{"id":2899,"date":"2021-08-17T22:15:47","date_gmt":"2021-08-17T19:15:47","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=2899"},"modified":"2021-08-17T22:35:42","modified_gmt":"2021-08-17T19:35:42","slug":"bestsellers-carturesti-mai-2021","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=2899","title":{"rendered":"Bestsellers C\u0103rture\u0219ti \u2013 mai 2021"},"content":{"rendered":"\n
Cifrele din dreptul titlurilor, prezentate \u00eentre paranteze drepte, reprezint\u0103 locul ocupat \u00een topul lunii anterioare, respectiv num\u0103rul de luni \u00een top.<\/em><\/pre>\n\n\n\n
Scriitori rom\u00e2ni<\/h4>\n\n\n\n
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1. Radu Paraschivescu, Acul de aur \u0219i ochii Glorianei<\/em> <\/strong>(Humanitas) [-\/1]<\/strong><\/p>\n\n\n\n
Acul de aur \u0219i ochii Glorianei<\/em> este un roman de aventuri \u015fi un posibil argument \u00een sprijinul ideii c\u0103 istoria const\u0103 \u00eentr-o suit\u0103 de versiuni. \u00cens\u0103 <\/em>romanul lui Radu Paraschivescu, \u00een care se insinueaz\u0103 Richard Burbage sau umbrele lui Ann de Boleyn, William Shakespeare \u015fi Caravaggio, e poate \u00een primul r\u00e2nd un omagiu adus ochiului, vederii \u015fi culorilor.<\/p>\n\n\n\n
2. Ioana P<\/strong>\u00e2rvulescu<\/strong>, Inocen<\/em><\/strong>\u021bii<\/em><\/strong> (Humanitas) [2\/5]<\/strong><\/p>\n\n\n\n
Dou\u0103 viziuni asupra lumii: cea a unei feti\u021be care vede lucrurile \u00eentr-un fel extrem de personal \u015fi cea a femeii care descoper\u0103 secretele \u00eenecate \u00een trecut. Naivitatea comic\u0103 a primei voci \u00eenvinge melancolia celei de-a doua.<\/p>\n\n\n\n
3. Ioana P\u00e2rvulescu, Alfabetul doamnelor<\/em><\/strong> (Humanitas) [-\/1]<\/strong><\/p>\n\n\n\n
\u201eCartea ofer\u0103 o tipologie a personajelor feminine din literatura rom\u00e2n\u0103, de la doamna B. a lui Negruzzi la doamna T. a lui Camil Petrescu. Combin\u0103 critica \u0219i istoria literar\u0103 cu istoria mentalit\u0103\u021bilor, sociologia cu istoria cultural\u0103, experien\u021ba de via\u021b\u0103 cu cea de bibliotec\u0103: \u00een fond cam tot ce folosim c\u00e2nd citim \u0219i judec\u0103m literatura, f\u0103r\u0103 m\u00e2nie \u0219i p\u0103rtinire. Alfabetul doamnelor<\/em> nu se dore\u0219te, desigur, a fi exhaustiv (oricum, nu trece de Interbelic). Fiecare dintre noi are cu siguran\u021b\u0103 unul propriu, bazat pe afinit\u0103\u021bi. Acesta este al meu. Nu-l impun, \u00eel propun.\u201c – Ioana P\u00e2rvulescu<\/p>\n\n\n\n
  • 4.<\/strong> Radu Paraschivescu, Vitrina cu \u0219arlatani<\/em><\/strong> (Humanitas) [4\/5]<\/strong><\/li>
  • 5. Mircea C\u0103rt\u0103rescu, Nostalgia<\/em><\/strong> (Humanitas) [-\/1]<\/strong><\/li>
  • 6. Raluca Feher, Te iubesc, dar nu pe tine <\/em><\/strong>(Trei) [-\/1]<\/strong><\/li>
  • 7. Tatiana Niculescu, Nepovestitele iubiri<\/em> \u2013 7 minibiografii sentimentale<\/em><\/strong> <\/em>(Humanitas) [3\/4]<\/strong><\/li>
  • 8. Tatiana \u021a\u00eebuleac, Vara \u00een care mama a avut ochii verzi<\/em><\/strong> (Cartier) [6\/5]<\/strong><\/li>
  • 9. Dan Alexe, Miros de ro\u0219cat\u0103 amar\u0103 <\/em>(Humanitas) [-\/1]<\/strong><\/li>
  • 10. Gabriel Liiceanu, Andrei Ple\u0219u, Despre destin<\/em><\/strong> (Humanitas) [5\/5]<\/strong><\/li><\/ul>\n<\/div>\n<\/div>\n\n\n\n
    Fic\u021biune<\/h4>\n\n\n\n
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    1.<\/strong> Christian Escrib\u00e0, S\u00edlvia Tarrag\u00f3, Cofet\u0103ria cu miracole<\/em><\/strong> (Humanitas Fiction) [1\/2]<\/strong><\/p>\n\n\n\n
    O incursiune \u00een istoria \u0219i \u00een atmosfera Barcelonei, Cofet\u0103ria cu miracole porne\u0219te de la povestea adev\u0103rat\u0103 a cofet\u0103riei Escrib\u00e0, un loc emblematic pentru toat\u0103 Catalunya. O c\u0103l\u0103torie \u00een universul catalan care acoper\u0103 aproape un secol, romanul ne face p\u0103rta\u0219i la s\u0103rb\u0103tori \u0219i tradi\u021bii locale deosebit de pitore\u0219ti, precum \u0219i la evenimente care au marcat dramatic via\u021ba oamenilor, urm\u0103rind dou\u0103 destine, cel al lui Mateu Serra \u0219i cel al tinerei Alba. Un tablou plin de culoare al Barcelonei, o feerie care are \u00een centrul s\u0103u magia dulciurilor.<\/p>\n\n\n\n
