{"id":3404,"date":"2021-12-07T11:25:36","date_gmt":"2021-12-07T08:25:36","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=3404"},"modified":"2021-12-07T11:25:44","modified_gmt":"2021-12-07T08:25:44","slug":"bestsellers-carturesti-iunie-iulie-2021","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=3404","title":{"rendered":"Bestsellers C\u0103rture\u0219ti \u2013 iunie-iulie 2021"},"content":{"rendered":"\n<ul class=\"has-cyan-bluish-gray-background-color has-background has-small-font-size wp-block-list\"><li><em>Cifrele din dreptul titlurilor, prezentate \u00eentre paranteze drepte, reprezint\u0103 locul ocupat \u00een topul lunii anterioare, respectiv num\u0103rul de luni \u00een top.<\/em><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Autori rom\u00e2ni<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Inocent\u0326ii.jpeg\" alt=\"\" class=\"wp-image-3406\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Inocent\u0326ii.jpeg 620w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Inocent\u0326ii-216x300.jpeg 216w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Inocent\u0326ii-480x668.jpeg 480w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">1. <strong>Ioana P\u00e2rvulescu, <em>Inocen\u021bii<\/em><\/strong> (Humanitas) <strong>[2\/7]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dou\u0103 viziuni asupra lumii: cea a unei feti\u021be care vede lucrurile \u00eentr-un fel extrem de personal \u015fi cea a femeii care descoper\u0103 secretele \u00eenecate \u00een trecut. Naivitatea comic\u0103 a primei voci \u00eenvinge melancolia celei de-a doua.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2. Elena Vl\u0103d\u0103reanu, <em>August<\/em> <\/strong>(Nemira)<strong> [-\/2]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00centr-un decor estival \u2013 pe litoral sau \u00een zone montane, pe drum ori \u00een apartamente sufocate de c\u0103ldur\u0103 sau de oameni \u2013, cele zece proze scurte din August surprind via\u021ba domestic\u0103, cu toate ale sale: dinamici de cupluri, rela\u021bii sociale, negocieri personale, violen\u021b\u0103, victorii m\u0103runte, maternitate, descoperiri, revolte, \u00eendr\u0103gostiri, copil\u0103rie, infidelit\u0103\u021bi, mici bucurii \u0219i multe altele. Poate c\u0103 abia \u00een vacan\u021be ori \u00een momentele de dincolo de joburi ne ascundem cu adev\u0103rat p\u0103r\u021bi din fiecare dintre noi, pare s\u0103 spun\u0103 fiecare povestire a volumului de fa\u021b\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>3. Raluca Feher, <em>Te iubesc, dar nu pe tine <\/em><\/strong>(Trei)<strong> [6\/3]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201ePreg\u0103ti\u021bi-v\u0103 s\u0103 urca\u021bi \u00eentr-un roller coaster din care s\u0103 nu pute\u021bi cobor\u00ee dec\u00e2t la final, cu toate c\u0103, pe parcurs, ve\u021bi sim\u021bi acut nevoia c\u00e2torva opriri. Preg\u0103ti\u021bi-v\u0103 s\u0103 face\u021bi fa\u021b\u0103 unei sincerit\u0103\u021bi brutale, care v\u0103 va face s\u0103 vre\u021bi \u2013 m\u0103car uneori \u2013 s\u0103 \u00eentoarce\u021bi capul. Oglinda \u00een care ve\u021bi privi s-ar putea s\u0103 fie prea clar\u0103, iar imaginile f\u0103r\u0103 perdea. S-ar putea \u0219i s\u0103 v\u0103 sperie oamenii-oglinda \u00een care v-a\u021bi putea reflecta. Citind cartea Raluc\u0103i am avut senza\u021bia c\u0103 a speculat fiecare liter\u0103 a alfabetului, s-a folosit de toate cuvintele pe care le-a inventat limba, ba \u00eenc\u0103 a mai inventat \u0219i ea unele.\u201d \u2013 Camelia Cavadia<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Florin L\u0103z\u0103rescu, <em>Noaptea plec, noaptea m\u0103-ntorc<\/em> <\/strong>(Polirom)<strong> [-\/2]<\/strong><\/li><li>5. <strong>Petronela Rotar, <em>Privind \u00een\u0103untru<\/em> <\/strong>(Herg Benet)<strong> [-\/2]<\/strong><\/li><li>6. <strong>Andrei Ruse, <em>Zaraza<\/em> <\/strong>(Hyperliteratura)<strong> [-\/2]<\/strong><\/li><li>7. <strong>Mihail Sebastian, <em>Femei<\/em> <\/strong>(Publisol)<strong> [-\/2]<\/strong><\/li><li>8. <strong>R\u0103zvan Exarhu, <em>Fericirea e un ac de siguran\u021b\u0103<\/em><\/strong> (Curtea Veche) <strong>[-\/2]<\/strong><\/li><li>9. <strong>Ioana Nicolaie, <em>Pelinul negru<\/em><\/strong>(Humanitas)<strong> [-\/2]<\/strong><\/li><li>10. <strong>Irina Georgescu Groza, <em>Exodul mieilor<\/em><\/strong> (Nemira) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Fic\u021biune<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Biblioteca-de-la-miezul-nopt\u0326ii.jpeg\" alt=\"\" class=\"wp-image-3407\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Biblioteca-de-la-miezul-nopt\u0326ii.jpeg 