{"id":5083,"date":"2022-07-21T20:48:46","date_gmt":"2022-07-21T17:48:46","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=5083"},"modified":"2022-07-21T20:48:52","modified_gmt":"2022-07-21T17:48:52","slug":"basme-irlandeze","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=5083","title":{"rendered":"Basme irlandeze"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Belfast-1024x614.webp\" alt=\"\" class=\"wp-image-5084\" width=\"840\" height=\"503\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Belfast-1024x614.webp 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Belfast-300x180.webp 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Belfast-768x461.webp 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Belfast-480x288.webp 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Belfast.webp 1200w\" sizes=\"auto, (max-width: 840px) 100vw, 840px\" \/><figcaption>BELFAST (regia: Kenneth Branagh)<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Scenarist \u0219i regizor, Kenneth Branagh surprinde \u00een cel mai recent film al s\u0103u povestea celor mai zbuciuma\u021bi ani din istoria recent\u0103 a Irlandei de Nord, pornind de la propria copil\u0103rie petrecut\u0103 \u00een Belfast, pentru care a primit \u0219apte nominaliz\u0103ri la Oscar, c\u00e2\u0219tig\u00e2nd trofeul \u00een 2022 pentru cel mai bun scenariu. \u00cencep\u00e2ndu-\u0219i cariera la Academia Regal\u0103 de Teatru \u201eShakespeare\u201d, \u00een piese ca <em>Henric al V-lea<\/em> \u0219i <em>Romeo \u0219i Julieta<\/em>, Branagh pune apoi bazele unei institu\u021bii de teatru renascentist, patronat\u0103 \u00een prezent de prin\u021bul Charles. La doar 29 de ani, regizeaz\u0103 filmul <em>Henric al V-lea<\/em> (1989), unde joac\u0103 al\u0103turi de Emma Thompson, ceea ce \u00eei va aduce nominaliz\u0103ri pentru cel mai bun actor \u0219i cel mai bun regizor. Pasiunea sa pentru Shakespeare se va concretiza, c\u00e2\u021biva ani mai t\u00e2rziu, \u0219i \u00een <em>Mult zgomot pentru nimic<\/em> (1993), av\u00e2ndu-i \u00een distribu\u021bie pe Denzel Washington, Michael Keaton \u0219i Keanu Reeves.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Belfast<\/em> este inspirat de \u00eenceputul violent al revoltelor etnice din Irlanda din Nord, perioad\u0103 cunoscut\u0103 sub numele de \u201eThe Troubles\u201d, care a durat din anii \u201960 p\u00e2n\u0103 la sf\u00e2r\u0219itul anilor \u201990, c\u00e2nd a fost semnat Acordul de la Belfast (la 10 aprilie 1998) de c\u0103tre guvernele britanic \u0219i irlandez. La fel ca protagonistul din <em>Belfast<\/em>, Branagh se mut\u0103 cu familia \u00een Anglia, la v\u00e2rsta de nou\u0103 ani.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Impresia de basm contemporan este sus\u021binut\u0103 de cadrele filmate alb-negru: <em>Belfast<\/em> restituie povestea lui Buddy (interpretat de Jude Hill, aflat la primul s\u0103u rol) \u0219i a fratelui s\u0103u mai mare, Will (Lewis McAskie), \u00eentr-un ora\u0219 scindat de conflicte interreligioase. Universul celor doi b\u0103ie\u021bi este tutelat de mama \u2013 Ma (Caitr\u00edona Balfe), de tata \u2013 Pa (Jamie Dornan), de bunica \u00eemp\u0103ciuitoare \u2013 Granny (Judi Dench) \u0219i de bunicul povestitor \u0219i h\u00e2tru \u2013 Pop (Ciar\u00e1n Hinds).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Filmul surprinde, prin ochii unui b\u0103ie\u021bel de nou\u0103 ani, conflictul dintre protestan\u021bi \u0219i catolici, de la sf\u00e2r\u0219itul anilor \u201860, la \u00eenceputul perioadei marcate de mi\u0219carea unionist\u0103 protestant\u0103, care a c\u0103p\u0103tat numele de&nbsp;\u201eThe Troubles\u201d.<sup><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tat\u0103l lui Buddy lucreaz\u0103 \u00een Anglia, \u00een timp ce Ma, fratele mai mare al lui Buddy (Will) \u0219i bunicii paterni \u2013 Granny \u0219i Pop \u2013 locuiesc \u00een Belfast, fiind prin\u0219i \u00een tornada revoltelor din august 1969, c\u00e2nd un grup de protestan\u021bi loiali\u0219ti amenin\u021b\u0103 cartierul pa\u0219nic \u00een care locuiesc. \u00cen \u00eencercarea de a se ap\u0103ra, se baricadeaz\u0103 \u00een propriile locuin\u021be pentru o vreme. Prin ochii lui Buddy, lumea cap\u0103t\u0103 o tandre\u021be aparte, chiar \u0219i revoltele par seduc\u0103toare, fr\u00e2nturi dintr-o poveste recompus\u0103 din istorisirile bunicilor ori din pove\u0219tile tat\u0103lui care revine acas\u0103 de la munc\u0103. Lumea b\u0103iatului se confund\u0103 cu micile drame de la \u0219coal\u0103, cu descoperirea treptat\u0103 a r\u0103ut\u0103\u021bii lumii \u0219i a de\u0219ert\u0103ciunii existen\u021bei. Cunoa\u0219te frumuse\u021bea complice a ata\u0219amentului fa\u021b\u0103 de colega sa de clas\u0103, Catherine, dar \u0219i pericolul care p\u00e2nde\u0219te la fiecare col\u021b de strad\u0103. Billy Clanton (interpretat de Colin Morgan), conduc\u0103torul grupului