    2. Matt Haig<\/strong>, Biblioteca <\/em><\/strong>de <\/em><\/strong>la <\/em><\/strong>miezul <\/em><\/strong>nop<\/em><\/strong>\u021bii<\/em><\/strong> (Nemira) [8\/5]<\/strong><\/p>\n\n\n\n
    O singur\u0103 bibliotec\u0103. O infinitate de vie\u021bi. Care e cea mai bun\u0103? Undeva, la marginea universului, exist\u0103 o bibliotec\u0103 infinit\u0103 de c\u0103r\u021bi, iar fiecare poveste din ele provine dintr-o alt\u0103 realitate. Una spune povestea vie\u021bii tale a\u0219a cum e, alta spune povestea vie\u021bii tale a\u0219a cum ar fi fost dac\u0103 ai fi luat alt\u0103 decizie \u00eentr-un anumit moment. To\u021bi ne \u00eentreb\u0103m mereu cum ar fi putut s\u0103 fie vie\u021bile noastre. Dar dac\u0103 am g\u0103si r\u0103spunsul \u00eentr-o bibliotec\u0103?<\/p>\n\n\n\n
    3. Evgheni Vodolazkin, Istoria insulei<\/em><\/strong> (Humanitas Fiction) [-\/1]<\/strong><\/p>\n\n\n\n
    O insul\u0103 care nu exist\u0103 pe hart\u0103, dar a c\u0103rei existen\u021b\u0103 nu e umbrit\u0103 de nici o urm\u0103 de \u00eendoial\u0103. N-o g\u0103sim \u00een manualele de istorie, dar istoria ei e dureros de cunoscut\u0103. \u00cen acest roman cu accente de mister, Evul Mediu se \u00eemplete\u0219te cu prezentul, destinele popoarelor cu cele personale, tragicul cu grotescul \u0219i ironia bl\u00e2nd\u0103. Prin\u021bi drep\u021bi \u0219i lumino\u0219i convie\u021buiesc \u00een mod firesc cu pre\u0219edin\u021bi, cronicari \u0219i proroci, cu un st\u0103p\u00e2n al albinelor \u0219i un motan vorbitor. Conform unei prorociri str\u0103vechi, Insula e amenin\u021bat\u0103 de mari \u00eencerc\u0103ri. Va reu\u0219i oare s\u0103 supravie\u021buiasc\u0103, atunci c\u00e2nd p\u0103m\u00e2ntul va \u00eencepe s\u0103 se cutremure sub picioarele locuitorilor ei?<\/p>\n\n\n\n
    • 4. Irvin D. Yalom, Minciuni pe canapea<\/em><\/strong> <\/em>(Humanitas Fiction) [-\/1]<\/strong><\/li>
    • 5. Heather Morris, Tatuatorul de la Auschwitz<\/em><\/strong> (Humanitas Fiction) [10\/5]<\/strong><\/li>
    • 6. Hiro Arikawa, Memoriile unui montan c\u0103l\u0103tor<\/em> <\/strong>(Humanitas Fiction) [-\/1]<\/strong><\/li>
    • 7. Delia Owens, Acolo unde c\u00e2nt\u0103 racii<\/em><\/strong> (Trei) [5\/5]<\/strong><\/li>
    • 8. Irvin D. Yalom, Pl\u00e2nsul lui Nietzsche<\/em> <\/strong>(Humanitas Fiction) [-\/1]<\/strong><\/li>
    • 9. V. E. Schwab, Via\u021ba invizibil\u0103 a lui Addie LaRue<\/em><\/strong> (Bookzone) [2\/2]<\/strong><\/li>
    • 10. Fredrik Backman, Bunica mi-a zis s\u0103-\u021bi spun c\u0103-i pare r\u0103u<\/em> <\/strong>(Art\/Musai) [-\/1]<\/strong><\/li><\/ul>\n\n\n\n
      Poezie<\/h4>\n\n\n\n
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      1. Svetlana C\u00e2rstean<\/strong>, S\u00eent <\/em><\/strong>alta<\/em><\/strong> (Nemira) [1\/5]<\/strong><\/p>\n\n\n\n
      \u201eArthur Rimbaud ar fi iubit arta cu care Svetlana C\u00e2rstean a actualizat Je est un autre<\/em>. Svetlana este une autre<\/em> \u00een sensul precis inten\u021bionat de Rimbaud \u2013 cu adaosul capacit\u0103\u021bii poeziei de a povesti direct \u0219i curajos o via\u021b\u0103 de azi. Un subtil sim\u021b al umorului, auzul perfect \u0219i privirea f\u0103r\u0103 ifose dau acestei c\u0103r\u021bi o caden\u021b\u0103 deosebit\u0103, care pune de acord istoria poetei cu via\u021ba ob\u0219teasc\u0103. Frumuse\u021bea lumii \u00een mi\u0219care, prezentul care se \u00eendep\u0103rteaz\u0103 \u0219i devine pove\u0219ti, plutesc prin t\u0103r\u00eemuri geografice \u0219i psihologice \u00een acest poem-fluviu.\u201c \u2013 Andrei Codrescu<\/p>\n\n\n\n
      2.<\/strong> Nichita St<\/strong>\u0103nescu<\/strong>, Integrala <\/em><\/strong>poeziei<\/em><\/strong> (Vasiliana) [2\/5]<\/strong><\/p>\n\n\n\n
