{"id":3826,"date":"2022-02-04T12:05:37","date_gmt":"2022-02-04T09:05:37","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=3826"},"modified":"2022-02-04T12:05:41","modified_gmt":"2022-02-04T09:05:41","slug":"bestsellers-carturesti-septembrie-2021","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=3826","title":{"rendered":"Bestsellers C\u0103rture\u0219ti \u2013 septembrie 2021"},"content":{"rendered":"\n<ul class=\"has-cyan-bluish-gray-background-color has-background has-small-font-size wp-block-list\"><li><em>Cifrele din dreptul titlurilor, prezentate \u00eentre paranteze drepte, reprezint\u0103 locul ocupat \u00een topul lunii anterioare, respectiv num\u0103rul de luni \u00een top.<\/em><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Autori rom\u00e2ni<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Andreea-Savulescu-Ziua-i\u0302n-care-m-am-iubit-cu-adeva\u0306rat-.jpeg\" alt=\"\" class=\"wp-image-3827\" width=\"195\" height=\"301\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Andreea-Savulescu-Ziua-i\u0302n-care-m-am-iubit-cu-adeva\u0306rat-.jpeg 390w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Andreea-Savulescu-Ziua-i\u0302n-care-m-am-iubit-cu-adeva\u0306rat--195x300.jpeg 195w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Andreea Savulescu, <em>Ziua \u00een care m-am iubit cu adev\u0103rat<\/em><\/strong> (Bookzone) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>\u201eZiua \u00een care m-am iubit cu adev\u0103rat\u201d este a doua carte a autiareu, dup\u0103 \u201eTr\u0103ie\u0219te autentic\u201d, pe care a scris-o \u00een primul r\u00e2nd pentru ea \u00eens\u0103\u0219i, pentru a se vindeca de traumele \u0219i de r\u0103nile trecutului, dar \u0219i pentru cititori, care pot g\u0103si \u00een ea chei de g\u00e2ndire \u0219i de analiz\u0103 a propriilor dureri. \u00cenva\u021b\u0103 al\u0103turi de Andreea s\u0103 te iube\u0219ti tu \u00een primul r\u00e2nd, s\u0103 te pui pe primul loc \u00een via\u021ba ta, s\u0103 faci pace cu trecutul \u00eentr-un mod vindec\u0103tor \u0219i asumat, nu prin negare, \u0219i s\u0103 iei ce e mai bun de la via\u021b\u0103, eliber\u00e2ndu-te de poverile care-\u021bi apas\u0103 pe suflet, con\u0219tient sau incon\u0219tient.<\/p>\n\n\n\n<p>2. <strong>Ioana P<\/strong><strong>\u00e2rvulescu<\/strong><strong>, <em>Inocen<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Humanitas) <strong>[1\/9]<\/strong><\/p>\n\n\n\n<p>Dou\u0103 viziuni asupra lumii: cea a unei feti\u021be care vede lucrurile \u00eentr-un fel extrem de personal \u015fi cea a femeii care descoper\u0103 secretele \u00eenecate \u00een trecut. Naivitatea comic\u0103 a primei voci \u00eenvinge melancolia celei de-a doua.<\/p>\n\n\n\n<p>3. <strong>Tatiana \u021a\u00eebuleac, <em>Vara \u00een care mama a avut ochii verzi<\/em><\/strong> (Cartier) <strong>[2\/2]<\/strong><\/p>\n\n\n\n<p>\u201eTatiana \u021a\u00eebuleac a reu\u0219it un tur de for\u021b\u0103 cu acest prim roman al ei. \u00cenceputul, un overflow de imagini furioase \u0219i hipnotice, aduce bine cu <em>Portocala mecanic\u0103<\/em> de la un punct \u00eencolo, furia \u00eencepe s\u0103 se domoleasc\u0103, \u00eenlocuit\u0103 de o vis\u0103torie paranoid\u0103 coagulat\u0103 \u00een jurul figurii mamei, gener\u00e2nd la foc continuu fraze cu nimic mai prejos dec\u00e2t cele ale Aglajei Veteranyi; iar ultima treime a romanului, \u00een care o mam\u0103 bolnav\u0103 de cancer \u0219i un fiu a\u0219teapt\u0103 moartea \u00eempreun\u0103 \u2013 ei bine, pentru intensitatea ei at\u00e2t de particular\u0103 nu \u00eei pot g\u0103si Tatianei \u021a\u00eebuleac vreun corespondent. Scurt \u0219i intens, romanul ei splendid impune o prozatoare de la care am cele mai mari a\u0219tept\u0103ri.