{"id":3485,"date":"2021-12-07T13:29:52","date_gmt":"2021-12-07T10:29:52","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=3485"},"modified":"2021-12-07T13:30:00","modified_gmt":"2021-12-07T10:30:00","slug":"bestsellers-carturesti-august-2021","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=3485","title":{"rendered":"Bestsellers C\u0103rture\u0219ti \u2013 august 2021"},"content":{"rendered":"\n<ul class=\"has-cyan-bluish-gray-background-color has-background has-small-font-size wp-block-list\"><li><em>Cifrele din dreptul titlurilor, prezentate \u00eentre paranteze drepte, reprezint\u0103 locul ocupat \u00een topul lunii anterioare, respectiv num\u0103rul de luni \u00een top.<\/em><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Autori rom\u00e2ni<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Inocent\u0326ii.jpeg\" alt=\"\" class=\"wp-image-3406\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Inocent\u0326ii.jpeg 620w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Inocent\u0326ii-216x300.jpeg 216w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Inocent\u0326ii-480x668.jpeg 480w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Ioana P\u00e2rvulescu, <em>Inocen\u021bii<\/em><\/strong> (Humanitas) <strong>[1\/8]<\/strong><\/p>\n\n\n\n<p>Dou\u0103 viziuni asupra lumii: cea a unei feti\u021be care vede lucrurile \u00eentr-un fel extrem de personal \u015fi cea a femeii care descoper\u0103 secretele \u00eenecate \u00een trecut. Naivitatea comic\u0103 a primei voci \u00eenvinge melancolia celei de-a doua.<\/p>\n\n\n\n<p>2. <strong>Tatiana \u021a\u00eebuleac, <em>Vara \u00een care mama a avut ochii verzi<\/em><\/strong> (Cartier) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>\u201eTatiana \u021a\u00eebuleac a reu\u0219it un tur de for\u021b\u0103 cu acest prim roman al ei. \u00cenceputul, un overflow de imagini furioase \u0219i hipnotice, aduce bine cu <em>Portocala mecanic\u0103<\/em> de la un punct \u00eencolo, furia \u00eencepe s\u0103 se domoleasc\u0103, \u00eenlocuit\u0103 de o vis\u0103torie paranoid\u0103 coagulat\u0103 \u00een jurul figurii mamei, gener\u00e2nd la foc continuu fraze cu nimic mai prejos dec\u00e2t cele ale Aglajei Veteranyi; iar ultima treime a romanului, \u00een care o mam\u0103 bolnav\u0103 de cancer \u0219i un fiu a\u0219teapt\u0103 moartea \u00eempreun\u0103 \u2013 ei bine, pentru intensitatea ei at\u00e2t de particular\u0103 nu \u00eei pot g\u0103si Tatianei \u021a\u00eebuleac vreun corespondent. Scurt \u0219i intens, romanul ei splendid impune o prozatoare de la care am cele mai mari a\u0219tept\u0103ri.\u201d (Radu Vancu)<\/p>\n\n\n\n<p>3. <strong>Sofia N\u0103dejde, <em>Patimi<\/em><\/strong> (Publisol) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>Publicat \u00een 1903, textul Sofiei N\u0103dejde este considerat primul roman feminist din literatura rom\u00e2n\u0103. Romanul <em>Patimi<\/em> ne spune povestea trecerii \u2013 individuale, dar \u0219i colective \u2013 dintr-o lume \u00een alta, a tranzi\u021biei de la o epoc\u0103 dominat\u0103 de mica aristocra\u021bie rural\u0103 spre una a func\u021bion\u0103rimii burgheze \u0219i a capitalismului.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Elena Vl\u0103d\u0103reanu, <em>August<\/em> <\/strong>(Nemira)<strong> [2\/3]<\/strong><\/li><li>5. <strong>Raluca Feher, <em>Te iubesc, dar nu pe tine <\/em><\/strong>(Trei)<strong> [3\/4]<\/strong><\/li><li>6. <strong>Lavinia Brani\u0219te, <em>M\u0103 g\u0103se\u0219ti c\u00e2nd vrei<\/em><\/strong> (Polirom) <strong>[-\/1]<\/strong><\/li><li>7. <strong>Petronela Rotar, <em>Privind \u00een\u0103untru<\/em> <\/strong>(Herg Benet)<strong> [5\/3]<\/strong><\/li><li>8. <strong>Andrei Ruse, <em>Zaraza<\/em> <\/strong>(Hyperliteratura)<strong> [6\/3]<\/strong><\/li><li>9. <strong>Raluca Feher, <em>S\u0103 nu r\u00e2zi<\/em><\/strong> (Trei) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Ioana Nicolaie, <em>Pelinul negru<\/em><\/strong><em> <\/em>(Humanitas)<strong> [9\/3]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Fic\u021biune<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--653x1024.png\" alt=\"\" class=\"wp-image-2305\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--653x1024.png 653w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--191x300.png 191w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--768x1204.png 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--480x752.png 