      \u201eOric\u00e2t ar fi fost de contestat de la moartea sa, Nichita St\u0103nescu r\u0103m\u00e2ne nu doar un nume de referin\u021b\u0103 al poeziei contemporane, ci unul dintre marile modele ale poeziei rom\u00e2ne\u0219ti. Experien\u021ba operei sale a marcat decisiv discursul liric; reiau un loc comun, dar o fac pentru c\u0103 el spune lucrurilor pe nume: dup\u0103 momentul Nichita St\u0103nescu, poezia de limb\u0103 rom\u00e2n\u0103 este cu totul alta.\u201d (Bogdan Cre\u021bu, \u00een studiul introductiv al volumului)<\/p>\n\n\n\n
      3. Nichita St\u0103nescu, Cuvintelor, necuvintelor<\/em> <\/strong>(Cartier) [6\/2]<\/strong><\/p>\n\n\n\n
      \u201eLimbajul poetic inventat de Nichita era \u00een acela\u015fi timp un nou continent, dar \u015fi un mijloc de naviga\u0163ie. Mai mult dec\u00e2t oricare alt poet, de la Nichita am \u00eenv\u0103\u0163at c\u0103 poezia poate fi busol\u0103 \u015fi instrument de cunoa\u015ftere, ritual \u015fi mister, explorare a sinelui \u015fi bucurie de a tr\u0103i, form\u0103 de libertate \u015fi mijloc de eliberare, zbor planat peste toate celelalte discipline ale spiritului \u015fi expresie a tot ceea ce sim\u0163urile \u015fi creierul pot produce mai frumos \u015fi mai subtil \u00eempreun\u0103.\u201d (Matei Vi\u0219niec)<\/p>\n\n\n\n
      • 4. Alina Purcaru, Paula Erzianu, Un secol de poezie <\/em>II <\/strong>(Cartier) [3\/3]<\/strong><\/li>
      • 5. Mihai Eminescu, Poezii<\/em> <\/strong>(Aramis) [-\/1]<\/strong><\/li>
      • 6. Miruna Vlada, Prematur<\/em> <\/strong>(Cartier) [-\/1]<\/strong><\/li>
      • 7. Otilia Cazimir, Baba iarna intr\u0103-n sat \u0219i alte poezii<\/em> <\/strong>(Cartex) [-\/1]<\/strong><\/li>
      • 8. George Bacovia, Plumb <\/em><\/strong>(Litera) [-\/1]<\/strong><\/li>
      • 9. Homer, Iliada<\/em> <\/strong>(Humanitas) [-\/1]<\/strong><\/li>
      • 10. Ioan T. Morar, C\u00eend plou\u0103 m\u0103 numesc altfel <\/em><\/strong>(Baroque Books & Arts) [-\/1]<\/strong><\/li><\/ul>\n\n\n\n
        Istorie<\/h4>\n\n\n\n
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        1. Hannah Jewell, 100 de femei afurisite. O istorie<\/em><\/strong> <\/em>(Nemira) [3\/2]<\/strong><\/p>\n\n\n\n
        Femeile din istoria de fa\u021b\u0103 au fost considerate prea afurisite pentru vremea lor. Nu e de mirare c\u0103, atunci c\u00e2nd citim despre (pu\u021binele) femei din istorie, ele sunt \u00een general formale \u0219i con\u0219tiincioase. Adev\u0103rul este c\u0103 istoricii (majoritatea b\u0103rba\u021bi) \u00eendulcesc detaliile sau le exclud pe femeile care nu corespund imaginii lor idealizate.<\/p>\n\n\n\n
        2.<\/strong> Yuval Noah Harari<\/strong>, Sapiens. Scurt<\/em><\/strong>\u0103 <\/em><\/strong>istorie <\/em><\/strong>a <\/em><\/strong>omenirii<\/em><\/strong> (Polirom) [1\/4]<\/strong><\/p>\n\n\n\n
        Acum 100.000 de ani, pe p\u0103m\u00eent existau cel pu\u0163in \u015fase specii de oameni. Ast\u0103zi exist\u0103 una singur\u0103: noi, Homo sapiens. Ce s-a \u00eent\u00eemplat cu celelalte? \u015ei cum am ajuns s\u0103 fim st\u0103p\u00eenii planetei?<\/p>\n\n\n\n
        3.<\/strong> Georges Minois, Istoria Evului Mediu. O mie de ani de splendoare \u0219i tic\u0103lo\u0219ie<\/em><\/strong> (Nemira) [2\/2]<\/strong><\/p>\n\n\n\n
        O sintez\u0103 istoric\u0103 de referin\u021b\u0103 care deconstruie\u0219te imaginea colectiv\u0103 despre Evul Mediu. Pentru noi, ast\u0103zi, e revelator s\u0103 \u00een\u021belegem rela\u021biile dintre omul medieval european \u0219i vecinii s\u0103i, mai ales Orientul bizantin \u0219i lumea musulman\u0103. George Minois a scris o nou\u0103 istorie a Evului Mediu cu pasiune \u0219i precizie, departe de cli\u0219ee \u0219i f\u0103r\u0103 s\u0103 sacrifice nimic din exigen\u021ba demersului istoric.<\/p>\n\n\n\n
        • 4. Richard Haass, Lumea \u00een care tr\u0103im. O scurt\u0103 introducere<\/em> <\/strong>(Nemira) [-\/1]<\/strong><\/li>
        • 5. Philippe Delorme, \u00cemp\u0103r\u0103tese, regine, prin\u021bese \u0219i pove\u0219tile lor scandaloase<\/em> <\/strong>(Humanitas) [-\/1]<\/strong><\/li>
