{"id":2598,"date":"2021-07-19T19:22:23","date_gmt":"2021-07-19T16:22:23","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=2598"},"modified":"2021-07-19T19:22:31","modified_gmt":"2021-07-19T16:22:31","slug":"bestsellers-carturesti-aprilie-2021","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=2598","title":{"rendered":"Bestsellers C\u0103rture\u0219ti \u2013 aprilie 2021"},"content":{"rendered":"\n<ul class=\"has-cyan-bluish-gray-background-color has-background has-small-font-size wp-block-list\"><li><em>Cifrele din dreptul titlurilor, prezentate \u00eentre paranteze drepte, reprezint\u0103 <strong>locul ocupat \u00een topul lunii anterioare<\/strong>, respectiv <strong>num\u0103rul de luni \u00een top<\/strong>.<\/em><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Autori rom\u00e2ni<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/bg1.jpeg\" alt=\"\" class=\"wp-image-2304\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/bg1.jpeg 650w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/bg1-195x300.jpeg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/bg1-480x738.jpeg 480w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1.<strong> Andreea S\u0103vulescu, <em>Ziua \u00een care m-am iubit cu adev\u0103rat<\/em><\/strong> (Bookzone)<em>\u00a0 <\/em><strong>[1\/2]<\/strong><\/p>\n\n\n\n<p>\u00cenva\u021b\u0103 al\u0103turi de Andreea s\u0103 te iube\u0219ti tu \u00een primul r\u00e2nd, s\u0103 te pui pe primul loc \u00een via\u021ba ta, s\u0103 faci pace cu trecutul \u00eentr-un mod vindec\u0103tor \u0219i asumat, nu prin negare, \u0219i s\u0103 iei ce e mai bun de la via\u021b\u0103, eliber\u00e2ndu-te de poverile care-\u021bi apas\u0103 pe suflet, con\u0219tient sau incon\u0219tient.<\/p>\n\n\n\n<p>2. <strong>Ioana P<\/strong><strong>\u00e2rvulescu<\/strong><strong>, <em>Inocen<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Humanitas) <strong>[3\/4]<\/strong><\/p>\n\n\n\n<p>Dou\u0103 viziuni asupra lumii: cea a unei feti\u021be care vede lucrurile \u00eentr-un fel extrem de personal \u015fi cea a femeii care descoper\u0103 secretele \u00eenecate \u00een trecut. Naivitatea comic\u0103 a primei voci \u00eenvinge melancolia celei de-a doua.<\/p>\n\n\n\n<p>3. <strong>Tatiana Niculescu<\/strong><strong>, <em>Nepovestitele <\/em><\/strong><strong><em>iubiri<\/em> <em>\u2013 7 <\/em><\/strong><strong><em>minibiografii <\/em><\/strong><strong><em>sentimentale<\/em><\/strong><em> <\/em>(Humanitas) <strong>[2\/3]<\/strong><\/p>\n\n\n\n<p>Neagu Djuvara, principesa Elisabeta, Constantin Poroineanu, Florence Baker sau&nbsp;oameni cu totul necunoscu\u021bi se \u00eent\u00e2lnesc \u00een necugetate, n\u0103b\u0103d\u0103ioase, tr\u0103date sau interzise pagini de via\u021b\u0103 de la sf\u00e2r\u0219itul secolului al XIX-lea \u0219i \u00eenceputul secolului XX.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Radu Paraschivescu, <em>Vitrina cu \u0219arlatani<\/em><\/strong> (Humanitas) <strong>[5\/4]<\/strong><\/li><li>5. <strong>Gabriel Liiceanu, Andrei Ple\u0219u, <em>Despre destin<\/em><\/strong> (Humanitas) <strong>[7\/4]<\/strong><\/li><li>6. <strong>Tatiana \u021a\u00eebuleac, <em>Vara \u00een care mama a avut ochii verzi<\/em><\/strong> (Cartier) <strong>[6\/4]<\/strong><\/li><li>7. <strong>Mircea Eliade, <em>Maitreyi<\/em><\/strong> (Cartex) <strong>[-\/1]<\/strong><\/li><li>8. <strong>Andreea S\u0103vulescu, <em>Tr\u0103ie\u0219te autentic<\/em> <\/strong>(Bookzone)<strong> [8\/2]<\/strong><\/li><li>9. <strong>George C\u0103linescu, <em>Enigma Otiliei<\/em><\/strong> (Cartex) <strong>[-\/1]<\/strong><\/li><li>10.