{"id":3798,"date":"2022-02-04T11:21:46","date_gmt":"2022-02-04T08:21:46","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=3798"},"modified":"2022-02-07T12:29:49","modified_gmt":"2022-02-07T09:29:49","slug":"fonemnastii-pe-speed","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=3798","title":{"rendered":"Fonemnastii pe speed"},"content":{"rendered":"\n
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Florentin Popa, Dezintegrare<\/em>, OMG Publishing, 2021, 98 p.<\/figcaption><\/figure><\/div>\n\n\n\n

Amenin\u021b\u00e2nd nu demult comunitatea internau\u021bilor cu renun\u021barea la scris, Florentin Popa execut\u0103, din spatele multitudinii de m\u0103\u0219ti de meme, un gest de all in<\/em> public\u00e2nd al treilea s\u0103u volum, Dezintegrare<\/em>.<\/p>\n\n\n\n

Cartea care succede trips, heroes & love songs<\/em> \u0219i efrafa<\/em> vorbe\u0219te, \u00eenainte de toate, despre durerea decantat\u0103, ironic \u0219i postironic, de o memorie aluvionar\u0103, pornit\u0103 \u00een expedi\u021bii temporale nu \u00een c\u0103utarea autocunoa\u0219terii, c\u00e2t a autostimul\u0103rii, pentru a \u00eencleia unele experien\u021be specifice de cortexul prezentului. Badass<\/em> sensibilos-spiritual, flamboaiant-impulsiv, nostalgic-futurist, mar\u0219\u00e2nd pe un imaginar mixt (c\u00e2nd scandinav, c\u00e2nd balcanic, c\u00e2nd oriental), instan\u021ba poetic\u0103 a acestor versuri caut\u0103 revizitarea geografiilor copil\u0103riei \u0219i adolescen\u021bei c\u00e2ndva interiorizate exacerbat, redeschiderea unor r\u0103ni demult fosilizate sub straturi traumatice mai recente, devenind astfel protagonistul unor experimente estetice comparative, dar \u0219i, pe baza acestora, al unor subtile resemantiz\u0103ri sociologice pe marginea s\u0103r\u0103ciei \u0219i a iubirii: \u201egroaza viermelui scos din p\u0103m\u00e2ntul ud,\/ \u0219i dat de-a dura, r\u0103sturnat \u00een soare\/ care pricepe din lumin\u0103 doar arsura\/ c\u00e2nd \u00een\u021belegem c\u0103 nu mai e alt\u0103 cale\/ dec\u00e2t s\u0103 ardem lumea deodat\u0103 cu ura\/ sau s\u0103 ne cerem fiec\u0103ruia iertare\u201d (\u021b\u0103rmuri de trandafiri<\/em>).<\/p>\n\n\n\n

Volubilitatea tip spoken word<\/em> func\u021bioneaz\u0103 \u00een Dezintegrare<\/em> ca un malaxor: metiseaz\u0103 \u00eent\u00e2mpl\u0103ri grave, sf\u00e2\u0219ietoare, cu ifose \u201ede lumea \u00eent\u00e2i\u201d, de asemenea activeaz\u0103 toate sectoarele vocabularului, dovedind o democra\u021bie lexical\u0103 (cvasi)total\u0103. Riscul e ca uneori aceast\u0103 con\u0219tiin\u021b\u0103 a reprezentativit\u0103\u021bii tuturor stimulentelor receptate \u0219i transfigurate stilistico-semantic s\u0103 ating\u0103 cote ridicole, dar Florentin Popa \u0219tie c\u00e2nd e momentul s\u0103-\u0219i tempereze discursul cu cioturi de ars poetica<\/em>: \u201edac\u0103 glasul meu \u2013 sau al t\u0103u \u2013 ar fi contat vreodat\u0103\/ cu adev\u0103rat, nu ar fi fost nevoie s\u0103 le \u00een\u0103l\u021b\u0103m. am r\u0103gu\u0219it.\/ tot ce am scris sunt fire de s\u00e2nge pe botul unui c\u00e2ine\/ murind \u00eenceti\u0219or pe fundul unei f\u00e2nt\u00e2ni unde se\/ scutur\u0103 teii, \u00eenecat \u00een propria singur\u0103tate \u0219i turbare\/\/ a\u0219a c\u0103 sari te rog peste poemul \u0103sta \u2013 \u0219i eu\/ o s\u0103-i dau skip dac\u0103 va fi vreodat\u0103 s\u0103-l citesc\u201d (Hennessey & Sailor Moon<\/em>). Megalomania exprim\u0103rii penduleaz\u0103, a\u0219adar, \u00eentre dou\u0103 abord\u0103ri discursive ale realit\u0103\u021bii: autenticitate \u0219i pasti\u0219\u0103. Pe alocuri doct, alteori reverber\u00e2nd cli\u0219ee sau diletantisme cotidiene, acest limbaj tehno-colocvial, coroborat cu un umor caleidoscopic, are ca arm\u0103 letal\u0103 numirea<\/em>. Senza\u021bia e c\u0103 obiectele \u0219i fenomenele, odat\u0103 numite, devin dob\u00e2ndite \u2013 mecanism asem\u0103n\u0103tor cu \u00eempu\u0219carea din jocurile video FPS \u2013, fiind pigulite \u0219i r\u0103spigulite abia dup\u0103 fatala luare \u00een posesie (v. hiturile faza e c\u0103<\/em>, nimic nu e cu adev\u0103rat gre\u0219it<\/em>, dezintegrare<\/em>, posttokyo<\/em>, 1992<\/em>).<\/p>\n\n\n\n

