{"id":3466,"date":"2021-12-07T12:50:12","date_gmt":"2021-12-07T09:50:12","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=3466"},"modified":"2021-12-07T12:50:18","modified_gmt":"2021-12-07T09:50:18","slug":"summertime-sadness","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=3466","title":{"rendered":"Summertime sadness"},"content":{"rendered":"\n
\"\"
C\u0103t\u0103lina Stanislav, Nu m\u0103 \u00eentrerupe<\/em>, Editura OMG, Alba Iulia, 2021<\/figcaption><\/figure><\/div>\n\n\n\n

Nu m\u0103 \u00eentrerupe<\/em>, debutul C\u0103t\u0103linei Stanislav, e, de la un cap\u0103t la altul, un exerci\u021biu onest de (de)sacralizare post-breakup<\/em>. Orice ar face, poemele ei revin de fiecare dat\u0103 cu insisten\u021b\u0103 \u00een zona asta a recuper\u0103rii afective, de unde \u00ee\u0219i lanseaz\u0103 \u201eproiectilele\u201d melancolizate cu \u00eenc\u0103p\u0103\u021b\u00e2nare, ba chiar aproape cu un masochism al recuper\u0103rii afective.<\/p>\n\n\n\n

Nu e o melancolie \u00een sens clasic aici, \u00eens\u0103; elegiacul textelor C\u0103t\u0103linei Stanislav, \u00een m\u0103sura \u00een care se poate vorbi despre unul, nu opereaz\u0103 cu umori patetice, nu se lanseaz\u0103 nicio clip\u0103 \u00een declara\u021bii mari, inten\u021bionat-grave, pre\u021bioase, ci e prelucrat printr-un amestec reu\u0219it de firesc \u0219i not\u0103 cool<\/em> \u00een doz\u0103 foarte bine calculat\u0103. At\u00e2t de bine \u00eenc\u00e2t rezultatul e o supura\u021bie sentimental\u0103 foarte prietenoas\u0103 cu cititorul, al c\u0103rei merit principal e, deci, faptul c\u0103 vorbe\u0219te pe o limb\u0103 comun\u0103 despre desp\u0103r\u021biri, frici, crize personale etc., pe care le asociaz\u0103 uneori cu un imaginar tributar referin\u021belor pop culture<\/em> care faciliteaz\u0103 schimbul emo\u021bional, \u00een orice caz, pe un ton mereu simplu \u0219i firesc. Sclipitoarele \u201einventare\u201d post-amoroase de aici vorbesc calm, aproape resemnat, chiar \u0219i-n punctele lor cele mai \u00eencordate, despre via\u021ba de dinainte \u0219i de dup\u0103 e\u0219ecul sentimental, \u021bin contabilitatea cu deznod\u0103m\u00e2nt nefericit cu aerul unei m\u0103rturisiri f\u0103cute cuiva apropiat.<\/p>\n\n\n\n

