jungl\u0103\/ pitit\/ cu ochelarii regla\u021bi la rezolu\u021bia\/ realit\u0103\u021bii\/\/ a\u0219tept \u00eentreb\u0103rile!\u201d strig\u0103 poetul \u00een boschet\u0103reli existen\u021biale<\/em>, gata s\u0103 intercepteze semanteme stranii din lumi paralele.<\/p>\n\n\n\n

Animalele subatomice par a fi reprezentan\u021bii genera\u021biei Y lua\u021bi la un loc, cei care, n\u0103scu\u021bi \u00een cei mai crun\u021bi ani de comunism, locuiau \u00een camere f\u0103r\u0103 interior, alias f\u0103r\u0103 intimitate; subatomice \u2013 pentru c\u0103 maturizarea acestor primi mileniali a coincis cu delegarea identit\u0103\u021bii lor \u00een social media<\/em> (memoria adultului e new memory<\/em>, citim printre r\u00e2ndurile unui poem din carte), unde vie\u021buiesc contra\u0219i \u00een pixeli, \u00een dimensiuni, deci, minuscule: \u201e\u00een\/\/ provizoratul unui trup\/ \u00eenmugure\u0219te intui\u021bia prototipului\/ a versiunii prime\/ a microbului plasat \u00een soare\/ la prizat realit\u0103\u021bi\u201d (dumnezei din carbon sau siliciu<\/em>). \u00cen contextul priz\u0103rii poetice a tranzi\u021biei, merit\u0103 citite \u00een contrast poemele decembrie optzeci \u0219i \u0219ase<\/em> (secven\u021b\u0103 din trecutul comunist; \u201emama \u00eengenuncheaz\u0103 […] love\u0219te franzela de beton […] piatr\u0103 lovind piatr\u0103 […] \u00eencearc\u0103 s\u0103 o scoat\u0103 afar\u0103 pentru cin\u0103\u201d) \u0219i orgie s\u0103 fie<\/em> (colaj al grotescului consumerist\/capitalist; \u201esunt tipul\/ contactless<\/em>\/\/ dezastrul \u00eel fac des\/ abstract virtual\/ deloc ostil\/ cu inima u\u0219oar\u0103\/ pe chill\u201d), a\u0219ezate unul dup\u0103 altul deloc \u00eent\u00e2mpl\u0103tor.<\/p>\n\n\n\n

O carte de poezie \u00een care subiectul locutor \u2013 un next-level<\/em> Rimbaud \u2013 \u00ee\u0219i detoneaz\u0103 cibernetic sim\u021burile, chiar \u0219i pe cele probabile (\u201es\u0103 joc riscant zic\/ \u00eemi folosesc toate punctele de bonifica\u021bie\/ \u0219i detonez\/ ceva ce nu a fost vreodat\u0103 al meu\/ suprasim\u021bul, ultimul nivel\u201d), nu poate fi dec\u00e2t una fermec\u0103toare. \u00cendr\u0103znesc s\u0103 pariez pe Vlad Beu f\u0103r\u0103 s\u0103 clipesc.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Cu c\u00e2t ne afund\u0103m mai tare \u00een secolul curent, cu at\u00e2t devine mai evident aportul autorilor cu o alt\u0103 forma\u021bie dec\u00e2t cea literar\u0103 la inovarea discursului poetic autohton. Poe\u021bi precum Dmitri Miticov, Dumitru Vlad sau Florentin Popa au f\u0103cut ravagii prin volume a c\u0103ror miz\u0103 conceptual\u0103 exploateaz\u0103, \u00een diferite grade \u0219i forme, un imaginar propriu \u0219tiin\u021belor reale. Dar, de\u0219i paradigma acestui filon a prins r\u0103d\u0103cini relativ repede \u00een lirica noastr\u0103 postdou\u0103miist\u0103, prea pu\u021bini newcomers au riscat s\u0103 urmeze, cu notele particulare de rigoare, aceast\u0103 direc\u021bie. Tocmai din acest motiv surprinde extrem de pl\u0103cut placheta de debut a lui Vlad Beu.<\/p>\n","protected":false},"author":14,"featured_media":5092,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[140,177,1093,9,543,1098],"coauthors":[],"class_list":["post-5091","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-critica-literara","tag-mihok-tamas-2","tag-nr-5-2022","tag-poezie","tag-tracus-arte","tag-vlad-beu"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/vlad-beu-coperta.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5091"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5091\/revisions"}],"predecessor-version":[{"id":5093,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5091\/revisions\/5093"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/5092"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5091"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=5091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}