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii-.png 957w\" sizes=\"(max-width: 653px) 100vw, 653px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Delia Owens, <em>Acolo unde c\u00e2nt\u0103 racii<\/em><\/strong> (Trei) <strong>[2\/8]<\/strong><\/p>\n\n\n\n<p>Zvonurile despre Fata Mla\u0219tinii au circulat mul\u021bi ani \u00een Barkley Cove, un or\u0103\u0219el lini\u0219tit de pe coasta Carolinei de Nord. A\u0219a c\u0103, \u00een 1969, c\u00e2nd frumosul Chase Andrews este g\u0103sit mort, localnicii b\u0103nuiesc imediat c\u0103 a fost ucis de Kya Clark, adev\u0103ratul nume al Fetei Mla\u0219tinii. \u00cens\u0103 Kya nu este nici pe departe s\u0103lb\u0103ticiunea pe care \u0219i-o \u00eenchipuie lumea.<\/p>\n\n\n\n<p>2. <strong>Matt Haig<\/strong><strong>, <em>Biblioteca <\/em><\/strong><strong><em>de <\/em><\/strong><strong><em>la <\/em><\/strong><strong><em>miezul <\/em><\/strong><strong><em>nop<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Nemira) <strong>[1\/8]<\/strong><\/p>\n\n\n\n<p>O singur\u0103 bibliotec\u0103. O infinitate de vie\u021bi. Care e cea mai bun\u0103? Undeva, la marginea universului, exist\u0103 o bibliotec\u0103 infinit\u0103 de c\u0103r\u021bi, iar fiecare poveste din ele provine dintr-o alt\u0103 realitate. Una spune povestea vie\u021bii tale a\u0219a cum e, alta spune povestea vie\u021bii tale a\u0219a cum ar fi fost dac\u0103 ai fi luat alt\u0103 decizie \u00eentr-un anumit moment. To\u021bi ne \u00eentreb\u0103m mereu cum ar fi putut s\u0103 fie vie\u021bile noastre. Dar dac\u0103 am g\u0103si r\u0103spunsul \u00eentr-o bibliotec\u0103?<\/p>\n\n\n\n<p>3. <strong>Fredrik Backman, <em>Un b\u0103rbat pe nume Ove<\/em><\/strong> (Art) <strong>[4\/3]<\/strong><\/p>\n\n\n\n<p>Ove este cel mai moroc\u0103nos om pe care vi-l pute\u021bi imagina, un b\u0103tr\u00e2n mizantrop c\u0103ruia \u00eei plac regulile stricte, rutina, lucrurile utile \u00een via\u021b\u0103 \u0219i care n-are r\u0103bdare pentru amabilit\u0103\u021bi gratuite cu vecinii. \u00centr-o diminea\u021b\u0103 de noiembrie, \u00eens\u0103, tot universul \u0219i planurile sale \u00eei sunt date peste cap \u00een cel mai nea\u0219teptat mod cu putin\u021b\u0103, c\u00e2nd o iranianc\u0103 pe c\u00e2t de gravid\u0103, pe at\u00e2t de dezinvolt\u0103, \u0219i so\u021bul ei tolomac, \u00eempreun\u0103 cu cele dou\u0103 feti\u021be ale lor, se mut\u0103 l\u00e2ng\u0103 casa lui \u0219i-i turtesc cutia po\u0219tal\u0103 cu o remorc\u0103 (de\u0219i Ove postase foarte clar peste tot afi\u0219e cu \u201eInterzis accesul ma\u0219inilor \u00een zona reziden\u021bial\u0103\u201d).<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Irvin D. Yalom, <em>Pl\u00e2nsul lui Nietzsche<\/em><\/strong>(Humanitas) <strong>[-\/1]<\/strong><\/li><li>5. <strong>Karen M. McManus, <em>Unul dintre noi minte<\/em><\/strong> (Herg Benet) <strong>[-\/1]<\/strong><\/li><li>6. <strong>Christian Escrib\u00e0, S\u00edlvia Tarrag\u00f3, <em>Cofet\u0103ria cu miracole<\/em><\/strong> (Humanitas Fiction) <strong>[5\/5]<\/strong><\/li><li>7. <strong>Natasha Lester, <em>Secretele Parisului<\/em><\/strong> (Nemira) <strong>[-\/1]<\/strong><\/li><li>8. <strong>John Boyne, <em>B\u0103iatul cu pijamale \u00een dungi<\/em><\/strong> (RAO) <strong>[8\/3]<\/strong><\/li><li>9. <strong>Kazuo Ishiguro<em>, Klara \u0219i soarele<\/em><\/strong> (Polirom) <strong>[6\/3]<\/strong><\/li><li>10. <strong>Walter Trevis, <em>Gambitul Damei<\/em><\/strong> (Bookzone) <strong>[-\/5]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Poezie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Variat\u0326iuni-pe-o-tema\u0306-data\u0306.jpeg\" alt=\"\" class=\"wp-image-3408\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Variat\u0326iuni-pe-o-tema\u0306-data\u0306.jpeg 240w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Variat\u0326iuni-pe-o-tema\u0306-data\u0306-171x300.jpeg 171w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Ana Blandiana, <em>Varia\u021biuni pe o tem\u0103 dat\u0103<\/em><\/strong> (Humanitas) <strong>[1\/3]<\/strong><\/p>\n\n\n\n<p>\u201eUn poem de dragoste despre nedesp\u0103r\u021birea prin moarte. Cea mai metafizic\u0103 dintre c\u0103r\u021bile mele.