{"id":3721,"date":"2022-02-03T17:11:24","date_gmt":"2022-02-03T14:11:24","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=3721"},"modified":"2022-02-03T17:11:29","modified_gmt":"2022-02-03T14:11:29","slug":"erotism-vintage","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=3721","title":{"rendered":"Erotism vintage"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Delta-lui-Venus-665x1024.jpg\" alt=\"\" class=\"wp-image-3722\" width=\"600\" height=\"923\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Delta-lui-Venus-665x1024.jpg 665w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Delta-lui-Venus-195x300.jpg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Delta-lui-Venus-768x1182.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Delta-lui-Venus-480x739.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Delta-lui-Venus.jpg 800w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Ana\u00efs Nin, <em>Delta lui Venus,<\/em> traducere de Alina Purcaru, Editura Humanitas Fiction, 2021<\/figcaption><\/figure><\/div>\n\n\n\n<p>\u201eEram convins\u0103 c\u0103 b\u0103tr\u00eenul habar nu avea de beatitudinea, extazul \u0219i reverbera\u021biile ame\u021bitoare ale actului sexual. Mesajul lui era \u00abtaie poezia\u00bb. Sexul clinic, golit de toat\u0103 c\u0103ldura dragostei \u2013 orchestrarea tuturor sim\u021burilor, pip\u0103it, auz, v\u0103z, gust; tot acompaniamentul euforic, muzic\u0103 de fundal, st\u0103ri, atmosfer\u0103, varia\u021biuni \u2013, \u00eel for\u021ba s\u0103 recurg\u0103 la afrodiziace literare\u201d, m\u0103rturisea Ana\u00efs Nin (1903-1977) \u00eenaintea public\u0103rii (postume) a acestui volum de povestiri erotice scrise la cerere \u0219i pl\u0103tite cu un dolar pagina de un b\u0103tr\u00een colec\u021bionar anonim la \u00eenceputul anilor `40, pe c\u00eend ea tr\u0103ia la Paris \u00eentr-un cerc de scriitori printre care se num\u0103ra \u0219i Henry Miller.<\/p>\n\n\n\n<p>Opera \u00eentins\u0103 (numai jurnalele se \u00eentind pe lungimea a 16 volume) \u0219i totu\u0219i variat\u0103 \u00een genuri a lui Ana\u00efs Nin, pe numele ei real de cubanez\u0103 n\u0103scut\u0103 \u00een Fran\u021ba Angela Ana\u00efs Juana Antolina Rosa Edelmira Nin y Culmell, era bine cunoscut\u0103 c\u00eend ap\u0103reau aceste povestiri scrise pentru uzul personal al unui singur cititor, iar scriitoarea, a c\u0103rei biografie includea, dincolo de numeroase aventuri, un incest cu tat\u0103l ei pe c\u00eend avea 30 de ani \u0219i aproape dou\u0103 decenii de bigamie, era recunoscut\u0103 drept o pionier\u0103 a literaturii erotice feminine. Contextul mercantil \u0219i faptul c\u0103 nu se luase \u00een serios scriind aceste povestiri (nici n-ar fi putut din cauza cerin\u021belor destinatarului) au f\u0103cut ca scriitoarea s\u0103 ia \u00een considerare publicarea lor abia spre sf\u00eer\u0219itul vie\u021bii, c\u00eend profilul ei literar era deja conturat. (\u00cen 2016 a ap\u0103rut un al treilea volum de povestiri erotice inedite, scrise \u00een aceea\u0219i perioad\u0103 parizian\u0103.)<\/p>\n\n\n\n<p>Povestirile au, \u00eentr-adev\u0103r, o anume calitate poetic\u0103, prin limbaj \u0219i atmosfer\u0103, ce nu pare s\u0103 fi fost pe gustul unicului destinatar din epoc\u0103, dar care acum constituie un element de rezisten\u021b\u0103. Altfel, caracterul schematic al personajelor \u0219i lipsa psihologiei (\u00een ciuda unor sugestii psihanalitice, la un moment dat apare \u0219i un psihanalist), ambele placate pe dimensiunea mereu generoas\u0103 a organului \u0219i pe omniprezen\u021ba orgasmului (posedarea este \u00eenso\u021bit\u0103 invariabil de \u201eextaz\u201d \u0219i \u201efrenezie\u201d), ar apropia aceste povestiri de pornografie dac\u0103 limbajul ar fi fost ceva mai explicit (\u201esex\u201d, \u201epenis\u201d, \u201evagin\u201d, \u201evulv\u0103\u201d, \u201eclitoris\u201d, \u201esperm\u0103\u201d, \u201es\u00eeni\u201d, \u201erect\u201d \u0219i \u201efese\u201d reprezint\u0103 tot arsenalul lexical) \u0219i dac\u0103 scriitoarea nu ar fi folosit din plin, uneori cu rezultate admirabile, eufemismul. Sigur, citite azi, aproape un secol mai t\u00eerziu, povestirile au un aer vintage, \u0219i prin \u201eloca\u021biile\u201d pariziene de epoc\u0103 (\u00een special bordeluri, internate, saloane \u0219i ateliere de pictori), \u0219i prin imaginarul corporal (la un moment dat cineva \u00ee\u0219i \u00eempline\u0219te fantezia de a rade p\u0103rul pubian al partenerei), \u0219i prin limbajul devenit \u00eentre timp vetust \u0219i cli\u0219eic (c\u00eend nu e \u201esex\u201d, e \u201elance\u201d sau \u201ebaston\u201d, \u201efloare\u201d sau \u201escoic\u0103\u201d, erec\u021bia e \u201edureroas\u0103\u201d, pasiunea &#8211; \u201edezl\u0103n\u021buit\u0103\u201d, pl\u0103cerea \u2013 \u201eviolent\u0103\u201d).