{"id":2776,"date":"2021-08-10T14:24:06","date_gmt":"2021-08-10T11:24:06","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=2776"},"modified":"2021-08-10T14:24:14","modified_gmt":"2021-08-10T11:24:14","slug":"molotov-roz","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=2776","title":{"rendered":"Molotov roz"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/08\/coperta-Lorena-Enache-fetite-dulci-725x1024.jpg\" alt=\"\" class=\"wp-image-2777\" width=\"544\" height=\"768\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/08\/coperta-Lorena-Enache-fetite-dulci-725x1024.jpg 725w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/08\/coperta-Lorena-Enache-fetite-dulci-212x300.jpg 212w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/08\/coperta-Lorena-Enache-fetite-dulci-768x1085.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/08\/coperta-Lorena-Enache-fetite-dulci-480x678.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/08\/coperta-Lorena-Enache-fetite-dulci.jpg 843w\" sizes=\"auto, (max-width: 544px) 100vw, 544px\" \/><figcaption>Lorena Enache, <em>feti\u021be dulci<\/em>, Editura Charmides, Bistri\u021ba, 2021<\/figcaption><\/figure><\/div>\n\n\n\n<p>Cu al treilea volum, <em>feti\u021be dulci<\/em>, ap\u0103rut recent la Charmides (dup\u0103 <em>Autoanaliz\u0103<\/em>, 2017 \u0219i <em>p.H 2.1<\/em>, 2018, ambele publicate la Paralela 45), Lorena Enache \u00ee\u0219i consacr\u0103 o stilistic\u0103 a erotiz\u0103rii ca marc\u0103 proprie. Poemele din placheta asta sunt conectate aproape exclusiv la o astfel de hermeneutic\u0103 amoroas\u0103, pe care \u0219i-o exploreaz\u0103 \u00een imagini \u0219i st\u0103ri efervescente.<\/p>\n\n\n\n<p>Se vede foarte bine aici c\u0103 poeta scrie o poezie cu un aer cool, <em>badass<\/em> (i s-a dus deja faima de <em>good girl gone bad<\/em>), de un erotism care muste\u0219te \u00een toate ipostazele lui: consumat ca atare, desf\u0103\u0219urat retrospectiv \u00een regim post-<em>breakup<\/em>, ca discurs vindicativ, ori teoretizat prin gesturi &amp; reflexe lascive. E vorba, deci, de-o contabilitate erotic\u0103 \u00een toat\u0103 regula, care alimenteaz\u0103 re\u021beaua de tensiune a poemelor, de un soi de \u201eterorism\u201d erogen desf\u0103\u0219urat cu mult\u0103 furie \u0219i energie \u0219i care leag\u0103 toate bruiajele poematice \u2013 deopotriv\u0103 corporale \u0219i emo\u021bionale \u2013 \u00eentr-o politic\u0103 a declam\u0103rii. Starea asta de frenezie, aproape, a versurilor, f\u0103r\u0103 s\u0103 produc\u0103 excese, echivaleaz\u0103 \u00een poemele Lorenei Enache cu o hipertrofie a erosului ca la carte: \u201e\u00eemi \u00eenchipui ovarele cum comploteaz\u0103\/ se adun\u0103 la o mas\u0103 de lemn\/ poart\u0103 ochelari de soare cat eye oglind\u0103\/ aprind \u0163igar\u0103 din \u0163igar\u0103 \u015fi \u00ee\u015fi \u00eentind\/ rujul peste p\u0103rerea ta expus\u0103 la suprapre\u0163\/\/ ce p\u0103cat de toate ideile pe care le-am transformat\/ \u00een clickuri pe hbo go \u015fi ore la teras\u0103\/ + toate serile \u00een care un cocktail cu emma\/ a \u00eensemnat ceva\/ cimentul prietenos de la oddity \u015fi barmanul\/ care ar vrea\/ dar e prea mic s\u0103 \u00eendr\u0103zneasc\u0103\/ + toate feti\u0163ele tragedii care au f\u0103cut-o\/ pe mama s\u0103 \u00ee\u015fi aminteasc\u0103\/ cum m-a iubit \u00eenainte s\u0103 m\u0103 rup\u0103.\/\/ [&#8230;] \u00een mintea mea femeile\/ scutur\u0103 nuan\u0163e de verde c\u00e2nd se spal\u0103 pe din\u0163i\/ vino \u015fi tu\/ \u00een iad femeile poart\u0103 furouri roz cu pene \u015fi fir de\/ Isaura\/ vino \u015fi tu\/ \u00een mintea mea str\u0103lucesc\/ \u015fi eu \u00een furoul meu satinat,\/ mi se lipe\u015fte de piele\/ din ce \u00een ce mai tare c\u00e2nd pentru fiecare\/ b\u0103rbat se mai aprinde o instala\u0163ie\/ se mai acoper\u0103 o lips\u0103.