{"id":3586,"date":"2021-12-07T17:08:12","date_gmt":"2021-12-07T14:08:12","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=3586"},"modified":"2021-12-07T17:08:16","modified_gmt":"2021-12-07T14:08:16","slug":"cel-mai-antipatic-personaj","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=3586","title":{"rendered":"Cel mai antipatic personaj!"},"content":{"rendered":"\n

Problema e foarte complicat\u0103 \u0219i solicit\u0103 nenum\u0103rate au contraire<\/em>-uri. Tocmai fiindc\u0103 nu e simpl\u0103 deloc, Paticologia <\/em>literaturiiprecizeaz\u0103 foarte limpede pentru orice \u0219tiutor de carte sau autor, c\u0103, de departe cel mai empatic (\u00een sensul de comunicator!) personaj literar, de-a lungul timpului, este scriitorul. Care nu \u021bine nici de sym-<\/em>, nici de \u2013 \u00eemi pare r\u0103u de sugestia \u00eentreb\u0103rii \u2013 anti-<\/em>. Ci doar de em-<\/em>. Sigur c\u0103 el e singurul vinovat de biruin\u021ba ori e\u0219ecul personajelor pe care le-a creat. Fiindc\u0103 am\u00e2ndou\u0103, \u0219i izb\u00e2nda lor, \u0219i dezastrul au la baz\u0103, de fapt, arm\u0103turi de emo\u021bie. Or, o nara\u021biune \u00eenseamn\u0103, \u00eenainte de toate, m\u0103car un fior, un tremur, un frison, \u00eentr-o propor\u021bie mult mai mare dec\u00e2t intelect. Dar, ca s\u0103 faci s\u0103 se nasc\u0103 aceste palpituri, trebuie mai \u00eent\u00e2i s\u0103 le tr\u0103ie\u0219ti tu, ca scriitor. Tu trebuie s\u0103 resim\u021bi aproape fizic tr\u0103irile personajelor tale. Ale tuturor acestora, fie ele eroi sau tic\u0103lo\u0219i. A\u0219a c\u0103 scriitoreala, doamnelor \u0219i domnilor, nu este o meserie pentru spirite s\u0103n\u0103toase. Ci una schizofreniform\u0103<\/em> (din gr. schizein<\/em> = a despica, a scinda, phren<\/em> = minte, suflet). Un scriitor trebuie s\u0103 fie schizoid, s\u0103 aib\u0103 \u201emanifest\u0103ri\u201d aproximative, care s\u0103-l aduc\u0103 p\u00e2n\u0103 aproape de grani\u021ba cu forma clinic\u0103 a dedubl\u0103rii, adic\u0103 tulburarea disociativ\u0103 de identitate. Dincolo de aceasta normalul nu mai r\u0103m\u00e2ne dec\u00e2t o amintire. Sau, a\u0219a cum frumos \u00ee\u0219i definea Fran\u00e7oise Sagan singur\u0103 propria soart\u0103, \u201escriitorul e un biet animal \u00eenchis \u00eentr-o cu\u0219c\u0103, cu el \u00eensu\u0219i<\/em>\u201d!<\/p>\n\n\n\n

A\u0219adar, ca s\u0103 \u00eencheiem flamboaiant sec\u021biunea teoretic\u0103 a r\u0103spunsului nostru, ne sprijinim, patriotic \u0219i first of all<\/em>, pe Eug\u00e8ne Ionesco: \u201eUn \u00e9crivain n`est jamais en vacances. Pour un \u00e9crivain, la vie consiste soit \u00e0 \u00e9crire, soit \u00e0 penser \u00e0 \u00e9crire.<\/em>\u201d \u00cen fond, dac\u0103 Shakespeare ar fi fost preocupat doar de loisir<\/em> \u0219i nu s-ar fi transfigurat con\u0219tiincios \u0219i cu seriozitate \u0219i-n Othello, \u0219i-n Regele Lear, \u0219i-n Hamlet, \u0219i-n Richard al III-lea, ba chiar \u0219i-n Ofelia, s\u0103r\u0103cu\u021ba, ast\u0103zi nu i-am fi putut citi piesele de teatru… pardon! tr\u0103i. \u0218i, somme toute<\/em>, parc\u0103 pentru a turna gaz pe foc, Umberto Eco chiar vorbea \u00eentr-un interviu de obscuritatea creat\u0103 de dichotomia scriitor \/ personaj: \u201eLe vrai myst\u00e8re, c’est pourquoi on pleure sur la mort d’Anna Karenine alors qu’on sait que c’est un roman<\/em>\u201d…<\/p>\n\n\n\n

Voi continua cu c\u00e2teva exemple de personaje-scriitori, care mie \u00eemi par empatici, ba chiar sym-<\/em>patici, nicidecum anti-<\/em>patici, din simplul motiv c\u0103, a\u0219a cum spunea o Doamn\u0103 de fier<\/em> a literaturii britanice, \u201esingura via\u021b\u0103 cu adev\u0103rat pasionant\u0103 e via\u021ba imaginar\u0103<\/em>\u201d!<\/p>\n\n\n\n