\u201c \u2014 Ana Blandiana<\/p>\n\n\n\n<p>2. <strong>Svetlana C\u00e2rstean<\/strong><strong>, <em>S\u00eent <\/em><\/strong><strong><em>alta<\/em><\/strong> (Nemira) <strong>[3\/8]<\/strong><\/p>\n\n\n\n<p>\u201eArthur Rimbaud ar fi iubit arta cu care Svetlana C\u00e2rstean a actualizat&nbsp;<em>Je est un autre<\/em>. Svetlana este&nbsp;<em>une autre<\/em>&nbsp;\u00een sensul precis inten\u021bionat de Rimbaud \u2013 cu adaosul capacit\u0103\u021bii poeziei de a povesti direct \u0219i curajos o via\u021b\u0103 de azi. Un subtil sim\u021b al umorului, auzul perfect \u0219i privirea f\u0103r\u0103 ifose dau acestei c\u0103r\u021bi o caden\u021b\u0103 deosebit\u0103, care pune de acord istoria poetei cu via\u021ba ob\u0219teasc\u0103. Frumuse\u021bea lumii \u00een mi\u0219care, prezentul care se \u00eendep\u0103rteaz\u0103 \u0219i devine pove\u0219ti, plutesc prin t\u0103r\u00eemuri geografice \u0219i psihologice \u00een acest poem-fluviu.\u201c \u2013 Andrei Codrescu<\/p>\n\n\n\n<p>3. <strong>Nichita St\u0103nescu, <em>Cuvintelor, necuvintelor<\/em> <\/strong>(Cartier)<strong> [4\/5]<\/strong><\/p>\n\n\n\n<p>\u201eLimbajul poetic inventat de Nichita era \u00een acela\u0219i timp un nou continent, dar \u0219i un mijloc de naviga\u021bie. Mai mult dec\u00e2t oricare alt poet, de la Nichita am \u00eenv\u0103\u021bat c\u0103 poezia poate fi busol\u0103 \u0219i instrument de cunoa\u0219tere, ritual \u0219i mister, explorare a sinelui \u0219i bucurie de a tr\u0103i, form\u0103 de libertate \u0219i mijloc de eliberare, zbor planat peste toate celelalte discipline ale spiritului \u0219i expresie a tot ceea ce sim\u021burile \u0219i creierul pot produce mai frumos \u0219i mai subtil \u00eempreun\u0103.\u201d (Matei Vi\u0219niec)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Claudiu Komartin, <em>Autoportret \u00een flam\u0103 de sudur\u0103<\/em><\/strong> (Max Blecher) <strong>[5\/3]<\/strong><\/li><li>5. <strong>Louise Gl\u00fcck, <em>Noapte credincioas\u0103 \u0219i virtuoas\u0103<\/em><\/strong> (Pandora M) <strong>[2\/3]<\/strong><\/li><li>6. <strong>Emily Berry, <em>Nimic din ce face nu e vina ei<\/em><\/strong> (OMG) <strong>[-\/1]<\/strong><\/li><li>7. <strong>Deniz Otay, <em>Fotocrom paradis<\/em><\/strong> (OMG) <strong>[7\/3]<\/strong><\/li><li>8. <strong>Ruxandra Novac, <em>Alwarda<\/em><\/strong> (Trei) <strong>[-\/5]<\/strong><\/li><li>9. <strong>Nora Iuga, <em>Feti\u021ba cu o mie de riduri<\/em><\/strong> (CDPL) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Marius Chivu, <em>V\u00e2ntureasa de plastic<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Istorie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii-.jpg\" alt=\"\" class=\"wp-image-1767\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii-.jpg 685w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii--206x300.jpg 206w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii--480x701.jpg 480w\" sizes=\"(max-width: 685px) 100vw, 685px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1.<strong> Yuval Noah Harari, <em>Sapiens. Scurt\u0103 istorie a omenirii<\/em> <\/strong>(Polirom)<strong> [-\/5]<\/strong><\/p>\n\n\n\n<p>Acum 100.000 de ani, pe p\u0103m\u00eent existau cel pu\u021bin \u0219ase specii de oameni. Ast\u0103zi exist\u0103 una singur\u0103: noi, Homo sapiens. Ce s-a \u00eent\u00eemplat cu celelalte? \u0218i cum am ajuns s\u0103 fim st\u0103p\u00eenii planetei?<\/p>\n\n\n\n<p>2. <strong>Hannah Jewell, <em>100 de femei afurisite. O istorie<\/em><\/strong>(Nemira) <strong>[1\/5]<\/strong><\/p>\n\n\n\n<p>Femeile din istoria de fa\u021b\u0103 au fost considerate prea afurisite pentru vremea lor. Nu e de mirare c\u0103, atunci c\u00e2nd citim despre (pu\u021binele) femei din istorie, ele sunt \u00een general formale \u0219i con\u0219tiincioase. Adev\u0103rul este c\u0103 istoricii (majoritatea b\u0103rba\u021bi) \u00eendulcesc detaliile sau le exclud pe femeile care nu corespund imaginii lor idealizate.<\/p>\n\n\n\n<p>3. <strong>Neagu Djuvara, <em>O scurt\u0103 istorie ilustrat\u0103 a rom\u00e2nilor<\/em><\/strong> (Humanitas) <strong>[2\/3]<\/strong><\/p>\n\n\n\n<p>C\u00e2nd este \u00eenso\u0163it\u0103 de ilustra\u0163ii, o carte de istorie e mai bun\u0103, iar materia sa e \u015fi mai lesne de \u00een\u0163eles \u015fi de re\u0163inut. Imaginile spun ele \u00eensele o poveste sau o completeaz\u0103, iar impactul lor e mai puternic dec\u00e2t orice demonstra\u0163ie. Documentele iconografice din aceast\u0103 edi\u0163ie au fost selectate astfel \u00eenc\u00e2t cititorul, purtat de farmecul inconfundabil al lui Neagu Djuvara, s\u0103 \u015fi-i apropie, ca \u015fi cum ar privi \u00eentr-un album de familie alc\u0103tuit de mai multe genera\u0163ii, pe oamenii din trecut.