\u201d, <em>s\u0103rat. aproape spicy<\/em>. \u00cen astfel de zone, ele \u00ee\u0219i configureaz\u0103 cel mai evident identitatea lor de mici proiectile retorice, pentru c\u0103 e \u0219i-o doz\u0103 considerabil\u0103 de reflec\u021bie artistic\u0103 \u00een discursul \u0103sta frizant al Lorenei Enache.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><span class=\"has-inline-color has-vivid-red-color\">Tocmai de-asta, a\u0219 zice c\u0103 volumul e doar aparent unul al verdictelor decisive, sau c\u0103 nu e doar at\u00e2t. E loc aici \u0219i de extaz al izol\u0103rii (<em>singur\u0103tate floare la ureche<\/em>), de schi\u021b\u0103 biografic\u0103 \u0219i manual de tr\u0103iri urbane (<em>kit<\/em>), c\u00e2t \u0219i de reflec\u021bie \u0219i analiz\u0103 (<em>o serie de consecin\u021be deosebit de grave<\/em>), chiar dac\u0103 per ansamblu, dinamica intimist\u0103 r\u0103m\u00e2ne focalizarea principal\u0103 a textelor.<\/span> <\/p><\/blockquote>\n\n\n\n<p>Ba mai mult, la un nivel mai de ad\u00e2ncime, despre asta vorbe\u0219te, de fapt, poezia ei: nu at\u00e2t despre ipostazele manifest\u0103rilor ei amoroase, luate ca atare, c\u00e2t despre ce anume se contorizeaz\u0103 din tot repertoriul \u0103sta atunci c\u00e2nd vine vorba de construc\u021bia discursului. Mai concret: <em>despre ce vorbim c\u00e2nd vorbim despre iubire<\/em>, dar a se \u00eenlocui \u201eiubire\u201d cu observa\u021bia \u0219i cartografia erotic\u0103. E, \u00een toat\u0103 curgerea lor, un <em>performance<\/em> al acestor poeme, un <em>one woman show<\/em> care se consum\u0103 \u00een poz\u0103 glam, milenial\u0103, sub forma unui monolog lung \u0219i \u00eendr\u0103zne\u021b, pe care Lorena Enache \u0219tie s\u0103 \u00eel exploreze cu un maximum de efect; las\u0103, oricum, impresia unei nelini\u0219ti difuze mascat\u0103 sub form\u0103 de confesiune tras\u0103 \u00een regim de <em>social media<\/em>, care-\u0219i d\u0103 filme ironice pe marginea inventarului masculin pe care \u00eel exploreaz\u0103. <em>Playing it cool<\/em>, adic\u0103, \u0219i atunci c\u00e2nd dinamica seductiv-caustic\u0103 se apropie de un teritoriu ceva mai intim, al vulnerabilit\u0103\u021bii: \u201enatura dramei \u00eemi e at\u00e2t de confortabil\u0103 \u015fi prefer\/ s\u0103 \u0163in cerul pe umerii mei c\u00e2nd se pr\u0103bu\u015fesc\/ \u015fi soarele \u015fi luna\/ \u015fi tot ce au mai scris al\u0163ii \u00een stele.\/ toat\u0103 via\u0163a mea e c\u00e2teva albume pe drive \u015fi\/ dac\u0103 e s\u0103 m\u0103 d\u0103r\u00e2me \u015fi pe mine\/ parola pentru cont e o pozi\u0163ie sexual\u0103.\/ pute\u0163i \u00eencerca p\u00e2n\u0103 \u00eemi bloca\u0163i clitorisul \u015fi \u00eemi d\u0103\/ s\u00e2ngele pe nas.\/\/ apoi mai dau un delete \u015fi zic amin.\/ dumnezeu e sus \u015fi r\u00e2de.\/\/ de-atunci cre\u015fte \u00een mine\/ o ramur\u0103 crud\u0103 de afec\u0163iune\/ care o \u00eenjunghie pe lorena bad girl\/ c\u00e2nd pl\u00e2nge \u015fi \u0163ip\u0103 noaptea\/ cu o pern\u0103 neagr\u0103 \u00een bra\u0163e.\/ nu a avut noroc \u015fi a aprins o \u0163igar\u0103\/ sper\u00e2nd s\u0103 fac\u0103 triste\u0163ea\/ s\u0103 miroas\u0103 a \u015fobolani \u015fi mai pu\u0163in a b\u0103rba\u0163i.\/\/ din dragoste \u015fi din alte neajunsuri\/ lorena fat\u0103 bun\u0103\/ a tras p\u0103tura peste fetusul anxiet\u0103\u0163ii.\u201d, <em>\u00eemp\u0103m\u00e2ntare<\/em>. <em>feti\u021be dulci<\/em> func\u021bioneaz\u0103, de aceea, mai degrab\u0103 ca o reprezenta\u021bie programatic\u0103 dedicat\u0103 imaginarului masculin \u00een toate formele lui, dincolo de a c\u0103rei \u021binut\u0103 hip supureaz\u0103, din c\u00e2nd \u00een c\u00e2nd, o tensiune identitar\u0103 bine camuflat\u0103: \u201enu sunt nimic din femeia fatal\u0103,\/ mai mult o gagic\u0103 fan\u0103 beyonce \u015fi kierkegaard\/ dans\u00e2nd pe muzic\u0103 trap \u00een oglind\u0103\/ super cool super singur\u0103, dar\/ am avut parfumuri de 20 de lei mai adev\u0103rate\/ dec\u00e2t orgasmele pe care le-am primit.