Suzanna are 40 de ani. \u00censo\u021bit\u0103 de amantul ei, viziteaz\u0103 o vil\u0103 de pe Riviera francez\u0103, unde ar vrea s\u0103 \u00ee\u0219i petreac\u0103 vacan\u021ba de var\u0103 al\u0103turi de familie. Dialogurile ample motiveaz\u0103 firea reflexiv\u0103 a personajelor. Frica de p\u0103r\u0103sire foreaz\u0103 tot mai ad\u00e2nc \u00een con\u0219tiin\u021ba eroinei. Lumina ce\u021boas\u0103 de iarn\u0103, nuan\u021bele de gri-turcoaz ale m\u0103rii parc\u0103 fac \u0219i mai neverosimil\u0103 silueta silfidic\u0103 a Suzannei. Numai c\u0103 povestea acestei frumuse\u021bi este canalizat\u0103 \u00eenspre o via\u021b\u0103 disfunc\u021bional\u0103.<\/p>\n\n\n\n
Film inspirat de piesa omonim\u0103 scris\u0103 de Marguerite Duras, Suzanna Andler<\/em> restituie dezechilibrul \u00eentre dorin\u021ba feroce de a \u00een\u021belege ce e fericirea \u0219i neputin\u021ba eroinei de a g\u0103si un r\u0103spuns valid pentru via\u021ba sa aparent fermec\u0103toare. Ac\u021biunea, plasat\u0103 \u00een aureola\u021bii ani \u201960, accentueaz\u0103 opulen\u021ba traiului celor care au probleme mai grave dec\u00e2t oamenii de r\u00e2nd. Scen\u0103 marcat\u0103 de frivolitate, vizitarea vilei de aproape un miliard de franci, care s\u0103 fie locul viitoarei vacan\u021be de familie, devine pretextul pentru o retoric\u0103 goal\u0103. Frumuse\u021bea chipului eroinei este umbrit\u0103 de compromisurile pe care le face.<\/p>\n\n\n\n Regizor \u0219i scenarist francez, Beno\u00eet Jacquot este cunoscut pentru 3 Hearts<\/em> (2014), Farewell, My Queen<\/em> (2012), \u00c0 tout de suite<\/em> (2004). Suzanna Andler<\/em> (2020) este regizat ca o pies\u0103 de teatru, cu gros-planuri, insist\u00e2nd pe profilul personajelor. Ca un laitmotiv sonor, muzica lui Katsuya Yokoyama (The Art of Shakuhachi<\/em>), prin notele profunde produse de tradi\u021bionalul flaut japonez din lemn amplific\u0103 furtuna interioar\u0103 a st\u0103rilor protagonistei. Costumele sunt realizate de Elsa Capus.<\/p>\n\n\n\n Pelicula lui Jacquot este despre putere, dar \u0219i despre plictiseal\u0103 \u00een doi, despre dezinteres \u0219i alienare. Suzanna Andler este interpretat\u0103 magistral de Charlotte Gainsbourg. Destinul conven\u021bional de so\u021bie \u0219i de mam\u0103, \u00een opozi\u021bie cu libertinajul erotic sunt cele dou\u0103 dimensiuni ale filmului regizat de Beno\u00eet Jacquot: un mariaj toxic, o curs\u0103 de \u0219oareci din care Suzanna nu poate evada dec\u00e2t prin infidelitate, compens\u00e2nd infidelit\u0103\u021bile so\u021bului s\u0103u. O via\u021b\u0103 \u00eembel\u0219ugat\u0103, dar sinistr\u0103 din punct de vedere erotic; o c\u0103utare, \u0219i \u00een cazul acesta, a echilibrului psihic. O via\u021b\u0103 marcat\u0103 de regrete \u0219i de deful\u0103ri, de libertate procurat\u0103 ocazional, \u00een care se \u00eentrevede, totu\u0219i, falsitatea gesturilor, dar \u0219i o distan\u021b\u0103 social\u0103 de netrecut, \u00eentre\u021binut\u0103 de cutume maritale. Amantul \u00eei m\u0103rturise\u0219te c\u0103 ar vrea s\u0103 o iubeasc\u0103, dar Suzanna se simte \u00eencol\u021bit\u0103.