650w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Biblioteca-de-la-miezul-nopt\u0326ii-195x300.jpeg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Biblioteca-de-la-miezul-nopt\u0326ii-480x739.jpeg 480w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">1. <strong>Matt Haig, <em>Biblioteca de la miezul nop\u021bii<\/em><\/strong> (Nemira) <strong>[2\/7]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O singur\u0103 bibliotec\u0103. O infinitate de vie\u021bi. Care e cea mai bun\u0103? Undeva, la marginea universului, exist\u0103 o bibliotec\u0103 infinit\u0103 de c\u0103r\u021bi, iar fiecare poveste din ele provine dintr-o alt\u0103 realitate. Una spune povestea vie\u021bii tale a\u0219a cum e, alta spune povestea vie\u021bii tale a\u0219a cum ar fi fost dac\u0103 ai fi luat alt\u0103 decizie \u00eentr-un anumit moment. To\u021bi ne \u00eentreb\u0103m mereu cum ar fi putut s\u0103 fie vie\u021bile noastre. Dar dac\u0103 am g\u0103si r\u0103spunsul \u00eentr-o bibliotec\u0103?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. <strong>Delia Owens<\/strong><strong>, <em>Acolo <\/em><\/strong><strong><em>unde <\/em><\/strong><strong><em>c\u00e2nt<\/em><\/strong><strong><em>\u0103 <\/em><\/strong><strong><em>racii<\/em><\/strong> (Trei) <strong>[7\/7]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zvonurile despre Fata Mla\u0219tinii au circulat mul\u021bi ani \u00een Barkley Cove, un or\u0103\u0219el lini\u0219tit de pe coasta Carolinei de Nord. A\u0219a c\u0103, \u00een 1969, c\u00e2nd frumosul Chase Andrews este g\u0103sit mort, localnicii b\u0103nuiesc imediat c\u0103 a fost ucis de Kya Clark, adev\u0103ratul nume al Fetei Mla\u0219tinii. \u00cens\u0103 Kya nu este nici pe departe s\u0103lb\u0103ticiunea pe care \u0219i-o \u00eenchipuie lumea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. <strong>Alex Michaelides<em>, Pacienta t\u0103cut\u0103<\/em><\/strong> (Litera) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Via\u021ba Aliciei Berenson este aparent perfect\u0103. Pictori\u021b\u0103 renumit\u0103 casatorit\u0103 cu un fotograf de mod\u0103, ea tr\u0103ie\u0219te \u00eentr-o cas\u0103 superb\u0103, cu vedere spre parc, \u00eentr-una dintre zonele cele mai dorite din Londra. \u00centr-o sear\u0103, so\u021bul ei Gabriel se \u00eentoarce acas\u0103 t\u00e2rziu de la o \u0219edinta foto, iar Alicia \u00eel \u00eempu\u0219c\u0103 de cinci ori \u00een fa\u021b\u0103 \u0219i apoi r\u0103m\u00e2ne t\u0103cut\u0103 mai mul\u021bi ani.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Fredrik Backman, <em>Un b\u0103rbat pe nume Ove<\/em><\/strong> (Art) <strong>[-\/2]<\/strong><\/li><li>5. <strong>Christian Escrib\u00e0, S\u00edlvia Tarrag\u00f3, <em>Cofet\u0103ria cu miracole<\/em><\/strong> (Humanitas Fiction) <strong>[1\/4]<\/strong><\/li><li>6. <strong>Kazuo Ishiguro<em>, Klara \u0219i soarele<\/em><\/strong> (Polirom) <strong>[-\/2]<\/strong><\/li><li>7. <strong>Silvia Moreno-Garcia, <em>Mexican Gothic<\/em><\/strong> (Nemira) <strong>[-\/2]<\/strong><\/li><li>8. <strong>John Boyne, <em>B\u0103iatul cu pijamale \u00een dungi<\/em><\/strong> (RAO) <strong>[-\/2]<\/strong><\/li><li>9. <strong>Khaled Hosseini, <em>Splendida cetate a celor o mie de sori<\/em><\/strong> (Niculescu) <strong>[-\/2]<\/strong><\/li><li>10. <strong>Bernardine Evaristo, <em>Fat\u0103, femeie, alta<\/em><\/strong> (Corint Fiction) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Poezie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Variat\u0326iuni-pe-o-tema\u0306-data\u0306.jpeg\" alt=\"\" class=\"wp-image-3408\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Variat\u0326iuni-pe-o-tema\u0306-data\u0306.jpeg 240w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Variat\u0326iuni-pe-o-tema\u0306-data\u0306-171x300.jpeg 171w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">1. <strong>Ana Blandiana, <em>Varia\u021biuni pe o tem\u0103 dat\u0103<\/em><\/strong> (Humanitas) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eUn poem de dragoste despre nedesp\u0103r\u0163irea prin moarte. Cea mai metafizic\u0103 dintre c\u0103r\u0163ile mele.\u201c \u2014 Ana Blandiana<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. <strong>Louise Gl\u00fcck, <em>Noapte credincioas\u0103 \u0219i virtuoas\u0103<\/em><\/strong> (Pandora M) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Premiul Nobel pentru Literatur\u0103 2020, National Book Award 2014<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eCeea ce face ca <em>Noapte credincioas\u0103 \u0219i virtuoas\u0103<\/em> s\u0103 fie un volum at\u00e2t de puternic este inventivitatea cu care autoarea reac\u021bioneaz\u0103 nu doar \u00een fa\u021ba propriei condi\u021bii de muritor, ci \u0219i \u00een fa\u021ba viziunii cu totul noi asupra lumii pe care \u0219i-o construie\u0219te.