        • 6. Oliver Jens Schmitt, Balcanii \u00een secolul XX. O istorie postimperial\u0103<\/em> <\/strong>(Humanitas) [-\/1]<\/strong><\/li>
        • 7. Yuval Noah Harari, Homo Deus. Scurt\u0103 istorie a viitorului<\/em><\/strong> (Polirom) [5\/4]<\/strong><\/li>
        • 8. Patricia Posner, Farmacistul de la Auschwitz <\/em><\/strong>(RAO) [-\/1]<\/strong><\/li>
        • 9. Yuval Noah Harari, 21 de lec\u021bii pentru secolul XXI<\/em><\/strong> (Polirom) [8\/4]<\/strong><\/li>
        • 10. Tim Mackintosh-Smith, Arabi<\/em><\/strong> (Rao) [9\/2]<\/strong><\/li><\/ul>\n\n\n\n
          Filosofie\/ Psihologie<\/h4>\n\n\n\n
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          \"\"<\/figure><\/div>\n\n\n\n
          1.<\/strong> Irvin D. Yalom \u0219i Marilyn Yalom, O chestiune de via\u021b\u0103 \u0219i de moarte<\/em><\/strong> (Vellant) [1\/2]<\/strong><\/p>\n\n\n\n
          ,,Scriind aceast\u0103 carte, suntem la o v\u00e2rst\u0103 la care cei mai mul\u021bi dintre cei de\u2011o seam\u0103 cu noi au murit. Tr\u0103im acum \u00een fiecare zi \u0219tiind c\u0103 timpul nostru \u00eempreun\u0103 este limitat \u0219i extrem de pre\u021bios. Scriem pentru a da un sens existen\u021bei noastre, chiar dac\u0103 ne azv\u00e2rle \u00een cele mai \u00eentunecate zone ale declinului fizic \u0219i\u2011n bra\u021bele mor\u021bii. Aceast\u0103 carte este menit\u0103, \u00eenainte de orice, s\u0103 ne ajute s\u0103 navig\u0103m pe apele sf\u00e2r\u0219itului vie\u021bii.\u201d (Irvin D. Yalom \u0219i Marilyn Yalom)<\/p>\n\n\n\n
          2. Marcus Aurelius<\/strong>, G<\/em><\/strong>\u00e2nduri <\/em><\/strong>c\u0103tre <\/em><\/strong>sine <\/em><\/strong>\u00eensu<\/em><\/strong>\u0219i<\/em><\/strong> (Humanitas) [2\/5]<\/strong><\/p>\n\n\n\n
          \u201eO carte de c\u0103p\u0103t\u00e2i a civiliza\u0163iei europene.\u201c \u2013 Andrei Ple\u0219u<\/p>\n\n\n\n
          \u201eCu ani \u00een urm\u0103 am cump\u0103rat o edi\u0163ie veche din Marc Aureliu care purta urm\u0103toarea dedica\u0163ie: \u00abS\u0103-\u0163i fie prieten \u00een ceasurile grele \u015fi s\u0103 te sprijine cum m-a sprijinit pe mine.\u00bb Nu cred c\u0103 i se poate face unei c\u0103r\u0163i un elogiu mai frumos dec\u00e2t acest \u00abprieten \u00een ceasurile grele\u00bb.\u201c \u2014 Emil Cioran<\/p>\n\n\n\n
          \u201eMarcus Aurelius a fost primul personaj care s-a aventurat sistematic pe teritoriul eului, care l-a vizitat \u015fi care a scris de fapt un tratat despre tehnici de ameliorare \u015fi de \u0163inere \u00een fr\u00e2u a eului propriu.\u201c \u2014 Gabriel Liiceanu<\/p>\n\n\n\n
          3.<\/strong> Viktor E. Frankl<\/strong>,<\/strong> Omul <\/em><\/strong>\u00een <\/em><\/strong>c\u0103utarea <\/em><\/strong>sensului <\/em><\/strong>vie<\/em><\/strong>\u021bii<\/em><\/strong> (Vellant) [3\/4]<\/strong><\/p>\n\n\n\n
          Omul \u00een c\u0103utarea sensului vie\u021bii<\/em> este cronica experien\u021belor \u00eengrozitoare tr\u0103ite de psihiatrul Viktor Frankl \u00een timpul deten\u021biei sale la Auschwitz \u0219i \u00een alte lag\u0103re concentra\u021bioniste.<\/p>\n\n\n\n
          • 4.<\/strong> Sun Tzu, Arta r\u0103zboiului<\/em><\/strong> (Cartex) [6\/5]<\/strong><\/li>
          • 5.<\/strong> Seneca, Alt timp nu am<\/em><\/strong> (Snk) [5\/5]<\/strong><\/li>
          • 6.<\/strong> Dr. Kevin Dutton \u0219i Andy McNab, ABC-ul psihopatului de succes<\/em><\/strong> (Globo) [4\/4]<\/strong><\/li>
          • 7.<\/strong> Dr. Clarissa Pinkola Estes, Femei care alearg\u0103 cu lupii. Pove\u0219ti \u0219i mituri ale arhetipului femeii s\u0103lbatice<\/em> <\/strong>(Niculescu) [8\/3]<\/strong><\/li>
          • 8. Irvin D. Yalom, Privind soarele \u00een fa\u021b\u0103<\/em><\/strong> <\/em>(Vellant) [-\/1]<\/strong><\/li>
          • 9. Kevin Dutton, \u00cen\u021belepciunea psihopa\u021bilor<\/em><\/strong> (Globo) [9\/4]<\/strong><\/li>