<\/p>\n\n\n\n Ecranizarea piesei de teatru a Margueritei Duras pune accent pe singur\u0103tatea personajului \u0219i pe lumea redus\u0103 la o cas\u0103 \u2013 extravagant\u0103, e adev\u0103rat \u2013 locuit\u0103 doar de triste\u021be, de deliciile infidelit\u0103\u021bii \u0219i de o neostoit\u0103 dorin\u021b\u0103 de a poseda. Lipse\u0219te complicitatea erotic\u0103, lipse\u0219te deschiderea sincer\u0103 spre cel\u0103lalt. Semnificativ\u0103 este replica lui Jean Andler, so\u021bul ultrabogat al Suzannei, rostit\u0103 la telefonul care sun\u0103 doar la anumite ore: \u201e\u00centr-o zi, \u00eenainte de a muri, trebuie s\u0103 vorbim despre noi\u201d. Pentru c\u0103 moartea este singura certitudine.<\/p>\n\n\n\n Michel, interpretat de Niels Schneider, actor \u0219i regizor, deopotriv\u0103, de origine franco-canadian\u0103, c\u00e2\u0219tig\u0103tor al premiului Chopard, \u00een 2011, la Cannes, este cunoscut mai cu seam\u0103 pentru Heartbeats<\/em> (2010) \u0219i Sympathy for the Devil <\/em>(2019), iar delicata, aproape eterica Monique (interpretat\u0103 de Julia Roy) pare s\u0103 fie surprins\u0103 \u00een contrast cu Suzanna. Totu\u0219i, cei trei devin exponen\u021bii unui univers \u00een care fericirea graviteaz\u0103 \u00een jurul banilor.<\/p>\n\n\n\n Suzanna Andler \u00eenf\u0103\u021bi\u0219eaz\u0103, de fapt, a\u0219a cum m\u0103rturise\u0219te Marguerite Duras, o imposibil\u0103 emancipare, o fug\u0103 de ceea ce eroina este cu adev\u0103rat: \u201eC’est une femme cach\u00e9e, cach\u00e9e derri\u00e8re sa classe, cach\u00e9e derri\u00e8re sa fortune, derri\u00e8re tout le convenu des sentiments et des id\u00e9es re\u00e7ues… Elle ne pense rien, Suzanna Andler\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":" Suzanna are 40 de ani. \u00censo\u021bit\u0103 de amantul ei, viziteaz\u0103 o vil\u0103 de pe Riviera francez\u0103, unde ar vrea s\u0103 \u00ee\u0219i petreac\u0103 vacan\u021ba de var\u0103 al\u0103turi de familie. Dialogurile ample motiveaz\u0103 firea reflexiv\u0103 a personajelor. Frica de p\u0103r\u0103sire foreaz\u0103 tot mai ad\u00e2nc \u00een con\u0219tiin\u021ba eroinei. Lumina ce\u021boas\u0103 de iarn\u0103, nuan\u021bele de gri-turcoaz ale m\u0103rii parc\u0103 fac \u0219i mai neverosimil\u0103 silueta silfidic\u0103 a Suzannei. Numai c\u0103 povestea acestei frumuse\u021bi este canalizat\u0103 \u00eenspre o via\u021b\u0103 disfunc\u021bional\u0103. Film inspirat de piesa omonim\u0103 scris\u0103 de Marguerite Duras, Suzanna Andler restituie dezechilibrul \u00eentre dorin\u021ba feroce de a \u00een\u021belege ce e fericirea \u0219i neputin\u021ba eroinei de<\/p>\n","protected":false},"author":21,"featured_media":4303,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,62],"tags":[142,141,974,998],"coauthors":[],"class_list":["post-4301","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cinemascop","tag-cinemascop","tag-irina-roxana-georgescu","tag-nr-1-2022","tag-suzanna-andler"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/05\/Suzanna-Andler.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4301"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4301\/revisions"}],"predecessor-version":[{"id":4302,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4301\/revisions\/4302"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/4303"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4301"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=4301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}