  1. O \u00eent\u00e2lnire a lui don Julio Cort\u00e1zar cu ni\u0219te studen\u021bi caraibieni. \u0218i cum scrie\u021bi?<\/em>, l-a \u00eentrebat unul dintre ei. Uite, cum! Pun de cu sear\u0103 o coal\u0103 alb\u0103 \u00een ma\u0219ina de scris \u0219i o las acolo peste noapte. Diminea\u021ba o g\u0103sesc, de cele mai multe ori, la fel. Dar c\u00e2teodat\u0103…<\/em><\/li>
  2. Paradoxul lui Pascal: Dac\u0103 m\u0103 \u00eencred \u00een Dumnezeu \u015fi El exist\u0103, c\u00e2\u015ftig infinit. Dac\u0103 m\u0103 \u00eencred \u00een Dumnezeu \u015fi El nu exist\u0103, nu pierd nimic. Dac\u0103 nu am \u00eencredere \u00een Dumnezeu \u015fi El exist\u0103, pierd infinit. Dac\u0103 nu am \u00eencredere \u00een Dumnezeu \u015fi El nu exist\u0103, iar\u0103\u015fi nicio pierdere.<\/em><\/li>
  3. Paul G\u00e9raldy \u2013 citat din Toi et Moi<\/em><\/strong>: Il n’ y a pas de p\u00e9ch\u00e9, il n’ y a que des fautes de go\u00fbts.<\/em><\/li>
  4. Anonim: Aproapele t\u0103u e\u0219ti tu, pentru c\u0103 el este cel mai aproape de tine. <\/em>Iube\u0219te-\u021bi aproapele! devine astfel <\/em>Iube\u0219te-te pe tine \u00eensu\u021bi!… Parc\u0103 e lumina mai limpede.<\/em><\/li>
  5. Fraza cea mai lung\u0103 din \u201e\u00c0<\/em> la Recherche du Temps Perdu<\/em>\u201d num\u0103r\u0103 856 de cuvinte, apoi, con\u021bine cea mai celebr\u0103 propozi\u021bie din opt cuvinte (\u201eLogtemps, je me suis couch\u00e9 de bonne heure\u201d), cea mai scurt\u0103 din dou\u0103 cuvinte (\u201eIl regarda\u201d) \u0219i cea mai frumoas\u0103 din 12 cuvinte (\u201eOn n`aime que ce qu`on ne poss\u00e8de pas tout entier\u201d).<\/li>
  6. Albert Camus et ce qu\u2019il appelait la com\u00e9die de Paris<\/em>. Lorsqu\u2019on lui a demand\u00e9 pourquoi il n\u2019avait pas r\u00e9pondu \u00e0 l\u2019attaque vicieuse de Simone de Beauvoir contre lui, dans Les Mandarins<\/em>, Camus a donn\u00e9 une r\u00e9ponse que nous devrions tous garder \u00e0 l\u2019esprit lorsqu\u2019il s\u2019agit des requins et des serpents: \u00abParce que vous ne discutez pas des choses avec un \u00e9gout.<\/em>\u00bb (Pentru c\u0103 nu po\u021bi s\u0103 ai discu\u021bii cu o gur\u0103 de canal!)<\/li>
  7. VIA\u021aA: Primul R\u0103zboi Mondial. 1,4 milioane de mor\u021bi. Ultimul soldat mort: Pierre-Auguste Tr\u00e9buchon, ucis pe malurile Meusei, \u00een ziua de 11 noiembrie 1918, la ora 10.50, adic\u0103 exact cu zece minute \u00eenainte de a se \u201esuna\u201d \u00eencetarea focului, \u00een a 11-a or\u0103 a celei de-a 11-a zi a lunii a 11-a, din anul 1918.<\/li>
  8. NATURA: Forezia<\/strong> (din greaca phor\u0113sis<\/em> = a fi purtat, a fi transportat) este o ciud\u0103\u021benie din lumea animal\u0103, c\u00e2nd indivizii unei specii mai pu\u021bin mobili sunt transporta\u021bi pe distan\u021be mari de reprezentan\u021bii altor specii, f\u0103r\u0103 \u00eens\u0103 ca \u00eentre cele dou\u0103 organisme s\u0103 existe rela\u021bii de parazitism Acest \u201eobicei\u201d este adoptat de diverse animale care \u00ee\u0219i caut\u0103 noi surse de hran\u0103 sau de c\u0103tre parazi\u021bi, atunci c\u00e2nd \u00ee\u0219i caut\u0103 o nou\u0103 gazd\u0103. Numit \u0219i suckerfish<\/em> sau sharksucker<\/em>, cel mai celebru caz este al pe\u0219telui-ventuz\u0103 (Remora remora)<\/em>, care se fixeaz\u0103 pe rechin.<\/li>
  9. N-am amintit nimic despre adev\u0103r. Fiindc\u0103 e dificil de a spune adev\u0103rul, c\u0103ci nu exist\u0103 dec\u00e2t unul, dar el este viu \u0219i, de aceea, \u00ee\u0219i schimb\u0103 mereu \u00eenf\u0103\u021bi\u0219area<\/em>. (Franz Kafka).<\/li>
  10. Nu mai insist, fiindc\u0103 pot da impresia de agresiune, iar insisten\u021ba agresiv\u0103, \u00een literatur\u0103, poate fi numit\u0103 prostie militant\u0103<\/em>\u2026 Scuze !<\/li><\/ol>\n","protected":false},"excerpt":{"rendered":"

    Sigur c\u0103 el e singurul vinovat de biruin\u021ba ori e\u0219ecul personajelor pe care le-a creat.<\/p>\n","protected":false},"author":131,"featured_media":3585,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[349,784],"tags":[787,809,762,785],"coauthors":[],"class_list":["post-3586","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anchete","category-personajul-antipatic-din-literatura","tag-anchete","tag-florin-toma","tag-nr-9-2021","tag-personajul-antipatic-din-literatura"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Florin-Toma-1.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/131"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3586"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3586\/revisions"}],"predecessor-version":[{"id":3587,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3586\/revisions\/3587"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/3585"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3586"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=3586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}