\u201d<em> The New York Times Book Review<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. <strong>Svetlana C\u00e2rstean<\/strong><strong>, <em>S\u00eent <\/em><\/strong><strong><em>alta<\/em><\/strong> (Nemira) <strong>[1\/7]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eArthur Rimbaud ar fi iubit arta cu care Svetlana C\u00e2rstean a actualizat&nbsp;<em>Je est un autre<\/em>. Svetlana este&nbsp;<em>une autre<\/em>&nbsp;\u00een sensul precis inten\u021bionat de Rimbaud \u2013 cu adaosul capacit\u0103\u021bii poeziei de a povesti direct \u0219i curajos o via\u021b\u0103 de azi. Un subtil sim\u021b al umorului, auzul perfect \u0219i privirea f\u0103r\u0103 ifose dau acestei c\u0103r\u021bi o caden\u021b\u0103 deosebit\u0103, care pune de acord istoria poetei cu via\u021ba ob\u0219teasc\u0103. Frumuse\u021bea lumii \u00een mi\u0219care, prezentul care se \u00eendep\u0103rteaz\u0103 \u0219i devine pove\u0219ti, plutesc prin t\u0103r\u00eemuri geografice \u0219i psihologice \u00een acest poem-fluviu.\u201c \u2013 Andrei Codrescu<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Nichita St\u0103nescu, <em>Cuvintelor, necuvintelor<\/em> <\/strong>(Cartier)<strong> [3\/4]<\/strong><\/li><li>5. <strong>Claudiu Komartin, <em>Autoportret \u00een flam\u0103 de sudur\u0103<\/em><\/strong> (Max Blecher) <strong>[-\/2]<\/strong><\/li><li>6. <strong>Medeea Iancu, <em>Arta revendic\u0103rii. Antologie de poezie feminist\u0103<\/em><\/strong> (Fractalia) <strong>[-\/2]<\/strong><\/li><li>7. <strong>Deniz Otay, <em>Fotocrom paradis<\/em><\/strong> (OMG) <strong>[-\/2]<\/strong><\/li><li>8. <strong>Mihai Eminescu, <em>Poezii<\/em> <\/strong>(Litera)<strong> [-\/2]<\/strong><\/li><li>9. <strong>Dan Sociu<em>, 17 poezii<\/em><\/strong> (CDPL) <strong>[-\/2]<\/strong><\/li><li>10. <strong>Pablo Neruda, <em>Nu exist\u0103 lumin\u0103 pur\u0103<\/em><\/strong>(Art) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Istorie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/08\/Hannah-Jewel-100-de-femei-afurisite.-O-istorie-.jpeg\" alt=\"\" class=\"wp-image-2909\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/08\/Hannah-Jewel-100-de-femei-afurisite.-O-istorie-.jpeg 650w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/08\/Hannah-Jewel-100-de-femei-afurisite.-O-istorie--205x300.jpeg 205w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/08\/Hannah-Jewel-100-de-femei-afurisite.-O-istorie--480x702.jpeg 480w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">1. <strong>Hannah Jewell, <em>100 de femei afurisite. O istorie<\/em><\/strong>(Nemira) <strong>[1\/4]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Femeile din istoria de fa\u021b\u0103 au fost considerate prea afurisite pentru vremea lor. Nu e de mirare c\u0103, atunci c\u00e2nd citim despre (pu\u021binele) femei din istorie, ele sunt \u00een general formale \u0219i con\u0219tiincioase. Adev\u0103rul este c\u0103 istoricii (majoritatea b\u0103rba\u021bi) \u00eendulcesc detaliile sau le exclud pe femeile care nu corespund imaginii lor idealizate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. <strong>Neagu Djuvara, <em>O scurt\u0103 istorie ilustrat\u0103 a rom\u00e2nilor<\/em><\/strong> (Humanitas) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00e2nd este \u00eenso\u0163it\u0103 de ilustra\u0163ii, o carte de istorie e mai bun\u0103, iar materia sa e \u015fi mai lesne de \u00een\u0163eles \u015fi de re\u0163inut. Imaginile spun ele \u00eensele o poveste sau o completeaz\u0103, iar impactul lor e mai puternic dec\u00e2t orice demonstra\u0163ie. Documentele iconografice din aceast\u0103 edi\u0163ie au fost selectate astfel \u00eenc\u00e2t cititorul, purtat de farmecul inconfundabil al lui Neagu Djuvara, s\u0103 \u015fi-i apropie, ca \u015fi cum ar privi \u00eentr-un album de familie alc\u0103tuit de mai multe genera\u0163ii, pe oamenii din trecut.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. <strong>Stephen Fry, <em>Troia<\/em><\/strong> (Trei) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen Troia, ve\u021bi g\u0103si eroism \u0219i ur\u0103, dragoste \u0219i pierderi, r\u0103zbunare \u0219i regret, dorin\u021b\u0103 \u0219i disperare, scrise toate cu s\u00e2nge pe nisipurile unui \u021b\u0103rm \u00eendep\u0103rtat.