<strong>Gabriel Liiceanu, <em>Isus al meu<\/em><\/strong> (Humanitas) <strong>[10\/4]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Fic\u021biune<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/Cofetaria-cu-miracole-665x1024.jpeg\" alt=\"\" class=\"wp-image-2600\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/Cofetaria-cu-miracole-665x1024.jpeg 665w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/Cofetaria-cu-miracole-195x300.jpeg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/Cofetaria-cu-miracole-768x1182.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/Cofetaria-cu-miracole-480x739.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/Cofetaria-cu-miracole.jpeg 800w\" sizes=\"(max-width: 665px) 100vw, 665px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Christian Escrib\u00e0, S\u00edlvia Tarrag\u00f3, <em>Cofet\u0103ria cu miracole<\/em><\/strong> (Humanitas Fiction) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>O incursiune \u00een istoria \u0219i \u00een atmosfera Barcelonei, Cofet\u0103ria cu miracole porne\u0219te de la povestea adev\u0103rat\u0103 a cofet\u0103riei Escrib\u00e0, un loc emblematic pentru toat\u0103 Catalunya. O c\u0103l\u0103torie \u00een universul catalan care acoper\u0103 aproape un secol, romanul ne face p\u0103rta\u0219i la s\u0103rb\u0103tori \u0219i tradi\u021bii locale deosebit de pitore\u0219ti, precum \u0219i la evenimente care au marcat dramatic via\u021ba oamenilor, urm\u0103rind dou\u0103 destine, cel al lui Mateu Serra \u0219i cel al tinerei Alba. Un tablou plin de culoare al Barcelonei, o feerie care are \u00een centrul s\u0103u magia dulciurilor.<\/p>\n\n\n\n<p>2. <strong>V. E. Schwab, <em>Via\u021ba invizibil\u0103 a lui Addie LaRue<\/em><\/strong> (Bookzone) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p><em>Via\u021ba invizibil\u0103 a lui Addie LaRue<\/em> este printre cele mai l\u0103udate \u0219i premiate c\u0103r\u021bi ale anului. The Washington Post a numit-o \u201euna dintre cele mai vibrante, obsesive \u0219i captivante c\u0103r\u021bi din memoria recent\u0103\u201d. Amazon a inclus-o \u00een Top 20 de c\u0103r\u021bi ale anului 2020. Addie LaRue este o t\u00e2n\u0103r\u0103 care face un pact cu diavolul pentru a tr\u0103i ve\u0219nic, \u00eens\u0103 este blestemat\u0103 s\u0103 fie uitat\u0103 de to\u021bi cei pe care \u00eei \u00eent\u00e2lne\u0219te!<\/p>\n\n\n\n<p>3. <strong>Walter Tevis<\/strong><strong>, <em>Gambitul <\/em><\/strong><strong><em>Damei<\/em><\/strong> (Bookzone) <strong>[2\/4]<\/strong><\/p>\n\n\n\n<p><em>Gambitul Damei<\/em> este povestea micu\u021bei orfane care, \u00eentr-o lume a dependen\u021belor, \u00ee\u0219i dore\u0219te s\u0103 evadeze din realitatea ap\u0103s\u0103toare ce o \u00eenconjoar\u0103. \u0218i are dou\u0103 modalit\u0103\u021bi: s\u0103 joace \u0219ah \u0219i s\u0103 ia micile pastile verzi.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Ludmila Ulitkaia, <em>A fost doar ciuma<\/em><\/strong> (Humanitas Fiction) <strong>[-\/1]<\/strong><\/li><li>5. <strong>Delia Owens, <em>Acolo unde c\u00e2nt\u0103 racii<\/em><\/strong> (Trei) <strong>[1\/4]<\/strong><\/li><li>6. <strong>Blanka Lipinska, <em>Acea zi <\/em>(Vol. 2, Seria <em>365 de zile<\/em>)<\/strong> (Bookzone) <strong>[-\/1]<\/strong><\/li><li>7. <strong>Fredrik Backman, <em>Oameni anxio\u0219i<\/em><\/strong> (Art) <strong>[-\/1]<\/strong><\/li><li>8.<strong> Matt Haig, <em>Biblioteca de la miezul nop\u021bii<\/em><\/strong> (Nemira) <strong>[3\/4]<\/strong><\/li><li>9. <strong>Alex Michaelides, <em>Pacienta t\u0103cut\u0103<\/em><\/strong> (Litera) <strong>[8\/4]<\/strong><\/li><li>10. <strong>Heather Morris, <em>Tatuatorul de la Auschwitz<\/em><\/strong> (Humanitas Fiction) <strong>[4\/4]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Poezie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Dan-Liviu-Boeriu-sint-alta-558x1024.jpg\" alt=\"\" class=\"wp-image-1634\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Dan-Liviu-Boeriu-sint-alta-558x1024.jpg 558w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Dan-Liviu-Boeriu-sint-alta-164x300.jpg 164w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Dan-Liviu-Boeriu-sint-alta-480x880.