          • 10.<\/strong> Ioana Chicet-Macoveiciuc, Copilul t\u0103u. P\u0103rin\u021bii t\u0103i. Tu<\/em><\/strong> (Univers) [7\/2]<\/strong><\/li><\/ul>\n\n\n\n
            Critic\u0103 \u0219i istorie literar\u0103<\/h4>\n\n\n\n
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            1. Mihai Iov\u0103nel, Istoria literaturii rom\u00e2ne contemporane 1990-2020<\/em><\/strong> (Polirom) [1\/3]<\/strong><\/p>\n\n\n\n
            \u201eCartea de fa\u021b\u0103 este prima istorie a literaturii rom\u00e2ne din postcomunism. Se nume\u0219te Istoria literaturii rom\u00e2ne contemporane<\/em> ca omagiu adus lui E. Lovinescu, care a publicat dou\u0103 istorii exemplare cu acest titlu, dar \u0219i pentru a repara o ne\u00een\u021belegere cu privire la semnifica\u021bia de azi a sintagmei \u00abliteratur\u0103 contemporan\u0103\u00bb. Majoritatea istoriilor publicate \u00een ultimele decenii \u00een Rom\u00e2nia exclud \u2013 din lips\u0103 de interes sau de receptivitate \u2013 tocmai literatura recent\u0103, literatura care se scrie \u00een prezentul lor.\u201d (Mihai Iov\u0103nel)<\/p>\n\n\n\n
            2. Cosmin Ciotlo\u0219, Cenaclul de luni <\/em><\/strong>(Trei) [-\/1]<\/strong><\/p>\n\n\n\n
            \u201eVolumul acesta este unul pasionant, unul care se cite\u0219te adeseori ca un roman ideatic \u0219i evenimen\u021bial al preistoriei \u0219i al istoriei genera\u021biei optzeciste, cu toate tribula\u021biile pe care le-a avut aceasta pe parcursul ei accidentat, cu momente \u00een care s-a impus sau cu momente dramatice, ce au dus la interzicerea Cenaclului de Luni. Chiar din primul capitol, Cosmin Ciotlo\u0219 \u00ee\u0219i construie\u0219te \u00eentr-un mod ingenios, a\u0219 zice muzical, structura. Cu o r\u0103bdare de chinez b\u0103tr\u00e2n, autorul a parcurs colec\u021biile revistelor, a \u00eenregistrat si a analizat cronicile de cenaclu, apoi antologiile cenaclului si tot ceea ce privea mi\u0219carea literar\u0103 t\u00e2n\u0103r\u0103 \u0219i prefigura un nou climat literar.” Ion Vartic<\/strong><\/p>\n\n\n\n
            3. Adrian Papahagi, Shakespeare. Titus Andronicus. Hamlet <\/em><\/strong>(Polirom) [-\/1]<\/strong><\/p>\n\n\n\n
            Titus Andronicus<\/em> p\u0103c\u0103tuie\u0219te prin exces \u0219i prin lips\u0103. E opera unui \u00eencep\u0103tor crud, care nu-\u0219i dozeaz\u0103 efectele. Talentat \u0219i impetuos, Shakespeare vrea s\u0103 arate dintr-odat\u0103 tot ce \u0219tie, dar adaug\u0103 prea multe ingrediente (viol, mutil\u0103ri, canibalism). Citind capodopera Hamlet <\/em>al\u0103turi de Titus Andronicus<\/em>, observ\u0103m cum parcurge Shakespeare drumul de la bizara pies\u0103-atelier la \u201epoemul infinit\u201d. Hamlet<\/em> nu e o simpl\u0103 tragedie elizabetan\u0103 a r\u0103zbun\u0103rii, ci o schimbare de paradigm\u0103, un moment astral \u00een literatura european\u0103. Nu doar opera lui Shakespeare, ci cultura occidental\u0103 se \u00eemparte \u00een dou\u0103: \u00eenainte \u0219i dup\u0103 Hamlet<\/em>. Dar nici o capodoper\u0103 nu exist\u0103 \u00een sine, ci \u00eentr-o tradi\u021bie. Arta incredibil\u0103 a tragediei shakespeariene \u00eencepe cu Titus<\/em> Andronicus<\/em>.<\/p>\n\n\n\n
            • 4. Dosarele de interdic\u021bie ale lui Mihai Eminescu. Facsimil \u0219i transcriere<\/em> <\/strong>(Cartex) [-\/1]<\/strong><\/li>
            • 5. Albert Camus, Discursurile din Suedia<\/em><\/strong> (Polirom) [2\/4]<\/strong><\/li>
            • 6.<\/strong> Laszlo Alexandru, Lectura lui Dante. <\/em>Vol. 1. Infernul<\/em><\/strong> (Cartier) [8\/5]<\/strong><\/li>
            • 7.<\/strong> Cristina Ungureanu, Tain\u0103 \u0219i sens \u00een <\/em>Povestea vie\u021bii mele, capodopera Mariei, Regina Rom\u00e2niei. Analiza narativ-discursiv\u0103<\/em><\/strong> (Curtea Veche) [6\/2]<\/strong><\/li>
            • 8.<\/strong> Umberto Eco, Cum se face o tez\u0103 de licen\u021b\u0103<\/em><\/strong> (Editia 2020) (Polirom) [3\/5]<\/strong><\/li>
            • 9. Adrian Papahagi, Shakepseare. Sonete. Romeo \u0219i Julieta<\/em> <\/strong>(Polirom) [-\/4]<\/strong><\/li>