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Ben Wilson,<em> Metropolis<\/em><\/strong> (Trei) <strong>[-\/1]<\/strong><\/li><li>5. <strong>Stephen Fry, <em>Troia<\/em><\/strong> (Trei) <strong>[3\/3]<\/strong><\/li><li>6. <strong>Philippe Delorme, <em>\u00cemp\u0103r\u0103tese, regine, prin\u021bese \u0219i pove\u0219tile lor scandaloase<\/em><\/strong> (Humanitas) <strong>[-\/2]<\/strong><\/li><li>7. <strong>Pamela S. Turner, <em>Samurai. R\u0103zboi \u0219i onoare \u00een Japonia medieval\u0103<\/em><\/strong> (Art) <strong>[4\/3]<\/strong><\/li><li>8. <strong>Patricia Posner, <em>Farmacistul de la Auschwitz<\/em><\/strong> (Rao) <strong>[-\/5]<\/strong><\/li><li>9. <strong>Christopher Hibbert, <em>Familia Borgia. Crime, nepotism, corup\u021bie<\/em><\/strong> (Corint) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Judith Herrin, <em>Ravenna, capitala imperiului<\/em><\/strong>(Baroque Books &amp; Arts) <strong>[6\/3]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Filosofie\/Psihologie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-665x1024.jpg\" alt=\"\" class=\"wp-image-1036\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-665x1024.jpg 665w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-195x300.jpg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-768x1183.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-480x739.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i.jpg 974w\" sizes=\"(max-width: 665px) 100vw, 665px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Marcus Aurelius, <em>G\u00e2nduri c\u0103tre sine \u00eensu\u0219i<\/em><\/strong> (Humanitas) <strong>[1\/8]<\/strong><\/p>\n\n\n\n<p>\u201eO carte de c\u0103p\u0103t\u00e2i a civiliza\u0163iei europene.\u201c \u2013 Andrei Ple\u0219u<\/p>\n\n\n\n<p>\u201eCu ani \u00een urm\u0103 am cump\u0103rat o edi\u0163ie veche din Marc Aureliu care purta urm\u0103toarea dedica\u0163ie: \u00abS\u0103-\u0163i fie prieten \u00een ceasurile grele \u015fi s\u0103 te sprijine cum m-a sprijinit pe mine.\u00bb Nu cred c\u0103 i se poate face unei c\u0103r\u0163i un elogiu mai frumos dec\u00e2t acest \u00abprieten \u00een ceasurile grele\u00bb.\u201c \u2014 Emil Cioran<\/p>\n\n\n\n<p>\u201eMarcus Aurelius a fost primul personaj care s-a aventurat sistematic pe teritoriul eului, care l-a vizitat \u015fi care a scris de fapt un tratat despre tehnici de ameliorare \u015fi de \u0163inere \u00een fr\u00e2u a eului propriu.\u201c \u2014 Gabriel Liiceanu<\/p>\n\n\n\n<p>2. <strong>Viktor E. Frankl<\/strong><strong>,<\/strong> <strong><em>Omul <\/em><\/strong><strong><em>\u00een <\/em><\/strong><strong><em>c\u0103utarea <\/em><\/strong><strong><em>sensului <\/em><\/strong><strong><em>vie<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Vellant) <strong>[2\/7]<\/strong><\/p>\n\n\n\n<p><em>Omul \u00een c\u0103utarea sensului vie\u021bii<\/em> este cronica experien\u021belor \u00eengrozitoare tr\u0103ite de psihiatrul Viktor Frankl \u00een timpul deten\u021biei sale la Auschwitz \u0219i \u00een alte lag\u0103re concentra\u021bioniste.<\/p>\n\n\n\n<p>3. <strong>Irvin D. Yalom \u0219i Marilyn Yalom, <em>O chestiune de via\u021b\u0103 \u0219i de moarte<\/em><\/strong> (Vellant) <strong>[3\/5]<\/strong><\/p>\n\n\n\n<p>,,Scriind aceast\u0103 carte, suntem la o v\u00e2rst\u0103 la care cei mai mul\u021bi dintre cei de-o seam\u0103 cu noi au murit. Tr\u0103im acum \u00een fiecare zi \u0219tiind c\u0103 timpul nostru \u00eempreun\u0103 este limitat \u0219i extrem de pre\u021bios. Scriem pentru a da un sens existen\u021bei noastre, chiar dac\u0103 ne azv\u00e2rle \u00een cele mai \u00eentunecate zone ale declinului fizic \u0219i-n bra\u021bele mor\u021bii. Aceast\u0103 carte este menit\u0103, \u00eenainte de orice, s\u0103 ne ajute s\u0103 navig\u0103m pe apele sf\u00e2r\u0219itului vie\u021bii.\u201d (Irvin D. Yalom \u0219i Marilyn Yalom)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Dr. Kevin Dutton \u0219i Andy McNab, <em>ABC-ul psihopatului de succes<\/em><\/strong>(Vidia) <strong>[-\/5]<\/strong><\/li><li>5. <strong>Dr. Clarissa Pinkola Estes, <em>Femei care alearg\u0103 cu lupii. Pove\u0219ti \u0219i mituri ale arhetipului femeii s\u0103lbatice<\/em> <\/strong>(Niculescu)<strong> [5\/6]<\/strong><\/li><li>6. <strong>Joe Dispenza, <em>Antreneaz\u0103-\u021bi creierul!