{"id":3802,"date":"2022-02-04T11:24:53","date_gmt":"2022-02-04T08:24:53","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=3802"},"modified":"2022-02-04T11:25:00","modified_gmt":"2022-02-04T08:25:00","slug":"dragoste-etc","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=3802","title":{"rendered":"Dragoste etc."},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/nu-ma-intrerupe.jpg\" alt=\"\" class=\"wp-image-3803\" width=\"600\" height=\"1041\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/nu-ma-intrerupe.jpg 400w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/nu-ma-intrerupe-173x300.jpg 173w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>C\u0103t\u0103lina Stanislav \u2013 <em>Nu m\u0103 \u00eentrerupe<\/em>, OMG, Alba Iulia, 2021<\/figcaption><\/figure><\/div>\n\n\n\n<p>Trebuie s\u0103 admit, prima lectur\u0103 a c\u0103r\u021bii C\u0103t\u0103linei Stanislav a fost una superficial\u0103. \u00cen consecin\u021b\u0103, primele impresii au fost gre\u0219ite. Nu g\u0103seam, r\u0103sfoind <em>Nu m\u0103 \u00eentrerupe<\/em>, nimic din ceea ce c\u0103utam, nimic din ceea ce \u00eemi doream s\u0103 g\u0103sesc. Mi se p\u0103rea c\u0103 am \u00een fa\u021b\u0103 o poetic\u0103 simplist\u0103, cu rol pur confesiv. Aveam senza\u021bia c\u0103 am dat de un titlu care face uz de ni\u0219te biografeme \u00eencadrate \u00eentr-un context languros, chiar siropos. Genul de carte al c\u0103rei loc ar fi \u00een tomberonul pentru maculatur\u0103. Recitind-o, mi-am dat seama c\u0103 am gre\u0219it.<\/p>\n\n\n\n<p>Volumul de debut al C\u0103t\u0103linei Stanislav porne\u0219te, \u00eentr-adev\u0103r, de la un discurs biografic, axat \u00een jurul frustr\u0103rilor legate de rela\u021bii amoroase, \u00een plan secundar afl\u00e2ndu-se problema feminit\u0103\u021bii \u00een contextul societ\u0103\u021bii contemporane, iar marginal ajung\u00e2nd la diferite discu\u021bii de natur\u0103 politic\u0103. Punctele de convergen\u021b\u0103 pentru aceste linii creatoare fiind singur\u0103tatea \u0219i anxietatea. Felul \u00een care unele dintre acestea sunt expuse este, \u00eens\u0103, partea care ne intereseaz\u0103 \u0219i ceea ce mi-a sc\u0103pat ini\u021bial.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Poate s\u0103 par\u0103 o exagerare sau, \u00een orice caz, o compara\u021bie for\u021bat\u0103, dar, din punctul meu de vedere, unele poemele din <em>Nu m\u0103 \u00eentrerupe<\/em> (poate cele mai bune) au ceva din proza lui Roberto Bola\u00f1o, mai exact din unele personaje ale scriitorului sud-american, precum Quim Font (<em>Detectivii S\u0103lbatici<\/em>) sau Amalfitano (<em>2666<\/em>), anume acea reformatare a delirului rimbaldian, un delir cu o urm\u0103 vag\u0103 de con\u0219tien\u021b\u0103 \u00een care memoria fie alunec\u0103 din iner\u021bie \u00eentr-o zon\u0103 dureroas\u0103 deja existent\u0103, transform\u00e2nd-o \u00eentr-o mai mic\u0103 sau mai mare m\u0103sur\u0103, cum se \u00eent\u00e2mpl\u0103 \u00een <em>Flamand<\/em> (\u201eTrec prin fa\u021ba casei lui Rembrandt azi \u0219i vreau s\u0103 m\u0103\/ g\u00e2ndesc la ceva nostalgic\/ gen ce tare \u00eemi amintesc obloanele astea verzi\/ de ochii t\u0103i\/ sau mai \u0219tii c\u00e2nd ne-am luat ciocolat\u0103 cald\u0103 de\/ la cafeneaua de pe col\u021b [&#8230;]\/ dar ochii t\u0103i nu-s verzi\/ \u0219i nu ne-am luat ciocolat\u0103 cald\u0103\u201d), fie ajunge \u00eentr-o stare pur halucinatorie, cum se \u00eent\u00e2mpl\u0103 \u00een <em>only want to see u holding purple rice<\/em> (\u201e\u00cemi place s\u0103 deschid jaluzelele noaptea\/ lumina m\u0103 ajut\u0103 s\u0103 m\u0103 trezesc mai u\u0219or diminea\u021ba\/ \u00eemi imaginez multe \u00een astfel de perioade\/ c\u00e2nd to\u021bi ne pl\u00e2ngem de singur\u0103tate \u0219i fric\u0103 [&#8230;]\/ \u00eemi imaginez un ora\u0219 gri pe care nu l-am v\u0103zut de fapt\/ \u00een via\u021ba real\u0103\/ poate doar \u00een filme, poate doar \u00een seriale\/ \u0219i poate \u0219i \u00eentr-un poem despre Cr\u0103ciun\/ \u0219i apoi mi te imaginez \u00een fa\u021ba unor geamuri mari\/ cu mult\u0103 lumin\u0103 bun\u0103\/ m\u0103 \u00eentrebi ceva firesc\u201d).