{"id":4167,"date":"2022-04-18T20:14:36","date_gmt":"2022-04-18T17:14:36","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=4167"},"modified":"2022-04-20T19:27:33","modified_gmt":"2022-04-20T16:27:33","slug":"poveste-urbana","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=4167","title":{"rendered":"Poveste urban\u0103"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/poster-film-Aleksandre-Koberidze-691x1024.jpeg\" alt=\"\" class=\"wp-image-4168\" width=\"600\" height=\"890\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/poster-film-Aleksandre-Koberidze-691x1024.jpeg 691w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/poster-film-Aleksandre-Koberidze-203x300.jpeg 203w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/poster-film-Aleksandre-Koberidze-480x711.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/poster-film-Aleksandre-Koberidze.jpeg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption><em>Prive\u0219te c\u0103tre cer\/What Do We See When We Look at the Sky?\/Ras vkhedavt, rodesac cas vukurebt?<\/em> (2021): regia Aleksandre Koberidze<\/figcaption><\/figure><\/div>\n\n\n\n<p>Lisa \u0219i Georgi se \u00eent\u00e2lnesc pe strad\u0103, \u00eentr-o intersec\u021bie mare, \u00eentre blocuri prost luminate. Dar \u0219i \u00een lumea profan\u0103 \u00een care sunt imersa\u021bi exist\u0103 magie. Se \u00eendr\u0103gostesc de la prima privire \u0219i sunt at\u00e2t de fermeca\u021bi unul de cel\u0103lalt, \u00eenc\u00e2t uit\u0103 s\u0103-\u0219i spun\u0103 cum \u00eei cheam\u0103. \u00cenainte de a pleca fiecare spre cas\u0103, stabilesc s\u0103 se revad\u0103 a doua zi. Numai c\u0103 dragostea lor este invidiat\u0103 de duhuri nev\u0103zute, care arunc\u0103 asupra celor doi tineri un blestem curios: fiecare se va trezi a doua zi cu un chip nou, ceea ce face imposibil\u0103 recunoa\u0219terea celuilalt, dar \u0219i derularea fireasc\u0103 a vie\u021bii. \u00cen aceast\u0103 c\u0103utare, cei doi sunt retrograda\u021bi: t\u00e2n\u0103ra care se preg\u0103tea pentru Medicin\u0103 ajunge s\u0103 v\u00e2nd\u0103 \u00eenghe\u021bat\u0103 \u00een parc, \u00eentr-o zon\u0103 pu\u021bin frecventat\u0103, iar b\u0103iatul, din sportivul care se preg\u0103tea s\u0103 devin\u0103, va face slujbe m\u0103runte \u0219i prost pl\u0103tite pentru a-\u0219i c\u00e2\u0219tiga existen\u021ba. Cu toate acestea, vie\u021bile lor se intersecteaz\u0103 din nou, f\u0103r\u0103 ca vreunul s\u0103 b\u0103nuiasc\u0103 \u00een vreun fel cine este cel\u0103lalt. Blestemul c\u0103zut asupra lor e s\u0103-\u0219i schimbe \u00eenf\u0103\u021bi\u0219area \u0219i s\u0103 nu se reg\u0103seasc\u0103 niciodat\u0103, chinuindu-se pe vecie \u00een corpul altcuiva. Ca \u00een orice basm, exist\u0103 adjuvan\u021bi: cei patru prieteni ai lui Giorgi sunt cop\u0103celul, camera de supraveghere, burlanul \u0219i v\u00e2ntul.<\/p>\n\n\n\n<p>Povestea se consum\u0103 \u00eentre zidurile vechiului ora\u0219 georgian Kutaisi, str\u0103b\u0103tut de r\u00e2ul Rioni; e o apologie a iubirii \u0219i a speran\u021bei, o poveste care se lipe\u0219te de retina celui care nu a uitat basmele copil\u0103riei \u0219i care le apreciaz\u0103 ingenuitatea \u0219i for\u021ba expresiv\u0103. Personal, mi-a amintit de <em>Povestea porcului<\/em> de Ion Creang\u0103 sau de <em>Giricoccola<\/em> a lui Calvino ori de textele lui Michel Tournier. C\u0103utarea sensului acolo unde sensul lipse\u0219te nu genereaz\u0103 absurd, ci ne oblig\u0103 s\u0103 accept\u0103m conven\u021bia miraculosului: totul se poate schimba de la o clip\u0103 la alta. Mai mult dec\u00e2t at\u00e2t, purt\u0103m cu noi Povestea, indiferent de ora\u0219ul \u00een care locuim, indiferent de greut\u0103\u021bile ori provoc\u0103rile prin care trecem. Altfel spus, pelicula lui Koberidze se deschide ca un basm modern, cu personaje magice, blesteme din care eroii trebuie s\u0103 le ias\u0103 dezlega\u021bi, identit\u0103\u021bi schimbate, c\u0103utarea frumuse\u021bii \u00een lucrurile simple.<\/p>\n\n\n\n<p>C\u00e2\u0219tig\u0103tor al premiului FIPRESCI la Berlin, edi\u021bia 2021, filmul lui Koberidze \u00eei aduce \u00eempreun\u0103 pe Giorgi Bochorishvili&nbsp;(care a debutat cu un rol modest \u00een filmul lui Misha Mshvildadze, <em>Taxi <\/em>(din 2014), pentru a-l descoperi apoi \u00een psihodramele <em>Neighbours<\/em> (2018) de Gigisha Abashidze \u0219i <em>Horizonti<\/em> (2018) al regizoarei Tinatin Kajrishvili), Ani Karseladze (ce \u0219i-a f\u0103cut debutul \u00een 2019, cu microdrama ecologic\u0103 <em>Depreciation of the Sun<\/em>, \u00een acela\u0219i an av\u00e2nd un rol central \u00een scurtmetrajul <em>Violet Afternoon<\/em> regizat de Zura Chakhunashvili), Oliko Barbakadze \u0219i Giorgi Ambroladze (reg\u0103sit \u00een drama <em>Three Steps<\/em> din 2017, regizat\u0103 de Ioseb \u201eSoso\u201d Bliadze).