{"id":4242,"date":"2022-05-16T12:29:12","date_gmt":"2022-05-16T09:29:12","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=4242"},"modified":"2022-05-16T12:29:19","modified_gmt":"2022-05-16T09:29:19","slug":"romanul-laureat-cu-premiul-goncourt-2021-publicat-in-timp-record-in-editie-romaneasca-in-colectia-anansi","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=4242","title":{"rendered":"Romanul laureat cu Premiul Goncourt 2021, publicat \u00een timp record \u00een edi\u021bie rom\u00e2neasc\u0103 \u00een colec\u021bia ANANSI"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Traducerea romanului semnat de Mohamed Mbougar Sarr completeaz\u0103 portofoliul laurea\u021bilor Premiului Goncourt din colec\u021bia Anansi, un proiect editorial care, de la lansare, nu a ratat publicarea niciunui roman recompensat cu aceast\u0103 distinc\u021bie literar\u0103 literar\u0103 \u2013 \u0219i <strong><em>Anomalia<\/em><\/strong>, bestsellerul absolut al lui <strong>Herv\u00e9 Le Tellier<\/strong>, cartea recompensat\u0103 \u00een 2020, a fost publicat\u0103 tot \u00een colec\u021bia de literatur\u0103 universal\u0103 de la Pandora M coordonat\u0103 de Bogdan-Alexandru St\u0103nescu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lansat la finalul verii anului trecut, romanul lui <strong>Mohamed Mbougar Sarr<\/strong> a fost unul dintre titlurile-vedet\u0103 ale cunoscutului boom editorial al fiec\u0103rei toamne \u00een Fran\u021ba, La Rentr\u00e9e Litt\u00e9raire. Presa cultural\u0103 din \u00eentreaga \u021bar\u0103 a primit apari\u021bia c\u0103r\u021bii cu un entuziasm unanim: \u201eo declara\u021bie de dragoste pentru literatur\u0103\u201d&nbsp;(<strong><em>Lire<\/em><\/strong>), \u201eo carte mare, o bijuterie de m\u0103iestrie literar\u0103 care te \u00eenc\u00e2nt\u0103, te cople\u0219e\u0219te, te urm\u0103re\u0219te\u201d (<strong><em>L\u2019 Express<\/em><\/strong>), \u201eo pasionant\u0103 \u0219i derutant\u0103 trecere printr-un mozaic de m\u0103rturii, de relat\u0103ri \u0219i documente, care este, de asemenea, un roman ini\u021biatic\u201d (<strong><em>Lib\u00e9ration<\/em><\/strong>).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Cea mai tainic\u0103 amintire a oamenilor<\/em><\/strong><em> <\/em>spune povestea lui Di\u00e9gane Latyr Faye, t\u00e2n\u0103r scriitor senegalez care, \u00een 2018, descoper\u0103 la Paris o carte mitic\u0103, editat\u0103 \u00een 1938,&nbsp;<em>Labirintul neomenescului<\/em>. Nu se mai \u0219tia nimic despre autor, numit \u00een epoc\u0103 \u201eun Rimbaud negru&#8221;, dup\u0103 scandalul declan\u0219at de apari\u021bia romanului s\u0103u. Di\u00e9gane porne\u0219te, fascinat, pe urmele misteriosului T.C. Elimane, confrunt\u00e2ndu-se cu marile tragedii care au fost colonialismul \u0219i Holocaustul. F\u0103r\u0103 s\u0103 piard\u0103 firul anchetei sale, Di\u00e9gane frecventeaz\u0103 la Paris un grup de tineri scriitori africani, care \u00ee\u0219i disput\u0103 ideile, beau, fac dragoste \u0219i se \u00eentreab\u0103 despre necesitatea de a crea \u00een condi\u021biile exilului. \u00cen v\u00e2rtejul acestei c\u0103ut\u0103ri, Di\u00e9gane se va apropia de dou\u0103 femei: sulfuroasa Siga, de\u021bin\u0103toarea unor secrete despre Elimane, \u0219i energica fotoreporteri\u021b\u0103 A\u00efda&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Povestea, descris\u0103 ca o reflec\u021bie asupra leg\u0103turilor dintre fic\u021biune \u0219i realitate, este un ecou al experien\u021bei reale a scriitorului malian Yambo Ouologuem, care \u00een 1968 a devenit primul african c\u00e2\u0219tig\u0103tor al unui alt premiu literar francez celebru, Prix Renaudot, dar care a fost ulterior acuzat de plagiat, a fugit din Fran\u021ba \u0219i a disp\u0103rut din via\u021ba public\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eFac parte dintr-o mare tradi\u021bie de oameni care, at\u00e2t \u00een Occident, c\u00e2t \u0219i pe continent, nu l-au abandonat niciodat\u0103 pe scriitorul malian Yambo Ouologouem, nu au vrut s\u0103-l uite \u0219i care, de-a lungul deceniilor, i-au dedicat omagii sub diverse forme\u201d, declara <strong>Mohamed Mbougar Sarr<\/strong> imediat dup\u0103 publicarea romanului.