{"id":3738,"date":"2022-02-03T17:48:18","date_gmt":"2022-02-03T14:48:18","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=3738"},"modified":"2022-02-03T17:48:24","modified_gmt":"2022-02-03T14:48:24","slug":"un-poet-feminin-diana-alias-dumitru-anastasescu-diana","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=3738","title":{"rendered":"Un poet feminin
(Diana \u2013 alias Dumitru Anastasescu-Diana)<\/small>"},"content":{"rendered":"\n

M\u0103 deruteaz\u0103 pu\u021bin faptul c\u0103 \u201eeul liric\u201d \u2013 dac\u0103 pot beneficia \u0219i eu de aceast\u0103 idio\u021benie conceptual\u0103 at\u00eet de folosit\u0103 \u2013 \u00een care se proiecteaz\u0103 e consecvent masculin \u0219i chiar \u0219i anumite situa\u021bii idilice s\u00eent procesate din perspectiv\u0103 masculin\u0103. Fac \u00eens\u0103 mai mult credit spiritului poeziei dec\u00eet acestor (\u00een\u0219el\u0103toare?) indicii, iar acest spirit e eminamente feminin \u2013 \u0219i \u00eenc\u0103 la modul s\u0103m\u0103n\u0103torist. S\u0103m\u0103n\u0103torismul Dianei nu-i de mirare dac\u0103 lu\u0103m \u00een seam\u0103 c\u0103 poemele din primul s\u0103u volum \u2013 T\u0103cerea gr\u0103itoare<\/em>[1]<\/a> \u2013 au fost scrise pe c\u00eend s\u0103m\u0103n\u0103torismul era \u00eenc\u0103 de actualitate, chiar dac\u0103 nu \u00een floare. Conform cutumei feminine a s\u0103m\u0103n\u0103torismului, \u0219i Diana \u201ec\u00eent\u0103\u201d ca s\u0103 nu pl\u00eeng\u0103, poezia fiind \u2013 neap\u0103rat! \u2013 \u00eenzestrare fatal\u0103, c\u0103ci \u0219i Diana e stigmatizat\u0103 de destin \u2013 singurul leac la o suferin\u021b\u0103 \u0219i ea fatal\u0103: \u201eDe c\u00eent \u0219i eu \u2013 mi-e dat de soart\u0103 \u2013\/ Nu c\u00eent de fel ca s\u0103-mi atrag\/ A lumii laud\u0103 de\u0219art\u0103.\/\/ Ci c\u00eent ca s\u0103-mi alung durerea,\/ S\u0103-mi par\u0103 traiul drag;\/ C\u0103ci doar \u00een c\u00eent e m\u00eeng\u00eeierea\u201d (Prolog<\/em>). Misiunea c\u00eent\u0103rii e, a\u0219adar, \u00eenalt\u0103 \u0219i se trage direct din virtu\u021bile vindec\u0103toare \u0219i alin\u0103toare romantice. Ca la toate s\u0103m\u0103n\u0103toristele, \u0219i la Diana durerea vine din erori de \u00een\u021belegere \u0219i comunicare erotic\u0103, din inaptitudinea de a descifra mesajele de drag \u2013 ce-i drept, la ea non-verbale. Doar c\u0103, \u00een cazul ei, vina poate fi \u00eemp\u0103r\u021bit\u0103, deoarece Diana comunic\u0103 strict prin t\u0103cere; cu siguran\u021b\u0103 t\u0103cerea are cel mai polifonic discurs, dar tocmai din aceast\u0103 pricin\u0103 e greu de deslu\u0219it \u0219i u\u0219or de tradus gre\u0219it. Ceea ce se \u00eent\u00eempl\u0103 numaidec\u00eet \u0219i-n cazul Dianei: \u201eTu \u00eenc\u0103 nu m-ai \u00een\u021beles;\/ Vrei vorbe sun\u0103toare;\/ nu \u0219tii, c\u0103-n lume, singur\u0103\/ T\u0103cerea-i gr\u0103itoare\u201d etc. (C\u00eentec<\/em>). Desigur c\u0103 sentimentul ar vrea