\u201d (Radu Vancu)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Radu Paraschivescu, <em>Acul de aur \u0219i ochii Glorianei<\/em><\/strong> (Humanitas) <strong>[-\/2]<\/strong><\/li><li>5. <strong>Mircea C\u0103rt\u0103rescu, <em>Nostalgia<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><li>6. <strong>Igor Bergler, <em>Minciuna lui Michelangelo. Catedrala \u00een fl\u0103c\u0103ri<\/em><\/strong>(Litera) <strong>[-\/1]<\/strong><\/li><li>7. <strong>Radu Paraschivescu, <em>Vitrina cu \u0219arlatani<\/em><\/strong> (Humanitas) <strong>[-\/6]<\/strong><\/li><li>8. <strong>Gabriel Liiceanu, Andrei Ple\u0219u, <em>Despre destin<\/em><\/strong> (Humanitas) <strong>[-\/6]<\/strong><\/li><li>9. <strong>Mihail Drume\u0219, <em>Invita\u021bie la vals<\/em><\/strong> (Art) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Tatiana \u021a\u00eebulesc, <em>Gr\u0103dina de sticl\u0103<\/em><\/strong> (Cartier) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Fic\u021biune<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Totul-se-termina\u0306-cu-noi.jpeg\" alt=\"\" class=\"wp-image-3828\" width=\"195\" height=\"299\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Totul-se-termina\u0306-cu-noi.jpeg 390w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Totul-se-termina\u0306-cu-noi-195x300.jpeg 195w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Calleen Hoover, <em>Totul se termin\u0103 cu noi<\/em><\/strong> (Epica) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>Uneori, cei care te iubesc te r\u0103nesc cel mai tare. Lily Bloom nu a avut \u00eentotdeauna o via\u021b\u0103 u\u0219oar\u0103, dar asta nu a oprit-o niciodat\u0103 s\u0103 munceasc\u0103 din greu pentru a-\u0219i \u00eendeplini \u021belurile. A evoluat foarte mult: a absolvit liceul, s-a mutat la Boston \u0219i \u0219i-a \u00eenceput propria afacere. C\u00e2nd Lily \u00eel cunoa\u0219te pe Ryle Kincaid, un chipe\u0219 neurochirurg, se simte imediat foarte atras\u0103 de el \u0219i via\u021ba i se schimb\u0103 brusc.<\/p>\n\n\n\n<p>2. <strong>Delia Owens<\/strong><strong>, <em>Acolo <\/em><\/strong><strong><em>unde <\/em><\/strong><strong><em>c\u00e2nt<\/em><\/strong><strong><em>\u0103 <\/em><\/strong><strong><em>racii<\/em><\/strong> (Trei) <strong>[1\/9]<\/strong><\/p>\n\n\n\n<p>Zvonurile despre Fata Mla\u0219tinii au circulat mul\u021bi ani \u00een Barkley Cove, un or\u0103\u0219el lini\u0219tit de pe coasta Carolinei de Nord. A\u0219a c\u0103, \u00een 1969, c\u00e2nd frumosul Chase Andrews este g\u0103sit mort, localnicii b\u0103nuiesc imediat c\u0103 a fost ucis de Kya Clark, adev\u0103ratul nume al Fetei Mla\u0219tinii. \u00cens\u0103 Kya nu este nici pe departe s\u0103lb\u0103ticiunea pe care \u0219i-o \u00eenchipuie lumea.<\/p>\n\n\n\n<p>3. <strong>Alex Michaelides, <em>Pacienta t\u0103cut\u0103<\/em><\/strong> (Litera) <strong>[-\/5]<\/strong><\/p>\n\n\n\n<p>\u201eThriller-ul perfect. Nu am putut literalmente s\u0103 \u00eel las din m\u00e2na\u201d \u2013 A.J. Finn, autorul bestsellerului \u201eFemeia de la fereastr\u0103\u201d<\/p>\n\n\n\n<p>\u201eAcest thriller psihologic plin de intrigi \u00eel pozi\u021bioneaz\u0103 pe Michaelides ca un juc\u0103tor important \u00een domeniu.\u201d \u2013 Publishers Weekly<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Matt Haig, <em>Biblioteca de la miezul nop\u021bii<\/em><\/strong> (Nemira) <strong>[2\/9]<\/strong><\/li><li>5. <strong>Heather Morris, <em>Tatuatorul de la Auschwitz<\/em><\/strong> (Humanitas Fiction) <strong>[-\/6]<\/strong><\/li><li>6. <strong>Fredrik Backman, <em>Un b\u0103rbat pe nume Ove<\/em><\/strong> (Art) <strong>[3\/4]<\/strong><\/li><li>7. <strong>Irvin D. Yalom, <em>Pl\u00e2nsul lui Nietzsche<\/em><\/strong>(Humanitas Fiction) <strong>[4\/2]<\/strong><\/li><li>8. <strong>Irvin d. Yalom, <em>Minciuni pe canapea<\/em> <\/strong>(Humanitas Fiction) <strong>[-\/5]<\/strong><\/li><li>9. <strong>Karen M. McManus, <em>Unul dintre noi minte<\/em><\/strong> (Herg Benet) <strong>[5\/2]<\/strong><\/li><li>10. <strong>Alex Michaelides, <em>Fecioarele<\/em><\/strong> (Litera) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Poezie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Dan-Liviu-Boeriu-sint-alta-558x1024.jpg\" alt=\"\" class=\"wp-image-1634\" width=\"195\" height=\"357\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Dan-Liviu-Boeriu-sint-alta-558x1024.jpg 558w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Dan-Liviu-Boeriu-sint-alta-164x300.jpg 164w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Dan-Liviu-Boeriu-sint-alta-480x880.