{"id":3450,"date":"2021-12-07T12:37:12","date_gmt":"2021-12-07T09:37:12","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=3450"},"modified":"2021-12-07T12:37:18","modified_gmt":"2021-12-07T09:37:18","slug":"calatoria-spre-nicaieri","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=3450","title":{"rendered":"C\u0103l\u0103toria spre nic\u0103ieri"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"433\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Pebbles-poster.webp\" alt=\"\" class=\"wp-image-3451\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Pebbles-poster.webp 770w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Pebbles-poster-300x169.webp 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Pebbles-poster-768x432.webp 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Pebbles-poster-480x270.webp 480w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><figcaption><em>Pietricele<\/em> (regia P. S. Vinothraj)<\/figcaption><\/figure><\/div>\n\n\n\n<p>Nu a fost odat\u0103 ca niciodat\u0103&#8230; Doar un tat\u0103 be\u021biv \u0219i un copil luat de la \u0219coal\u0103 pentru a-\u0219i recupera mama. \u0218i drumul rectiliniu prin mijlocul pustiet\u0103\u021bii. Doar singur\u0103tatea celui care nu \u0219tie s\u0103 iubeasc\u0103 \u0219i s\u0103 protejeze. \u0218i alcoolul care \u00eence\u021bo\u0219eaz\u0103 povestea de familie pe care filmul de debut al lui P. S. Vinothraj \u2013&nbsp; <em>Pietricele\/Pebbles<\/em> (2021) \u2013 o restituie cu at\u00e2ta claritate \u0219i for\u021b\u0103, \u00eenc\u00e2t e\u0219ti prins \u00een v\u00e2rtejul c\u0103l\u0103toriei celor doi \u2013 tat\u0103 abuziv \u0219i fiu.<\/p>\n\n\n\n<p>Ac\u021biunea, plasat\u0103 \u00een India rural\u0103, s-ar putea petrece oriunde. Pa\u0219ii b\u0103ie\u021belului, unduirea \u021ban\u021bo\u0219\u0103 a tat\u0103lui, c\u0103ldura excesiv\u0103, g\u00e2ndurile nerostite ale fiec\u0103ruia se contopesc \u00een mi\u0219carea frenetic\u0103. Dimensiunea vizual\u0103 extrem de puternic\u0103, la grani\u021ba dintre poezie \u0219i realitate, amplific\u0103 tensiunea ce cap\u0103t\u0103 concrete\u021be de la o scen\u0103 la alta. Caracterul excesiv al tat\u0103lui, foarte bine restituit de Ganapathy (interpretat de actorul de teatru Karuththadaiyaan), energia fiului Velu (Chellapandi) de a lupta cu demonii dezl\u0103n\u021bui\u021bi ai tat\u0103lui, puterea de a-i \u021bine piept, \u00een ciuda represaliilor, scenele trepidante prin zona de\u0219ertificat\u0103 din apropiere de c\u0103tunul Idaipatti din sudul statului indian Tamil Nadu demonstreaz\u0103 talentul de regizor \u0219i autenticitatea viziunii lui Vinothraj.<\/p>\n\n\n\n<p>Inspirat de povestea surorii sale, care a c\u0103l\u0103torit 13 km pentru a se salva de abuzurile so\u0163ului, P.S. Vinothraj semneaz\u0103 scenariul \u015fi regia filmului, numai c\u0103 rolurile se inverseaz\u0103: un b\u0103rbat violent porne\u015fte descul\u0163 \u00een c\u0103utarea so\u0163iei.&nbsp;Filmul a fost distins cu Tigrul de Aur la Festivalul de la Rotterdam. Plas\u00e2ndu-\u0219i ac\u021biunea <em>pe drum<\/em> \u0219i antren\u00e2nd un num\u0103r redus de personaje, Vinothraj d\u0103 for\u021b\u0103 scenelor dialogate (foarte pu\u021bine, de altfel), construite aproape \u00een totalitate \u00een mi\u0219care.<\/p>\n\n\n\n<p>\u00cen general, p\u0103rin\u021bii pun \u00een joac\u0103, adesea, \u00eentrebarea pe cine iube\u0219te mai mult copilul, dar \u00een film o asemenea interoga\u021bie devine violent\u0103: \u201e\u00ce\u021bi place mai mult de mine sau de maic\u0103-ta?\u201d \u2013 nu doar pentru c\u0103 nu avem acces deloc la figura mamei, ci, mai ales, pentru c\u0103 b\u0103ie\u021belul \u2013 dotat cu o \u00een\u021belepciune nefireasc\u0103 pentru v\u00e2rsta lui \u2013 nu vrea s\u0103 aleag\u0103 \u00eentre p\u0103rin\u021bi, \u00eei vrea pe am\u00e2ndoi al\u0103turi de el \u0219i de sora lui mai mic\u0103. Nu se g\u00e2nde\u0219te la baloane colorate sau la juc\u0103rii, ci la barbaria tat\u0103lui \u0219i la excesele sale.<\/p>\n\n\n\n<p>Odat\u0103 ajun\u0219i la casa p\u0103rinteasc\u0103 a so\u021biei, b\u0103rbatul \u00ee\u0219i iese din min\u021bi. Gonit de rudele so\u021biei, fierbe de sup\u0103rare. Starea sa coleric\u0103 este \u00eentre\u021binut\u0103 \u0219i de reac\u021bia b\u0103iatului, care \u00eencepe s\u0103 alerge \u00eenapoi spre s\u0103tucul din care veniser\u0103. \u00cen filmul lui Vinothraj, nu se prea vorbe\u0219te. Cele c\u00e2teva dialoguri sunt \u00eenso\u021bite de reac\u021bii, gesturi \u0219i emo\u021bii nemaipomenit de puternice, \u00een care distingem prejudec\u0103\u021bile castei, neputin\u021ba de a abandona viciile. Be\u021biv \u0219i b\u0103t\u0103u\u0219, b\u0103rbatul a distrus via\u021ba fetei cu care s-a c\u0103s\u0103torit, i-a v\u00e2ndut bijuteriile, a alungat-o de l\u00e2ng\u0103 propriii copii.