            • 10. Corina Cioc\u00e2rlie, Andreea R\u0103suceanu, Dic\u021bionar de locuri literare bucure\u0219tene<\/em><\/strong> <\/em>(Humanitas) [-\/2]<\/strong><\/li><\/ul>\n\n\n\n
              C\u0103r\u021bi pentru copii<\/h4>\n\n\n\n
              \n
              \n
              \"\"<\/figure><\/div>\n\n\n\n
              1. Keri Smith, Jurnalul meu tr\u0103snit… \u00een culori!<\/em> (ed. II)<\/strong> (Paralela 45) [1\/2]<\/strong><\/p>\n\n\n\n
              Keri Smith este agenta unei organiza\u021bii secrete, a c\u0103rei misiune este s\u0103 reanime via\u021ba cotidian\u0103 \u0219i s\u0103 conteste orice stare de fapt. \u00ce\u0219i desf\u0103\u0219oar\u0103 \u201ecercetarea\u201d sus \u00een copaci, observ\u00e2nd lumea \u0219i lu\u00e2nd noti\u021be. Cu tot ce g\u0103se\u0219te face c\u0103r\u021bi \u0219i obiecte de art\u0103 conceptual\u0103.<\/p>\n\n\n\n
              2. Igor Nosov, Habarnam \u00een ora\u0219ul de piatr\u0103<\/em><\/strong> (Humanitas) [-\/1]<\/strong><\/p>\n\n\n\n
              \u00cen lumea lui Habarnam \u015fi a prietenilor s\u0103i nici nu se termin\u0103 bine o peripe\u0163ie, c\u0103 \u00eencepe alta. Dup\u0103 zborul cu balonul \u00een Ora\u015ful Verde, drumul \u00een Ora\u015ful Soarelui \u015fi aventura cosmic\u0103 pe Lun\u0103, c\u0103l\u0103toriile au devenit foarte populare printre prichindei. De data aceasta, ei pornesc \u00eentr-o expedi\u0163ie cu plutele pe valurile \u00een\u00adspu\u00admate ale p\u00e2r\u00e2ului Castrave\u0163ilor. <\/p>\n\n\n\n
              3.<\/strong> Alex Rovira, Francesc Miralles<\/strong>, Pove<\/em><\/strong>\u0219ti <\/em><\/strong>ca <\/em><\/strong>s\u0103 <\/em><\/strong>te <\/em><\/strong>iube<\/em><\/strong>\u0219ti <\/em><\/strong>mai <\/em><\/strong>mult: 35 <\/em><\/strong>de <\/em><\/strong>istorioare <\/em><\/strong>care <\/em><\/strong>cultiv<\/em><\/strong>\u0103 <\/em><\/strong>respectul <\/em><\/strong>de <\/em><\/strong>sine<\/em><\/strong> (Humanitas) [5\/4]<\/strong><\/p>\n\n\n\n
              Alc\u0103tuit\u0103 din versiuni moderne ale unor pove\u0219ti tradi\u0163ionale din diferite culturi, aceast\u0103 carte le ofer\u0103 copiilor o c\u0103l\u0103torie amuzant\u0103, plin\u0103 de imagina\u021bie, \u00een ad\u00e2ncul propriului suflet.<\/p>\n\n\n\n
              • 4.<\/strong> Ioana Chicet-Macoveiciuc, Caietul, roman mic pentru feti\u021bele care cresc mari<\/em><\/strong> (Univers) [7\/4]<\/strong><\/li>
              • 5. Raina Telgemeier, Surori<\/em><\/strong> (Art) [2\/3]<\/strong><\/li>
              • 6. Antoine De Saint-Exupery, Micul Prin\u021b<\/em><\/strong> (Rao) [3\/5]<\/strong><\/li>
              • 7. Kimberly Brubaker Bradley, R\u0103zboiul care mi-a salvat via\u021ba <\/em>(Arthur) [-\/1]<\/strong><\/li>
              • 8. Ioana Chicet-Macoveiciuc, Caietul, roman ilustrat pentru copiii care cresc mari, <\/em>vol. II<\/strong>(Univers) [-\/1]<\/li>
              • 9.<\/strong> Al. Mitru, Legendele Olimpului. Zeii<\/em><\/strong> <\/em>(Art) [6\/2]<\/strong><\/li>
              • 10. Sophie Rigal-Goulard, 15 zile f\u0103r\u0103 internet<\/em> <\/strong>(RAO) [-\/1]<\/strong><\/li><\/ul>\n\n\n\n
                Eseu<\/h4>\n\n\n\n
                \n
                \n
                \"\"<\/figure><\/div>\n\n\n\n
                1. Michel Houellebecq, \u00cen prezen\u021ba lui Schopenhauer<\/em> <\/strong>(Humanitas) [-\/1]<\/strong><\/p>\n\n\n\n
                Deschiz\u00e2nd acest mic volum, cititorul va \u00een\u0163elege de la primele r\u00e2nduri ce \u00eenseamn\u0103 un coup de foudre<\/em> \u00een cultura umanist\u0103: \u00eent\u00e2lnirea peste timp dintre doi autori care p\u0103reau s\u0103 se a\u015ftepte unul pe cel\u0103lalt dintotdeauna. \u015ei \u00eentr-adev\u0103r, cartea lui Michel Houellebecq, ne\u00eencheiat\u0103 \u015fi alc\u0103tuit\u0103 din cr\u00e2mpeie comentate din dou\u0103 lucr\u0103ri dintre cele mai cunoscute ale lui Arthur Schopenhauer, Lumea ca voin\u021b\u0103 \u0219i reprezentare<\/em> \u015fi Aforisme asupra \u00een\u0163elepciunii \u00een via\u0163\u0103<\/em>, pare s\u0103 se fi n\u0103scut dintr-o asemenea \u00eent\u00e2lnire providen\u0163ial\u0103.<\/p>\n\n\n\n