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Dan-Liviu-Boeriu-sint-alta.jpg 650w\" sizes=\"(max-width: 558px) 100vw, 558px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Svetlana C\u00e2rstean, <em>S\u00eent alta<\/em><\/strong> (Nemira) <strong>[2\/4]<\/strong><\/p>\n\n\n\n<p>\u201eArthur Rimbaud ar fi iubit arta cu care Svetlana C\u00e2rstean a actualizat&nbsp;<em>Je est un autre<\/em>. Svetlana este&nbsp;<em>une autre<\/em>&nbsp;\u00een sensul precis inten\u021bionat de Rimbaud \u2013 cu adaosul capacit\u0103\u021bii poeziei de a povesti direct \u0219i curajos o via\u021b\u0103 de azi. Un subtil sim\u021b al umorului, auzul perfect \u0219i privirea f\u0103r\u0103 ifose dau acestei c\u0103r\u021bi o caden\u021b\u0103 deosebit\u0103, care pune de acord istoria poetei cu via\u021ba ob\u0219teasc\u0103. Frumuse\u021bea lumii \u00een mi\u0219care, prezentul care se \u00eendep\u0103rteaz\u0103 \u0219i devine pove\u0219ti, plutesc prin t\u0103r\u00eemuri geografice \u0219i psihologice \u00een acest poem-fluviu.\u201c \u2013 Andrei Codrescu<\/p>\n\n\n\n<p>2. <strong>Nichita St<\/strong><strong>\u0103nescu<\/strong><strong>, <em>Integrala <\/em><\/strong><strong><em>poeziei<\/em><\/strong> (Vasiliana) <strong>[4\/4]<\/strong><\/p>\n\n\n\n<p>\u201eOric\u00e2t ar fi fost de contestat de la moartea sa, Nichita St\u0103nescu r\u0103m\u00e2ne nu doar un nume de referin\u021b\u0103 al poeziei contemporane, ci unul dintre marile modele ale poeziei rom\u00e2ne\u0219ti. Experien\u021ba operei sale a marcat decisiv discursul liric; reiau un loc comun, dar o fac pentru c\u0103 el spune lucrurilor pe nume: dup\u0103 momentul Nichita St\u0103nescu, poezia de limb\u0103 rom\u00e2n\u0103 este cu totul alta.\u201d (Bogdan Cre\u021bu, \u00een studiul introductiv al volumului)<\/p>\n\n\n\n<p>3.<strong> Alina Purcaru, Paula Erzianu, <em>Un secol de poezie <\/em>II <\/strong>(Cartier)<strong> [3\/2]<\/strong><\/p>\n\n\n\n<p>\u201eMo\u015ftenirea l\u0103sat\u0103 de poetele care au debutat \u00een perioada 1945-1989, \u00een Rom\u00e2nia, Republica Moldova \u015fi \u00een diaspor\u0103, este vast\u0103, un \u00eentreg continent de explorat. \u00cen volumul de fa\u0163\u0103, sunt prezente nume cunoscute pasiona\u0163ilor de literatur\u0103, precum Angela Marinescu, Mariana Marin, Magda C\u00e2rneci sau Nora Iuga, poete prezente \u00een manuale \u015fi deci cunoscute de publicul larg, ca Ana Blandiana sau Nina Cassian, dar \u015fi poete care merit\u0103 s\u0103 fie citite mult mai mult, precum Grete Tartler, Constan\u0163a Buzea, Gabriela Melinescu sau Marcela Benea, pentru a oferi doar c\u00e2teva exemple.\u201d (Alica Purcaru, Paula Erizanu)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Nichita St\u0103nescu, <em>Tu ai un fel de paradis al t\u0103u<\/em><\/strong> (Bestseller) <strong>[1\/4]<\/strong><\/li><li>5.<strong> Nichita St\u0103nescu, <em>Lec\u021bia despre cub<\/em><\/strong> (Cartea Rom\u00e2neasc\u0103) <strong>[9\/2]<\/strong><\/li><li>6.<strong> Nichita St\u0103nescu, <em>Cuvintelor, necuvintelor<\/em> <\/strong>(Cartier)<strong> [-\/1]<\/strong><\/li><li>7. <strong>Andrei Codrescu<em>, Visul diacritic <\/em><\/strong>(Nemira)<strong> [5\/2]<\/strong><\/li><li>8. <strong>Mihai Eminescu, <em>Poezii<\/em><\/strong> (Humanitas) <strong>[7\/4]<\/strong><\/li><li>9. <strong>Homer, <em>Iliada<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><li>10.