{"id":4936,"date":"2022-07-04T18:52:46","date_gmt":"2022-07-04T15:52:46","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=4936"},"modified":"2022-07-04T18:52:52","modified_gmt":"2022-07-04T15:52:52","slug":"patimile-lui-buzu","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=4936","title":{"rendered":"Patimile lui Buzu"},"content":{"rendered":"\n
\"\"
Ion Buzu, Realist \u0219i egal<\/em>, Charmides, Bistri\u021ba, 2021, 80 p.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Critica noastr\u0103 de \u00eent\u00e2mpinare din ultimele decade a \u00eencercat, pe model britanico-american, s\u0103 discearn\u0103, deocamdat\u0103 timid, tipologii poetice \u00een func\u021bie de dimensiunea regional\u0103 a imaginarului unor autori. Astfel, \u00een disputa lor axiologic\u0103 supracategoriile \u201eestetic\u201d (coeren\u021b\u0103 expresiv\u0103), \u201eetic\u201d (coeren\u021b\u0103 moral\u0103) \u0219i \u201eepic\u201d (coeren\u021b\u0103 narativ\u0103) \u0219i-au c\u00e2\u0219tigat, fiecare \u00een parte, \u00eent\u00e2ietatea \u00een cele trei mari regiuni istorice ale noastre \u00een principiu \u00een func\u021bie de tradi\u021bia literar\u0103 local\u0103.<\/p>\n\n\n\n

Unul dintre ace\u0219ti poli ai geografiei literare autohtone e reprezentat ast\u0103zi de linia \u201eepic\u0103\u201d a post-dou\u0103mii\u0219tilor basa\/bucovineni Matei Hutopila\u2013Ion Buzu\u2013Victor \u021avetov\u2013Dan Negar\u0103. Din poezia lor reiese limpede c\u0103, stilistic vorbind, contaminarea reciproc\u0103 se datoreaz\u0103 nu at\u00e2t interac\u021biunilor tip cenaclu, c\u00e2t regulilor scrise \u0219i nescrise ale realit\u0103\u021bii la care particip\u0103 \u00een via\u021ba de zi cu zi. Recunoa\u0219tem \u00eenc\u0103 o dat\u0103 cum fundamentul poeziei Estului periferic e istorisirea, de dragul nara\u021biunii fiind instrumentalizate \u2013 de cele mai multe ori non-abuziv \u2013 t\u00e2lcul \u0219i tropii, apanajele Vestului respectiv Sudului.<\/p>\n\n\n\n