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Dan-Liviu-Boeriu-sint-alta.jpg 650w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Svetlana C\u00e2rstean, <em>S\u00eent alta<\/em><\/strong> (Nemira) <strong>[2\/9]<\/strong><\/p>\n\n\n\n<p>\u201eArthur Rimbaud ar fi iubit arta cu care Svetlana C\u00e2rstean a actualizat&nbsp;<em>Je est un autre<\/em>. Svetlana este&nbsp;<em>une autre<\/em>&nbsp;\u00een sensul precis inten\u021bionat de Rimbaud \u2013 cu adaosul capacit\u0103\u021bii poeziei de a povesti direct \u0219i curajos o via\u021b\u0103 de azi. Un subtil sim\u021b al umorului, auzul perfect \u0219i privirea f\u0103r\u0103 ifose dau acestei c\u0103r\u021bi o caden\u021b\u0103 deosebit\u0103, care pune de acord istoria poetei cu via\u021ba ob\u0219teasc\u0103. Frumuse\u021bea lumii \u00een mi\u0219care, prezentul care se \u00eendep\u0103rteaz\u0103 \u0219i devine pove\u0219ti, plutesc prin t\u0103r\u00eemuri geografice \u0219i psihologice \u00een acest poem-fluviu.\u201c \u2013 Andrei Codrescu<\/p>\n\n\n\n<p><strong>2. Ana Blandiana, <em>Varia\u021biuni pe o tem\u0103 dat\u0103<\/em><\/strong> (Humanitas) <strong>[1\/4]<\/strong><\/p>\n\n\n\n<p>\u201eUn poem de dragoste despre nedesp\u0103r\u021birea prin moarte. Cea mai metafizic\u0103 dintre c\u0103r\u021bile mele.\u201c \u2014 Ana Blandiana<\/p>\n\n\n\n<p><strong>3. Nichita St\u0103nescu, <em>Cuvintelor, necuvintelor<\/em> <\/strong>(Cartier)<strong> [3\/6]<\/strong><\/p>\n\n\n\n<p>\u201eLimbajul poetic inventat de Nichita era \u00een acela\u0219i timp un nou continent, dar \u0219i un mijloc de naviga\u021bie. Mai mult dec\u00e2t oricare alt poet, de la Nichita am \u00eenv\u0103\u021bat c\u0103 poezia poate fi busol\u0103 \u0219i instrument de cunoa\u0219tere, ritual \u0219i mister, explorare a sinelui \u0219i bucurie de a tr\u0103i, form\u0103 de libertate \u0219i mijloc de eliberare, zbor planat peste toate celelalte discipline ale spiritului \u0219i expresie a tot ceea ce sim\u021burile \u0219i creierul pot produce mai frumos \u0219i mai subtil \u00eempreun\u0103.\u201d (Matei Vi\u0219niec)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4.<strong> Nichita St\u0103nescu, <em>Integrala poeziei<\/em> <\/strong>(Vasiliana)<strong> [-\/6]<\/strong><\/li><li>5. <strong>Claudiu Komartin, <em>Autoportret \u00een flam\u0103 de sudur\u0103<\/em><\/strong> (Max Blecher) <strong>[4\/4]<\/strong><\/li><li>6. <strong>Louise Gl\u00fcck, <em>Noapte credincioas\u0103 \u0219i virtuoas\u0103<\/em><\/strong> (Pandora M) <strong>[5\/4]<\/strong><\/li><li>7. <strong>Otilia Cazimir, <em>Baba iarna intr\u0103-n sat \u0219i alte poezii<\/em><\/strong> (Cartex) <strong>[-\/2]<\/strong><\/li><li>8. <strong>Homer, <em>Iliada<\/em><\/strong> (Humanitas) <strong>[-\/3]<\/strong><\/li><li>9. <strong>Emily Berry, <em>Nimic din ce face nu e vina ei<\/em><\/strong> (OMG) <strong>[6\/2]<\/strong><\/li><li>10. <strong>Ana Blandiana, <em>Integrala poemelor<\/em><\/strong> (Humanitas) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Istorie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii-.jpg\" alt=\"\" class=\"wp-image-1767\" width=\"195\" height=\"284\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii-.jpg 685w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii--206x300.jpg 206w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii--480x701.jpg 480w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1.<strong> Yuval Noah Harari, <em>Sapiens. Scurt\u0103 istorie a omenirii<\/em> <\/strong>(Polirom)<strong> [1\/6]<\/strong><\/p>\n\n\n\n<p>Acum 100.000 de ani, pe p\u0103m\u00eent existau cel pu\u021bin \u0219ase specii de oameni. Ast\u0103zi exist\u0103 una singur\u0103: noi, Homo sapiens. Ce s-a \u00eent\u00eemplat cu celelalte? \u0218i cum am ajuns s\u0103 fim st\u0103p\u00eenii planetei?<\/p>\n\n\n\n<p>2.<strong> Hannah Jewell, <em>100 de femei afurisite. O istorie<\/em><\/strong>(Nemira) <strong>[2\/6]<\/strong><\/p>\n\n\n\n<p>Femeile din istoria de fa\u021b\u0103 au fost considerate prea afurisite pentru vremea lor. Nu e de mirare c\u0103, atunci c\u00e2nd citim despre (pu\u021binele) femei din istorie, ele sunt \u00een general formale \u0219i con\u0219tiincioase. Adev\u0103rul este c\u0103 istoricii (majoritatea b\u0103rba\u021bi) \u00eendulcesc detaliile sau le exclud pe femeile care nu corespund imaginii lor idealizate.<\/p>\n\n\n\n<p>3. <strong>Neagu Djuvara, <em>O scurt\u0103 istorie ilustrat\u0103 a rom\u00e2nilor<\/em><\/strong> (Humanitas) <strong>[3\/4]<\/strong><\/p>\n\n\n\n<p>C\u00e2nd este \u00eenso\u0163it\u0103 de ilustra\u0163ii, o carte de istorie e mai bun\u0103, iar materia sa e \u015fi mai lesne de \u00een\u0163eles \u015fi de re\u0163inut. Imaginile spun ele \u00eensele o poveste sau o completeaz\u0103, iar impactul lor e mai puternic dec\u00e2t orice demonstra\u0163ie. Documentele iconografice din aceast\u0103 edi\u0163ie au fost selectate astfel \u00eenc\u00e2t cititorul, purtat de farmecul inconfundabil al lui Neagu Djuvara, s\u0103 \u015fi-i apropie, ca \u015fi cum ar privi \u00eentr-un album de familie alc\u0103tuit de mai multe genera\u0163ii, pe oamenii din trecut.