                2. Alain de Botton, Statut \u0219i anxietate<\/em><\/strong> (Vellant) [-\/1]<\/strong><\/p>\n\n\n\n
                Pe to\u0163i ne preocup\u0103 ce spun ceilal\u0163i despre noi. Cu to\u0163ii ne dorim s\u0103 reu\u015fim \u015fi ne temem de nereu\u015fite. \u00centr-o mai mic\u0103 sau mai mare m\u0103sur\u0103, de cele mai multe ori ru\u015fina\u0163i, \u00een intimitate, cu to\u0163ii suferim de anxietatea provocat\u0103 de imposibilitatea de a atinge statutul droit. Pentru prima dat\u0103, Alain de Botton d\u0103 un nume acestei st\u0103ri universale \u015fi \u00ee\u015fi propune s\u0103-i investigheze originile \u015fi poten\u0163ialele solu\u0163ii.<\/p>\n\n\n\n
                3. Alain de Botton, A privi \u0219i a vedea<\/em> <\/strong>(Vellant) [-\/1]<\/strong><\/p>\n\n\n\n
                ,,O relatare scris\u0103 zg\u00e2rie adesea doar suprafa\u021ba unui eveniment; vedem un apus de soare \u0219i mai t\u00e2rziu, \u00een jurnal, \u00een lips\u0103 de ceva mai bun, \u00eel numim \u201efrumos\u201c, c\u00e2nd \u0219tim c\u0103 a fost mult mai mult de at\u00e2t, dar acel mai mult nu poate fi localizat \u0219i va fi, cur\u00e2nd, uitat. Vrem s\u0103 p\u0103str\u0103m ce s\u2011a \u00eent\u00e2mplat ast\u0103zi, a\u0219a c\u0103 alc\u0103tuim o list\u0103 cu unde am fost \u0219i ce am v\u0103zut, \u00eens\u0103 abandon\u0103m pagina, \u0219tiind c\u0103 au existat lucruri evanescente, pe care nu am reu\u0219it s\u0103 le descriem, dar care b\u0103nuim c\u0103 ar putea de\u021bine cheia realit\u0103\u021bii acelei zile.\u201d \u00be Alain de Botton<\/p>\n\n\n\n
                • 4. Malcolm Gladwell, Excep\u021bionalii. Povestea succesului<\/em><\/strong> (Publica) [7\/5]<\/strong><\/li>
                • 5. Elif Shafak, Cum s\u0103 r\u0103m\u00e2i lucid \u00eentr-o epoc\u0103 a dezbin\u0103rii<\/em><\/strong> (Polirom) [4\/5]<\/strong><\/li>
                • 6. John Freeman (coord.), Pove\u0219ti despre dou\u0103 planete. Schimb\u0103ri climatice \u0219i inegalitate \u00eentr-o lume divizat\u0103<\/em> <\/strong>(Black Button Books) [-\/1]<\/strong><\/li>
                • 7. Carlo Cipolla, Legile fundamentale ale imbecilit\u0103\u021bii umane<\/em><\/strong> (Humanitas) [5\/5]<\/strong><\/li>
                • 8. C.S. Lewis, Despre lumea aceasta \u0219i despre alte lumi <\/em><\/strong>(Humanitas) [-\/1]<\/strong><\/li>
                • 9. Alain de Botton, Desf\u0103t\u0103rile \u0219i m\u00e2hnirile muncii<\/em> <\/strong>(Vellant) [-\/1]<\/strong><\/li>
                • 10. Aldous Huxley, Por\u021bile percep\u021biei. Raiul \u0219i iadul<\/em><\/strong> (Polirom) [-\/1]<\/strong><\/li><\/ul>\n\n\n\n
                  <\/p>\n\n\n\n
                  C\u0103r\u021bi de c\u0103l\u0103torie<\/h4>\n\n\n\n
                  \n
                  \n
                  \n
                  \n
                  \"\"<\/figure><\/div>\n\n\n\n
                  1. Nuseir Yassin, Bruce Kluger<\/strong>, <\/strong>\u00cen <\/em><\/strong>jurul <\/em><\/strong>lumii <\/em><\/strong>\u00een 60 <\/em><\/strong>de <\/em><\/strong>secunde<\/em><\/strong> (Trei) [2\/5]<\/strong><\/p>\n\n\n\n
                  \u00cen 2016, Nas a pornit \u00eentr-o c\u0103l\u0103torie de 1000 de zile prin lume. Dar nu s-a \u00eendreptat c\u0103tre obi\u0219nuitele atrac\u021bii turistice, pentru c\u0103 a vrut s\u0103 cunoasc\u0103 oameni reali \u0219i s\u0103 vad\u0103 locurile pe care le numesc ei \u201eacas\u0103\u201d \u2013 de la sate din Africa \u0219i mahalale din India p\u00e2n\u0103 la zg\u00e2rie-norii din Singapore \u0219i de\u0219erturile Australiei.<\/p>\n\n\n\n
                  2. Mirel B\u0103nic\u0103, Prin Rom\u00e2nia. Carnete de drum<\/em><\/strong> <\/em>(Polirom) [1\/3]<\/strong><\/p>\n\n\n\n