<\/p>\n\n\n\n<p>Cele cincisprezece povestiri, dintre care una are dimensiune de nuvel\u0103, poart\u0103, \u00een general, numele personajelor, chit c\u0103 foarte pu\u021bine dintre ele se mai disting la finalul lecturii, cu excep\u021bia celor exotice. Acesta fiind, poate, elementul cel mai actual al povestirilor: acupl\u0103rile interetnice, f\u0103r\u0103 re\u021bineri \u0219i prejudec\u0103\u021bi, doar excita\u021bie \u0219i curiozitate pure, dintre femei albe pariziene \u0219i sud-americani, arabi sau b\u0103rba\u021bi negri africani. \u00cen rest, pentru c\u0103 e greu de vorbit de intrig\u0103, s\u00eent numai situa\u021bii care converg \u0219i predispun la o suit\u0103 nesf\u00eer\u0219it\u0103 de acupl\u0103ri, uneori cu perversiuni, Ana\u00efs Nin are meritul de a fi explorat timid, dar cam toat\u0103 paleta heterosexualit\u0103\u021bii. Exist\u0103 o scen\u0103 de lesbianism cu strap-on, apare un personaj hermafrodit \u0219i un viol ritualic \u00eentre b\u0103ie\u021bii unui internat iezuit, \u00een rest \u00eent\u00eelnim de toate din sfera hetero: de la feti\u0219ism (mult) \u0219i sex cu femei de cauciuc la voyeurism \u0219i exhibi\u021bionism (la fel de mult), de la threesome la orgie, de la intoxic\u0103ri cu opiu, cocain\u0103 \u0219i practici BDSM (biciuit) la viol, mutilare genital\u0103, necrofilie \u0219i (aproape) zoofilie \u2013 \u00een scene care, dincolo de violen\u021ba inerent\u0103, con\u021bin \u0219i o anume delicate\u021be.<\/p>\n\n\n\n<p>\u201eAm scris aceste povestiri erotice pentru amuzamentul unui client care voia \u00abs\u0103 las la o parte poezia\u00bb. Mi se p\u0103rea c\u0103 stilul meu fusese influen\u021bat de lectura textelor scrise de b\u0103rba\u021bi. Din acest motiv, mult\u0103 vreme am sim\u021bit c\u0103 mi-am compromis sinele feminin. Am l\u0103sat povestirile deoparte. Cu toate astea, recitindu-le dup\u0103 mul\u021bi ani, \u00eemi dau seama c\u0103 vocea mea nu a fost total suprimat\u0103. \u00cen multe pasaje am folosit intuitiv limbajul unei femei, abord\u00eend experien\u021ba sexual\u0103 dintr-o perspectiv\u0103 feminin\u0103. P\u00een\u0103 la urm\u0103 m-am hot\u0103r\u00eet s\u0103-mi public povestirile erotice, pentru c\u0103 \u00een ele se v\u0103d primele eforturi ale unei femei de a p\u0103trunde \u00eentr-o lume care fusese teritoriul b\u0103rba\u021bilor\u201d, scria Ana\u00efs Nin cu patru luni \u00eenainte de a muri.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Povestirile au, \u00eentr-adev\u0103r, o anume calitate poetic\u0103, prin limbaj \u0219i atmosfer\u0103, ce nu pare s\u0103 fi fost pe gustul unicului destinatar din epoc\u0103, dar care acum constituie un element de rezisten\u021b\u0103.<\/p>\n","protected":false},"author":9,"featured_media":3722,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[59,52],"tags":[833,834,88,835,87,812],"coauthors":[],"class_list":["post-3721","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-flashbook","category-rubrici","tag-anais-nin","tag-delta-lui-venus","tag-flashbook","tag-humanitas-fiction","tag-marius-chivu","tag-nr-10-2021"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2022\/02\/Delta-lui-Venus.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3721"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3721\/revisions"}],"predecessor-version":[{"id":3723,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3721\/revisions\/3723"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/3722"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3721"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=3721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}