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Pamela S. Turner, <em>Samurai. R\u0103zboi \u0219i onoare \u00een Japonia medieval\u0103<\/em><\/strong> (Art) <strong>[-\/2]<\/strong><\/li><li>5. <strong>Noam Chomsky, <em>Cum merge lumea<\/em><\/strong> (Curtea Veche) <strong>[-\/2]<\/strong><\/li><li>6. <strong>Judith Herrin, <em>Ravenna, capitala imperiului<\/em><\/strong>(Baroque Books &amp; Arts) <strong>[-\/2]<\/strong><\/li><li>7. <strong>Tim Mackintosh-Smith, <em>Arabi<\/em><\/strong> (Rao) <strong>[10\/4]<\/strong><\/li><li>8. <strong>Reinhold Busch, <em>\u00cen infernul de la Stalingrad. M\u0103rturii ale solda\u021bilor germani<\/em><\/strong>(Corint) <strong>[-\/2]<\/strong><\/li><li>9. <strong>Barry Strauss, <em>Zece Cezari<\/em><\/strong> (Polirom) <strong>[-\/2]<\/strong><\/li><li>10. <strong>Jonathan Harris, <em>Constantinopol, capitala Bizan\u021bului<\/em><\/strong>(Baroque Books &amp; Arts) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Filosofie\/Psihologie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-665x1024.jpg\" alt=\"\" class=\"wp-image-1036\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-665x1024.jpg 665w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-195x300.jpg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-768x1183.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-480x739.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i.jpg 974w\" sizes=\"(max-width: 665px) 100vw, 665px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">1. <strong>Marcus Aurelius, <em>G\u00e2nduri c\u0103tre sine \u00eensu\u0219i<\/em><\/strong> (Humanitas) <strong>[2\/7]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eO carte de c\u0103p\u0103t\u00e2i a civiliza\u0163iei europene.\u201c \u2013 Andrei Ple\u0219u<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eCu ani \u00een urm\u0103 am cump\u0103rat o edi\u0163ie veche din Marc Aureliu care purta urm\u0103toarea dedica\u0163ie: \u00abS\u0103-\u0163i fie prieten \u00een ceasurile grele \u015fi s\u0103 te sprijine cum m-a sprijinit pe mine.\u00bb Nu cred c\u0103 i se poate face unei c\u0103r\u0163i un elogiu mai frumos dec\u00e2t acest \u00abprieten \u00een ceasurile grele\u00bb.\u201c \u2014 Emil Cioran<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eMarcus Aurelius a fost primul personaj care s-a aventurat sistematic pe teritoriul eului, care l-a vizitat \u015fi care a scris de fapt un tratat despre tehnici de ameliorare \u015fi de \u0163inere \u00een fr\u00e2u a eului propriu.\u201c \u2014 Gabriel Liiceanu<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. <strong>Viktor E. Frankl<\/strong><strong>,<\/strong> <strong><em>Omul <\/em><\/strong><strong><em>\u00een <\/em><\/strong><strong><em>c\u0103utarea <\/em><\/strong><strong><em>sensului <\/em><\/strong><strong><em>vie<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Vellant) <strong>[3\/6]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Omul \u00een c\u0103utarea sensului vie\u021bii<\/em> este cronica experien\u021belor \u00eengrozitoare tr\u0103ite de psihiatrul Viktor Frankl \u00een timpul deten\u021biei sale la Auschwitz \u0219i \u00een alte lag\u0103re concentra\u021bioniste.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. <strong>Irvin D. Yalom \u0219i Marilyn Yalom, <em>O chestiune de via\u021b\u0103 \u0219i de moarte<\/em><\/strong> (Vellant) <strong>[1\/4]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">,,Scriind aceast\u0103 carte, suntem la o v\u00e2rst\u0103 la care cei mai mul\u021bi dintre cei de\u2011o seam\u0103 cu noi au murit. Tr\u0103im acum \u00een fiecare zi \u0219tiind c\u0103 timpul nostru \u00eempreun\u0103 este limitat \u0219i extrem de pre\u021bios. Scriem pentru a da un sens existen\u021bei noastre, chiar dac\u0103 ne azv\u00e2rle \u00een cele mai \u00eentunecate zone ale declinului fizic \u0219i\u2011n bra\u021bele mor\u021bii. Aceast\u0103 carte este menit\u0103, \u00eenainte de orice, s\u0103 ne ajute s\u0103 navig\u0103m pe apele sf\u00e2r\u0219itului vie\u021bii.\u201d (Irvin D. Yalom \u0219i Marilyn Yalom)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Arthur Schopenhauer, <em>Arta de a avea \u00eentotdeauna dreptate<\/em><\/strong> (Art) <strong>[-\/2]<\/strong><\/li><li>5. <strong>Dr. Clarissa Pinkola Estes, <em>Femei care alearg\u0103 cu lupii. Pove\u0219ti \u0219i mituri ale arhetipului femeii s\u0103lbatice<\/em> <\/strong>(Niculescu)<strong> [7\/5]<\/strong><\/li><li>6. <strong>Seneca, <em>Alt timp nu am<\/em><\/strong> (Snk) <strong>[5\/7]<\/strong><\/li><li>7. <strong>Daniel Kahneman, Olivier Sibony \u0219i Cass. R. Sunstein, <em>Noise. Un defect al judec\u0103\u021bii umane<\/em><\/strong> (Vellant) <strong>[-\/2]<\/strong><\/li><li>8. <strong>Joe Dispenza, <em>Antreneaz\u0103-\u021bi creierul!