<strong> Ruxandra Novac, <em>Alwards<\/em><\/strong> (Trei) <strong>[6\/4]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Istorie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii-.jpg\" alt=\"\" class=\"wp-image-1767\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii-.jpg 685w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii--206x300.jpg 206w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii--480x701.jpg 480w\" sizes=\"(max-width: 685px) 100vw, 685px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1.<strong> Yuval Noah Harari, <em>Sapiens. Scurt\u0103 istorie a omenirii<\/em><\/strong> (Polirom) <strong>[1\/3]<\/strong><\/p>\n\n\n\n<p>Acum 100.000 de ani, pe p\u0103m\u00eent existau cel pu\u0163in \u015fase specii de oameni. Ast\u0103zi exist\u0103 una singur\u0103: noi, Homo sapiens. Ce s-a \u00eent\u00eemplat cu celelalte? \u015ei cum am ajuns s\u0103 fim st\u0103p\u00eenii planetei?<\/p>\n\n\n\n<p>2. <strong>Georges Minois, <em>Istoria Evului Mediu. O mie de ani de splendoare \u0219i tic\u0103lo\u0219ie<\/em><\/strong> (Nemira) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>O sintez\u0103 istoric\u0103 de referin\u021b\u0103 care deconstruie\u0219te imaginea colectiv\u0103 despre Evul Mediu. Pentru noi, ast\u0103zi, e revelator s\u0103 \u00een\u021belegem rela\u021biile dintre omul medieval european \u0219i vecinii s\u0103i, mai ales Orientul bizantin \u0219i lumea musulman\u0103. George Minois a scris o nou\u0103 istorie a Evului Mediu cu pasiune \u0219i precizie, departe de cli\u0219ee \u0219i f\u0103r\u0103 s\u0103 sacrifice nimic din exigen\u021ba demersului istoric.<\/p>\n\n\n\n<p>3. <strong>Hannah Jewel, <em>100 de femei afurisite. O istorie<\/em><\/strong>(Nemira) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>Femeile din istoria de fa\u021b\u0103 au fost considerate prea afurisite pentru vremea lor. Nu e de mirare c\u0103, atunci c\u00e2nd citim despre (pu\u021binele) femei din istorie, ele sunt \u00een general formale \u0219i con\u0219tiincioase. Adev\u0103rul este c\u0103 istoricii (majoritatea b\u0103rba\u021bi) \u00eendulcesc detaliile sau le exclud pe femeile care nu corespund imaginii lor idealizate.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Bill Fawcett, <em>100 de gre\u0219eli care au schimbat istoria<\/em><\/strong> (Litera) <strong>[2\/3]<\/strong><\/li><li>5. <strong>Yuval Noah Harari, <em>Homo Deus. Scurt\u0103 istorie a viitorului<\/em><\/strong> (Polirom) <strong>[3\/3]<\/strong><\/li><li>6. <strong>Serhii Plokhy, <em>Cernob\u00eel<\/em> <\/strong>(Trei) <strong>[-\/1]<\/strong><\/li><li>7. <strong>Mark Galeotti<em>, O scurt\u0103 istorie a Rusiei<\/em> <\/strong>(Humanitas)<strong> [7\/2]<\/strong><\/li><li>8. <strong>Yuval Noah Harari, <em>21 de lec\u021bii pentru secolul XXI<\/em><\/strong> (Polirom) <strong>[4\/3]<\/strong><\/li><li>9. <strong>Tim Mackintosh-Smith, <em>Arabi<\/em><\/strong> (Rao) <strong>[-\/1]<\/strong><\/li><li>10.<strong> Mark Galeotti, <em>Hai s\u0103 vorbim despre Putin!<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Filosofie\/Psihologie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/o-chestiune-de-vita.jpeg\" alt=\"\" class=\"wp-image-2601\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/o-chestiune-de-vita.jpeg 589w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/o-chestiune-de-vita-192x300.jpeg 192w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/o-chestiune-de-vita-480x749.jpeg 480w\" sizes=\"(max-width: 589px) 100vw, 589px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Irvin D. Yalom \u0219i Marilyn Yalom, <em>O chestiune de via\u021b\u0103 \u0219i de moarte<\/em><\/strong> (Vellant) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>,,Scriind aceast\u0103 carte, suntem la o v\u00e2rst\u0103 la care cei mai mul\u021bi dintre cei de\u2011o seam\u0103 cu noi au murit. Tr\u0103im acum \u00een fiecare zi \u0219tiind c\u0103 timpul nostru \u00eempreun\u0103 este limitat \u0219i extrem de pre\u021bios. Scriem pentru a da un sens existen\u021bei noastre, chiar dac\u0103 ne azv\u00e2rle \u00een cele mai \u00eentunecate zone ale declinului fizic \u0219i\u2011n bra\u021bele mor\u021bii. Aceast\u0103 carte este menit\u0103, \u00eenainte de orice, s\u0103 ne ajute s\u0103 navig\u0103m pe apele sf\u00e2r\u0219itului vie\u021bii.