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Yuval Noah Harari, <em>Homo Deus. Scurt\u0103 istorie a viitorului<\/em><\/strong> (Polirom) <strong>[-\/5]<\/strong>\u00a0\u00a0\u00a0\u00a0<\/li><li>5. <strong>Georges Minois, <em>Istoria Evului Mediu. O mie de ani de splendoare \u0219i tic\u0103lo\u0219ie<\/em><\/strong>(Nemira) <strong>[-\/3]<\/strong><\/li><li>6. <strong>Yuval Noah Harari, <em>21 de lec\u021bii pentru secolul XXI<\/em><\/strong> (Polirom) <strong>[-\/5]<\/strong><\/li><li>7. <strong>Ben Wilson,<em> Metropolis<\/em><\/strong> (Trei) <strong>[4\/2]<\/strong><\/li><li>8.<strong> Stephen Fry, <em>Troia<\/em><\/strong> (Trei) <strong>[5\/4]<\/strong><\/li><li>9. <strong>Jean-Francois Marmion, <em>Istoria universal\u0103 a prostiei<\/em><\/strong> (Litera) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Serhii Plokhy, <em>Cernob\u00eel<\/em><\/strong> (Trei) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Filosofie\/Psihologie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-665x1024.jpg\" alt=\"\" class=\"wp-image-1036\" width=\"195\" height=\"301\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-665x1024.jpg 665w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-195x300.jpg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-768x1183.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-480x739.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i.jpg 974w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Marcus Aurelius, <em>G\u00e2nduri c\u0103tre sine \u00eensu\u0219i<\/em><\/strong> (Humanitas) <strong>[1\/9]<\/strong><\/p>\n\n\n\n<p>\u201eO carte de c\u0103p\u0103t\u00e2i a civiliza\u0163iei europene.\u201c \u2013 Andrei Ple\u0219u<\/p>\n\n\n\n<p>\u201eCu ani \u00een urm\u0103 am cump\u0103rat o edi\u0163ie veche din Marc Aureliu care purta urm\u0103toarea dedica\u0163ie: \u00abS\u0103-\u0163i fie prieten \u00een ceasurile grele \u015fi s\u0103 te sprijine cum m-a sprijinit pe mine.\u00bb Nu cred c\u0103 i se poate face unei c\u0103r\u0163i un elogiu mai frumos dec\u00e2t acest \u00abprieten \u00een ceasurile grele\u00bb.\u201c \u2014 Emil Cioran<\/p>\n\n\n\n<p>\u201eMarcus Aurelius a fost primul personaj care s-a aventurat sistematic pe teritoriul eului, care l-a vizitat \u015fi care a scris de fapt un tratat despre tehnici de ameliorare \u015fi de \u0163inere \u00een fr\u00e2u a eului propriu.\u201c \u2014 Gabriel Liiceanu<\/p>\n\n\n\n<p>2. <strong>Viktor E. Frankl<\/strong><strong>,<\/strong> <strong><em>Omul <\/em><\/strong><strong><em>\u00een <\/em><\/strong><strong><em>c\u0103utarea <\/em><\/strong><strong><em>sensului <\/em><\/strong><strong><em>vie<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Vellant) <strong>[2\/8]<\/strong><\/p>\n\n\n\n<p><em>Omul \u00een c\u0103utarea sensului vie\u021bii<\/em> este cronica experien\u021belor \u00eengrozitoare tr\u0103ite de psihiatrul Viktor Frankl \u00een timpul deten\u021biei sale la Auschwitz \u0219i \u00een alte lag\u0103re concentra\u021bioniste.<\/p>\n\n\n\n<p>3. <strong>Irvin D. Yalom \u0219i Marilyn Yalom, <em>O chestiune de via\u021b\u0103 \u0219i de moarte<\/em><\/strong> (Vellant) <strong>[3\/6]<\/strong><\/p>\n\n\n\n<p>,,Scriind aceast\u0103 carte, suntem la o v\u00e2rst\u0103 la care cei mai mul\u021bi dintre cei de\u2011o seam\u0103 cu noi au murit. Tr\u0103im acum \u00een fiecare zi \u0219tiind c\u0103 timpul nostru \u00eempreun\u0103 este limitat \u0219i extrem de pre\u021bios. Scriem pentru a da un sens existen\u021bei noastre, chiar dac\u0103 ne azv\u00e2rle \u00een cele mai \u00eentunecate zone ale declinului fizic \u0219i\u2011n bra\u021bele mor\u021bii. Aceast\u0103 carte este menit\u0103, \u00eenainte de orice, s\u0103 ne ajute s\u0103 navig\u0103m pe apele sf\u00e2r\u0219itului vie\u021bii.\u201d (Irvin D. Yalom \u0219i Marilyn Yalom)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Sun Tzu, <em>Arta r\u0103zboiului<\/em><\/strong> (Cartex) <strong>[-\/6]<\/strong><\/li><li>5. <strong>Dr. Kevin Dutton \u0219i Andy McNab, <em>ABC-ul psihopatului de succes<\/em><\/strong>(Vidia) <strong>[4\/6]<\/strong><\/li><li>6. <strong>Arthur Schopenhauer, <em>Arta de a avea \u00eentotdeauna dreptate<\/em><\/strong> (Art) <strong>[-\/2]<\/strong><\/li><li>7. <strong>Kevin Dutton, <em>\u00cen\u021belepciunea psihopa\u021bilor<\/em><\/strong>(Vidia) <strong>[-\/5]<\/strong><\/li><li>8. <strong>Joe Dispenza, <em>Antreneaz\u0103-\u021bi creierul!