<\/em><\/strong> (Curtea Veche) <strong>[-\/2]<\/strong><\/li><li>9. <strong>Jeffrey E. Young, Janet S. Klosko, <em>Cum s\u0103-\u021bi reinventezi via\u021ba <\/em><\/strong>(Trei)<strong>[-\/2]<\/strong><\/li><li>10. <strong>Daniel Kahneman, <em>G\u00e2ndire rapid\u0103, g\u00e2ndire lent\u0103<\/em><\/strong> (Publica) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Critic\u0103 \u0219i istorie literar\u0103<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Shakespeare.-Titus-Andronicus.-Hamlet.jpeg\" alt=\"\" class=\"wp-image-3409\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Shakespeare.-Titus-Andronicus.-Hamlet.jpeg 589w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Shakespeare.-Titus-Andronicus.-Hamlet-177x300.jpeg 177w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Shakespeare.-Titus-Andronicus.-Hamlet-480x815.jpeg 480w\" sizes=\"(max-width: 589px) 100vw, 589px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">1. <strong>Adrian Papahagi, <em>Shakespeare. Titus Andronicus. Hamlet <\/em><\/strong>(Polirom)<strong> [3\/3]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Titus Andronicus<\/em>&nbsp;p\u0103c\u0103tuie\u0219te prin exces \u0219i prin lips\u0103. E opera unui \u00eencep\u0103tor crud, care nu-\u0219i dozeaz\u0103 efectele. Talentat \u0219i impetuos, Shakespeare vrea s\u0103 arate dintr-odat\u0103 tot ce \u0219tie, dar adaug\u0103 prea multe ingrediente (viol, mutil\u0103ri, canibalism). Citind capodopera&nbsp;<em>Hamlet&nbsp;<\/em>al\u0103turi de&nbsp;<em>Titus Andronicus<\/em>, observ\u0103m cum parcurge Shakespeare drumul de la bizara pies\u0103-atelier la \u201epoemul infinit\u201d.&nbsp;<em>Hamlet<\/em>&nbsp;nu e o simpl\u0103 tragedie elizabetan\u0103 a r\u0103zbun\u0103rii, ci o schimbare de paradigm\u0103, un moment astral \u00een literatura european\u0103. Nu doar opera lui Shakespeare, ci cultura occidental\u0103 se \u00eemparte \u00een dou\u0103: \u00eenainte \u0219i dup\u0103&nbsp;<em>Hamlet<\/em>. Dar nici o capodoper\u0103 nu exist\u0103 \u00een sine, ci \u00eentr-o tradi\u021bie. Arta incredibil\u0103 a tragediei shakespeariene \u00eencepe cu&nbsp;<em>Titus<\/em>&nbsp;<em>Andronicus<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. <strong>Cosmin Ciotlo\u0219, <em>Cenaclul de Luni<\/em><\/strong>(Pandora M) <strong>[2\/3]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eVolumul acesta este unul pasionant, unul care se cite\u0219te adeseori ca un roman ideatic \u0219i evenimen\u021bial al preistoriei \u0219i al istoriei genera\u021biei optzeciste, cu toate tribula\u021biile pe care le-a avut aceasta pe parcursul ei accidentat, cu momente \u00een care s-a impus sau cu momente dramatice, ce au dus la interzicerea Cenaclului de Luni.\u201d \u2013 Ion Vartic<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. <strong>Antonie Compagnon, <em>Antimodernii. De la Joseph de Maistre La Roland Barthes<\/em><\/strong> (Cartea Rom\u00e2neasc\u0103) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eAntimodernul se joac\u0103 de-a cine-pierde-c\u00e2\u0219tig\u0103, fiindc\u0103 experien\u021ba lui melancolic\u0103 \u00eei ofer\u0103 o pav\u0103z\u0103 retoric\u0103 inexpugnabil\u0103. E\u0219ecul \u00een lume reprezint\u0103 condi\u021bia care face posibil\u0103 continuarea la nesf\u00e2r\u0219it a activit\u0103\u021bii literare. Chiar dac\u0103 nu vitupereaz\u0103 mereu, fiindc\u0103 nu to\u021bi o fac, verva antimodernului e de nest\u0103p\u00e2nit (\u2026).\u201d<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Corina Cioc\u00e2rlie, Andreea R\u0103suceanu, <em>Dic\u021bionar de locuri literare bucure\u0219tene<\/em><\/strong><em> <\/em>(Humanitas) <strong>[10\/4]<\/strong><\/li><li>5. <strong>Cristina Ungureanu, <em>Tain\u0103 \u0219i sens \u00een <\/em>Povestea vie\u021bii mele<em>, capodopera Mariei, Regina Rom\u00e2niei. Analiza narativ-discursiv\u0103<\/em><\/strong> (Curtea Veche) <strong>[7\/4]<\/strong><\/li><li>6. <strong>Iacob Florea, <em>Un halat pentru un secol. Oblomovismul, \u00een r\u0103sp\u0103r<\/em><\/strong>(Tracus Arte) <strong>[-\/2]<\/strong><\/li><li>7. <strong>Mortimer J. Adler, Charles Van Doren,<\/strong> <em>Cum se cite\u0219te o carte <\/em>(Paralela 45) <strong>[-\/2]<\/strong><\/li><li>8. <strong>Alina Pamfil, <em>Didactica literaturii. Reorient\u0103ri<\/em><\/strong>(Art) <strong>[-\/2]<\/strong><\/li><li>9. <strong>Alberto