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Cea mai tainic\u0103 amintire a oamenilor<\/em><\/strong><em> <\/em>a fost de asemenea recompensat \u0219i cu Prix Transfuge 2021, precum \u0219i cu Premiul Goncourt \u2013 Alegerea Rom\u00e2niei. La c\u00e2teva zile de la decernarea premiului, Mohamed Mbougar Sarr a transmis un mesaj cititorilor din Rom\u00e2nia, \u00een care a vorbit \u0219i despre rela\u021bia sa cu literatura rom\u00e2n\u0103 contemporan\u0103: \u201eAm descoperit literatura \u0219i g\u00e2ndirea rom\u00e2neasc\u0103 \u00een Senegal, prin intermediul lui Cioran, apoi al lui Mircea Eliade. L-am descoperit apoi pe Liviu Rebreanu, ale c\u0103rui mari romane \u2013 <em>P\u0103durea sp\u00e2nzura\u021bilor<\/em> \u0219i <em>Ion<\/em> \u2013 m-au impresionat \u0219i m-au marcat profund. Acum \u00eel citesc pe Mircea C\u0103rt\u0103rescu, pe care \u00eel consider unul dintre cei mai mari scriitori ai lumii\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"561\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/05\/Mbougar-Sarr-Mohamed-\u00a9DR-2-1-e1530351882775-1024x561.jpeg\" alt=\"\" class=\"wp-image-4244\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/05\/Mbougar-Sarr-Mohamed-\u00a9DR-2-1-e1530351882775-1024x561.jpeg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/05\/Mbougar-Sarr-Mohamed-\u00a9DR-2-1-e1530351882775-300x164.jpeg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/05\/Mbougar-Sarr-Mohamed-\u00a9DR-2-1-e1530351882775-768x420.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/05\/Mbougar-Sarr-Mohamed-\u00a9DR-2-1-e1530351882775-1536x841.jpeg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/05\/Mbougar-Sarr-Mohamed-\u00a9DR-2-1-e1530351882775-480x263.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/05\/Mbougar-Sarr-Mohamed-\u00a9DR-2-1-e1530351882775.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Mohamed Mbougar Sarr<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mohamed Mbougar Sarr<\/strong>, n\u0103scut \u00een&nbsp; 1990 \u00een Senegal, a absolvit studiile militare la prestigiosul Prytan\u00e9e Militaire de Saint-Louis din Senegal. Dup\u0103 mutarea \u00een Fran\u021ba, este admis la \u00c9cole des hautes \u00e9tudes en sciences sociales (EHESS), unde studiaz\u0103 literatur\u0103 \u0219i filosofie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Remarcat \u00een 2014 dup\u0103 publicarea primei sale povestiri, La Cale, pentru care a primit premiul St\u00e9phane-Hessel pentru tineri scriitori francofoni, el a ajuns \u00een lumina reflectoarelor \u00een 2015 prin Terre ceinte (<em>P\u0103m\u00e2nt \u00eempresurat<\/em>), primul s\u0103u roman, care i-a adus premiul Ahmadou-Kourouma \u0219i apoi Grand Prix du roman m\u00e9tis.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen 2018 devine cel mai t\u00e2n\u0103r scriitor recompensat vreodat\u0103 cu Prix Litt\u00e9rature-Monde, pentru&nbsp;<em>Silence du choeur<\/em>&nbsp;(<em>T\u0103cerea corului<\/em>).&nbsp;<em>De purs hommes<\/em>&nbsp;(<em>Despre oameni puri<\/em>) este cel de-al treilea roman al s\u0103u urmat, \u00een 2021, de&nbsp;<em>Cea mai tainic\u0103 amintire a oamenilor<\/em>, care \u00eei va aduce \u00een acela\u0219i an Prix Goncourt \u0219i Prix Transfuge pentru cel mai bun roman de limb\u0103 francez\u0103 din 2021.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201ePremiul Goncourt este un gest simbolic care merge dincolo de numele meu \u0219i al c\u0103r\u021bii. Nu pot ignora simbolistica pe care o reprezint\u0103. Premiul ar trebui s\u0103 le spun\u0103 tuturor scriitorilor francofoni subsaharieni (dar \u0219i din alte p\u0103r\u021bi): \u00abAceast\u0103 limb\u0103 este \u0219i a voastr\u0103, o pute\u021bi folosi pentru a scrie opere care vor fi aclamate\u00bb, dar acest semnal nu trebuie s\u0103 r\u0103m\u00e2n\u0103 unul excep\u021bional. Sper s\u0103 nu fie nevoie de \u00eenc\u0103 un secol pentru a \u00eencorona un alt subsaharian\u201d, m\u0103rturisea autorul \u00een cadrul unui interviu publicat \u00een toamna anului trecut.