<\/em><\/strong> (Curtea Veche) <strong>[8\/3]<\/strong><\/li><li>7. <strong>Marshall B. Rosenberg, <em>Comunicarea nonviolent\u0103<\/em><\/strong>(Ponte) <strong>[-\/1]<\/strong><\/li><li>8. <strong>Daniel Kahneman, Olivier Sibony \u0219i Cass. R. Sunstein, <em>Noise. Un defect al judec\u0103\u021bii umane<\/em><\/strong> (Vellant) <strong>[7\/3]<\/strong><\/li><li>9. <strong>Jeffrey E. Young, Janet S. Klosko, <em>Cum s\u0103-\u021bi reinventezi via\u021ba <\/em><\/strong>(Trei)<strong>[9\/3]<\/strong><\/li><li>10. <strong>Gabor Mate, <em>Min\u021bi \u00eempr\u0103\u0219tiate \u2013 originile \u0219i vindecarea tulbur\u0103rii de deficit de aten\u021bie \u2013 ADD \u2013 ADHD<\/em><\/strong> (Herald) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Critic\u0103 \u0219i istorie literar\u0103<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-656x1024.jpg\" alt=\"\" class=\"wp-image-2465\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-656x1024.jpg 656w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-192x300.jpg 192w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-768x1199.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-984x1536.jpg 984w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-480x749.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel.jpg 1271w\" sizes=\"(max-width: 656px) 100vw, 656px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1.<strong> Mihai Iov\u0103nel, <em>Istoria literaturii rom\u00e2ne contemporane 1990-2020<\/em> <\/strong>(Polirom)<strong> [-\/4]<\/strong><\/p>\n\n\n\n<p>\u201eCartea de fa\u021b\u0103 este prima istorie a literaturii rom\u00e2ne din postcomunism. Se nume\u0219te Istoria literaturii rom\u00e2ne contemporane ca omagiu adus lui E. Lovinescu, care a publicat dou\u0103 istorii exemplare cu acest titlu, dar \u0219i pentru a repara o ne\u00een\u021belegere cu privire la semnifica\u021bia de azi a sintagmei \u00abliteratur\u0103 contemporan\u0103\u00bb. Majoritatea istoriilor publicate \u00een ultimele decenii \u00een Rom\u00e2nia exclud \u2013 din lips\u0103 de interes sau de receptivitate \u2013 tocmai literatura recent\u0103, literatura care se scrie \u00een prezentul lor.\u201d (Mihai Iov\u0103nel)<\/p>\n\n\n\n<p>2. <strong>Cosmin Ciotlo\u0219, <em>Cenaclul de Luni<\/em><\/strong>(Pandora M) <strong>[2\/4]<\/strong><\/p>\n\n\n\n<p>\u201eVolumul acesta este unul pasionant, unul care se cite\u0219te adeseori ca un roman ideatic \u0219i evenimen\u021bial al preistoriei \u0219i al istoriei genera\u021biei optzeciste, cu toate tribula\u021biile pe care le-a avut aceasta pe parcursul ei accidentat, cu momente \u00een care s-a impus sau cu momente dramatice, ce au dus la interzicerea Cenaclului de Luni.\u201d \u2013 Ion Vartic<\/p>\n\n\n\n<p>3. <strong>John Freeman, <em>Dic\u021bionarul refacerii<\/em><\/strong>(Black Button Books) <strong>[10\/3]<\/strong><\/p>\n\n\n\n<p>De la A la Z, John Freeman a str\u00e2ns cuvintele care p\u0103reau esen\u021biale \u0219i puternice \u0219i a construit un caz pentru reconsolidarea puterii \u0219i legitimit\u0103\u021bii lor, fiecare dintre ele baz\u00e2ndu-se pe precedentul. Ne \u00eendeamn\u0103 s\u0103 nu ne retragem \u00een spatele c\u0103r\u021bilor, ci s\u0103 activ\u0103m cu empatie \u00een sfera public\u0103 pentru a redefini no\u021biunea de cet\u0103\u021bean literar. Cu o postfa\u021b\u0103 de Valeria Luiselli, <em>Dic\u021bionarul refacerii<\/em> este un <em>cri de coeur<\/em> necesar \u0219i r\u0103sun\u0103tor \u00een slujba limbajului, a sensului \u0219i a capacit\u0103\u021bii noastre de a ne imagina, descrie \u0219i construi o lume mai bun\u0103.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Corina Cioc\u00e2rlie, Andreea R\u0103suceanu, <em>Dic\u021bionar de locuri literare bucure\u0219tene<\/em><\/strong><em> <\/em>(Humanitas) <strong>[4\/5]<\/strong><\/li><li>5. <strong>Laszlo Alexandru, <em>Lectura lui Dante.<\/em> Vol. 1. <em>Infernul<\/em><\/strong> (Cartier) <strong>[-\/6]<\/strong><\/li><li>6. <strong>Cristina Ungureanu, <em>Tain\u0103 \u0219i sens \u00een <\/em>Povestea vie\u021bii mele<em>, capodopera Mariei, Regina Rom\u00e2niei. Analiza narativ-discursiv\u0103<\/em><\/strong> (Curtea Veche) <strong>[5\/5]<\/strong><\/li><li>7. <strong>Eugen Simion, <em>Mircea Eliade \u2013 nodurile \u0219i semnele prozei<\/em><\/strong> (Cartea Rom\u00e2neasc\u0103) <strong>[-\/1]<\/strong><\/li><li>8. <strong>Mortimer J. Adler, Charles Van Doren,<\/strong> <em>Cum se cite\u0219te o carte <\/em>(Paralela 45) <strong>[7\/3]<\/strong><\/li><li>9. <strong>Felix Nicolau, <em>Istoria nuclear\u0103 