\u201d, <em>nu e anul meu <\/em>vs. \u201enu m\u0103 intereseaz\u0103 s\u0103 satisfac opinia public\u0103\/ c\u00e2t vreau s\u0103 fiu satisf\u0103cut\u0103 c\u00e2nd \u00eemi exprim opinia\/ \u00een public\/ \u015fi trag de bretelele salopetei p\u00e2n\u0103 \u00eemi g\u00e2tui\/ vulnerabilitatea;\/ toat\u0103 valeriana din lume m\u0103 prive\u015fte ca pe copilul ei.\/ undeva \u00een mijlocul min\u0163ii tremur\u0103 de frig c\u00e2\u0163iva nervi\/ \u015fi ni\u015fte glande hiperactive secret\u0103 fric\u0103 pentru zile\/ negre.\u201d, <em>menaj<\/em>. Tocmai de-asta, a\u0219 zice c\u0103 volumul e doar aparent unul al verdictelor decisive, sau c\u0103 nu e doar at\u00e2t. E loc aici \u0219i de extaz al izol\u0103rii (<em>singur\u0103tate floare la ureche<\/em>), de schi\u021b\u0103 biografic\u0103 \u0219i manual de tr\u0103iri urbane (<em>kit<\/em>), c\u00e2t \u0219i de reflec\u021bie \u0219i analiz\u0103 (<em>o serie de consecin\u021be deosebit de grave<\/em>), chiar dac\u0103 per ansamblu, dinamica intimist\u0103 r\u0103m\u00e2ne focalizarea principal\u0103 a textelor.<\/p>\n\n\n\n<p>Cu mult\u0103 personalitate, care se cere a fi savurat\u0103 \u00een toat\u0103 defularea ei mu\u0219c\u0103toare \u0219i care descrie via\u021ba &amp; cotidianul ca pe o lung\u0103 list\u0103 a e\u0219ecurilor \u0219i realiz\u0103rilor erotice, \u00een imagini curate, f\u0103r\u0103 decorativism inutil, t\u0103iate scurt \u0219i bine calibrate, <em>feti\u021be dulci<\/em> e o plachet\u0103 echilibrat\u0103, \u00een care se vede intui\u021bia Lorenei Enache pentru coeren\u021ba ansamblului. Se re\u021bine, dincolo de vitalismul ei galopant, care face ravagii prin memoria afectiv\u0103, euforia ceva mai subtil\u0103 a fragilit\u0103\u021bii \u0219i modul \u00een care poeta o dose\u0219te \u00een spatele expozeurilor ei dense. Pentru c\u0103 aproape de fiecare dat\u0103, dincolo de astfel de scene str\u0103b\u0103tute de imagini sc\u0103ldate \u00een filtre de tip insta \u0219i de <em>vibe<\/em>-ul dur, luciul roz al poemelor din <em>feti\u021be dulci<\/em> las\u0103 \u00een urm\u0103 \u0219i d\u00e2re de-un ro\u0219u ceva mai dramatic.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cu mult\u0103 personalitate, care se cere a fi savurat\u0103 \u00een toat\u0103 defularea ei mu\u0219c\u0103toare \u0219i care descrie via\u021ba &#038; cotidianul ca pe o lung\u0103 list\u0103 a e\u0219ecurilor \u0219i realiz\u0103rilor erotice, \u00een imagini curate, f\u0103r\u0103 decorativism inutil, t\u0103iate scurt \u0219i bine calibrate, feti\u021be dulci e o plachet\u0103 echilibrat\u0103, \u00een care se vede intui\u021bia Lorenei Enache pentru coeren\u021ba ansamblului.<\/p>\n","protected":false},"author":15,"featured_media":2777,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[111,140,553],"coauthors":[],"class_list":["post-2776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-andreea-pop","tag-critica-literara","tag-nr-6-2021"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/08\/coperta-Lorena-Enache-fetite-dulci.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2776"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2776\/revisions"}],"predecessor-version":[{"id":2778,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2776\/revisions\/2778"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/2777"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2776"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=2776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}