<\/em><\/strong> (Curtea Veche) <strong>[6\/4]<\/strong><\/li><li>9. <strong>Irvin D. Yalom, <em>Privind soarele \u00een fa\u021b\u0103<\/em><\/strong> (Vellant) <strong>[-\/2]<\/strong><\/li><li>10. <strong>Judson Brewer, <em>\u00cembl\u00e2nzirea anxiet\u0103\u021bii. Cum s\u0103 oprim spirala \u00eengrijor\u0103rii \u0219i a fricii ca s\u0103 ne vindec\u0103m mintea<\/em><\/strong> (Curtea Veche) [-\/1]<\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Critic\u0103 \u0219i istorie literar\u0103<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-656x1024.jpg\" alt=\"\" class=\"wp-image-2465\" width=\"195\" height=\"304\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-656x1024.jpg 656w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-192x300.jpg 192w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-768x1199.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-984x1536.jpg 984w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-480x749.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel.jpg 1271w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1.<strong> Mihai Iov\u0103nel, <em>Istoria literaturii rom\u00e2ne contemporane 1990-2020<\/em> <\/strong>(Polirom)<strong> [1\/5]<\/strong><\/p>\n\n\n\n<p>\u201eCartea de fa\u021b\u0103 este prima istorie a literaturii rom\u00e2ne din postcomunism. Se nume\u0219te Istoria literaturii rom\u00e2ne contemporane ca omagiu adus lui E. Lovinescu, care a publicat dou\u0103 istorii exemplare cu acest titlu, dar \u0219i pentru a repara o ne\u00een\u021belegere cu privire la semnifica\u021bia de azi a sintagmei \u00abliteratur\u0103 contemporan\u0103\u00bb. Majoritatea istoriilor publicate \u00een ultimele decenii \u00een Rom\u00e2nia exclud \u2013 din lips\u0103 de interes sau de receptivitate \u2013 tocmai literatura recent\u0103, literatura care se scrie \u00een prezentul lor.\u201d (Mihai Iov\u0103nel)<\/p>\n\n\n\n<p>2. <strong>Adrian Papahagi, <em>Shakespeare. Titus Andronicus. Hamlet<\/em><\/strong> (Polirom) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p>Titus Andronicus p\u0103c\u0103tuie\u0219te prin exces \u0219i prin lips\u0103. E opera unui \u00eencep\u0103tor crud, care nu-\u0219i dozeaz\u0103 efectele. Talentat \u0219i impetuos, Shakespeare vrea s\u0103 arate dintr-odat\u0103 tot ce \u0219tie, dar adaug\u0103 prea multe ingrediente (viol, mutil\u0103ri, canibalism). Citind capodopera Hamlet al\u0103turi de Titus Andronicus, observ\u0103m cum parcurge Shakespeare drumul de la bizara pies\u0103-atelier la \u201epoemul infinit\u201d. Hamlet nu e o simpl\u0103 tragedie elizabetan\u0103 a r\u0103zbun\u0103rii, ci o schimbare de paradigm\u0103, un moment astral \u00een literatura european\u0103. Nu doar opera lui Shakespeare, ci cultura occidental\u0103 se \u00eemparte \u00een dou\u0103: \u00eenainte \u0219i dup\u0103 Hamlet. Dar nici o capodoper\u0103 nu exist\u0103 \u00een sine, ci \u00eentr-o tradi\u021bie. Arta incredibil\u0103 a tragediei shakespeariene \u00eencepe cu Titus Andronicus.<\/p>\n\n\n\n<p>3. <strong>Revista Secolul 21,<\/strong> <strong><em>George Banu, contemporanul nostru<\/em><\/strong> 1 (Secolul 21) [-\/1]<\/p>\n\n\n\n<p>Primul din cele dou\u0103 numere dedicate de revista Secolul 21 teatrologului George Banu.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Adrian Papahagi,<\/strong> <strong><em>Shakespeare interpretat de Adrian Papahagi. Visul unei nop\u021bi de var\u0103 \u2022 Cum v\u0103 place<\/em><\/strong> (Polirom) <strong>[-\/4]<\/strong><\/li><li>5. <strong>Ioan-Aurel Pop, <em>Identitatea rom\u00e2neasc\u0103. Felul de a fi rom\u00e2n de-a lungul timpului<\/em><\/strong>(Contemporanul) <strong>[-\/2]<\/strong><\/li><li>6. <strong>N. Steinhardt, <em>Escale \u00een timp \u0219i spa\u021biu<\/em><\/strong>(Polirom) <strong>[-\/1]<\/strong><\/li><li>7. <strong>Cosmin Ciotlo\u0219, <em>Cenaclul de Luni<\/em><\/strong>(Pandora M) <strong>[2\/5]<\/strong><\/li><li>8. <strong>N. Steinhardt, <em>\u00cen genul.. tinerilor<\/em><\/strong> (Polirom) <strong>[-\/1]<\/strong><\/li><li>9. <strong>Mihai Zamfir, <em>Scurt\u0103 istorie. Panorama alternativ\u0103 