s\u0103 prind\u0103 glas (dragostea e gure\u0219\u0103, ne-a spus-o chiar Barthes), dar legea t\u0103cerii e at\u00eet de imperativ\u0103 \u00eenc\u00eet Diana se zbate dramatic \u00eentre m\u0103rturisire \u0219i t\u0103inuire: \u201eS\u0103-\u021bi spun iubirea-mi, n-o pot face;\/ S-o-ngrop \u00een mine, mi-este greu;\/ \u0218i-a\u0219a \u00eentruna nu am pace,\/ Ne\u0219tiind ce anume drum s\u0103 ieu\u201d (C\u00eentec<\/em>). P\u00een\u0103 la urm\u0103 ia, fire\u0219te, drumul m\u0103rturisirii prin poezii. Nici nu era \u00eencotro, mai ales c\u0103 desp\u0103r\u021birea \u00eente\u021be\u0219te sentimentul: \u201eCu c\u00eet… cu c\u00eet e corpu-mi de tine mai departe,\/ Cu-at\u00eeta doru-i mai puternic!\u201d (C\u00eentec <\/em>\u2013 s\u00eent o gr\u0103mad\u0103 de c\u00eentece; <\/em>\u0219i la Diana sentimentele se muzicalizeaz\u0103 spontan \u0219i devin roman\u021be). Ecua\u021bia aceasta a incomunic\u0103rii duce, desigur, la o dram\u0103-n lege: \u201eNu \u0219tiu: eu n-am f\u0103cut bine\/ Cu t\u0103cerea mea,\/ Ori… ori tu cu nep\u0103sarea-\u021bi\/ Rece ca de nea;\/ \u00cens\u0103 \u0219tiu c\u0103, \u00eenainte\/ De a \u00eenflori,\/ Ne-a secat pe veci zadarnic\/ Floarea inimii\u201d (C\u00eentec<\/em>). Ca la toate poetele cu \u201efloarea inimii\u201d secat\u0103, \u0219i la Diana via\u021ba devine calvar \u0219i poeta invoc\u0103 moartea izb\u0103vitoare (pe c\u00eet posibil, una mai narcotic\u0103, simpl\u0103 alunecare din somn \u00een moarte): \u201eVine pl\u00eensul, de-mi \u00eeneac\u0103\/ Inima, ce-amarnic geme.\/ Noapte, vino mai cur\u00eend,\/ Vars\u0103 pacea ta cereasc\u0103;\/ \u0218i-adormindu-mi inima-n dulci iluzii,\/ F\u0103 s\u0103 nu se mai trezeasc\u0103\u201d (Nop\u021bii<\/em>). Din p\u0103cate, nici moartea nu vine c\u00eend e nevoie de ea, a\u0219a c\u0103 Diana adun\u0103 numai \u0219i numai zile de pl\u00eens: \u201eIdol, tu… tu nu \u0219tii dorul\/ Zi \u0219i noapte ce m\u0103 pa\u0219te;\/ Las\u0103-m\u0103 s\u0103 pl\u00eeng, \u00een lume\/ Lacrima doar m\u0103 cunoa\u0219te!\u201d (C\u00eentec<\/em>). Dar nu orice pl\u00eens, ci unul de-a dreptul fluvial: \u201es\u0103-mi curg\u0103 lacrimile-r\u00eeu pe fa\u021b\u0103;\/ C\u0103ci, la ce s\u0103-mi \u0219ti\u021bi voi g\u00eendul \u0219i suspinul \u0219i-al meu dor?!\u201d (O, l\u0103sa\u021bi-m\u0103…<\/em>). E blestem greu iubirea, dar e \u0219i singurul garant al fericirii, a\u0219a cum au prosl\u0103vit-o romanticii \u2013 ca pe oximoronul cel mai favorizat (formula eminescian\u0103 a iubirii-suferin\u021b\u0103 e valabil\u0103 la toate s\u0103m\u0103n\u0103toristele): \u201eIubire,-a inimii harpie,\/ Tu, cu capriciile tale,\/ \u00cemi sgudui din ad\u00eenc fiin\u021ba\/ \u0218i m\u0103 tope\u0219ti \u00een dor \u0219i jale.\/\/ \u0218i totu\u0219i, doar \u00een ochiu-\u021bi mare\/ St\u0103 cea mai plin\u0103 fericire!\u201d etc. (C\u00eentec<\/em>). Greu cu ea, dar \u0219i mai greu f\u0103r\u0103 ea.<\/p>\n\n\n\n