                  \u00cen iulie-august 2019, autorul str\u0103bate Rom\u00e2nia timp de 45 de zile la volanul ma\u0219inii sale, convins c\u0103 prea pu\u021bini dintre noi \u00ee\u0219i cunosc \u021bara cu adev\u0103rat \u0219i c\u0103 pentru a \u00eent\u00eelni ineditul, diferitul, alteritatea nu este obligatoriu s\u0103 c\u0103l\u0103torim spre \u00eendep\u0103rtate destina\u021bii exotice. \u00cel anim\u0103, de asemenea, o dorin\u021b\u0103 fireasc\u0103 pentru cineva care a cunoscut anii 1980 \u0219i excursiile cu familia \u201e\u00een circuit\u201d prin \u021bar\u0103: aceea de a redescoperi Rom\u00e2nia la 30 de ani dup\u0103 c\u0103derea regimului comunist. Ce a mai r\u0103mas din \u201ectitoriile\u201d acestuia dup\u0103 pr\u0103bu\u0219irea lui? Ce a ap\u0103rut nou?<\/p>\n\n\n\n
                  3. Ana Hoga\u0219, Ionu\u021b Florea, Oyibo: 2 oameni, 1 motociclet\u0103, 14 luni \u00een Africa<\/em> <\/strong>(Humanitas) [7\/3]<\/p>\n\n\n\n
                  Suntem Ana \u015fi Ionu\u0163, un cuplu de arhitec\u0163i. Din iunie 2011 p\u00e2n\u0103 \u00een august 2012 am f\u0103cut turul Africii cu motocicleta. \u00cen aceast\u0103 c\u0103l\u0103torie de 14 luni \u015fi 55 000 de kilometri am lucrat ca voluntari \u00een p\u0103durea ecuatorial\u0103 \u00een Nigeria, am traversat Sahara \u00een c\u0103lduri de peste 54 de grade, am urcat muntele Camerun, am explorat delta Okavango \u015fi bazinul Congo, am locuit \u00eentr-un c\u0103tun camerunez f\u0103r\u0103 bani \u015fi f\u0103r\u0103 telefon, am tractat motorul defect 350 de kilometri, am f\u0103cut malarie, am parcurs 3 000 de kilometri de off-road<\/em> extrem \u00een R.D. Congo, am trecut de sute de controale armate \u015fi h\u0103\u0163i\u015furi birocratice \u015fi am cump\u0103rat un pahar de ceai \u00een Egipt. Acesta este jurnalul aventurilor noastre.<\/p>\n\n\n\n
                  • 4.<\/strong> Heinrich Harrer, \u0218apte ani \u00een Tibet<\/em> <\/strong>(Polirom) [6\/3]<\/strong><\/li>
                  • 5. Cristina Chevere\u0219an, Mansard\u0103 la Vene\u021bia. Nou\u0103 s\u0103pt\u0103m\u00e2ni \u00een lagun\u0103<\/em> <\/strong>(Humanitas) [-\/1]<\/strong><\/li>
                  • 6. Elena Stancu, Cosmin Bumbu\u021b, Cas\u0103, pe drum: 4 ani teleleu<\/em> <\/strong>(Humanitas) [-\/3]<\/strong><\/li>
                  • 7. Marius Chivu, Trei s\u0103pt\u0103m\u00e2ni \u00een Himalaya<\/em><\/strong> (Humanitas) [10\/4]<\/strong><\/li>
                  • 8. Robert  Macfarlane, Lumea de sub noi. O c\u0103l\u0103torie \u00een ad\u00e2ncul p\u0103m\u00e2ntului<\/em><\/strong> (Polirom) [5\/5]<\/strong><\/li>
                  • 9. Cristian Lascu, Helmut Ignat, Din Antarctica la Sc\u0103ri\u0219oarea: Pe urmele lui Emil Racovi\u021b\u0103<\/em> <\/strong>(Humanitas) [-\/4]<\/strong><\/li>
                  • 10. Adelin Petri\u0219or, \u021aara cu un singur gras<\/em><\/strong> (Polirom) [4\/5]<\/strong><\/li><\/ul>\n\n\n\n
                    \"\"<\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
                    Urm\u0103toarele topuri au fost realizate \u00een func\u021bie de v\u00eenz\u0103rile \u00eenregistrate \u00een intervalul 1-30 aprilie 2021 \u00een re\u021beaua de libr\u0103rii C\u0103rture\u0219ti \u0219i pe carturesti.ro.<\/p>\n","protected":false},"author":2,"featured_media":2930,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[161],"tags":[162,553],"coauthors":[],"class_list":["post-2899","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bestsellers-carturesti","tag-bestsellers-carturesti","tag-nr-6-2021"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/08\/macheta-carturesti-award-e1629228602953.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2899"}],"version-history":[{"count":12,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2899\/revisions"}],"predecessor-version":[{"id":2931,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2899\/revisions\/2931"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/2930"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2899"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=2899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}