a literaturii rom\u00e2ne<\/em><\/strong> (Polirom) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Adrian Papahagi,<\/strong> <strong><em>Shakepseare. Sonete. Romeo \u0219i Julieta<\/em><\/strong> (Polirom) <strong>[-\/5]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi pentru copii<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Kimberly-Brubaker-Bradley-Ra\u0306zboiul-care-mi-a-salvat-viat\u0326a.jpeg\" alt=\"\" class=\"wp-image-3829\" width=\"195\" height=\"264\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Kimberly-Brubaker-Bradley-Ra\u0306zboiul-care-mi-a-salvat-viat\u0326a.jpeg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Kimberly-Brubaker-Bradley-Ra\u0306zboiul-care-mi-a-salvat-viat\u0326a-222x300.jpeg 222w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Kimberly-Brubaker-Bradley-Ra\u0306zboiul-care-mi-a-salvat-viat\u0326a-480x650.jpeg 480w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Kimberly Brubaker Bradley, <em>R\u0103zboiul care mi-a salvat via\u021ba <\/em>(Arthur) [1\/5]<\/strong><\/p>\n\n\n\n<p>R\u0103zboiul nu e doar un eveniment istoric. El are loc \u0219i \u00een inima Adei. Via\u021ba \u00een izolare nu este u\u0219oar\u0103, iar supravie\u021buirea \u00eentr-o astfel de vreme, cu resurse limitate, este complicat\u0103. Ada lupt\u0103 cu sine pentru a accepta sensul nou pe care \u00eel cap\u0103t\u0103 pentru ea cuv\u00e2ntul familie, dar lupt\u0103 \u0219i cu propria identitate, demonstr\u00e2nd c\u0103 adev\u0103rata libertate nu este reprezentat\u0103 doar de posibilitatea de a alege, ci de a face alegerea corect\u0103. Odat\u0103 ce descoper\u0103 c\u0103 frica nu exclude curajul, devine invincibil\u0103 \u0219i \u00ee\u0219i adun\u0103 puterile pentru a le aduce speran\u021b\u0103 celor din jur, ba chiar \u0219i pilo\u021bilor din al Doilea R\u0103zboi Mondial.<\/p>\n\n\n\n<p>2. <strong>Soman Chainani, <em>\u0218coala pentru bine \u0219i r\u0103u #3. P\u00e2n\u0103 la ad\u00e2nci b\u0103tr\u00e2ne\u021bi<\/em><\/strong> (Arthur) [-\/1]<\/p>\n\n\n\n<p>Tot ce e vechi este iar\u0103\u0219i nou, iar Sophie \u0219i Agatha se lupt\u0103 cu trecutul, dar \u0219i cu prezentul ca s\u0103 g\u0103seasc\u0103 sf\u00e2r\u0219itul perfect pentru basmul lor.<\/p>\n\n\n\n<p>3. <strong>Andy Griffiths, <em>Copacul cu 39 de etaje<\/em><\/strong> (Arthur) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>Andy \u0219i Terry sunt de neoprit. C\u0103su\u021ba lor a ajuns la 39 de etaje. Au \u00eembun\u0103t\u0103\u021bit-o, iar acum te po\u021bi da pe trambulin\u0103 (f\u0103r\u0103 plas\u0103 de siguran\u021b\u0103), po\u021bi s\u0103-\u021bi bucuri papilele gustative la cascada de ciocolat\u0103 \u2013 miam! \u2013 sau la vulcanul activ unde se coc tare bine bezelele. Dac\u0103 iube\u0219ti muzica, au \u0219i o sal\u0103 de concerte. Sau dac\u0103-\u021bi sunt dragi animalele, \u00een gr\u0103dina zoologic\u0103 po\u021bi m\u00e2ng\u00e2ia pui de dinozaur, numai s\u0103 fii atent la degete.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Keri Smith,<\/strong> <strong><em>Jurnalul meu tr\u0103snit\u2026 \u00een culori!<\/em><\/strong> (ed. II) (Paralela 45) <strong>[2\/4]<\/strong><\/li><li>5. <strong>Sophie Kinsella, <em>Eu \u0219i Mami-Z\u00e2n\u0103. Puteri de siren\u0103<\/em><\/strong> (Polirom) <strong>[3\/2]<\/strong><\/li><li>6. <strong>Michael Ende,<\/strong> <strong><em>Povestea f\u0103r\u0103 sf\u00e2r\u0219it<\/em><\/strong> (Arthur) <strong>[-\/1]<\/strong><\/li><li>7. <strong>Antoine De Saint-Exupery, <em>Micul Prin\u021b<\/em><\/strong> (Rao) <strong>[4\/9]<\/strong><\/li><li>8. <strong>Raina Telgemeier, <em>Surori<\/em><\/strong> (Art) <strong>[-\/4]<\/strong><\/li><li>9. <strong>Alex Moldovan, <em>Olgu\u021ba \u0219i un bunic de milioane<\/em><\/strong> (Arthur) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Ioana Chicet-Macoveiciuc, <em>Caietul, roman mic pentru feti\u021bele care cresc mari<\/em><\/strong> (Univers) <strong>[5\/8]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Eseu<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Carlo-Cipolla-Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane.jpg\" alt=\"\" class=\"wp-image-3830\" width=\"195\" height=\"300\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Carlo-Cipolla-Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane.jpg 390w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Carlo-Cipolla-Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-195x300.jpg 195w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Carlo Cipolla, <em>Legile fundamentale ale imbecilit\u0103\u021bii umane<\/em><\/strong> (Humanitas) <strong>[1\/9]<\/strong><\/p>\n\n\n\n<p>\u201eUn imbecil este o persoan\u0103 care cauzeaz\u0103 pierderi unui alt individ sau grup de indivizi, f\u0103r\u0103 a c\u00e2\u0219tiga nimic \u00een schimb, uneori chiar suferind pierderi de pe urma ac\u021biunilor sale.