\u201d (Irvin D. Yalom \u0219i Marilyn Yalom)<\/p>\n\n\n\n<p>2. <strong>Marcus Aurelius<\/strong><strong>, <em>G<\/em><\/strong><strong><em>\u00e2nduri <\/em><\/strong><strong><em>c\u0103tre <\/em><\/strong><strong><em>sine <\/em><\/strong><strong><em>\u00eensu<\/em><\/strong><strong><em>\u0219i<\/em><\/strong> (Humanitas) <strong>[1\/4]<\/strong><\/p>\n\n\n\n<p>\u201eO carte de c\u0103p\u0103t\u00e2i a civiliza\u0163iei europene.\u201c \u2013 Andrei Ple\u0219u<\/p>\n\n\n\n<p>\u201eCu ani \u00een urm\u0103 am cump\u0103rat o edi\u0163ie veche din Marc Aureliu care purta urm\u0103toarea dedica\u0163ie: \u00abS\u0103-\u0163i fie prieten \u00een ceasurile grele \u015fi s\u0103 te sprijine cum m-a sprijinit pe mine.\u00bb Nu cred c\u0103 i se poate face unei c\u0103r\u0163i un elogiu mai frumos dec\u00e2t acest \u00abprieten \u00een ceasurile grele\u00bb.\u201c \u2014 Emil Cioran<\/p>\n\n\n\n<p>\u201eMarcus Aurelius a fost primul personaj care s-a aventurat sistematic pe teritoriul eului, care l-a vizitat \u015fi care a scris de fapt un tratat despre tehnici de ameliorare \u015fi de \u0163inere \u00een fr\u00e2u a eului propriu.\u201c \u2014 Gabriel Liiceanu<\/p>\n\n\n\n<p>3. <strong>Viktor E. Frankl<\/strong><strong>,<\/strong> <strong><em>Omul <\/em><\/strong><strong><em>\u00een <\/em><\/strong><strong><em>c\u0103utarea <\/em><\/strong><strong><em>sensului <\/em><\/strong><strong><em>vie<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Vellant) <strong>[2\/3]<\/strong><\/p>\n\n\n\n<p><em>Omul \u00een c\u0103utarea sensului vie\u021bii<\/em> este cronica experien\u021belor \u00eengrozitoare tr\u0103ite de psihiatrul Viktor Frankl \u00een timpul deten\u021biei sale la Auschwitz \u0219i \u00een alte lag\u0103re concentra\u021bioniste.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Dr. Kevin Dutton \u0219i Andy McNab, <em>ABC-ul psihopatului de succes<\/em><\/strong> (Globo) <strong>[4\/3]<\/strong><\/li><li>5. <strong>Seneca, <em>Alt timp nu am<\/em><\/strong> (Snk) <strong>[7\/4]<\/strong><\/li><li>6. <strong>Sun Tzu, <em>Arta r\u0103zboiului<\/em><\/strong> (Cartex) <strong>[3\/4]<\/strong><\/li><li>7. <strong>Ioana Chicet-Macoveiciuc, <em>Copilul t\u0103u. P\u0103rin\u021bii t\u0103i. Tu<\/em><\/strong> (Univers) <strong>[-\/1]<\/strong><\/li><li>8. <strong>Dr. Clarissa Pinkola Estes, <em>Femei care alearg\u0103 cu lupii. Pove\u0219ti \u0219i mituri ale arhetipului femeii s\u0103lbatice<\/em> <\/strong>(Niculescu)<strong> [5\/2]<\/strong><\/li><li>9. <strong>Kevin Dutton, <em>\u00cen\u021belepciunea psihopa\u021bilor<\/em><\/strong> (Globo) <strong>[6\/3]<\/strong><\/li><li>10. <strong>Emil Cioran, <em>Carnetul unui afurisit<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Critic\u0103 \u0219i istorie literar\u0103<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-656x1024.jpg\" alt=\"\" class=\"wp-image-2465\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-656x1024.jpg 656w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-192x300.jpg 192w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-768x1199.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-984x1536.jpg 984w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel-480x749.