Registrul \u0103sta discursiv, \u00een care narativizarea amplific\u0103 efectul de traum\u0103 banal\u0103, trecut\u0103 \u00een regim de obi\u0219nuin\u021b\u0103, se consum\u0103 \u00eentr-un ritm-cascad\u0103 al confesiunii, \u00een care suferin\u021ba se traduce uneori prin reciclarea melodramei serialelor, a cli\u0219eelor lor obosite, a\u0219a cum se \u00eent\u00e2mpl\u0103 \u00een poemul care deschide volumul: \u201eSunt bine, le zic oamenilor, de parc\u0103 am fost foarte\/ bolnav\u0103.\/ Nu e ca \u0219i cum pot s\u0103 spun\/ c\u0103 m\u0103 uit la seriale cu doctori \u0219i fete frumoase\/ c\u0103 \u0219tiu c\u0103 Meredith joac\u0103 prost \u0219i are un r\u00e2s enervant\/ dar dup\u0103 vreo 6 sezoane cumva a \u00eenceput s\u0103-mi plac\u0103 de ea\/ fiecare episod pare s\u0103 aib\u0103 dou\u0103 chestii esen\u021biale:\/\/ mereu cineva moare \u0219i altcineva nu-\u0219i poate m\u0103rturisi\/ iubirea\/ pe cineva love\u0219te autobuzul, sau moare \u00eentr-un\/ accident de avion\/ \u0219i se decide ca \u00een ultimele minute de via\u021b\u0103 s\u0103 zic\u0103\/ \u201ehei, voiam s\u0103 \u0219tii c\u0103 eu sunt mega \u00eendr\u0103gostit\u0103 de tine\/ de 10 ani.\u201d\/ apoi el pl\u00e2nge.\/ \u0219i el e \u00eendr\u0103gostit, dar e b\u0103rbat, nu \u0219i-a dat seama\/ hai s\u0103 ne lu\u0103m o cas\u0103 \u0219i un c\u00e2ine, s\u0103 avem un lac cu dig\/ zice printre lacrimi\/ \u0219i un leag\u0103n din \u0103la f\u0103cut dintr-o roat\u0103 de ma\u0219in\u0103\/ (care roat\u0103 \u0219i c\u00e2ine pur \u0219i simplu vor fi deja acolo c\u00e2nd cump\u0103r\u0103 casa)\/\/ Sunt bine, \u0219tiu c\u0103 oamenii \u00een via\u021ba real\u0103 nu dau buzna\/ unii peste al\u021bii \u00een saloane de spital \u0219i nu \u021bin un\/ discurs frenetic de 10 minute la sf\u00e2r\u0219itul c\u0103ruia\/ se lipesc de to\u021bi pere\u021bii din salon pup\u00e2ndu-se\/ c\u00e2t colegii lor z\u00e2mbesc de partea cealalt\u0103 a u\u0219ii cu geam.\/\/ \u00cen via\u021ba real\u0103 cred c\u0103 oamenii se despart \u0219i poate au\/ rela\u021bii mediocre mul\u021bi ani\/ \u00een timp ce verific\u0103 statusul altcuiva pe facebook\/ \u0219i intr\u0103 pe site-uri ruse\u0219ti\/ ca s\u0103 vad\u0103 \u00een secret story-uri pe instagram\/ \u0219i \u00een timp ce tasteaz\u0103 username-ul \u00een search bar\/ le tremur\u0103 degetele \u0219i le bate inima,\/ aproape ca \u0219i cum ar da buzna \u00eentr-un salon de spital\/ s\u0103-\u0219i m\u0103rturiseasc\u0103 sentimentele cuiva care urmeaz\u0103\/ s\u0103 moar\u0103.\u201d, Hospital Drama<\/em>. Schimbul \u0103sta inteligent de experien\u021b\u0103 func\u021bioneaz\u0103 peste tot \u00een volum, f\u0103r\u0103 s\u0103 sufoce discursul echilibrat al poemelor, le las\u0103 loc de manevr\u0103 \u00een exploatarea spa\u021biilor intime pe care le survoleaz\u0103.<\/p>\n\n\n\n

Asta pentru c\u0103 poemele de dragoste ale C\u0103t\u0103linei Stanislav defileaz\u0103 cu tot arsenalul de vulnerabilit\u0103\u021bi la vedere; prozaismul face carier\u0103 aici, depanarea fluxului afectiv se face mereu dinspre exterior spre interior, de la evenimente exterioare, adic\u0103, spre miezul fragil al desenului erotic, de fiecare dat\u0103 cu aerul normalit\u0103\u021bii \u0219i clarit\u0103\u021bii confesiunii. Marile probleme ale lumii sunt redirec\u021bionate tot timpul spre dezastrul incomparabil al e\u0219ecului sentimental \u2013 o form\u0103 de asumare a unui con\u021binut cu \u00eenc\u0103rc\u0103tur\u0103 exploziv\u0103 pe care C\u0103t\u0103lina Stanislav \u00eel gestioneaz\u0103 cu mult\u0103 cerebralitate; chiar \u0219i dezastrele climatice \u0219i observa\u021bia social\u0103 (din Stele c\u0103z\u0103toare<\/em> \u0219i Alte \u0219tiri, baby<\/em>, de exemplu) func\u021bioneaz\u0103 \u00een Nu m\u0103 \u00eentrerupe<\/em> tot ca punct de plecare pentru cartografierea rela\u021biilor sf\u00e2r\u0219ite prost, dozate, adic\u0103, numai bine c\u00e2t s\u0103 demonstreze ochiul critic al poetei \u00een raport cu dinamica lumii (nu c\u0103 inten\u021bia ei ar fi una de show-off<\/em>), \u0219i expediate apoi rapid \u00eenspre specialitatea num\u0103rul 1 a C\u0103t\u0103linei Stanislav \u2013 manevrarea \u201emalaxorului\u201d sentimental. E un spa\u021biu de lucru generos care \u00eei permit\u0103 s\u0103-\u0219i exploateze \u00een detaliu \u00eentreg repertoriul de anxiet\u0103\u021bi, pentru c\u0103, \u00een fond, indiferent dac\u0103 vorbesc despre ceremonialul post-amoros, despre feminitate \u0219i quirkiness<\/em>-ul ei aferent (Normal to dry hair<\/em>), feminism (\u00centreb\u0103ri pe care mi le pun b\u0103ie\u021bii c\u00e2nd ie\u0219im \u00een ora\u0219<\/em>, M\u0103 g\u00e2ndesc foarte des la posibilitatea de a fi mam\u0103<\/em> etc.) \u0219i geopolitic\u0103 sub form\u0103 de pretext pentru dragoste, poemele din debutul \u0103sta \u00eenchid de fiecare dat\u0103 \u00eentr-un cerc perfect o estetic\u0103 a vulnerabilit\u0103\u021bii \u00een toat\u0103 regula sub forma unor mici ilumin\u0103ri existen\u021biale traduse printr-un vibe<\/em> actual, care tr\u0103deaz\u0103 singur\u0103tatea. Desenele ei identitare recompun, adic\u0103, mecanismele rutiniere \u0219i gesticula\u021bia cotidian\u0103 de tipul late 20s<\/em> pe fondul unor introspec\u021bii decupate pe marginea banalului: \u201eLunile trec repede \u0219i uneori m\u0103 simt aiurea, ca atunci c\u00e2nd nu citesc prefe\u021bele c\u0103r\u021bilor\u201d, Pofta inimii<\/em> vs. \u201e[…] \u0219i o s\u0103 afle cur\u00e2nd\/ […] nu doar c\u0103 am trei geluri de du\u0219 pentru trei p\u0103r\u021bi\/ diferite ale corpului\/ toate acela\u0219i brand\/ am \u0219i unul special pentru c\u00e2nd c\u0103l\u0103toresc\/ \u0219i cumva \u0103sta mi se pare cel mai \u00eenfrico\u0219\u0103tor lucru la mine\u201d, Condimente<\/em> vs. \u201enu spun nim\u0103nui niciodat\u0103\/ c\u0103 e ok, o s\u0103 fim bine\/ pentru c\u0103 mereu trebuie s\u0103 mi se spun\u0103 mie\u201d, o s\u0103 fim bine<\/em>. Banal care la C\u0103t\u0103lina Stanislav ia propor\u021bii \u00eengro\u0219ate; sunt mici incendii care inflameaz\u0103 din loc \u00een loc textele ei \u0219i care se consum\u0103 \u00eentr-un regim vizual clar, intim \u0219i cinematic, ca \u00eentr-un videoclip al Lanei del Rey.<\/p>\n\n\n\n