\u201c \u2014 A treia lege fundamental\u0103 a imbecilit\u0103\u021bii (Regula de Aur)<\/p>\n\n\n\n<p>2. <strong>Sorin Ioni\u021b\u0103, <em>Deceniul furiei \u0219i indign\u0103rii<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>\u201eCum poate deveni cartea unui analist politic captivant\u0103? Simplu: decup\u00e2nd \u00ab10 ani de g\u00e2lceav\u0103\u00bb \u0219i descriindu-i ca pe un fragment din jocul cu zaruri al istoriei. Nimeni nu poate s\u0103 spun\u0103 ce va ie\u0219i la cap\u0103tul ciocnirii recente dintre mi\u0219c\u0103rile tribalistidentitare \u0219i antieuropene din Vestul Europei \u0219i modelul occidental tradi\u021bional, bazat pe politici moderate, elite \u0219i competen\u021b\u0103. Nimeni nu \u0219tie dac\u0103 schimb\u0103rile survenite odat\u0103 cu criza Covid-19 vor fi o provocare \u00een spa\u021biul g\u0103sirii de noi solu\u021bii ale convie\u021buirii sau, dimpotriv\u0103, vor conduce la bulvers\u0103ri necunoscute. Aceast\u0103 dubl\u0103 lectur\u0103 a viitorului \u2013 ne a\u0219teapt\u0103 o rena\u0219tere, ori o fund\u0103tur\u0103? \u2013 d\u0103 cheia caracterului captivant al c\u0103r\u021bii. \u00cen plus, autorul e un remarcabil stilist: nu exist\u0103 digresiuni, stereotipuri, plictis. Totul e limpede, alert, fluent.\u201c \u2014 Gabriel Liiceanu<\/p>\n\n\n\n<p>3. <strong>Malcolm Gladwell, <em>Excep\u021bionalii. Povestea succesului<\/em> <\/strong>(Publica)<strong> [2\/5]<\/strong><\/p>\n\n\n\n<p>Pove\u0219tile despre cei care au un foarte, foarte mare succes se \u00eenv\u00e2rt \u00een jurul inteligen\u021bei \u0219i ambi\u021biei. \u00cen Excep\u021bionalii, Malcolm Gladwell spune c\u0103 adev\u0103rata explica\u021bie e cu totul alta, iar dac\u0103 vrem s\u0103 \u00een\u021belegem cum se ajunge at\u00e2t de departe, ar trebui s\u0103 ne lu\u0103m timp s\u0103 cunoa\u0219tem tot ce \u021bine de contextul acestor oameni: familia, locul unde au copil\u0103rit, data na\u0219terii. Gladwell contest\u0103 mitul a\u0219a-zisului merit personal, explor\u00e2nd raportul dintre succes \u0219i cultur\u0103, hazard, sincronizare, na\u0219tere \u0219i noroc, \u0219i felul \u00een care, \u00een pofida calit\u0103\u021bilor \u0219i talentului cuiva, mo\u0219tenirea cultural\u0103 poate func\u021biona ca o piedic\u0103.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Jacques Attali, <em>Scurt\u0103 istorie a viitorului<\/em><\/strong>(Polirom) <strong>[-\/2]<\/strong><\/li><li>5. <strong>Neagu Djuvara, <em>444 de fragmente memorabile ale lui Neagu Djuvara<\/em><\/strong>(Humanitas) <strong>[-\/1]<\/strong><\/li><li>6. <strong>Alain de Botton, <em>Statut \u0219i anxietate<\/em><\/strong> (Vellant) <strong>[4\/5]<\/strong><\/li><li>7.<strong> Gheorghe Piperea, <em>Lamentabilul amurg al zeilor<\/em> <\/strong>(Rao)<strong> [3\/2]<\/strong><\/li><li>8. <strong>Elif Shafak,<\/strong> <strong><em>Cum s\u0103 r\u0103m\u00e2i lucid \u00eentr-o epoc\u0103 a dezbin\u0103rii<\/em><\/strong> (Polirom) <strong>[-\/5]<\/strong><\/li><li>9.<strong> Cristi I. Popescu, <em>Rock \u00een stare de urgen\u021b\u0103 \u2013 The Final Lockdown<\/em><\/strong>(Universul Juridic)<strong>[5\/2]<\/strong><\/li><li>10. <strong>Michel Houellebecq, <em>\u00cen prezen\u021ba lui Schopenhauer<\/em><\/strong> (Humanitas) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi de c\u0103l\u0103torie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Zeev-Rozenkranz-Jurnalele-de-ca\u0306la\u0306torie-ale-lui-Albert-Einstein.jpeg\" alt=\"\" class=\"wp-image-3831\" width=\"195\" height=\"284\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Zeev-Rozenkranz-Jurnalele-de-ca\u0306la\u0306torie-ale-lui-Albert-Einstein.jpeg 387w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Zeev-Rozenkranz-Jurnalele-de-ca\u0306la\u0306torie-ale-lui-Albert-Einstein-205x300.jpeg 205w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">\u00ee1. <strong>Ze\u2019ev