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/istoria-lui-iovanel.jpg 1271w\" sizes=\"(max-width: 656px) 100vw, 656px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Mihai Iov\u0103nel, <em>Istoria literaturii rom\u00e2ne contemporane 1990-2020<\/em><\/strong> (Polirom) <strong>[4\/2]<\/strong><\/p>\n\n\n\n<p>\u201eCartea de fa\u021b\u0103 este prima istorie a literaturii rom\u00e2ne din postcomunism. Se nume\u0219te <em>Istoria literaturii rom\u00e2ne contemporane<\/em> ca omagiu adus lui E. Lovinescu, care a publicat dou\u0103 istorii exemplare cu acest titlu, dar \u0219i pentru a repara o ne\u00een\u021belegere cu privire la semnifica\u021bia de azi a sintagmei \u00abliteratur\u0103 contemporan\u0103\u00bb. Majoritatea istoriilor publicate \u00een ultimele decenii \u00een Rom\u00e2nia exclud \u2013 din lips\u0103 de interes sau de receptivitate \u2013 tocmai literatura recent\u0103, literatura care se scrie \u00een prezentul lor.\u201d (Mihai Iov\u0103nel)<\/p>\n\n\n\n<p>2. <strong>Albert&nbsp;Camus<\/strong><strong>, <em>Discursurile <\/em><\/strong><strong><em>din Suedia<\/em><\/strong> (Polirom) <strong>[1\/3]<\/strong><\/p>\n\n\n\n<p>Pentru prima dat\u0103 \u00een limba rom\u00e2n\u0103, apar reunite sub titlul&nbsp;<em>Discursurile din Suedia<\/em>&nbsp;discursul rostit de Albert Camus la Stockholm dup\u0103 ceremonia decern\u0103rii Premiului Nobel pentru Literatur\u0103 \u015fi conferin\u0163a sus\u0163inut\u0103 \u00een fa\u0163a studen\u0163ilor de la Universitatea din Uppsala \u00een decembrie 1957.&nbsp;<\/p>\n\n\n\n<p>3. <strong>Umberto&nbsp;Eco<\/strong><strong>, <em>Cum <\/em><\/strong><strong><em>se <\/em><\/strong><strong><em>face <\/em><\/strong><strong><em>o <\/em><\/strong><strong><em>tez<\/em><\/strong><strong><em>\u0103 <\/em><\/strong><strong><em>de <\/em><\/strong><strong><em>licen<\/em><\/strong><strong><em>\u021b\u0103<\/em><\/strong> (Editia 2020) (Polirom) <strong>[2\/4]<\/strong><\/p>\n\n\n\n<p>Un \u00eendrumar complet despre cum se scrie o lucrare \u0219tiin\u021bific\u0103 riguroas\u0103.<br>Studen\u021bii, \u00een primul r\u00eend cei de la sec\u021biile umaniste, pot afla ce \u00eenseamn\u0103 teza de licen\u021b\u0103, cum s\u0103-\u0219i aleag\u0103 tema \u0219i s\u0103-\u0219i organizeze timpul de lucru, cum s\u0103 \u00eentreprind\u0103 o cercetare bibliografic\u0103 \u0219i s\u0103 ordoneze materialul, cum se redacteaz\u0103 teza.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Ioan-Aurel Pop,<\/strong> <strong><em>Identitate rom\u00e2neasc\u0103<\/em> (edi\u021bia 2019)<\/strong> (Contemporanul) <strong>[-\/1]<\/strong><\/li><li>5. <strong>N. Steinhardt, <em>Varia<\/em> (vol. II)<\/strong> (Polirom) <strong>[-\/1]<\/strong><\/li><li>6. <strong>Cristina Ungureanu, <em>Tain\u0103 \u0219i sens \u00een <\/em>Povestea vie\u021bii mele<em>, capodopera Mariei, Regina Rom\u00e2niei. Analiza narativ-discursiv\u0103<\/em><\/strong> (Curtea Veche) <strong>[-\/1]<\/strong><\/li><li>7. <strong>Laszlo Alexandru, <em>Lectura lui Dante. <\/em>Vol. 2.<em>Purgatoriul <\/em><\/strong>(Cartier) <strong>[-\/2]<\/strong><\/li><li>8. <strong>Laszlo Alexandru, <em>Lectura lui Dante. <\/em>Vol. 1.<em> Infernul<\/em><\/strong> (Cartier) <strong>[5\/4]<\/strong><\/li><li>9. <strong>Eugen Simion,<em> Scriitori rom\u00e2ni de azi<\/em><\/strong><em> <\/em><strong><em>IV<\/em><\/strong> (Cartea Rom\u00e2neasc\u0103) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Eugen Simion,<em> Scriitori rom\u00e2ni de azi<\/em><\/strong><em> <\/em><strong><em>I<\/em><\/strong> (Cartea Rom\u00e2neasc\u0103) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi pentru copii<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/jurnalul-meu-trasnit.jpeg\" alt=\"\" class=\"wp-image-2602\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/jurnalul-meu-trasnit.jpeg 520w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/jurnalul-meu-trasnit-195x300.jpeg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/jurnalul-meu-trasnit-480x738.jpeg 480w\" sizes=\"(max-width: 520px) 100vw, 520px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Keri Smith, <em>Jurnalul meu tr\u0103snit&#8230; \u00een culori!