{"id":4115,"date":"2022-04-18T19:22:58","date_gmt":"2022-04-18T16:22:58","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=4115"},"modified":"2022-04-18T19:23:03","modified_gmt":"2022-04-18T16:23:03","slug":"de-la-tragedie-la-autenticitate-poetica","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=4115","title":{"rendered":"De la tragedie la autenticitate poetic\u0103"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/Coperta-Artema-686x1024.jpg\" alt=\"\" class=\"wp-image-4116\" width=\"600\" height=\"897\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/Coperta-Artema-686x1024.jpg 686w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/Coperta-Artema-201x300.jpg 201w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/Coperta-Artema-1029x1536.jpg 1029w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/Coperta-Artema.jpg 1072w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Alexia Ema Burneci, <em>cu ochii la steaua Kajam<\/em>, Editura Brumar, Timi\u0219oara, 2020, 90 p, coperta de Sorin Dumitrescu-Mih\u0103e\u0219ti<\/figcaption><\/figure><\/div>\n\n\n\n<p>Avem azi o pletor\u0103 de poete talentate lansate pe internet \u0219i recunoscute apoi \u0219i de cultura institu\u021bional\u0103. O astfel de autoare este \u0219i Artema Burn, pe care o consider \u2013 ca simplu consumator de poezie \u2013 drept una dintre cele mai talentate poete rom\u00e2nce din toate timpurile. Artema Burn a ap\u0103rut \u00een emula\u021bia cenaclurilor online, s-a manifestat f\u0103r\u0103 nici o alt\u0103 preten\u021bie dec\u00eet aceea de a se exprima pe sine, fiind remarcat\u0103 \u00eens\u0103 de scriitori consacra\u021bi precum Ioan Es. Pop \u0219i Florentin Sorescu, care s\u00eent responsabili \u0219i de apari\u021bia volumului ei de versuri <em>cu ochii la steaua Kajam<\/em>. Cartea s-a n\u0103scut f\u0103r\u0103 \u0219tiin\u021ba autoarei, poemele fiind selectate de Florentin Sorescu dintre cele scrise de aceasta direct pe telefon \u0219i postate pe facebook.<\/p>\n\n\n\n<p>Volumul a ap\u0103rut sub pseudonimul Alexia Ema Burneci, folosit pe un cont de facebook blocat ca urmare a r\u0103fuielilor poetice ale intempestivei v\u00eelcence cu diverse t\u0103n\u021bici culturale pe care le flagela f\u0103r\u0103 mil\u0103, uneori \u00een versuri prea slobode la gur\u0103, dintre care Florentin Sorescu a selectat c\u00eeteva \u0219i pentru aceast\u0103 carte. \u00cen opinia mea, aceste poezii pe alocuri licen\u021bioase s\u00eent punctul slab al volumului, put\u00eend l\u0103sa impresia gre\u0219it\u0103 c\u0103 autoarea a urm\u0103rit o strategie de promovare prin provoc\u0103ri \u0219i excese lingvistice (o \u201eradicalizare calculat\u0103\u201d, cum o numea Andreea Pop \u00eentr-o excelent\u0103 cronic\u0103 \u00een \u201eVatra\u201c), or Artema Burn nici nu \u0219tia c\u0103 va debuta \u00een volum \u0219i nu a participat la selec\u021bia poemelor.<\/p>\n\n\n\n<p>Partea de rezisten\u021b\u0103 a volumului o dau \u00eens\u0103 poezii ce-mi evoc\u0103 simplitatea elegant\u0103 a arhitecturii clasice grece\u0219ti \u0219i intensitatea emo\u021bional\u0103 a tragediilor antice. Artema Burn nu scrie \u201efrumos\u201d, ea emite poezie a\u0219a cum noi ceilal\u021bi respir\u0103m sau vorbim \u00een proz\u0103 (ca domnul Jourdain). Versurile ei nu au floricele, epitete, ci s\u00eent o camer\u0103 de filmare plimbat\u0103 de-a lungul unei st\u0103ri de spirit pe care o traduce \u00een cuvinte. Tema