Nu \u0219tiu dac\u0103 mai scrie azi cineva la fel de bine despre desp\u0103r\u021biri cum o face C\u0103t\u0103lina Stanislav. \u00cen orice caz, Nu m\u0103 \u00eentrerupe<\/em> d\u0103 ni\u0219te filme care se re\u021bin mult\u0103 vreme dup\u0103 epuizarea lecturii, empatic cu cititorul \u0219i care \u00ee\u0219i asum\u0103 fragilitatea \u0219i \u0219i-o expune f\u0103r\u0103 re\u021bineri \u0219i f\u0103r\u0103 s\u0103 \u00eencerce o poz\u0103 la mod\u0103 prin tot demersul lui (post)sentimental. Linia lui de for\u021b\u0103 se cite\u0219te \u00een prozaismul momentelor delicate pe care C\u0103t\u0103lina Stanislav le desfoliaz\u0103 curat \u0219i sincer, ca pe ni\u0219te exponate firave, dar cu greutate. Un debut natural \u0219i care prizeaz\u0103 firescul ca pe un canal de transmitere a emo\u021biei, dar \u0219i unul cu o voce cu iriz\u0103ri mileniale foarte actuale, care f\u0103r\u0103 s\u0103 mearg\u0103 \u00eentr-o direc\u021bie ostentativ\u0103 \u0219i s\u0103 fac\u0103 abuz de filtre vizuale de tip insta, las\u0103 \u00een urm\u0103 ni\u0219te imagini memorabile ale instantaneelor interioare. De neratat.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sclipitoarele \u201einventare\u201d post-amoroase de aici vorbesc calm, aproape resemnat, chiar \u0219i-n punctele lor cele mai \u00eencordate, despre via\u021ba de dinainte \u0219i de dup\u0103 e\u0219ecul sentimental, \u021bin contabilitatea cu deznod\u0103m\u00e2nt nefericit cu aerul unei m\u0103rturisiri f\u0103cute cuiva apropiat.<\/p>\n","protected":false},"author":15,"featured_media":3467,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[111,772,714,762,773,774],"coauthors":[],"class_list":["post-3466","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-andreea-pop","tag-catalina-stanislav","tag-cronica-literar","tag-nr-9-2021","tag-nu-ma-intrerupe","tag-omg"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/cstanp.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3466"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3466\/revisions"}],"predecessor-version":[{"id":3468,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3466\/revisions\/3468"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/3467"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3466"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3466"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=3466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}