<\/p>\n\n\n\n<p>Delirul nu este prezent \u00een mod constant, nefiind o dimensiune definitorie a volumului, de multe ori vocea din <em>Nu m\u0103 \u00eentrerupe<\/em> devenind ra\u021bional\u0103, c\u0103p\u0103t\u00e2nd o viziune clar\u0103 asupra a ceea ce descrie (spre exemplu \u00een <em>\u00centreb\u0103ri pe care mi le pun b\u0103ie\u021bii c\u00e2nd ie\u0219im \u00een ora\u0219<\/em>, <em>M\u0103 g\u00e2ndesc foarte des la posibilitatea de a fi mam\u0103<\/em>, <em>Etic estetic patetic<\/em>, printre altele). Dup\u0103 cum spuneam, singur\u0103tatea \u0219i anxietatea sunt sursele creative ale C\u0103t\u0103linei Stanislav, st\u0103ri care, de cele mai multe ori, sunt cauzate, \u00eentr-un fel sau altul, de rela\u021bii e\u0219uate, d\u00e2nd na\u0219tere unui discurs sincer, de cele mai multe ori femin-in\/-ist, uneori poeta lu\u00e2nd chiar calea activismului, dup\u0103 cum putem bine observa \u00een <em>\u00centreb\u0103ri pe care mi le pun b\u0103ie\u021bii c\u00e2nd ie\u0219im \u00een ora\u0219<\/em> (\u201eCe crezi despre diviziunea biologic\u0103 a sexelor, gen tu nu crezi c\u0103 b\u0103rba\u021bii sunt \u00een mod natural mai puternici dec\u00e2t femeile? [&#8230;] Dar cum adic\u0103 studii de gen? Ce crezi despre tipele care nu se rad? Deci e un inel care te protejeaz\u0103 de sarcin\u0103? Eu de fapt prefer s\u0103 nu foloseasc\u0103 femeile contraceptive, e mai natural. (Asta nu e neap\u0103rat \u00eentrebare, dar urmeaz\u0103: Nu e \u0219i nes\u0103n\u0103tos?) [&#8230;] Eu fac sex mai agresiv, cum a\u0219 putea s\u0103 fac asta cu o tip\u0103 care studiaz\u0103 ce studiezi tu?\u201d) sau \u00een <em>Gwyneth Paltrow \u0219i cu mine<\/em> (\u201eeu le studiez pe cele care ne-au ajutat s\u0103 ne c\u00e2\u0219tig\u0103m\/ dreptul la vot, condus, la a ne folosi vaginul pentru\/ altceva\/ \u00een afar\u0103 de n\u0103scut copii, reproducere, uneori\/ candidoz\u0103\/ \u0219i totu\u0219i cele mai bune min\u021bi ale genera\u021biei mele \u00eenc\u0103\/ m\u0103 \u00eentreab\u0103\/ dac\u0103 femeile pot fi pompieri\u201d). Uneori, poeziile din <em>Nu m\u0103 \u00eentrerupe<\/em> caut\u0103 introducerea dimensiunii politice, atitudinea afi\u0219at\u0103 fiind una t\u0103ioas\u0103, direct\u0103, ca \u00een <em>Stele c\u0103z\u0103toare<\/em> (\u201eSe \u00eent\u00e2mpl\u0103 foarte multe lucruri \u00een lume acum \u0219i eu tot petrec prea mult timp \u00een pat. Vor s\u0103-l dea jos pe Trump, conservatorii sunt la putere \u00een Marea Britanie, noi \u00eenc\u0103 avem acela\u0219i pre\u0219edinte obosit, e toat\u0103 faza cu Chile, iar aici se fac mereu proteste doar pentru greenwashing \u0219i fast fashion \u0219i colegele mele se \u00eembrac\u0103 \u00een haine absurde \u0219i strig\u0103 \u00een fa\u021ba mallului [&#8230;]\u201d).<\/p>\n\n\n\n<p>Pentru un volum de debut, <em>Nu m\u0103 \u00eentrerupe<\/em> este o carte bunicic\u0103. F\u0103r\u0103 a avea mari reu\u0219ite, vocea poetic\u0103 reu\u0219e\u0219te s\u0103 produc\u0103 un discurs sincer, asumat, av\u00e2nd chiar mici momente de str\u0103lucire. Vorbim despre o carte de raftul al doilea, una care, \u00eens\u0103, anun\u021b\u0103 intrarea \u00een scena literaturii rom\u00e2ne a unei poete care, cred eu, mai are multe de spus \u0219i de dovedit.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>F\u0103r\u0103 a avea mari reu\u0219ite, vocea poetic\u0103 reu\u0219e\u0219te s\u0103 produc\u0103 un discurs sincer, asumat, av\u00e2nd chiar mici momente de str\u0103lucire.<\/p>\n","protected":false},"author":17,"featured_media":3803,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[772,106,812,773,861,119],"coauthors":[],"class_list":["post-3802","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-catalina-stanislav","tag-cronica-literara","tag-nr-10-2021","tag-nu-ma-intrerupe","tag-omg-publishing","tag-radu-bejan"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/nu-ma-intrerupe.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3802"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3802\/revisions"}],"predecessor-version":[{"id":3804,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3802\/revisions\/3804"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/3803"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3802"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=3802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}