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen prezent, Mohamed Mbougar Sarr locuie\u0219te la Paris.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/pandoram.ro\/categorie\/anansi-world-fiction\/24\/?utm_source=NL&amp;utm_medium=Email&amp;utm_campaign=Gheorghi-01_11_2021\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>ANANSI. World Fiction<\/strong><\/a>&nbsp;este cea mai recent\u0103 colec\u021bie dedicat\u0103 traducerilor din literatura universal\u0103 de pe pia\u021ba de carte din Rom\u00e2nia. Proiectul editorial, coordonat de scriitorul \u0219i editorul Bogdan-Alexandru St\u0103nescu, a fost lansat la finalul lunii septembrie 2020. A\u0219ezat\u0103 sub semnul lui Anansi, zeul african al pove\u0219tilor, colec\u021bia&nbsp;<a href=\"https:\/\/pandoram.ro\/categorie\/anansi-world-fiction\/24\/?utm_source=NL&amp;utm_medium=Email&amp;utm_campaign=Gheorghi-01_11_2021\" target=\"_blank\" rel=\"noreferrer noopener\">ANANSI. World Fiction<\/a>&nbsp;include cinci serii:&nbsp;<strong>Anansi. Contemporan<\/strong>&nbsp;\u2013 dedicat\u0103 literaturii actuale,&nbsp;<strong>Anansi. Clasic<\/strong>&nbsp;\u2013 un spa\u021biu al clasicilor secolului XX,&nbsp;<strong>Anansi. Mentor<\/strong>&nbsp;\u2013 ce reune\u0219te eseuri literare,&nbsp;<strong>Anansi. Ego<\/strong>&nbsp;\u2013 seria dedicat\u0103 memorialisticii \u0219i&nbsp;<strong>Anansi. Blues<\/strong>&nbsp;\u2013 seria poeziei. Recent, colec\u021bia a marcat aniversarea unui an de la lansare, printr-un proiect \u00een cadrul c\u0103ruia cititorii sunt invita\u021bi s\u0103 devin\u0103 autori:&nbsp;<a href=\"http:\/\/blog.pandoram.ro\/colectia-anansi-world-fiction-aniverseaza-1-an\/?utm_source=NL&amp;utm_medium=Email&amp;utm_campaign=Gheorghi-01_11_2021\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Pove\u0219tile ne apropie<\/strong><\/a>&nbsp;\u2013 detalii pe&nbsp;<a href=\"http:\/\/blog.pandoram.ro\/?utm_source=NL&amp;utm_medium=Email&amp;utm_campaign=Gheorghi-01_11_2021\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/blog.pandoram.ro\/<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><i>Cea mai tainic\u0103 amintire a oamenilor<\/i> de Mohamed Mbougar Sarr, romanul recompensat \u00een 2021 cu Prix Goncourt, cea mai important\u0103 distinc\u021bie literar\u0103 din Fran\u021ba, a ap\u0103rut recent \u00een edi\u021bie rom\u00e2neasc\u0103, la mai pu\u021bin de jum\u0103tate de an de la anun\u021barea premiului \u00een Hexagon. Publicat\u0103 \u00een cadrul colec\u021biei Anansi. World Fiction de la Editura Pandora M, \u00een excelenta traducere a scriitorului O. Nimigean, edi\u021bia rom\u00e2neasc\u0103 a plecat zilele acestea c\u0103tre libr\u0103riile din \u00eentreaga \u021bar\u0103.<\/p>\n","protected":false},"author":2,"featured_media":4243,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[65],"tags":[224,178,987,830,985,986,988,199],"coauthors":[],"class_list":["post-4242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stiri-si-anunturi","tag-anansi-world-fiction","tag-anunturi","tag-cea-mai-tainica-amintire-a-oamenilor","tag-editura-pandora-m","tag-mohamed-mbougar-sarr","tag-o-nimigean","tag-premiul-goncourt-2021","tag-traducere"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/05\/comunicat_anansi_traducere_goncourt2021.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4242"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4242\/revisions"}],"predecessor-version":[{"id":4245,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4242\/revisions\/4245"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/4243"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4242"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=4242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}