Manguel, <em>Un cititor \u00een p\u0103durea din oglind\u0103<\/em><\/strong>(Nemira) <strong>[-\/2]<\/strong><\/li><li>10. <strong>John Freeman, <em>Dic\u021bionarul refacerii<\/em><\/strong>(Black Button Books) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi pentru copii<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Ra\u0306zboiul-care-m-a-i\u0302nva\u0306t\u0326at-sa\u0306-tra\u0306iesc.jpeg\" alt=\"\" class=\"wp-image-3410\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Ra\u0306zboiul-care-m-a-i\u0302nva\u0306t\u0326at-sa\u0306-tra\u0306iesc.jpeg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Ra\u0306zboiul-care-m-a-i\u0302nva\u0306t\u0326at-sa\u0306-tra\u0306iesc-222x300.jpeg 222w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Ra\u0306zboiul-care-m-a-i\u0302nva\u0306t\u0326at-sa\u0306-tra\u0306iesc-480x650.jpeg 480w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">1. <strong>Kimberly Brubaker Bradley, <em>R\u0103zboiul care mi-a salvat via\u021ba <\/em>(Arthur) [7\/3]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">R\u0103zboiul nu e doar un eveniment istoric. El are loc \u0219i \u00een inima Adei. Via\u021ba \u00een izolare nu este u\u0219oar\u0103, iar supravie\u021buirea \u00eentr-o astfel de vreme, cu resurse limitate, este complicat\u0103. Ada lupt\u0103 cu sine pentru a accepta sensul nou pe care \u00eel cap\u0103t\u0103 pentru ea cuv\u00e2ntul familie, dar lupt\u0103 \u0219i cu propria identitate, demonstr\u00e2nd c\u0103 adev\u0103rata libertate nu este reprezentat\u0103 doar de posibilitatea de a alege, ci de a face alegerea corect\u0103. Odat\u0103 ce descoper\u0103 c\u0103 frica nu exclude curajul, devine invincibil\u0103 \u0219i \u00ee\u0219i adun\u0103 puterile pentru a le aduce speran\u021b\u0103 celor din jur, ba chiar \u0219i pilo\u021bilor din al Doilea R\u0103zboi Mondial.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. <strong>Sven Nordqvist, <em>Aventuri cu Pettson \u0219i Findus<\/em><\/strong>(Trei) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bine a\u021bi venit acas\u0103 la Pettson &amp; Findus!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Printre \u0219tiuci uria\u0219e \u0219i g\u0103ini \u00eenc\u0103p\u0103\u021b\u00e2nate, printre vulpi speriate, bursuci ursuzi \u0219i flec\u0103re\u021bi juc\u0103u\u0219i, ve\u021bi g\u0103si drumul c\u0103tre ferma lui Pettson, ve\u021bi face camping \u0219i v\u0103 ve\u021bi s\u0103rb\u0103tori ziua de na\u0219tere de trei ori pe an, ca Findus.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. <strong>Ioana Chicet-Macoveiciuc<\/strong><strong>, <em>Caietul, <\/em><\/strong><strong><em>roman <\/em><\/strong><strong><em>mic <\/em><\/strong><strong><em>pentru <\/em><\/strong><strong><em>feti<\/em><\/strong><strong><em>\u021bele <\/em><\/strong><strong><em>care <\/em><\/strong><strong><em>cresc <\/em><\/strong><strong><em>mari<\/em><\/strong> (Univers) <strong>[4\/6]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dup\u0103 cinci ani de la publicarea bestsellerului <em>O s\u0103 te \u021bin \u00een bra\u021be c\u00e2t vrei tu \u0219i \u00eenc\u0103 o secund\u0103<\/em>, Ioana Chicet-Macoveiciuc revine cu o carte dedicat\u0103 mamelor, un volum mai dens, mai intim \u0219i plin de istorii personale, scris sub forma unei lungi scrisori de apreciere \u0219i \u00eencurajare din partea autoarei pentru fiecare femeie care se va cufunda \u00een lectura acestor pagini.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Alex Rovira, Francesc Miralles, <em>Pove\u0219ti ca s\u0103 te iube\u0219ti mai mult: 35 de istorioare care cultiv\u0103 respectul de sine<\/em><\/strong> (Humanitas) <strong>[3\/6]<\/strong><\/li><li>5. <strong>Antoine De Saint-Exupery, <em>Micul Prin\u021b<\/em><\/strong> (Rao) <strong>[6\/7]<\/strong><\/li><li>6. <strong>Frances Hodgson Burnett,<\/strong> <strong><em>Gr\u0103dina secret\u0103<\/em><\/strong> (Corint) <strong>[-\/2]<\/strong><\/li><li>7. <strong>Anh Do, <em>Ninja Kid<\/em><\/strong> (Epica) <strong>[-\/2]<\/strong><\/li><li>8. <strong>Erin Hunter, <em>Pisicile r\u0103zboinice.<\/em>Vol. 1:<em> \u00cen inima p\u0103durii<\/em><\/strong> (All) <strong>[-\/2]<\/strong><\/li><li>9. <strong>Lily Small, <em>Chloe, pisicu\u021ba<\/em><\/strong> (Nemira) <strong>[-\/2]<\/strong><\/li><li>10. <strong>Agn\u00e8s de Lestrade, <em>Micul Prin\u021b<\/em><\/strong> (Vellant) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Eseu<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-671x1024.jpeg\" alt=\"\" class=\"wp-image-3411\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-671x1024.jpeg 671w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-197x300.jpeg 197w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-768x1172.