Rozenkranz, <em>Jurnalele de c\u0103l\u0103torie ale lui Albert Einstein<\/em><\/strong> (Corint) <strong>[1\/2]<\/strong><\/p>\n\n\n\n<p>\u00centre octombrie 1922 \u0219i martie 1923, Albert Einstein \u00eempreun\u0103 cu so\u021bia lui de la acea vreme, Elsa Einstein, a f\u0103cut o c\u0103l\u0103torie \u00een Extremul Orient \u0219i \u00een Orientul Mijlociu, regiuni pe care marele savant nu le mai vizitase \u00eenainte. Lungul itinerar urmat de acesta a cuprins opriri \u00een Hong Kong \u0219i \u00een Singapore, dou\u0103 scurte \u0219ederi \u00een China, un turneu de prelegeri de \u0219ase s\u0103pt\u0103m\u00e2ni \u00een Japonia, o vizit\u0103 de 12 zile \u00een Palestina \u0219i o alta de trei s\u0103pt\u0103m\u00e2ni \u00een Spania. Volumul de fa\u021b\u0103 pune la dispozi\u021bia cititorilor jurnalul \u021binut de Einstein \u00een cursul acestei c\u0103l\u0103torii.<\/p>\n\n\n\n<p>2. <strong>Robert&nbsp; Macfarlane,<\/strong> <strong><em>Lumea de sub noi. O c\u0103l\u0103torie \u00een ad\u00e2ncul p\u0103m\u00e2ntului<\/em><\/strong> (Polirom)<strong> [2\/7]<\/strong><\/p>\n\n\n\n<p>Dintr-un unghi de vedere geologic asupra planetei noastre, Macfarlane pune o \u00eentrebare vital\u0103 \u0219i tulbur\u0103toare: oare s\u00eentem ni\u0219te buni str\u0103mo\u0219i pentru P\u0103m\u00eentul viitorului? De la primele pagini, remarcabile, p\u00een\u0103 la concluzia \u00eenc\u0103rcat\u0103 de emo\u021bie, <em>Lumea de sub noi<\/em> este un periplu \u00een care se \u00eempletesc miracolele \u0219i pierderea, teama \u0219i speran\u021ba. O carte ce ne va schimba felul \u00een care privim lumea.<\/p>\n\n\n\n<p>3. <strong>Marius Chivu,<\/strong> <strong><em>Trei s\u0103pt\u0103m\u00e2ni \u00een Himalaya<\/em><\/strong> (Humanitas) <strong>[3\/8]<\/strong><\/p>\n\n\n\n<p>Trei s\u0103pt\u0103m\u00e2ni \u00een Himalaya. Povestea seduc\u0103toare a unui drum spre \u201estrea\u0219ina lumii\u201c, o c\u0103l\u0103torie \u0219i o carte care te elibereaz\u0103 de tot ce-\u021bi prisose\u0219te \u00een\u0103untru. Urci muntele cobor\u00e2nd \u00een tine.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Heinrich Harrer, <em>\u0218apte ani \u00een Tibet<\/em><\/strong> (Polirom) <strong>[-\/4]<\/strong><\/li><li>5. <strong>Cristina Chevere\u0219an, <em>Mansard\u0103 la Vene\u021bia. Nou\u0103 s\u0103pt\u0103m\u00e2ni \u00een lagun\u0103<\/em><\/strong> (Humanitas) <strong>[-\/2]<\/strong><\/li><li>6. <strong>Mirel B\u0103nic\u0103, <em>Prin Rom\u00e2nia. Carnete de drum<\/em><\/strong> (Polirom) <strong>[-\/4]<\/strong><\/li><li>7. <strong>Nikos Kazantzakis, <em>Jurnal de c\u0103l\u0103torie \u00een Japonia \u0219i China<\/em><\/strong> (Humanitas) <strong>[-\/2]<\/strong><\/li><li>8. <strong>Erika Fatland, <em>Sovietstan. O c\u0103l\u0103torie prin Turkmenistan, Kazahstan, Tadjikistan, K\u00e2rg\u00e2zstan \u0219i Uzbekistan<\/em><\/strong> (Paralela 45) <strong>[4\/4]<\/strong><\/li><li>9. <strong>Jheni Osman, <em>Cartea mic\u0103 a marilor expedi\u021bii. Aventuri \u00een necunoscut care au schimbat lumea<\/em><\/strong>(Niculescu) <strong>[5\/4]<\/strong><\/li><li>10. <strong>Nuseir Yassin, Bruce Kluger,<\/strong> <strong><em>\u00cen jurul lumii \u00een 60 de secunde<\/em><\/strong> (Trei) <strong>[6\/7]<\/strong><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Urm\u0103toarele topuri au fost realizate \u00een func\u021bie de v\u00eenz\u0103rile \u00eenregistrate \u00een intervalul 1 &#8211; 30 septembrie 2021 \u00een re\u021beaua de libr\u0103rii C\u0103rture\u0219ti \u0219i pe carturesti.ro.<\/p>\n","protected":false},"author":2,"featured_media":3833,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[161],"tags":[162,812],"coauthors":[],"class_list":["post-3826","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bestsellers-carturesti","tag-bestsellers-carturesti","tag-nr-10-2021"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/ca\u0306rtures\u0326ti-verso.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3826"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3826\/revisions"}],"predecessor-version":[{"id":3834,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3826\/revisions\/3834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/3833"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3826"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=3826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}