Liric, e un trans-sexual reu\u0219it.<\/p><\/blockquote>\n\n\n\n

Conform tipicului, din calea unei asemenea n\u0103p\u0103stuiri nu e dec\u00eet o sc\u0103pare: \u00eentoarcerea \u00een copil\u0103rie (alte suferitoare se mai retrag \u0219i-n rug\u0103ciuni, dar Diana, nu). Acolo se \u00eentoarce recurent \u0219i Diana, cu preferin\u021b\u0103 pentru poalele Peristerei (cum fac \u0219i al\u021bi macedoneni, Ion Cutova \u0219i Dem. Gh. Nolla, bun\u0103oar\u0103): \u201eM\u0103 cheam\u0103 Peristera cu z\u0103rile-i albastre,\/ M\u0103 cheam\u0103 Peristera cu v\u00eerfu-i maiestos,\/ S\u0103-ngrop durerea-n r\u00eeul din poalele-i m\u0103iastre,\/ S\u0103-ngrop durerea-n r\u00eeul, ce curge spumegos.\/\/ Acolo-i fericirea\u201d etc. (M\u0103 cheam\u0103 Peristera<\/em>). Fericirea, \u0219i la Diana, e doar \u00eenapoi; ea n-are dec\u00eet un singur timp \u2013 trecutul.<\/p>\n\n\n\n

Peste c\u00ee\u021biva ani, \u00een 1931, Diana mai scoate o T\u0103cere gr\u0103itoare.<\/em>[2]<\/a> Nu e, de fapt, chiar o nou\u0103 edi\u021bie, c\u0103ci din prima t\u0103cere <\/em>s\u00eent preluate aici \u2013 \u0219i prelucrate \u2013 doar c\u00eeteva poeme, amestecate cu piese noi. Prolog\u00ad<\/em>-ul primei t\u0103ceri<\/em> prime\u0219te acum o justificare de art\u0103: \u201eC\u0103ci de spui o vrere,\/ O-mp\u0103rt\u0103\u0219e\u0219ti pocit\u0103;\/ C\u0103ci vraja-i moare-n ghiara\/ Cuv\u00eentului, strivit\u0103\u201d (C\u00eentec<\/em>). Asta era, a\u0219adar, cauza t\u0103cerii: expresia perverte\u0219te, arta tr\u0103deaz\u0103 sim\u021birea, m\u0103rturisirea deformeaz\u0103. Drept consecin\u021b\u0103, Diana mai \u0219terge din lacrimi \u0219i face poemele mai scurte (nu c-ar fi fost lungi…) \u0219i mai sobre. Nu mai pl\u00eenge chiar at\u00eet de eruptiv. A t\u0103iat versurile de suferin\u021b\u0103 \u0219i a l\u0103sat doar cadrul sentimental sau descriptiv (peisajele de anotimp erau, desigur, inevitabile; tot inevitabil\u0103 era \u0219i turnura lor alegoric\u0103), strecur\u00eend \u00eentre cele dou\u0103 secven\u021be \u201erevizuite \u0219i ad\u0103ugite\u201d o fiol\u0103 de catrene. Catrene\u00ad<\/em>-le ad\u0103ugate fac profesie de gra\u021biozitate pur\u0103: \u201eA\u0219a cum se \u00eenal\u021b\u0103-n vale\/ Cire\u0219u,-n hain\u0103 argintie,\/ Se-aseam\u0103n\u0103 cu o mireas\u0103,\/ Ce-a\u0219teapt\u0103 mirele s\u0103-i vie\u201d (Cire\u0219ul<\/em>). Prelucr\u0103rile din sectorul Secunda <\/em>s\u00eent mai degrab\u0103 o evaziune \u00een peisagistic\u0103, dar nu f\u0103r\u0103 consecin\u021be asupra st\u0103rii sentimentale. Uneori, consecin\u021be de-a dreptul radicale: \u201eIubita mea,\/ Nu \u00eenceta\/ Cu s\u0103rut\u0103rile-nfocate\u201d etc. (C\u00eentec<\/em>). Fie Diana ce-o fi, poet\/poet\u0103, poezia e mandolinist\u0103. Scrie \u2013 a\u0219 zice \u2013 mult mai bine pe arm\u00e2ne\u0219te: \u201eNeaua cade p\u0103liuri-p\u0103liuri\/ Pi tu mun\u021b\u0103 \u0219’pi tu v\u0103liuri\/ \u0218’ca n\u00e2 doag\u0103 anvilea\u0219te\/ Hoara-ntreag\u0103 ci alghea\u0219te\u201d etc. (La fitaliu<\/em>). Sun\u0103 destul de exotic \u0219i mai incitant dec\u00eet scrisele pe rom\u00e2ne\u0219te.<\/p>\n\n\n\n