reac\u021bionar, \u00eel intimideaz\u0103 pe Pa, solicit\u00e2ndu-l s\u0103 se implice \u00een cauza partizan\u0103, dar Pa refuz\u0103, \u0219i atunci Billy Clanton devine tot mai amenin\u021b\u0103tor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen vreme ce Pa viseaz\u0103 s\u0103 emigreze \u00een Australia sau \u00een Canada, departe de amenin\u021barea terorist\u0103, Ma se str\u0103duie\u0219te s\u0103 pl\u0103teasc\u0103 datoriile tot mai mari \u0219i s\u0103 \u00eei creasc\u0103 pe b\u0103ie\u021bi \u00een siguran\u021b\u0103, f\u0103r\u0103 s\u0103 \u00ee\u0219i p\u0103r\u0103seasc\u0103 locul natal. Totu\u0219i, cum revoltele se \u00eente\u021besc, Pa \u00ee\u0219i d\u0103 seama c\u0103 Belfastul devine tot mai primejdios. Lui Pa i se ofer\u0103 o slujb\u0103 bine pl\u0103tit\u0103 \u00een Anglia, o promovare care i-ar permite s\u0103 aib\u0103 familia al\u0103turi de el, numai c\u0103, de Cr\u0103ciun, c\u00e2nd prime\u0219te vestea plec\u0103rii, Buddy refuz\u0103 \u0219i \u00eencepe s\u0103 pl\u00e2ng\u0103. Cum ar fi putut reac\u021biona altfel? Pentru b\u0103ie\u021belul de nou\u0103 ani, Belfastul \u00eenseamn\u0103 prietenie, dragostea bunicilor, frumuse\u021bea pericolului. \u00cen timpul unui asediu al cartierului, Moira \u00eel introduce pe Buddy \u00een ga\u0219ca sa, pentru a participa la pr\u0103darea unui supermarket. \u00cen ingenuitatea sa, Buddy fur\u0103 o cutie de detergent \u0219i i-o aduce mamei, care \u00eel urecheaz\u0103 \u0219i \u00eel pune s\u0103 returneze ceea ce furase. Numai c\u0103 Billy \u00eei ia ostatici pe Buddy \u0219i pe Ma, pentru a se asigura c\u0103 scap\u0103 de poli\u021bie. Urmeaz\u0103 o scen\u0103 neverosimil\u0103 care surprinde leg\u0103tura dintre cei doi \u00een opozi\u021bie cu lupta pentru supravie\u021buire a lui Billy; totu\u0219i, mai greu s\u0103 dezarmezi o persoan\u0103 \u00eenarmat\u0103, care vrea cu tot dinadinsul s\u0103-\u0219i fac\u0103 dreptate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O alt\u0103 secven\u021b\u0103 de o frumuse\u021be hipnotic\u0103 este mica ie\u0219ire la teatru cu bunica, s\u0103 vad\u0103 <em>A Christmas Carol<\/em> \u2013 ochead\u0103 \u00eenspre banalitatea vie\u021bii, scurtcircuitat\u0103 de tonul suprarealist al muzicii lui Van Morrison.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">D\u00e2ndu-\u0219i seama c\u0103 nu sunt \u00een siguran\u021b\u0103 \u00een Belfast, adul\u021bii decid s\u0103 plece \u00een Anglia. B\u0103tr\u00e2nul moare, nu \u00eenainte de a-i spune nepotului s\u0103u c\u00e2t de important\u0103 este familia, dar, mai cu seam\u0103, libertatea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Imaginea din final a bunicii care \u00ee\u0219i prive\u0219te nepo\u021bii p\u0103r\u0103sind Belfastul al\u0103turi de p\u0103rin\u021bii lor este, \u0219i ea, de o c\u0103ldur\u0103 aparte, de o tandre\u021be ucig\u0103toare.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Belfast<\/em> este un film autobiografic, cu nuan\u021be elegiace, aparent sentimental, \u00een opozi\u021bie cu disperarea \u0219i furia politic\u0103 a perioadei la care se refer\u0103, dar \u0219i un film despre supravie\u021buire, despre abandon, despre extremisme religioase \u0219i etnice.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scenarist \u0219i regizor, Kenneth Branagh surprinde \u00een cel mai recent film al s\u0103u povestea celor mai zbuciuma\u021bi ani din istoria recent\u0103 a Irlandei de Nord, pornind de la propria copil\u0103rie petrecut\u0103 \u00een Belfast, pentru care a primit \u0219apte nominaliz\u0103ri la Oscar, c\u00e2\u0219tig\u00e2nd trofeul \u00een 2022 pentru cel mai bun scenariu. \u00cencep\u00e2ndu-\u0219i cariera la Academia Regal\u0103 de Teatru \u201eShakespeare\u201d, \u00een piese ca Henric al V-lea \u0219i Romeo \u0219i Julieta, Branagh pune apoi bazele unei institu\u021bii de teatru renascentist, patronat\u0103 \u00een prezent de prin\u021bul Charles. La doar 29 de ani, regizeaz\u0103 filmul Henric al V-lea (1989), unde joac\u0103 al\u0103turi de Emma Thompson,<\/p>\n","protected":false},"author":21,"featured_media":5084,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,62],"tags":[1095,142,141,1096,1093],"coauthors":[],"class_list":["post-5083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cinemascop","tag-belfast","tag-cinemascop","tag-irina-roxana-georgescu","tag-kenneth-branagh","tag-nr-5-2022"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Belfast.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5083"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5083\/revisions"}],"predecessor-version":[{"id":5085,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5083\/revisions\/5085"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/5084"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5083"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=5083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}