{"id":4120,"date":"2022-04-18T19:32:52","date_gmt":"2022-04-18T16:32:52","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=4120"},"modified":"2022-04-18T19:33:23","modified_gmt":"2022-04-18T16:33:23","slug":"papusi-ghidate-pe-un-destin-de-sfoara%ef%bf%bc","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=4120","title":{"rendered":"P\u0103pu\u0219i ghidate pe un destin de sfoar\u0103"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/translucid_cu_banderola.webp\" alt=\"\" class=\"wp-image-4121\" width=\"600\" height=\"970\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/translucid_cu_banderola.webp 433w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/translucid_cu_banderola-186x300.webp 186w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Ligia P\u00e2rvulescu, <em>translucid<\/em>, colec\u021bia \u201eBiblioteca de proz\u0103 contemporan\u0103\u201d, Ed. Litera, 2021<\/figcaption><\/figure><\/div>\n\n\n\n<p>Ligia P\u00e2rvulescu debuteaz\u0103 cu romanul <em>translucid <\/em>\u00een urma concursului de manuscrise <em>Primul roman<\/em>, 2021, organizat de editura Litera, ob\u021bin\u00e2nd locul \u00eent\u00e2i, cu o prefa\u021b\u0103 generoas\u0103 scris\u0103 de Doina Ru\u0219ti. Se \u00eenscrie pe lista marilor debuturi \u00een proz\u0103 din anii cei mai recen\u021bi. La fel de tupeist ca romanul <em>B\u0103g\u0103u<\/em> al Ioanei Bradea, la nivel lingvistic \u0219i discursiv distingem hiperrealismul narativ, vulgar, frust, hedonist pe de o parte, pe de alt\u0103 parte \u2013 naivitatea romantic\u0103 a prozopoeziei pure, citim lungi pasaje spiritualizate care produc reverii. Claudiu Komartin \u0219i Cosmin Per\u021ba sunt autorii care recomand\u0103 cartea pe coperta 4, pariind c\u0103 va fi un roman de succes.<\/p>\n\n\n\n<p>Am purtat <em>translucid-<\/em>ul \u00eentr-unul dintre locurile \u00een care \u00eemi place mie s\u0103-mi \u00eentorc pa\u0219ii, la T\u00e2rgu Mure\u0219. \u00cens\u0103 pot s\u0103 recunosc, mai mult m-a purtat pe mine prin lumile ei Flaminia (Flame), personajul feminin care are bafta s\u0103 \u00eent\u00e2lneasc\u0103 parteneri, cum? Hipnotici, arti\u0219ti, b\u0103rba\u021bi fatali, dar toxici, la fel ca Aryan: \u201eblond, \u00eenalt, zvelt, cu p\u0103rul p\u00e2n\u0103 la umeri, \u00eembr\u0103cat \u00een sacou bleumarin \u0219i cu m\u00e2ini prelungi, de artist (&#8230;) privirea u\u0219or arogant\u0103 \u0219i, din cauza culorii ochilor de un albastru-deschis, mai pu\u021bin intens\u0103 dec\u00e2t i-ar fi pl\u0103cut\u201d (pp. 11-12) sau Matei: \u201eMatei era orgolios, frumos, egoist \u0219i mort\u201d (p. 54). La fel ca \u00een jurnalele lui Ana\u00efs Nin, Flame psihanalizeaz\u0103 \u0219i analizeaz\u0103 imaginea \u0219i caracterul b\u0103rba\u021bilor ei, precum \u0219i evenimentele distincte sau rela\u021biile sexuale. Terc\u0103l\u0103u este un alt personaj controversat asupra c\u0103ruia a trebui s\u0103 z\u0103bovesc o vreme \u0219i s\u0103 v\u0103d cum o boal\u0103 mortal\u0103 aduce excese \u00een via\u021ba care i-a mai r\u0103mas de tr\u0103it. El are ni\u0219te replici la care sigur \u0219i tu te-ai g\u00e2ndit sau pe care sigur le-ai rostit cel pu\u021bin o dat\u0103: \u201eDa\u2019 poe\u021bii \u0103\u0219tia n-au bani, Magdo, se confesa Terc\u0103l\u0103u la o b\u0103(t)ut\u0103 prin Regie, ce crezi c\u0103 degeaba nu exist\u0103 Facultatea de Poezie?\u201d (p. 34) Magda scrie poeme, dar ar putea tr\u0103i \u0219i f\u0103r\u0103, la o adic\u0103: \u201eAuzise c\u0103 pentru unii scrisul era ca un drog\u201d (p. 37).