<\/p>\n\n\n\n<p>P\u0103rin\u021bii trebuie s\u0103 se \u00eempace, altfel tat\u0103l se c\u0103s\u0103tore\u0219te cu alta. Dar ce mai \u00eenseamn\u0103 familia pentru cineva care devine p\u0103rinte prin hazard? Tat\u0103l be\u021biv st\u0103 la col\u021b \u0219i fumeaz\u0103 ne\u00eencetat, iar singura modalitate pe care o g\u00e2nde\u0219te de a-\u0219i recupera femeia este de a o \u00eenvinov\u0103\u021bi c\u0103 \u0219i-a abandonat copiii. La fel de violent\u0103 este \u0219i replica \u201eDe azi \u00eenainte nu mai ai mam\u0103, doar tat\u0103\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pebbles \u2013 trailer | IFFR 2021\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/M_uARC3Gc64?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Mersul cu autobuzul prin inima de\u0219ertificat\u0103 a Indiei dezv\u0103luie un adev\u0103rat num\u0103r de iluzionist: cromatic, drumul este un adev\u0103rat spectacol care las\u0103 s\u0103 se \u00eentrevad\u0103 s\u0103r\u0103cia, limitele vie\u021bii \u00een regiunile \u00een care apa este tot mai pu\u021bin\u0103 \u0219i mai impur\u0103, de la saco\u0219ele de\u0219irate \u00een care sunt c\u0103rate nimicuri la bidona\u0219ele din care apa sare \u00een toate p\u0103r\u021bile, la statuete, corpuri vopsite \u00een galben, femei \u00eembr\u0103cate \u00een sari ce-\u0219i preumbl\u0103 frumuse\u021bea deja fanat\u0103.<\/p>\n\n\n\n<p>Halucinante de-a dreptul sunt cadrele filmate de sus, \u00een care autobuzul opre\u0219te \u00een pustiu, iar femeia \u0219i copilul coboar\u0103, dar \u0219i cel \u00een care tat\u0103l se ia la b\u0103taie cu unul dintre b\u0103rba\u021bii din autobuz. Apoi scenele de via\u021b\u0103 campestr\u0103, \u00eenregistrate realist de regizor, de la scena \u00een care mica familie v\u00e2neaz\u0103 \u0219obolani pentru pr\u00e2nz, f\u0103c\u00e2nd suficient fum ca s\u0103 goneasc\u0103 roz\u0103toarele din ascunz\u0103toare, vigilen\u021ba cu care, odat\u0103 prinse, bunica le pune \u00een oal\u0103. Scena \u00een mi\u0219care, filmat\u0103 prin \u00eentoarcere rapid\u0103 \u00een unghi de 360 de grade este ame\u021bitoare, dar foarte puternic\u0103 vizual, nu at\u00e2t prin vertijul pe care \u00eel genereaz\u0103 pentru c\u00e2teva frac\u021biuni de secund\u0103, c\u00e2t prin acel <em>clin d\u2019oeil<\/em> care ne face complicii vocii interioare a protagoni\u0219tilor. Iar de\u0219ertul apare ca simbol al \u00eentinderii sterile, \u00een care s\u0103l\u0103\u0219luiesc demonii ce se hr\u0103nesc cu singur\u0103tatea fiec\u0103ruia, dar \u0219i spa\u021biu al confrunt\u0103rii propriei con\u0219tiin\u021be cu realitatea. Pe drumul de \u00eentoarcere, pe jos, b\u0103iatul suge o piatr\u0103, pentru c\u0103 nu au ap\u0103. Se joac\u0103 pe ascuns cu un ciob de oglind\u0103, caut\u0103 pacea \u00eentr-o lume lipsit\u0103 de pace.<\/p>\n\n\n\n<p>Este un film impresionant din multe puncte de vedere: dincolo de for\u021ba expresiv\u0103 a scenelor ori de duritatea anumitor gesturi ale personajelor, este modul impecabil de a restitui povestea. Nu e lipsit de importan\u021b\u0103 nici faptul c\u0103, la edi\u021bia de anul acesta de la TIFF, filmul lui Vinothraj a ob\u021binut Premiul Special \u2013 Trofeul Transilvania.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dimensiunea vizual\u0103 extrem de puternic\u0103, la grani\u021ba dintre poezie \u0219i realitate, amplific\u0103 tensiunea ce cap\u0103t\u0103 concrete\u021be de la o scen\u0103 la alta.<\/p>\n","protected":false},"author":21,"featured_media":3451,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,62],"tags":[142,141,762,770,769],"coauthors":[],"class_list":["post-3450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cinemascop","tag-cinemascop","tag-irina-roxana-georgescu","tag-nr-9-2021","tag-p-s-vinothraj","tag-pietricele"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Pebbles-poster.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3450"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3450\/revisions"}],"predecessor-version":[{"id":3452,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3450\/revisions\/3452"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/3451"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3450"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=3450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}