Cel mai recent act poetic comis de poe\u021bii no\u0219tri r\u0103s\u0103riteni, Realist \u0219i egal<\/em> de Ion Buzu, recidiva t\u00e2n\u0103rului poet basa dup\u0103 debutul cu 3ml de konfidor[1]<\/strong><\/a><\/em>, poate fi considerat \u00eenc\u0103 un argument solid \u00een favoarea unui sistem de valori definit geo-literar. Orchestrat cu un umor subtil (v. Letopise\u021b<\/em>, Joseph Smith \u0219i Cartea lui Mormon<\/em> etc.), volumul se \u00eenf\u0103\u021bi\u0219eaz\u0103 ca un \u0219ir de borne biografice care au (avut) menirea s\u0103 c\u0103leasc\u0103 eul. Avid de experien\u021b\u0103 ca beatnicii, dar \u0219i meditativ \u00een siajul marilor filosofi eleni, Buzu ador\u0103 s\u0103 t\u0103if\u0103suiasc\u0103 cu propria-i alteritate despre tot felul de izometrii ale realit\u0103\u021bii cu poten\u021bial metafizic. Niciodat\u0103 nu e sigur dac\u0103 scopul ultim al revizit\u0103rii experien\u021belor-cheie din trecutul personal este ini\u021bierea, sau doar gestul gratuit \u2013 \u0219i at\u00e2t de omenesc \u2013 al rememor\u0103rii. Totu\u0219i, unele achizi\u021bii spirituale ar fi, dup\u0103 protagonist, binevenite: \u201e\u00cenva\u021b\u0103 s\u0103 supravie\u021buie\u0219ti rat\u0103rii\u201d (Pove\u0219ti despre \u00eenchisoare<\/em>), \u201eUn om la via\u021ba lui trebuie s\u0103-\u0219i fac\u0103 timp\/ S\u0103 studieze \u00eenv\u0103\u021b\u0103turile \u00een\u021belep\u021bilor,\/ s\u0103 r\u0103m\u00e2n\u0103 cu ceva.\u201d (Un om la via\u021ba lui…<\/em>). E patima filosofului ne\u00een\u021beles aceasta a \u00eencerc\u0103rii de a \u00eentrupa \u201eMesajul\u201d cotrob\u0103ind prin amintiri care pot stimula nervul transcendental. \u00cen timp ce alteori e vorba doar de alibiuri cerebrale laice: \u201eDe fiecare dat\u0103 c\u00e2nd vin acas\u0103\/ trebuie s\u0103 inventez o poveste\/ pentru p\u0103rin\u021bii mei,\/ una credibil\u0103, \u00eenc\u0103rcat\u0103 cu detalii\/ \u0219i lipsit\u0103 de contradic\u021bii.\u201d (Vechile \u0219mecherii ale scriiturii<\/em>).<\/p>\n\n\n\n

De-a lungul tripticului La revedere dulce putere<\/em> \u2013 O frumoas\u0103 \u0219i real\u0103 negare a vie\u021bii<\/em> \u2013 Muntele<\/em> (ciclurile plachetei), relevan\u021ba fiin\u021b\u0103rii este c\u0103utat\u0103 \u00een textura semiotic\u0103 a celor mai actuale teme de interes social, dar \u0219i particular. Astfel, c\u0103l\u0103toria (\u00een formele sale de navet\u0103, turism, pelerinaj sau mers pe jos pe distan\u021be mari), be\u021biile savuroase\/pauzele etilice, dramele amoroase, b\u0103t\u0103ile\/\u00eenc\u0103ier\u0103rile, explozia industriei imobiliarelor, munca fizic\u0103, nevoile fiziologice \u0219i diversele \u201emomente ale adev\u0103rului\u201d \u00een compania unui test HIV sau de sarcin\u0103 sunt evocate pentru a scoate \u00een eviden\u021b\u0103 \u00eempestri\u021barea penuriei str\u0103mo\u0219e\u0219ti cu \u201earogan\u021bele\u201d lumii post-industriale, bun\u0103oar\u0103 ale afaceri\u0219tilor \u00eembog\u0103\u021bi\u021bi peste noapte. Buzu nu critic\u0103 direct inechitatea social\u0103 \u0219i corup\u021bia, dar las\u0103 la vedere simptomele acestora pentru a-\u0219i pigmenta discursul.<\/p>\n\n\n\n