<\/em> (ed. II)<\/strong> (Paralela 45) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>Keri Smith este agenta unei organiza\u021bii secrete, a c\u0103rei misiune este s\u0103 reanime via\u021ba cotidian\u0103 \u0219i s\u0103 conteste orice stare de fapt. \u00ce\u0219i desf\u0103\u0219oar\u0103 \u201ecercetarea\u201d sus \u00een copaci, observ\u00e2nd lumea \u0219i lu\u00e2nd noti\u021be. Cu tot ce g\u0103se\u0219te face c\u0103r\u021bi \u0219i obiecte de art\u0103 conceptual\u0103.<\/p>\n\n\n\n<p>2. <strong>Raina Telgemeier, <em>Surori<\/em><\/strong> (Art) <strong>[5\/2]<\/strong><\/p>\n\n\n\n<p>O poveste adev\u0103rat\u0103 despre via\u021ba cu o sor\u0103 mai mic\u0103. Raina Telgemeier descrie cu umor \u0219i farmec rela\u021bia cu sora ei mai mic\u0103 \u00een timp ce ne poart\u0103 \u00eentr-o excursie cu ma\u0219ina p\u00e2n\u0103 \u00een Colorado, la o reuniune de familie.<\/p>\n\n\n\n<p>3. <strong>Antoine De Saint-Exupery<\/strong><strong>, <em>Micul Prin<\/em><\/strong><strong><em>\u021b<\/em><\/strong> (Rao) <strong>[4\/4]<\/strong><\/p>\n\n\n\n<p>De 67 de ani, Micul print v-a cucerit sufletele, devenind un mit care a captivat \u00eentreaga planet\u0103. Un gen aparte, fiind \u00een acela\u0219i timp \u0219i poveste poetico-filosofic\u0103 \u0219i mit ini\u021biatic, cartea ne aduce \u00een prim-plan valorile umane, responsabilitatea \u0219i leg\u0103tura dintre oameni, toleran\u021ba \u0219i spiritul de aventur\u0103.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>David Walliams, <em>Bunicu\u021ba ho\u021boman\u0103<\/em><\/strong> (Art) <strong>[3\/4]<\/strong><\/li><li>5. <strong>Alex Rovira, Francesc Miralles, <em>Pove\u0219ti ca s\u0103 te iube\u0219ti mai mult: 35 de istorioare care cultiv\u0103 respectul de sine<\/em><\/strong> (Humanitas) <strong>[6\/3]<\/strong><\/li><li>6. <strong>Al. Mitru, <em>Legendele Olimpului. Zeii<\/em><\/strong><em> <\/em>(Art) <strong>[-\/1]<\/strong><\/li><li>7. <strong>Ioana Chicet-Macoveiciuc, <em>Caietul, roman mic pentru feti\u021bele care cresc mari<\/em><\/strong> (Univers) <strong>[8\/3]<\/strong><\/li><li>8. <strong>Jeff Kinney, <em>Jurnalul unui pu\u0219ti 15. La ananghie<\/em><\/strong> (Art) <strong>[1\/4]<\/strong><\/li><li>9. <strong>Al. Mitru, <em>Legendele Olimpului. Eroii<\/em><\/strong><em> <\/em>(Art) <strong>[9\/2]<\/strong><\/li><li>10. <strong>R.J. Palacio, <em>Minunea<\/em><\/strong> (Art) <strong>[10\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Eseu<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/coperta_lebada_neagra-674x1024.jpeg\" alt=\"\" class=\"wp-image-2603\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/coperta_lebada_neagra-674x1024.jpeg 674w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/coperta_lebada_neagra-198x300.jpeg 198w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/coperta_lebada_neagra-768x1166.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/coperta_lebada_neagra-1012x1536.jpeg 1012w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/coperta_lebada_neagra-480x729.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/coperta_lebada_neagra.jpeg 1200w\" sizes=\"(max-width: 674px) 100vw, 674px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1.<strong> Nassim Nicholas Taleb, <em>Leb\u0103da neagr\u0103 <\/em>(ed. a III-a, revizuit\u0103) <\/strong>(Curtea Veche)<strong> [-\/1]<\/strong><\/p>\n\n\n\n<p>Cum lu\u0103m decizii \u00een condi\u021bii de incertitudine? De ce ne concentr\u0103m asupra ceea ce \u0219tim \u0219i ignor\u0103m evenimentele improbabile, dar reale, cum ar fi existen\u021ba lebedelor negre, care ar putea s\u0103 ne schimbe perspectiva asupra oportunit\u0103\u021bilor de care dispunem?<\/p>\n\n\n\n<p>2.