{"id":3322,"date":"2021-11-25T21:27:05","date_gmt":"2021-11-25T18:27:05","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=3322"},"modified":"2021-11-25T21:27:11","modified_gmt":"2021-11-25T18:27:11","slug":"new-sociu","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=3322","title":{"rendered":"New Sociu?"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/11\/17soc.jpg\" alt=\"\" class=\"wp-image-3323\" width=\"600\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/11\/17soc.jpg 671w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/11\/17soc-200x300.jpg 200w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/11\/17soc-480x720.jpg 480w\" sizes=\"(max-width: 671px) 100vw, 671px\" \/><figcaption>Dan Sociu, <em>17 poezii<\/em>, CDPL, Bucure\u0219ti, 2021<\/figcaption><\/figure><\/div>\n\n\n\n<p>Schimb\u0103rile de registru \u00een cadrul operelor autorilor care au o anume notorietate pot genera (\u0219i au f\u0103cut-o de multe ori) discu\u021bii aprinse, chiar polemici. Anul trecut Mircea C\u0103rt\u0103rescu risipea colbul de lini\u0219te a\u0219ezat \u00eentre diferitele grup\u0103ri literare lans\u00e2nd <em>nu striga niciodat\u0103 ajutor<\/em>, interpret\u0103rile fiind variate, noua carte de poezie a lui C\u0103rt\u0103rescu primind at\u00e2t laude (unele exagerate) c\u00e2t \u0219i critici (\u00een cronici ostentative sau nu). Capacitatea unei c\u0103r\u021bi de a primi at\u00e2t titlul de maculatur\u0103, c\u00e2t \u0219i cel de capodoper\u0103 nu \u021bine neap\u0103rat de valoarea ei literar\u0103, ci \u0219i de greutatea numelui autorului \u0219i de atitudinea lui fa\u021b\u0103 de crea\u021bie: C\u0103rt\u0103rescu, probabil cel mai important scriitor rom\u00e2n \u00een via\u021b\u0103 (cu siguran\u021b\u0103 cel mai cunoscut), se desp\u0103r\u021bea aproape total de poezia care, cu mai bine de trei decenii \u00een urm\u0103, \u00eel aducea \u00een centrul aten\u021biei lumii literare.<\/p>\n\n\n\n<p>Un fenomen asem\u0103n\u0103tor ar putea s\u0103 aib\u0103 loc odat\u0103 cu lansarea noului volum de poezie al lui Dan Sociu (<em>17 poezii<\/em>, CDPL, 2021). Noua lui c\u0103rticic\u0103 este cu siguran\u021b\u0103 simpatic\u0103, fapt impropriu unui poet care ne-a obi\u0219nuit \u00een ultimii ani cu o literatur\u0103 de o cu totul alt\u0103 factur\u0103. Dac\u0103 \u00een <em>Uau<\/em> (Polirom, 2019) biografismul \u00eentunecat, bukowskian, se \u00eempletea cu o curioas\u0103 construc\u021bie de natur\u0103 mistic\u0103, d\u00e2nd noi valen\u021be unui stil deja bine definit, iat\u0103 c\u0103 Sociu ne surprinde acum, mut\u00e2ndu-\u0219i perspectiva \u00eentr-un registru stilistic total diferit, <em>17 poezii<\/em> av\u00e2nd un ton ludic, prietenos, dulceag (apropiindu-se ca atitudine de recenta carte a lui Vlad Dr\u0103goi, <em>Aer p\u0103s\u0103ri bere<\/em>).<\/p>\n\n\n\n<p>Anticip\u00e2nd posibilele discu\u021bii, poetul \u021bine s\u0103 ne fac\u0103 o introducere cu rol de \u201ec\u0103u\u0219 conceptual\u201d (ca s\u0103 p\u0103str\u0103m cuvintele lui). Astfel, el vede aceast\u0103 n\u0103zb\u00e2tie editorial\u0103 ca o form\u0103 de revigorare, un act prin care \u201es-ar fi revirginat, s-ar fi \u00eemprosp\u0103tat, ar fi rec\u0103p\u0103tat pasiunea metafizic\u0103 romantic\u0103\u201d. Sociu sus\u021bine c\u0103 aceasta ar fi cartea unei reveniri la adolescen\u021b\u0103, teorie fezabil\u0103 av\u00e2nd \u00een vedere con\u021binutul ei. Mir\u0103rile adolescentine sunt, \u00eens\u0103, trecute prin filtrul celui ajuns la maturitate, ele fiind mai degrab\u0103 fotografii str\u00e2nse \u00eentr-un album, r\u0103sfoite acum, dup\u0103 cum ni se spune \u00een ultimul poem al volumului: \u201es\u00eent c\u0103l\u0103tor prin timp\/ spre origini\/ vin din b\u0103tr\u00eene\u021be, de dup\u0103 desp\u0103r\u021biri\/ \u0219i v\u0103 g\u0103sesc pe to\u021bi tot mai bine\/ \u0219i nici nu \u0219ti\u021bi de ce z\u00eembesc mereu\u201d.