\u00cen definitiv, dou\u0103 sunt premisele de la care pleac\u0103 idea\u021biile acestei poezii. Pe de-o parte c\u0103 de la marginea spa\u021bio-temporal\u0103 a obiectului studiat\/contemplat acesta cap\u0103t\u0103 o oarecare consisten\u021b\u0103 ontologic\u0103 (\u201eAici, la 2600 de metri, simt c\u0103 m\u0103 \u00eendep\u0103rtez de ceea ce se afl\u0103 acolo\u201d, Muntele<\/em>), iar pe de alta c\u0103 apropierea de ascez\u0103, stare scontat\u0103 de subiectul locutor, este posibil\u0103 numai prin \u00eenvingerea fricilor de tot soiul \u2013 b\u0103t\u0103lii care se dau, toate, \u00een perimetrul l\u0103untric guvernat de logos<\/em>. Dedublat \u00een cadrul schemei comunic\u0103rii, poetul nu e niciodat\u0103 singur, cu toate c\u0103 pare s\u0103 r\u0103m\u00e2n\u0103, de-a lungul \u00eentregului periplu analeptic, un \u00eensingurat. De\u0219i parte din societate, el de niciun chip nu accept\u0103 s\u0103 fie t\u00e2r\u00e2t \u00een cotidian f\u0103r\u0103 veghea reflexivit\u0103\u021bii, prefer\u00e2nd s\u0103 puncteze din bula protectoare a distan\u021b\u0103rii temporale revela\u021bii cu iz amar: \u201eAutobuzul \u00een care ai urcat s-a intersectat cu\/ autobuzul cu pu\u0219c\u0103ria\u0219i,\/ unul din ei, ras \u00een cap,\/ privea pe geam \u0219i privirile ni s-au intersectat,\/ am\u00e2ndoi ne g\u00e2ndeam cum era s\u0103 fie\/ dac\u0103 ar fi fost altfel.\u201d (Autobuzul \u00een care…<\/em>), \u201ete po\u021bi \u00eendep\u0103rta de rat\u0103rile\/ care se resusciteaz\u0103 \u00eentr-un circuit f\u0103r\u0103 sf\u00e2r\u0219it\/ ca un guvern mafiot\/ care c\u00e2\u0219tig\u0103 scrutinul la fiecare tur.\/\/ Str\u00e2ngi curelele de la rucsac,\/ stomacul \u00eencepe s\u0103-\u0219i revin\u0103, bucuros\/ c\u0103 po\u021bi pleca, c\u0103 te po\u021bi \u00eendep\u0103rta de suferin\u021b\u0103,\/ c\u0103 po\u021bi p\u0103r\u0103si locul \u0103la cum ai p\u0103r\u0103si o cas\u0103\/ unde ai muncit p\u0103m\u00e2nturile\/ \u00eentr-o v\u00e2rst\u0103 a copil\u0103riei \u00een care nu erai f\u0103cut pentru asta.\/\/ Te dai \u00een urm\u0103 \u0219i te ui\u021bi mai atent,\/ te ui\u021bi la m\u00e2zg\u0103lelile alea,\/ nu arat\u0103 a\u0219a r\u0103u, adic\u0103 ce au? au o form\u0103,\/ au un pic de r\u00e2set \u0219i gra\u021bie.\/ Te dai \u00een urm\u0103 \u0219i te ui\u021bi mai atent,\/ ce are? are un p\u0103r mai lung, s\u00e2ni micu\u021bi \u0219i\/ ochelari cu dioptriile mai mici \u2013\/ m\u0103 \u00eentreb ce lec\u021bie ar fi trebuit s\u0103 \u00eenv\u0103\u021b din asta.\/ C\u0103 pot pleca oric\u00e2nd dintr-un loc\/ pentru care nu eram f\u0103cut.\u201d (Un spa\u021biu \u00eentins \u00een care te po\u021bi da \u00een urm\u0103<\/em>). Dind\u0103r\u0103tul experien\u021belor cu impact traumatic se \u00eentrez\u0103resc rupturi cu vechile ipostaze ale sinelui (\u201e\u00cemi spun,\/ trebuie s\u0103 existe un alt Ion Buzu\/ care tr\u0103ie\u0219te toate astea\u201d, Zile cu ro\u0219u \u00een calendar<\/em>), exuvii ce permit eului accederea la niveluri superioare ale con\u0219tientiz\u0103rii.<\/p>\n\n\n\n