a culturii: cuante hermeneutice<\/em><\/strong> (Tritonic) <strong>[-\/1]<\/strong><\/li><li>10<strong>. Mariana Boca, <em>Pove\u0219ti despre omul interior<\/em><\/strong> (Tracus Arte) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi pentru copii<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Ra\u0306zboiul-care-m-a-i\u0302nva\u0306t\u0326at-sa\u0306-tra\u0306iesc.jpeg\" alt=\"\" class=\"wp-image-3410\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Ra\u0306zboiul-care-m-a-i\u0302nva\u0306t\u0326at-sa\u0306-tra\u0306iesc.jpeg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Ra\u0306zboiul-care-m-a-i\u0302nva\u0306t\u0326at-sa\u0306-tra\u0306iesc-222x300.jpeg 222w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Ra\u0306zboiul-care-m-a-i\u0302nva\u0306t\u0326at-sa\u0306-tra\u0306iesc-480x650.jpeg 480w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Kimberly Brubaker Bradley, <em>R\u0103zboiul care mi-a salvat via\u021ba <\/em>(Arthur) [1\/4]<\/strong><\/p>\n\n\n\n<p>R\u0103zboiul nu e doar un eveniment istoric. El are loc \u0219i \u00een inima Adei. Via\u021ba \u00een izolare nu este u\u0219oar\u0103, iar supravie\u021buirea \u00eentr-o astfel de vreme, cu resurse limitate, este complicat\u0103. Ada lupt\u0103 cu sine pentru a accepta sensul nou pe care \u00eel cap\u0103t\u0103 pentru ea cuv\u00e2ntul familie, dar lupt\u0103 \u0219i cu propria identitate, demonstr\u00e2nd c\u0103 adev\u0103rata libertate nu este reprezentat\u0103 doar de posibilitatea de a alege, ci de a face alegerea corect\u0103. Odat\u0103 ce descoper\u0103 c\u0103 frica nu exclude curajul, devine invincibil\u0103 \u0219i \u00ee\u0219i adun\u0103 puterile pentru a le aduce speran\u021b\u0103 celor din jur, ba chiar \u0219i pilo\u021bilor din al Doilea R\u0103zboi Mondial.<\/p>\n\n\n\n<p>2. <strong>Keri Smith,<\/strong> <strong><em>Jurnalul meu tr\u0103snit\u2026 \u00een culori!<\/em><\/strong> (ed. II) (Paralela 45) <strong>[-\/3]<\/strong><\/p>\n\n\n\n<p>Keri Smith este agenta unei organiza\u021bii secrete, a c\u0103rei misiune este s\u0103 reanime via\u021ba cotidian\u0103 \u0219i s\u0103 conteste orice stare de fapt. \u00ce\u0219i desf\u0103\u0219oar\u0103 \u201ecercetarea\u201d sus \u00een copaci, observ\u00e2nd lumea \u0219i lu\u00e2nd noti\u021be. Cu tot ce g\u0103se\u0219te face c\u0103r\u021bi \u0219i obiecte de art\u0103 conceptual\u0103.<\/p>\n\n\n\n<p>3. <strong>Sophie Kinsella, <em>Eu \u0219i Mami-Z\u00e2n\u0103. Puteri de siren\u0103<\/em><\/strong> (Polirom) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>Ellei i-au pl\u0103cut dintotdeauna sirenele \u0219i mereu \u0219i-a dorit ca Mami-Z\u00een\u0103 s\u0103 o transforme \u0219i pe ea \u00eentr-una cu ajutorul Baghetofonului. Apoi, \u00eentr-o bun\u0103 zi, pe c\u00eend erau la plaj\u0103, Ella \u0219i familia ei descoper\u0103 o balen\u0103 e\u0219uat\u0103 pe \u0163\u0103rm. Cu to\u0163ii \u00eencearc\u0103 s\u0103 fac\u0103 ceva s\u0103 o salveze. P\u00een\u0103 la urm\u0103 a fost nevoie de magia special\u0103 a lui Mami-Z\u00een\u0103, de scufund\u0103ri \u00een mare \u0219i de ajutorul sirenelor ca s\u0103 reu\u0219easc\u0103.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Antoine De Saint-Exupery, <em>Micul Prin\u021b<\/em><\/strong> (Rao) <strong>[5\/8]<\/strong><\/li><li>5. <strong>Ioana Chicet-Macoveiciuc, <em>Caietul, roman mic pentru feti\u021bele care cresc mari<\/em><\/strong> (Univers) <strong>[3\/7]<\/strong><\/li><li>6. <strong>Sven Nordqvist, <em>Aventuri cu Pettson \u0219i Findus<\/em><\/strong>(Trei) <strong>[2\/3]<\/strong><\/li><li>7. <strong>Frances Hodgson Burnett,<\/strong> <strong><em>Gr\u0103dina secret\u0103<\/em><\/strong> (Corint) <strong>[6\/3]<\/strong><\/li><li>8. <strong>Anh Do, <em>Ninja Kid<\/em><\/strong> (Epica) <strong>[7\/3]<\/strong><\/li><li>9. <strong>Erin Hunter, <em>Pisicile r\u0103zboinice.<\/em>Vol. 1:<em> \u00cen inima p\u0103durii<\/em><\/strong> (All) <strong>[8\/3]<\/strong><\/li><li>10. <strong>Liane Schneider, Eva Wenzel-Burger<em>, Conni merge la gr\u0103dini\u021b\u0103<\/em><\/strong> (Casa) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Eseu<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-671x1024.jpeg\" alt=\"\" class=\"wp-image-3411\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-671x1024.jpeg 671w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-197x300.jpeg 197w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-768x1172.