Caden\u021ba trepidant\u0103 \u0219i verbiajul poetic multireferen\u021bial sunt principalele argumente \u00een favoarea identit\u0103\u021bii de structur\u0103 a acestei poezii cu flow<\/em>-ul propriu muzicii rap<\/em>: \u201eam fost cel mai bun model de cu\u021bu\/ am adus \u0219ase metri cubi de b\u0103\u021b\/ am dat din coad\u0103 cu zel evanghelic\u201d, \u201e\u0219i toate arhivele sunt jar\/ \u0219i toate pasajele sunt jad\/ \u0219i soarele a mijit \u0219i a \u0219chiop\u0103tat\/ p\u00e2n\u0103-n iad\/\/ \u0219i happyendu<\/em>-i c\u0103 s-a terminat\u201d (nichijou<\/em>), \u201e\u0219i sunt at\u00e2t de fericit s\u0103 m\u0103 trezesc\/ \u0219i s\u0103 m\u0103 doar\u0103-n realitate\/ sunt momente ok momente retry\/ momente cancel momente abort\/ \u00een care cerul se reflect\u0103 \u00een corneea noastr\u0103\/ \u0219i ironia nu mai poate s\u0103 treac\u0103 de post<\/em>\u201d (momente ok<\/em>). \u00cens\u0103 des\u0103v\u00e2r\u0219irea, la acest nivel, a performerului Florentin Popa are loc, \u00een mod cu totul spectaculos, \u00een perimetrele prozodice net mai rigide ale sonetului \u2013 o prob\u0103 de foc pentru cineva cu asemenea tumult verbal. Dintre cele zece sonete intitulate prin c\u00e2te un silabar japonez \u0219i un cuv\u00e2nt\/o expresie \u00een rom\u00e2n\u0103 a\u0219ezat(\u0103) \u00een parantez\u0103, se remarc\u0103 \u00een special \u307b<\/em> (bulbi)<\/em> \u0219i \u306c\u308b<\/em> (muntenia)<\/em>.<\/p>\n\n\n\n

Deopotriv\u0103 teremin afectiv \u0219i fin radar socio-politic, versurile Dezintegr\u0103rii<\/em> au drept combustibil primar fonemul<\/em>. Sunetele, \u00eenc\u0103rcate cu particule semantice deloc \u00eent\u00e2mpl\u0103toare, se ciocnesc \u00eentre ele \u0219i se rostogolesc \u00een cadrul unor \u00eendelungi exerci\u021bii de fonemnastic\u0103, prilejuind nu de pu\u021bine ori calambururi bizar-exotice: \u201eivind ca m\u0103duvi crude de ro\u0219ii\/ de sub osii de osmiu ostii de oase\u201d (roata soarelui<\/em>), \u201evin \u0219i vinil, \u0219i vinilin\u201d (1992<\/em>), \u201eprins \u00een com\u0103 comod\u0103 l\u00e2ng\u0103 Commodore\/ perfuzat prin port com\u201d (nimeni_sintetic<\/em>). \u201e[\u0218]i pierdut e\/ sunetul \u00een glitchuri p\u00e2n\u0103 devine timbru\u201d, ne explic\u0103, pilduitor, poetul \u00een technical hitch<\/em>. Sub\u00een\u021belegem lesne importan\u021ba aten\u021biei auditive \u00een \u201escanarea\u201d realit\u0103\u021bii \u0219i, subsecvent, a livr\u0103rii sonore a acesteia inclusiv din ultimul cuv\u00e2nt al volumului, \u201eascult\u0103\u201d, a\u0219ezat \u00eentr-o ultim\u0103 strof\u0103 de sine st\u0103t\u0103toare.<\/p>\n\n\n\n