P.S. Bine\u00een\u021beles c\u0103 spiritul poeziei a jucat la cacealma. Diana e, de fapt, Dumitru (Dimitrie) Anastasescu-Diana, n\u0103scut \u00een 1895 la Ohrida. Am preferat, totu\u0219i, s\u0103-l tratez ca poet\u0103. Liric, e un trans-sexual reu\u0219it.<\/p>\n\n\n\n

\n\n\n\n

[1] Diana, T\u0103cerea gr\u0103itoare. Poezii 1913-1919, <\/em>Tipografiile Rom\u00e2ne Unite, Bucure\u0219ti, 1925. Mul\u021bumiri Bibliotecii Centrale Universitare Cluj pentru ajutorul bibliografic.<\/p>\n\n\n\n

[2] F\u0103r\u0103 date de identificare (nici an, nici loc, nici editur\u0103). Pe pagina final\u0103 a volumului La mulzeare<\/em>, editat probabil \u2013 av\u00eend \u00een vedere identitatea copertei, h\u00eertiei, designului \u2013 tot \u00een 1931, e anun\u021bat\u0103 apari\u021bia vol. T\u0103cerea gr\u0103itoare, poezii<\/em>, \u00een 1931. E anun\u021bat \u0219i un nou volum \u2013 Sideful negru, poezii <\/em>\u2013 de care nu \u0219tiu s\u0103 fi ap\u0103rut.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nu-s deloc sigur c\u0103 sexul Dianei \u2013 o machedoan\u0103 \u2013 chiar corespunde numelui (la urma urmelor, \u0219i Nu\u0219i pare un prenume feminin, dar c\u00eend colo Nu\u0219i Tulliu e un macedonean, nu o macedoneanc\u0103), dar scrisul e indubitabil feminin.<\/p>\n","protected":false},"author":7,"featured_media":3739,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[52,548],"tags":[82,812,549],"coauthors":[],"class_list":["post-3738","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rubrici","category-s-p-m-d-r","tag-al-cistelecan","tag-nr-10-2021","tag-s-p-m-d-r"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Diana-el-ea.001.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3738"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3738\/revisions"}],"predecessor-version":[{"id":3741,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3738\/revisions\/3741"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/3739"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3738"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=3738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}