<\/p>\n\n\n\n<p>495 de pagini antrenante; citim un roman, a\u0219adar, consistent, ludic, provocator, curajos. Personajele se afl\u0103 \u00een c\u0103utarea unui ideal, confuze, masochiste, ignorante \u0219i superficiale, dar cu episoade de luciditate \u0219i reflec\u021bie profund\u0103 asupra destinului uman. Filosofia de via\u021b\u0103 a fiec\u0103rui personaj se reduce la imediata apropiere \u0219i la prezent, ceea ce se \u00eent\u00e2mpl\u0103 \u00een prezent este fatidic. Naratorul omniscient, care \u00ee\u0219i sanc\u021bioneaz\u0103 personajele \u00een locul \u00een care sunt, le taie din grandomanie, le \u00eenal\u021b\u0103 spiritul, zdrobindu-le ego-ul. Personajele par p\u0103pu\u0219i ghidate pe un destin de sfoar\u0103, cu multe noduri \u00eentr-un tur de for\u021b\u0103 prin diferite forme de evadare sau terapie \u0219i excursii \u00een locuri exotice (Mexic).<\/p>\n\n\n\n<p><em>Translucid<\/em> este un tribut adus libert\u0103\u021bii poe\u021bilor, creeaz\u0103 un mit modern. Con\u021bine cam toate subiectele sensibile ale societ\u0103\u021bii autohtone: LGBT, misoginie, intelectuali versus pozitivi\u0219ti, avort, obiectivarea sexual\u0103 a femeii, abandonul, rasele \u0219i rasismul, lumea bdsm, prostituate executate etc. Un semnal de alarm\u0103 a\u0219 trage asupra unui pasaj xenofob, livrat ca \u00eent\u00e2mplare hazlie \u00een discurs: \u201e\u0218i vin \u0103\u0219tia doi. \u0218i \u021biganul \u00eencepe. \u00abDom\u2019 doctor, m\u00e2nca-\u021bi-a\u0219, nu mai pot s-o fut pe \u021biganca mea, dom\u2019 doctor. Mai mergea treburile, da\u2019 tot mai grele, tot mai grele&#8230; iar acu\u2019 nu-mi mai intr\u0103 deloc.\u00bb (&#8230;) \u2013 \u0218i s-a pus pe mas\u0103 jegu\u2019 \u0103la de \u021biganc\u0103, m\u0103! chi\u021b\u0103ia Miruna. \u0218i&#8230; \u0219i&#8230; (&#8230;) Ia ghici m\u0103 de ce crezi tu c\u0103 nu-i intra lu\u2019 Palmolivu\u2019 \u00een Patrafira, binecuv\u00e2ntat fie numele Domnului, amin?! (&#8230;) Pentru c\u0103&#8230; pentru c\u0103&#8230; i se \u00eent\u0103rise rahatul \u00een firele de p\u0103r, jegoasa naibii!\u201d (p. 25)<\/p>\n\n\n\n<p>Dac\u0103 nu sunte\u021bi suspicio\u0219i \u0219i trece\u021bi de pasajul de mai sus f\u0103r\u0103 zg\u00e2rieturi pe t\u0103lpi, atunci ve\u021bi desemna \u0219i voi acest roman drept un debut care nu poate dezam\u0103gi \u0219i care v\u0103 provoac\u0103 s\u0103 renun\u021ba\u021bi la toate prejudec\u0103\u021bile. Cei care semneaz\u0103 pe coperta patru pare c\u0103 nu s-au \u00een\u0219elat. Nu v\u0103 va lipsi din geant\u0103! F\u0103r\u0103 doar \u0219i poate, <em>Translucid<\/em> devine o marc\u0103 a societ\u0103\u021bii, un fel de <em>NMS (Noua Mi\u0219care Spiritual\u0103).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Filosofia de via\u021b\u0103 a fiec\u0103rui personaj se reduce la imediata apropiere \u0219i la prezent, ceea ce se \u00eent\u00e2mpl\u0103 \u00een prezent este fatidic.<\/p>\n","protected":false},"author":143,"featured_media":4121,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[233,106,105,865,943,888,944],"coauthors":[],"class_list":["post-4120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-biblioteca-de-proza-contemporana","tag-cronica-literara","tag-editura-litera","tag-gabriela-feceoru","tag-ligia-parvulescu","tag-nr-11-12-2021","tag-translucid"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/translucid_cu_banderola.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/143"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4120"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4120\/revisions"}],"predecessor-version":[{"id":4124,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4120\/revisions\/4124"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/4121"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4120"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=4120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}