\u00cen vacarmul de referin\u021be c\u00e2nd controlat, c\u00e2nd dezl\u0103n\u021buit \u2013 desene animate, seriale cu laugh tracks<\/em>, jocuri video, platforme de social media<\/em>, respectiv muzic\u0103 \u00eencep\u00e2nd cu simfonic\u0103, trec\u00e2nd prin pop & rock, p\u00e2n\u0103 la manele \u2013, admirabil este cum poetul niciun moment nu d\u0103 semne c\u0103 s-ar fi r\u0103t\u0103cit \u00eentre propriile personae<\/em>. Contrar unor afirma\u021bii precum \u201efac ce pot, fiindc\u0103 nu mai \u0219tiu ce fac: m\u0103 joc singur\/ printre d\u0103r\u00e2m\u0103turile astea, caut mozaicul dintre ruine\u201d (Hennessey & Sailor Moon<\/em>), acesta reu\u0219e\u0219te s\u0103-\u0219i deslu\u0219easc\u0103 pulsul indiferent de num\u0103rul de scratch<\/em>-uri \u0219i overlapping<\/em>-uri centrifuge inserate. Autosabotaj trecut cu bine, \u00eencheiat cu autoizb\u0103vire.<\/p>\n\n\n\n

\u00cen loc s\u0103 se manierizeze \u00een volumul s\u0103u ter\u021b, Florentin Popa izbute\u0219te s\u0103-\u0219i deconstruiasc\u0103 \u0219i apoi s\u0103-\u0219i reasambleze o l\u0103untricitate complex\u0103, polifonic\u0103, cu reguli noi, p\u0103str\u00e2ndu-\u0219i \u0219i din vechea-i apeten\u021b\u0103 pentru confesivitate ritmic\u0103: \u201eam v\u0103zut jdejde mii de relu\u0103ri\/ antepresequel reboot postsequel cli\u0219eu\/ din filmul cu noi pr\u0103bu\u0219indu-se-n eu\/ \u0219i nu mai e nimeni nunu nu mai e nimeni\/ nu mai e nimeni \u00een mijlocul meu\u201d (triste\u021bea<\/em>).<\/p>\n\n\n\n

Lectur\u0103 sufocant\u0103 pentru cine \u00eencearc\u0103 s\u0103 asimileze dintr-o r\u0103suflare versurile volumului, Dezintegrare<\/em> este, f\u0103r\u0103 \u00eendoial\u0103, o carte eveniment, propuls\u00e2ndu-\u0219i autorul printre vocile de referin\u021b\u0103 ale genera\u021biei metamoderniste. Ipse dixit<\/em>: sus\u021bin acest demers.<\/p>\n\n\n\n

P.S. Cine are QR Reader s\u0103 nu care cumva s\u0103 sar\u0103 peste pagina 44!<\/p>\n","protected":false},"excerpt":{"rendered":"

Badass<\/i> sensibilos-spiritual, flamboaiant-impulsiv, nostalgic-futurist, mar\u0219\u00e2nd pe un imaginar mixt (c\u00e2nd scandinav, c\u00e2nd balcanic, c\u00e2nd oriental), instan\u021ba poetic\u0103 a acestor versuri caut\u0103 revizitarea geografiilor copil\u0103riei \u0219i adolescen\u021bei c\u00e2ndva interiorizate exacerbat, redeschiderea unor r\u0103ni demult fosilizate sub straturi traumatice mai recente (\u2026).<\/p>\n","protected":false},"author":14,"featured_media":3799,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[106,757,756,177,812,861],"coauthors":[],"class_list":["post-3798","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-cronica-literara","tag-dezintegrare","tag-florentin-popa","tag-mihok-tamas-2","tag-nr-10-2021","tag-omg-publishing"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Florentin-Popa-Dezintegrare-coperta.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3798"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3798\/revisions"}],"predecessor-version":[{"id":3860,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3798\/revisions\/3860"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/3799"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3798"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=3798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}