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane-480x733.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Legile-fundamentale-ale-imbecilita\u0306t\u0326ii-umane.jpeg 800w\" sizes=\"(max-width: 671px) 100vw, 671px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">1. <strong>Carlo Cipolla, <em>Legile fundamentale ale imbecilit\u0103\u021bii umane<\/em><\/strong> (Humanitas) <strong>[7\/7]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eUn imbecil este o persoan\u0103 care cauzeaz\u0103 pierderi unui alt individ sau grup de indivizi, f\u0103r\u0103 a c\u00e2\u0219tiga nimic \u00een schimb, uneori chiar suferind pierderi de pe urma ac\u021biunilor sale.\u201c \u2014 A treia lege fundamental\u0103 a imbecilit\u0103\u021bii (Regula de Aur)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. <strong>Nassim Nicholas Taleb, <em>Leb\u0103da neagr\u0103<\/em> (edi\u021bia a III-a, rev\u0103zut\u0103)<\/strong> (Curtea Veche) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen <em>Leb\u0103da neagr\u0103<\/em>, cea de a doua carte din trilogia sa <em>Incerto<\/em>, Taleb face o analiz\u0103 dens\u0103 a impactului improbabilit\u0103\u021bii, explic\u00e2ndu-ne tot ceea ce \u0219tim despre ceea ce nu \u0219tim.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. <strong>Jacques Attali, <em>Scurt\u0103 istorie a viitorului<\/em><\/strong> (Polirom) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Apari\u021bia unor noi puteri \u0219i dispari\u021bia altora, explozia demografic\u0103, migra\u021biile, terorismul sau modific\u0103rile climatice vor schimba lumea contemporan\u0103. \u00cen acest eseu despre evolu\u021bia lumii \u00een urm\u0103toarea jum\u0103tate de secol, Jacques Attali ne pune \u00een fa\u021ba unei alternative radicale. Omenirea va avea de ales \u00eentre dispari\u021bia total\u0103, determinat\u0103 fie de evolu\u021bia unui hiperimperiu construit dup\u0103 legile pie\u021bei, fie de un conflict ce ar \u00eentrerupe violent globalizarea, \u0219i hiperdemocra\u021bie: acceptarea \u0219i controlarea mondializ\u0103rii, \u00eentr-o societate care va oferi tuturor accesul la noile tehnologii, la un mediu mai bine protejat \u0219i la libertatea individual\u0103.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Scott Galloway, <em>Post Corona<\/em><\/strong> (Publica) <strong>[-\/2]<\/strong><\/li><li>5. <strong>Alain de Botton, <em>Statut \u0219i anxietate<\/em><\/strong> (Vellant) <strong>[2\/3]<\/strong><\/li><li>6. <strong>David Graber, <em>Dartoria. Primii 5000 de ani<\/em><\/strong> (Art) <strong>[-\/2]<\/strong><\/li><li>7. <strong><em>Pove\u0219ti despre dou\u0103 planete. Schimb\u0103ri climatice \u0219i inegalitate \u00eentr-o lume divizat\u0103<\/em><\/strong> (Black Button Books) <strong>[-\/2]<\/strong><\/li><li>8. <strong>Daron Acemoglu, James A. Robinson, <em>De ce e\u0219ueaz\u0103 na\u021biunile<\/em><\/strong> (Litera) <strong>[-\/2]<\/strong><\/li><li>9. <strong>Michel Onfray, <em>\u00cen\u021belepciune \u2013 cum s\u0103 tr\u0103ie\u0219ti la poalele unui vulcan<\/em><\/strong>(Cartea Rom\u00e2neasc\u0103) <strong>[-\/2]<\/strong><\/li><li>10. <strong>Alexandr Soljeni\u021b\u00een, <em>Revolu\u021bie \u0219i minciun\u0103<\/em><\/strong> (Univers) <strong>[-\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi de c\u0103l\u0103torie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Mansarda\u0306-la-Venet\u0326ia-665x1024.jpeg\" alt=\"\" class=\"wp-image-3412\" width=\"195\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Mansarda\u0306-la-Venet\u0326ia-665x1024.jpeg 665w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Mansarda\u0306-la-Venet\u0326ia-195x300.jpeg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Mansarda\u0306-la-Venet\u0326ia-768x1182.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Mansarda\u0306-la-Venet\u0326ia-480x739.