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-480x733.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane.jpeg 800w\" sizes=\"(max-width: 671px) 100vw, 671px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Carlo Cipolla, <em>Legile fundamentale ale imbecilit\u0103\u021bii umane<\/em><\/strong> (Humanitas) <strong>[1\/8]<\/strong><\/p>\n\n\n\n<p>\u201eUn imbecil este o persoan\u0103 care cauzeaz\u0103 pierderi unui alt individ sau grup de indivizi, f\u0103r\u0103 a c\u00e2\u0219tiga nimic \u00een schimb, uneori chiar suferind pierderi de pe urma ac\u021biunilor sale.\u201c \u2014 A treia lege fundamental\u0103 a imbecilit\u0103\u021bii (Regula de Aur)<\/p>\n\n\n\n<p>2.<strong> Malcolm Gladwell, <em>Excep\u021bionalii. Povestea succesului<\/em> <\/strong>(Publica)<strong> [-\/4]<\/strong><\/p>\n\n\n\n<p>Pove\u0219tile despre cei care au un foarte, foarte mare succes se \u00eenv\u00e2rt \u00een jurul inteligen\u021bei \u0219i ambi\u021biei. \u00cen Excep\u021bionalii, Malcolm Gladwell spune c\u0103 adev\u0103rata explica\u021bie e cu totul alta, iar dac\u0103 vrem s\u0103 \u00een\u021belegem cum se ajunge at\u00e2t de departe, ar trebui s\u0103 ne lu\u0103m timp s\u0103 cunoa\u0219tem tot ce \u021bine de contextul acestor oameni: familia, locul unde au copil\u0103rit, data na\u0219terii. Gladwell contest\u0103 mitul a\u0219a-zisului merit personal, explor\u00e2nd raportul dintre succes \u0219i cultur\u0103, hazard, sincronizare, na\u0219tere \u0219i noroc, \u0219i felul \u00een care, \u00een pofida calit\u0103\u021bilor \u0219i talentului cuiva, mo\u0219tenirea cultural\u0103 poate func\u021biona ca o piedic\u0103.<\/p>\n\n\n\n<p>3.<strong> Gheorghe Piperea, <em>Lamentabilul amurg al zeilor<\/em> <\/strong>(Rao)<strong> [-\/1]<\/strong><\/p>\n\n\n\n<p>Evenimentele petrecute \u00een ultimul an \u0219i jum\u0103tate, pandemia care a pus st\u0103p\u00e2nire pe \u00eentreaga lume, d\u00e2nd peste cap vie\u021bile tuturor \u0219i \u00eemp\u0103r\u021bind societatea \u00een dou\u0103 tabere, adesea, aflate \u00een opozi\u021bie \u2013 cea a nou normalilor sau \u201ecovidulilor\u201d \u0219i cea a nega\u021bioni\u0219tilor \u2013, \u00eencerc\u0103rile celor din domeniul s\u0103n\u0103t\u0103\u021bii \u2013 tratamente, protocoale, vaccinuri \u2013, dar \u0219i ale guvernan\u021bilor \u2013 planuri de redresare, ajutoare de stat etc. \u2013 de a le pune cap\u0103t, \u00een speran\u021ba revenirii la normalitatea post-pandemic\u0103, sunt toate trecute prin filtrul con\u0219tiin\u021bei \u0219i analizate din perspectiva subiectiv\u0103 a nega\u021bionistului declarat \u0219i asumat.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Alain de Botton, <em>Statut \u0219i anxietate<\/em><\/strong> (Vellant) <strong>[5\/4]<\/strong><\/li><li>5. <strong>Cristi I. Popescu, <em>Rock \u00een stare de urgen\u021b\u0103 \u2013 The Final Lockdown<\/em><\/strong>(Universul Juridic)<strong>[-\/1]<\/strong><\/li><li>6. <strong>Teodor Baconschi, <em>Scrieri 1. Puterea schismei. Turn \u00eenclinat<\/em><\/strong> (Spandugino) <strong>[-\/1]<\/strong><\/li><li>7.<strong> Robert Hopcke, <em>Nimic nu e \u00eent\u00e2mpl\u0103tor: coinciden\u021be \u0219i destin<\/em><\/strong>(Humanitas) <strong>[-\/1]<\/strong><\/li><li>8. <strong>Michel Onfray, <em>\u00cen\u021belepciune \u2013 cum s\u0103 tr\u0103ie\u0219ti la poalele unui vulcan<\/em><\/strong>(Cartea Rom\u00e2neasc\u0103) <strong>[9\/3]<\/strong><\/li><li>9. <strong>Traian Berbeceanu, <em>Radiografia unei m\u00e2r\u0219\u0103vii judiciare<\/em><\/strong> (Curtea Veche) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Adrian Mure\u0219an, <em>V\u00e2rstele subversiunii. N. Steinhardt \u0219i deconstruc\u021bia utopiilor<\/em><\/strong> (OMG) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi de c\u0103l\u0103torie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/jurnalele_de_calatorie_ale_lui_albert_einstein_01-702x1024.jpeg\" alt=\"\" class=\"wp-image-3487\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/jurnalele_de_calatorie_ale_lui_albert_einstein_01-702x1024.jpeg 702w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/jurnalele_de_calatorie_ale_lui_albert_einstein_01-206x300.jpeg 206w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/jurnalele_de_calatorie_ale_lui_albert_einstein_01-768x1121.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/jurnalele_de_calatorie_ale_lui_albert_einstein_01-480x701.