C\u0103 poetul \u0219i-a impus s\u0103 dob\u00e2ndeasc\u0103 ceva \u2013 spiritualmente\/moralmente \u2013 m\u0103re\u021b reiese din majoritatea aser\u021biunilor din carte. Ag\u0103\u021b\u00e2ndu-se de aura mitologic\u0103 a celor mai d\u00e2rji stoici (Ioan Botez\u0103torul, Sisif etc.), Buzu mut\u0103 miza poetic\u0103 de pe trama propriu-zis\u0103, segmentat\u0103 de at\u00e2tea \u0219i-at\u00e2tea \u00eent\u00e2mpl\u0103ri inopinate, pe firul ro\u0219u al isp\u0103\u0219irii. Vorbim, desigur, de o c\u0103in\u021b\u0103 \u00een r\u0103sp\u0103r: poetul devine realist \u0219i egal<\/em> cu ajutorul marjei de mister a tr\u0103irilor sale. \u00cen acest paradox st\u0103 poezia micro-nara\u021biunilor fragmentate ale basarabeanului. Iar faptul c\u0103 punerea \u00een scen\u0103 a metamorfozei individuale angreneaz\u0103 o sumedenie de probleme filozofico-politice nu poate fi dec\u00e2t un bonus \u00eembucur\u0103tor.<\/p>\n\n\n\n

Placheta secund\u0103 a lui Ion Buzu nu este altceva dec\u00e2t un bildgunspoem bine ticluit. Acesta se impune ca poet de curs\u0103 lung\u0103 f\u0103r\u0103 s\u0103 epateze, mai degrab\u0103 consolid\u00e2nd o estetic\u0103 tot mai recognoscibil\u0103, cea a celei mai recente genera\u021bii de poe\u021bi basa. \u00cenc\u0103 un semnal c\u0103 e o mare gre\u0219eal\u0103 s\u0103 ignori cu bun\u0103 \u0219tiin\u021b\u0103 \u2013 excluz\u00e2nd, astfel, din istoria literaturii rom\u00e2ne \u2013 aceast\u0103 falang\u0103 r\u0103s\u0103ritean\u0103, care nu e exclus s\u0103 dea \u00een viitorul apropiat cele mai autentice c\u0103r\u021bi de poezie rom\u00e2neasc\u0103.<\/p>\n\n\n\n

\n\n\n\n

[1]<\/a> Casa de Pariuri Literare, 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"

Critica noastr\u0103 de \u00eent\u00e2mpinare din ultimele decade a \u00eencercat, pe model britanico-american, s\u0103 discearn\u0103, deocamdat\u0103 timid, tipologii poetice \u00een func\u021bie de dimensiunea regional\u0103 a imaginarului unor autori. Astfel, \u00een disputa lor axiologic\u0103 supracategoriile \u201eestetic\u201d (coeren\u021b\u0103 expresiv\u0103), \u201eetic\u201d (coeren\u021b\u0103 moral\u0103) \u0219i \u201eepic\u201d (coeren\u021b\u0103 narativ\u0103) \u0219i-au c\u00e2\u0219tigat, fiecare \u00een parte, \u00eent\u00e2ietatea \u00een cele trei mari regiuni istorice ale noastre \u00een principiu \u00een func\u021bie de tradi\u021bia literar\u0103 local\u0103. Unul dintre ace\u0219ti poli ai geografiei literare autohtone e reprezentat ast\u0103zi de linia \u201eepic\u0103\u201d a post-dou\u0103mii\u0219tilor basa\/bucovineni Matei Hutopila\u2013Ion Buzu\u2013Victor \u021avetov\u2013Dan Negar\u0103. Din poezia lor reiese limpede c\u0103, stilistic vorbind, contaminarea reciproc\u0103 se datoreaz\u0103 nu<\/p>\n","protected":false},"author":14,"featured_media":4937,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[106,177,1064],"coauthors":[],"class_list":["post-4936","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-cronica-literara","tag-mihok-tamas-2","tag-nr-4-2022"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/07\/Buzu_coperta.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4936"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4936\/revisions"}],"predecessor-version":[{"id":4938,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4936\/revisions\/4938"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/4937"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4936"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=4936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}