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/Mansarda\u0306-la-Venet\u0326ia.jpeg 800w\" sizes=\"(max-width: 665px) 100vw, 665px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">1. <strong>Cristina Chevere\u0219an<em>, Mansard\u0103 la Vene\u021bia. Nou\u0103 s\u0103pt\u0103m\u00e2ni \u00een lagun\u0103<\/em> <\/strong>(Humanitas)<strong> [5\/3]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Manuscrisul din mansarda vene\u021bian\u0103 s-a conturat de la sine, de-a lungul unei \u0219ederi bogate \u00een culoare local\u0103 \u0219i incursiuni dincolo de fa\u021bade \u0219i parade arhicunoscute \u0219i \u00eendelung studiate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rezultatul e un jurnal candid, f\u0103r\u0103 preten\u021bii pedagogice, de exhaustivitate sau erudi\u021bie: dimine\u021bi \u0219i dup\u0103-amiezi de gra\u021bie, scufundate \u00een luciul discret \u0219i tainele lagunei unice, sau \u00eenv\u0103luite de jocul de lumini \u0219i umbre de pe terasa suspendat\u0103 printre acoperi\u0219uri de palate \u0219i turle de biserici. Nu pornisem cu vreun obiectiv anume.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. <strong>Marius Chivu,<\/strong> <strong><em>Trei s\u0103pt\u0103m\u00e2ni \u00een Himalaya<\/em><\/strong> (Humanitas) <strong>[7\/6]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Trei s\u0103pt\u0103m\u00e2ni \u00een Himalaya. Povestea seduc\u0103toare a unui drum spre \u201estrea\u0219ina lumii\u201c, o c\u0103l\u0103torie \u0219i o carte care te elibereaz\u0103 de tot ce-\u021bi prisose\u0219te \u00een\u0103untru. Urci muntele cobor\u00e2nd \u00een tine.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. <strong>Aldous Huxley, <em>C\u0103l\u0103toria unui sceptic \u00een jurul lumii<\/em><\/strong>(Polirom) <strong>[-\/2]<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen c\u0103l\u0103toria sa de un an prin lume (India, Birmania, Japonia, China, America), Aldous Huxley \u00ee\u0219i noteaz\u0103 impresiile puternice l\u0103sate de locurile pe care le viziteaz\u0103 \u0219i de oamenii pe care \u00eei cunoa\u0219te. India \u0219i Birmania s\u00eent pentru el prilej de a vorbi despre istoria cultural\u0103 a Ca\u0219mirului, despre arhitectura mongol\u0103 \u0219i despre istoria artei indiene. Preumbl\u00eendu-se cu o ambarca\u021biune dinspre tropice spre ecuator, g\u0103se\u0219te o veche autobiografie a lui Henry Ford, care-i aminte\u0219te de \u201evalorile \u0219i avantajele\u201d capitalismului. Rezultatul tuturor acestor \u00eensemn\u0103ri este un jurnal \u00eenc\u00eent\u0103tor \u0219i plin de via\u021b\u0103, care dezv\u0103luie un Huxley rafinat, plin de umor \u0219i de profunzime.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Erika Fatland, <em>Sovietstan. O c\u0103l\u0103torie prin Turkmenistan, Kazahstan, Tadjikistan, K\u00e2rg\u00e2zstan \u0219i Uzbekistan<\/em><\/strong> (Paralela 45) <strong>[-\/2]<\/strong><\/li><li>5. <strong>Sabina Fati, <em>Ocolul m\u0103rii negre \u00een 90 de zile: \u0219apte \u021b\u0103ri, opt grani\u021be \u0219i o lovitur\u0103 de stat \u00een prime-time<\/em><\/strong> (Humanitas) <strong>[-\/4]<\/strong><\/li><li>6. <strong>Joshua Slocum, <em>Navig\u00e2nd singur \u00een jurul lumii<\/em><\/strong>(Art) <strong>[-\/2]<\/strong><\/li><li>7. <strong>C\u0103t\u0103lin Vrabie, <em>Pierdut \u00een Vietnam \u0219i Cambodgia<\/em><\/strong> (Univers Juridic) <strong>[-\/2]<\/strong><\/li><li>8. <strong>Jheni Osman, <em>Cartea mic\u0103 a marilor expedi\u021bii. Aventuri \u00een necunoscut care au schimbat lumea<\/em><\/strong>(Niculescu) <strong>[-\/2]<\/strong><\/li><li>9. <strong>Raluca Feher, <em>America dezgolit\u0103 de la br\u00e2u \u00een jos<\/em><\/strong>(Trei) <strong>[-\/2]<\/strong><\/li><li>10. <strong>William Dalrymple, <em>De la Muntele Sf\u00e2nt<\/em><\/strong> (Vellant) <strong>[-\/2]<\/strong><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Urm\u0103toarele topuri au fost realizate \u00een func\u021bie de v\u00eenz\u0103rile \u00eenregistrate \u00een intervalul 1 iunie &#8211; 31 iulie 2021 \u00een re\u021beaua de libr\u0103rii C\u0103rture\u0219ti \u0219i pe carturesti.ro.<\/p>\n","protected":false},"author":2,"featured_media":3405,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[161],"tags":[162,642],"coauthors":[],"class_list":["post-3404","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bestsellers-carturesti","tag-bestsellers-carturesti","tag-nr-7-8-2021"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/12\/1-carturesti-carusel-1.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3404"}],"version-history":[{"count":3,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3404\/revisions"}],"predecessor-version":[{"id":3415,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3404\/revisions\/3415"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/3405"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3404"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3404"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=3404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}