<\/p>\n\n\n\n<p>Vorbim despre o poezie simpl\u0103, dar nu simplist\u0103. Mir\u0103rile lui Sociu par de suprafa\u021b\u0103, \u00eens\u0103 ele merg mai departe. Primul poem al volumului asta vrea s\u0103 ne dovedeasc\u0103, simplitatea cu implica\u021bii multiple (\u201ece frumos plute\u0219te o ra\u021b\u0103\/ lini\u0219tit\u0103 \u0219i cumva m\u0103rea\u021b\u0103\/ numai c\u0103 sub gra\u021bie\/ e o agita\u021bie\/ de picioru\u0219e sub suprafa\u021b\u0103\u201d). Poemele func\u021bioneaz\u0103 dup\u0103 acest \u0219ablon, fie av\u00e2nd filamente ideatice (spre exemplu: \u201edou\u0103 lampioane\/ zboar\u0103 peste mare\/ unul s-a pierdut\/ dincolo de zare\/ \u00een necunoscut\/ unde nu mai zboar\u0103\/ dec\u00eet avioane\/\/ dou\u0103 lampioane\/ unul l\u00eeng\u0103 mal\/ \u00eenc\u0103 str\u0103luce\u0219te\/ cel\u0103lalt departe\/ abia se z\u0103re\u0219te\/ care-i mai frumos\/ dintre lampioane\/\/ cel ce se tot vede\/ sau cel ce se pierde\/ unde n-au zburat\/ dec\u00eet avioane?\u201d), fie imagini dr\u0103gu\u021be, dac\u0103 nu chiar frumoase din punct de vedere estetic, de obicei implic\u00e2nd schimbarea punctului de focalizare (de exemplu: \u201episu bea ap\u0103\/ se-opre\u0219te din lip\u0103it\/ \u0219i aud ploaia\u201d sau \u201epofta s-o s\u0103rut\/ ca pofta s\u0103 trag un \u0219ut\/ \u00een mingea din drum\u201d).<\/p>\n\n\n\n<p>Mie mi se pare c\u0103 vocea poetic\u0103 din <em>17 poezii<\/em> este cea a unui Paterson adolescent (personaj principal al filmului cu acela\u0219i nume, Jim Jarmusch, 2016). Dan Sociu devine un Paterson, un observator al fenomenelor ce \u00eel \u00eenconjoar\u0103, f\u0103r\u0103 a se pune \u00een centrul discu\u021biei. De fapt, aici intervine marea mirare, a mea ca cititor, anume faptul c\u0103 Sociu renun\u021b\u0103 (pentru a doua oar\u0103; prima \u2013 de\u0219i \u00een mai mic\u0103 m\u0103sur\u0103 \u2013 \u00een <em>Poezii naive \u0219i sentimentale<\/em>, Cartea Rom\u00e2neasc\u0103, 2012) la stilul deja clasicizat, cristalizat, bine \u00eenfipt \u00een discu\u021bia literaturii rom\u00e2ne extrem-contemporane, stil care a inspirat, care a produs numero\u0219i epigoni, stil care implic\u0103 un auto-biografism nevrotic, uneori narcotic, o direc\u021bie expresionist\u0103\/post-expresionist\u0103 care a marcat literatura autohton\u0103 a noului mileniu, stil care, \u00een percep\u021bia general\u0103, este sinonim cu literatura lui de p\u00e2n\u0103 acum. Nu este la mod\u0103 s\u0103 fii Paterson sau, \u00een orice caz, nu a fost p\u00e2n\u0103 recent. Totu\u0219i, poezia care poart\u0103 ast\u0103zi vaga etichet\u0103 a post-dou\u0103miismului (termen reprobabil pe care \u00eel utilizez \u00een lips\u0103 de un altul mai bun) mai are multe de spus (cel pu\u021bin a\u0219a sper) \u0219i \u00eenc\u0103 nu \u0219i-a dezv\u0103luit toate fa\u021betele. Poate c\u0103, al\u0103turi de Vlad Dr\u0103goi (\u00een <em>Aer p\u0103s\u0103ri bere<\/em> ) \u0219i Radu Ni\u021bescu (\u00een <em>Satao<\/em>), Sociu va pune um\u0103rul la crearea unei noi sensibilit\u0103\u021bi \u00een poezia de la noi, populariz\u00e2nd ceea ce nume\u0219te el \u201epasiune metafizic\u0103 romantic\u0103\u201d.<\/p>\n\n\n\n<p>Nu \u0219tiu dac\u0103 Dan Sociu \u00ee\u0219i dore\u0219te s\u0103 se reinventeze ca poet, \u00eens\u0103 <em>17 poezii<\/em> nu este cea mai reu\u0219it\u0103 carte a sa. Totu\u0219i, nu o putem invalida; este o lectur\u0103 simpatic\u0103 \u0219i scurt\u0103, scris\u0103 \u00eentr-un stil nu foarte des \u00eent\u00e2lnit \u00een poezia rom\u00e2neasc\u0103 de ast\u0103zi, dar care pare s\u0103 prind\u0103 trac\u021biune.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Noua lui c\u0103rticic\u0103 este cu siguran\u021b\u0103 simpatic\u0103, fapt impropriu unui poet care ne-a obi\u0219nuit \u00een ultimii ani cu o literatur\u0103 de o cu totul alt\u0103 factur\u0103.<\/p>\n","protected":false},"author":17,"featured_media":3323,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[716,189,714,715,642,119],"coauthors":[],"class_list":["post-3322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-17-poezii","tag-casa-de-pariuri-literare","tag-cronica-literar","tag-dan-sociu","tag-nr-7-8-2021","tag-radu-bejan"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/11\/17soc.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3322"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3322\/revisions"}],"predecessor-version":[{"id":3324,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3322\/revisions\/3324"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/3323"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3322"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=3322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}