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/jurnalele_de_calatorie_ale_lui_albert_einstein_01.jpeg 818w\" sizes=\"(max-width: 702px) 100vw, 702px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Ze\u2019ev Rozenkranz, <em>Jurnalele de c\u0103l\u0103torie ale lui Albert Einstein<\/em><\/strong> (Corint) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>\u00centre octombrie 1922 \u0219i martie 1923, Albert Einstein \u00eempreun\u0103 cu so\u021bia lui de la acea vreme, Elsa Einstein, a f\u0103cut o c\u0103l\u0103torie \u00een Extremul Orient \u0219i \u00een Orientul Mijlociu, regiuni pe care marele savant nu le mai vizitase \u00eenainte. Lungul itinerar urmat de acesta a cuprins opriri \u00een Hong Kong \u0219i \u00een Singapore, dou\u0103 scurte \u0219ederi \u00een China, un turneu de prelegeri de \u0219ase s\u0103pt\u0103m\u00e2ni \u00een Japonia, o vizit\u0103 de 12 zile \u00een Palestina \u0219i o alta de trei s\u0103pt\u0103m\u00e2ni \u00een Spania. Volumul de fa\u021b\u0103 pune la dispozi\u021bia cititorilor jurnalul \u021binut de Einstein \u00een cursul acestei c\u0103l\u0103torii.<\/p>\n\n\n\n<p>2. <strong>Robert&nbsp; Macfarlane,<\/strong> <strong><em>Lumea de sub noi. O c\u0103l\u0103torie \u00een ad\u00e2ncul p\u0103m\u00e2ntului<\/em><\/strong> (Polirom)<strong> [-\/6]<\/strong><\/p>\n\n\n\n<p>Dintr-un unghi de vedere geologic asupra planetei noastre, Macfarlane pune o \u00eentrebare vital\u0103 \u0219i tulbur\u0103toare: oare s\u00eentem ni\u0219te buni str\u0103mo\u0219i pentru P\u0103m\u00eentul viitorului? De la primele pagini, remarcabile, p\u00een\u0103 la concluzia \u00eenc\u0103rcat\u0103 de emo\u021bie, <em>Lumea de sub noi<\/em> este un periplu \u00een care se \u00eempletesc miracolele \u0219i pierderea, teama \u0219i speran\u021ba. O carte ce ne va schimba felul \u00een care privim lumea.<\/p>\n\n\n\n<p>3. <strong>Marius Chivu,<\/strong> <strong><em>Trei s\u0103pt\u0103m\u00e2ni \u00een Himalaya<\/em><\/strong> (Humanitas) <strong>[2\/7]<\/strong><\/p>\n\n\n\n<p>Trei s\u0103pt\u0103m\u00e2ni \u00een Himalaya. Povestea seduc\u0103toare a unui drum spre \u201estrea\u0219ina lumii\u201c, o c\u0103l\u0103torie \u0219i o carte care te elibereaz\u0103 de tot ce-\u021bi prisose\u0219te \u00een\u0103untru. Urci muntele cobor\u00e2nd \u00een tine.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Erika Fatland, <em>Sovietstan. O c\u0103l\u0103torie prin Turkmenistan, Kazahstan, Tadjikistan, K\u00e2rg\u00e2zstan \u0219i Uzbekistan<\/em><\/strong> (Paralela 45) <strong>[4\/3]<\/strong><\/li><li>5. <strong>Jheni Osman, <em>Cartea mic\u0103 a marilor expedi\u021bii. Aventuri \u00een necunoscut care au schimbat lumea<\/em><\/strong>(Niculescu) <strong>[8\/3]<\/strong><\/li><li>6. <strong>Nuseir Yassin, Bruce Kluger,<\/strong> <strong><em>\u00cen jurul lumii \u00een 60 de secunde<\/em><\/strong> (Trei) <strong>[-\/6]<\/strong><\/li><li>7. <strong>Joshua Slocum, <em>Navig\u00e2nd singur \u00een jurul lumii<\/em><\/strong>(Art) <strong>[6\/3]<\/strong><\/li><li>8. <strong>Cristina Zarioiu, <em>A fost o zi bun\u0103<\/em><\/strong> (Eikon) <strong>[-\/1]<\/strong><\/li><li>9. <strong>Simina Cernat, <em>Samsara<\/em><\/strong> (Cartex) <strong>[-\/1]<\/strong><\/li><li>10. <strong>C\u0103t\u0103lin Vrabie, <em>Pierdut \u00een Vietnam \u0219i Cambodgia<\/em><\/strong> (Univers Juridic) <strong>[7\/3]<\/strong><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Urm\u0103toarele topuri au fost realizate \u00een func\u021bie de v\u00eenz\u0103rile \u00eenregistrate \u00een intervalul 1 &#8211; 31 august 2021 \u00een re\u021beaua de libr\u0103rii C\u0103rture\u0219ti \u0219i pe carturesti.ro.<\/p>\n","protected":false},"author":2,"featured_media":3486,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[161],"tags":[162,762],"coauthors":[],"class_list":["post-3485","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bestsellers-carturesti","tag-bestsellers-carturesti","tag-nr-9-2021"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/carturesti-oradea-5.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3485"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3485\/revisions"}],"predecessor-version":[{"id":3490,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3485\/revisions\/3490"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/3486"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3485"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=3485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}