recurent\u0103 a poemelor e raportarea la fostul so\u021b \u0219i iubit pierdut \u00een condi\u021bii tragice. \u201ef\u0103 cumva \/ \u0219i str\u00eenge-m\u0103 \u00een bra\u021be \/ roag\u0103-l pe dumnezeu \/ s\u0103 deschid\u0103 cerul \/ \u00eenduplec\u0103-l te rog \/ spune-i c\u0103 n-ai mai apucat \/ s\u0103 pl\u0103te\u0219ti ultima factur\u0103 \/ &#8230; \/ \u0219i nici s\u0103-\u021bi termini berea. \/\/ p\u0103c\u0103le\u0219te-l dac\u0103 se poate \/ a trecut prea mult timp \/ de c\u00eend clopotele anun\u021bau ora\u0219ul \/ \u00een diminea\u021ba aceea ur\u00eet\u0103 \u0219i rece \/ c\u0103 \u00eentre noi s-a sf\u00eer\u0219it\u201d.<\/p>\n\n\n\n<p>Prin decantarea \u0219i transsubstan\u021bierea suferin\u021bei \u00een poezie, Artema Burn face parte dintr-o \u00eentreag\u0103 falang\u0103 de poe\u021bi pe care i-a\u0219 pune sub semnul autenticit\u0103\u021bii de inspira\u021bie biografic\u0103. \u201enici anul acesta \/ nu m-ai invitat de ziua ta \/ \u0219i totu\u0219i voi venit \u00eembr\u0103cat\u0103 obi\u0219nuit \/ cu mici riduri ap\u0103rute chiar \/ \u00een diminea\u021ba asta \/\/ intru \u00een pia\u021ba de flori \/ \u0219i cump\u0103r un trandafir negru \/\/ nu-i t\u0103ia\u021bi spinii doamn\u0103 \/ l\u0103sa\u021bi-l s\u0103 se apere de m\u00eena mea \/ \u00eel voi duce \u00een cimitirul trandafirilor \/\/ acolo unde \/ fiecare trandafir are un morm\u00eent \/ sau fiecare morm\u00eent are \/ un trandafir \/\/ t\u0103cerile se amestec\u0103 cu toate \/ t\u0103cerile \/\/ singurul loc \/ unde mi se face mil\u0103 de mine \/ \u0219i nu-\u021bi pot spune cum a\u0219 vrea \/ c\u0103 am \u00eenvins \/ nici m\u0103car nu \u0219tiu ce trebuie s\u0103 \u00eenving\u0103 \/ un \u00eenving\u0103tor.\u201c<\/p>\n\n\n\n<p>Autoarea \u00ee\u0219i asum\u0103 con\u0219tient statutul de artist\u0103 a tragediei: \u201emi se spune Frida \/\/ c\u00eend trec pe strad\u0103 \/ absolut dar absolut to\u021bi \/ \u00eentorc capul dup\u0103 mine \/\/ nu ca dup\u0103 o femeie frumoas\u0103 \/ de\u0219i \u00eenc\u0103 mai s\u00eent o femeie frumoas\u0103 \/ ci ca dup\u0103 o mare tragedie\u201c.<\/p>\n\n\n\n<p>Pe l\u00eeng\u0103 raportarea la omul iubit \u0219i pierdut, Artema Burn mai trateaz\u0103 recurent, \u00eentr-o not\u0103 foarte personal\u0103, \u0219i alte teme de interes cultural general, cum ar fi feminismul sau scrisul. \u201em\u0103 dau feminist\u0103 \/ am sentimente puternice \/ de c\u00eend mi-ai dat add pe facebook \/ &#8230; \/ abia m-am desprins de genunchiul iresponsabilului \/ porcului nemernicului jegosului \/ mi-a desf\u0103cut picioarele ca pe o agend\u0103 \/ \u00een care \u00eemi notasem c\u00eeteva nume nesemnificative.\u201c Sau: \u201egata cu feminismul \/ e o invazie de turturele \/ care confund\u0103 lacrima unui falus \/ cu o promisiune pe via\u021b\u0103 \/ vaginul cu icoana maicii domnului \/ \u00een diminea\u021ba asta s-a \u00eent\u00eemplat o minune \/ m-am trezit de o virilitate atroce \/\/ m\u0103rturisesc \/ adic\u0103 dau pu\u021bin din cas\u0103 \/ pl\u00eensul nostru este exersat \/ uite pocne\u0219te din degete \u0219i brusc \/ vei vedea c\u00eet\u0103 durere e \u00een ochii mei \/ pot zice o poveste despre care \/ mama ta ar spune s\u0103raca fat\u0103 \/ n-a avut noroc \u00een dragoste \/ mai greu ar fi cu tac-tu care s-a prins \/ cum st\u0103 \u0219mecheria cu femeile \/ hai nu \u00eencerca s\u0103 m\u0103 str\u00eengi \u00een bra\u021be \/\/ e\u0219ti liber \/ s\u0103 nu r\u0103spunzi minciunii \/ cu alte minciuni\u201c Ori: \u201emami \/ feminismul \u00eenseamn\u0103 s\u0103 lup\u021bi contra b\u0103ie\u021bilor? \/\/&#8230; \/\/ feminismul \/ este o credin\u021b\u0103 apoi o lupt\u0103 \/ lupta pentru strig\u0103tul de \u00eenving\u0103tor al copilului \/ c\u00eend iese dintre coapse \/\/ feminismul este atunci \/ c\u00eend merg s\u0103 duc tat\u0103lui t\u0103u un trandafir la morm\u00eent \/ deschid o bere \u0219i-i spun c\u0103 iubesc un alt b\u0103rbat \/ \u0219i z\u00eembesc odat\u0103 cu el de dincolo de p\u0103m\u00eent \/\/ dar mai ales e feminism \/ c\u00eend tu ai ales ieri c\u0103ciuli\u021ba tricotat\u0103 de mine \/ \u0219i \u0219tiu precis c\u0103 am \u00eenvins\u201c<\/p>\n\n\n\n<p>La fel de tran\u0219ant\u0103 \u2013 \u0219i revigorant\u0103 \u2013 este \u0219i raportarea ei la scris, Artema Burn anun\u021b\u00eendu-ne c\u0103 \u201ee poezie c\u00eend vor mu\u0219chii mei \/ mai ales acum \/ c\u00eend scriu plictisit\u0103 l\u00eeng\u0103 fie-mea \/ \u0219i c\u00eend m\u0103 ab\u021bin s\u0103 nu m\u0103 \u00eenfig \u00een p\u0103rul ei \/ c\u00eend roade ultimul creion din cas\u0103 \/ \u0219i mai ales c\u00eend \/ st\u0103 de-un ceas s\u0103 copieze enun\u021bul \/ unei probleme de matematic\u0103 \/\/ e poezie c\u00eend vor mu\u0219chii mei \/ mai ales c\u0103 mi-au dat like \/ c\u00ee\u021biva poe\u021bi foarte buni \/ de care m\u0103rturisesc c\u0103 m\u0103 doare la basc\u0103 \/ &#8230; \/ desigur c\u0103 s\u00eent poet\u0103 \/ uita\u021bi-v\u0103 cum am aranjat frumos \/ fiecare vers extras din \u021beast\u0103 \/ cu u\u0219urin\u021ba unui condamnat la scris \/ \u021bintuit\u0103 pe scaunul din buc\u0103t\u0103rie \/ \u0219i \u00eenjur\u00eend \u00een g\u00eend clipa \u00een care \/ tati \u0219i mami \u0219i-au tras-o\u201c.<\/p>\n\n\n\n<p>S\u00eent sigur c\u0103 Artema Burn va publica \u0219i alte c\u0103r\u021bi, c\u0103 va scrie mereu poezie cu o splendid\u0103 dezinvoltur\u0103, \u201ecum vor mu\u0219chii ei\u201c, dar cred c\u0103 acest volum nu trebuie ratat, mai ales de c\u0103tre consumatorii genuini de poezie.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artema Burn nu scrie \u201efrumos\u201d, ea emite poezie a\u0219a cum noi ceilal\u021bi respir\u0103m sau vorbim \u00een proz\u0103 (ca domnul Jourdain). Versurile ei nu au floricele, epitete, ci s\u00eent o camer\u0103 de filmare plimbat\u0103 de-a lungul unei st\u0103ri de spirit pe care o traduce \u00een cuvinte.<\/p>\n","protected":false},"author":139,"featured_media":4116,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[940,106,941,942,888,666],"coauthors":[],"class_list":["post-4115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-alexia-ema-burneci","tag-cronica-literara","tag-cu-ochii-la-steaua-kajam","tag-editura-brumar","tag-nr-11-12-2021","tag-orlando-balas"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/04\/Coperta-Artema.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/139"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4115"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4115\/revisions"}],"predecessor-version":[{"id":4117,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/4115\/revisions\/4117"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/4116"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4115"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=4115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}