<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"WHAT DO WE SEE WHEN WE LOOK AT THE SKY? | Official Trailer | Exclusively on MUBI\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/M_A9ktiOA0M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Alternan\u021ba planurilor, dar \u0219i profilurile c\u0103utate ale eroilor acestui basm urban dau vivacitate peliculei. Muzica, realizat\u0103 de Giorgi Koberidze, face apel la ritmuri \u00eenv\u0103luitoare, dar \u0219i la piese foarte cunoscute, cum este c\u00e2ntecul <em>Un\u2019estate italiana\/Notti magique<\/em> interpretat de Gianna Nannini \u0219i Edoardo Bennato, cu ocazia campionatului mondial de fotbal din 1990, ligatur\u00e2nd cel dou\u0103 p\u0103r\u021bi ale filmului prin acest simbol al victoriei \u0219i al libert\u0103\u021bii. C\u00e2t\u0103 fericire pe chipurile copiilor care joac\u0103 fotbal, \u00een mi\u0219c\u0103rile lor ample, de copii care se bucur\u0103 de via\u021b\u0103 \u00een afara timpului care \u00eei scald\u0103, \u00een afara grijilor pentru \u0219coal\u0103, a amenin\u021b\u0103rii s\u0103r\u0103ciei sau a mor\u021bii!<\/p>\n\n\n\n<p>T\u00e2n\u0103rul regizor \u0219i scenarist georgian a mai realizat \u0219i <em>Looking Back Is Grace<\/em> (2013) \u0219i sec\u021biunea KVIRA din amplul proiect cinematografic la care au contribuit regizori din \u00eentreaga lume<em>, 30 (+) films pour la 30\u00e8me<\/em> (2019). Filmul lui Koberidze devine o c\u0103l\u0103torie a celor ce (se) iubesc, mar\u0219\u00e2nd, adesea, pe anumite stereotipuri culturale ori pe conven\u021bii cinematografice: de pild\u0103, vocea care nareaz\u0103 este chiar vocea regizorului-demiurg ce func\u021bioneaz\u0103 ca un mare Arhitect al lumii pe care o r\u00e2nduie\u0219te. Pentru c\u0103 dragostea adev\u0103rat\u0103 n-ar trebui s\u0103 fie a\u0219a de u\u0219or de g\u0103sit, soarta mereu schimb\u0103toare a\u0219az\u0103 \u00een anumite puncte-cheie personaje care schimb\u0103 cursul vie\u021bii. \u0218i c\u00e2t timp Lisa st\u0103 \u00eentins\u0103 \u00een pat, vocea naratorului ne sf\u0103tuie\u0219te s\u0103 \u00eenchidem ochii p\u00e2n\u0103 c\u00e2nd vom auzi semnalul s\u0103 \u00eei deschidem \u2013 apare p\u00e2n\u0103 \u0219i o num\u0103r\u0103toare invers\u0103 pe ecran \u2013 numai c\u0103 magia adev\u0103rat\u0103 a lumii este \u00eentotdeauna invizibil\u0103, iar \u00eendr\u0103gosti\u021bii au superputerile lor neb\u0103nuite.<\/p>\n\n\n\n<p>Pelicula lui Koberidze e o invita\u021bie la rescriere \u0219i recitire prin multiplele strategii folosite, dar \u0219i prin nara\u021biunea-labirint, \u00een care nu doar eroii se r\u0103t\u0103cesc uneori, ci \u0219i privitorul. E un film-basm sau \u201eo poveste uitat\u0103 de to\u021bi\u201d (apare, la un moment dat, un motto din Levan Chelidze), iar lumea e privit\u0103 cu tandre\u021be prin lentilele fine ale unui observator din care r\u0103zbat pasiunea pentru fotbal, aroma unui <em>khachapuri<\/em>, jocul de-a destinul.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alternan\u021ba planurilor, dar \u0219i profilurile c\u0103utate ale eroilor acestui basm urban dau vivacitate peliculei.<\/p>\n","protected":false},"author":21,"featured_media":4168,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,62],"tags":[956,142,141,888,957],"coauthors":[],"class_list":["post-4167","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cinemascop","tag-aleksandre-koberidze","tag-cinemascop","tag-irina-roxana-georgescu","tag-nr-11-12-2021","tag-priveste-catre-cer"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/poster-film-Aleksandre-Koberidze.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4167"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4167\/revisions"}],"predecessor-version":[{"id":4172,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4167\/revisions\/4172"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/4168"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4167"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=4167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}