<strong> Iancu Guda, <em>Economia \u00een vremea coronavirusului<\/em> <\/strong>(Publica)<strong> [-\/1]<\/strong><\/p>\n\n\n\n<p>Aceast\u0103 carte propune un set de bune practici pentru antreprenori \u0219i politicile publice \u00een vederea supravie\u021buirii \u00een condi\u021bii de criz\u0103. De\u0219i a fost scris\u0103 la v\u00e2rful impactului epidemiologic \u0219i economic provocat de pandemia de COVID-19, m\u0103surile propuse sunt aplicabile \u00een orice recesiune, indiferent de natura acesteia.<\/p>\n\n\n\n<p>3.<strong> Nassim Nicholas Taleb, <em>Antifragil <\/em>(ed. a II-a) <\/strong>(Curtea Veche)<strong> [-\/1]<\/strong><\/p>\n\n\n\n<p><em>Antifragil<\/em> este un \u00eendreptar pentru a tr\u0103i \u00eentr-o lume pe care nu o \u00een\u021belegem, dominat\u0103 de \u201elebedele negre\u201c \u0219i de obsesia uman\u0103 pentru predictibil \u0219i siguran\u021b\u0103. Erudit, spiritual \u0219i \u00eendr\u0103zne\u021b, mesajul lui Taleb este unul revolu\u021bionar: numai antifragilul va supravie\u021bui.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Elif\u00a0Shafak, <em>Cum s\u0103 r\u0103m\u00e2i lucid \u00eentr-o epoc\u0103 a dezbin\u0103rii<\/em><\/strong> (Polirom) <strong>[1\/4]<\/strong><\/li><li>5. <strong>Carlo Cipolla, <em>Legile fundamentale ale imbecilit\u0103\u021bii umane<\/em><\/strong> (Humanitas) <strong>[3\/4]<\/strong><\/li><li>6. <strong>Walter Isaacson, <em>Steve Jobs. Biografia autorizat\u0103<\/em><\/strong> (Publica) <strong>[-\/1]<\/strong><\/li><li>7. <strong>Malcolm Gladwell, <em>Excep\u021bionalii. Povestea succesului<\/em><\/strong> (Publica) <strong>[2\/4]<\/strong><\/li><li>8. <strong>Charles Wheelan, <em>Povestea banilor<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><li>9. <strong>Yanis Varoufakis, <em>Economia pe \u00een\u021belesul fiicei mele. O scurt\u0103 istorie a capitalismului<\/em><\/strong> (Vellant) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Jacques Attali, <em>Scurt\u0103 istorie a viitorului <\/em>(edi\u021bia 2016) <\/strong>(Polirom) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi de c\u0103l\u0103torie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/prin-roma\u0302nia-661x1024.jpeg\" alt=\"\" class=\"wp-image-2604\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/prin-roma\u0302nia-661x1024.jpeg 661w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/prin-roma\u0302nia-194x300.jpeg 194w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/prin-roma\u0302nia-480x744.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/prin-roma\u0302nia.jpeg 752w\" sizes=\"(max-width: 661px) 100vw, 661px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Mirel B\u0103nic\u0103, <em>Prin Rom\u00e2nia. Carnete de drum<\/em><\/strong><em> <\/em>(Polirom) <strong>[5\/2]<\/strong><\/p>\n\n\n\n<p>\u00cen iulie-august 2019, autorul str\u0103bate Rom\u00e2nia timp de 45 de zile la volanul ma\u0219inii sale, convins c\u0103 prea pu\u021bini dintre noi \u00ee\u0219i cunosc \u021bara cu adev\u0103rat \u0219i c\u0103 pentru a \u00eent\u00eelni ineditul, diferitul, alteritatea nu este obligatoriu s\u0103 c\u0103l\u0103torim spre \u00eendep\u0103rtate destina\u021bii exotice. \u00cel anim\u0103, de asemenea, o dorin\u021b\u0103 fireasc\u0103 pentru cineva care a cunoscut anii 1980 \u0219i excursiile cu familia \u201e\u00een circuit\u201d prin \u021bar\u0103: aceea de a redescoperi Rom\u00e2nia la 30 de ani dup\u0103 c\u0103derea regimului comunist. Ce a mai r\u0103mas din \u201ectitoriile\u201d acestuia dup\u0103 pr\u0103bu\u0219irea lui? Ce a ap\u0103rut nou?<\/p>\n\n\n\n<p>2. <strong>Nuseir Yassin, Bruce Kluger<\/strong><strong>, <\/strong><strong><em>\u00cen <\/em><\/strong><strong><em>jurul <\/em><\/strong><strong><em>lumii <\/em><\/strong><strong><em>\u00een 60 <\/em><\/strong><strong><em>de <\/em><\/strong><strong><em>secunde<\/em><\/strong> (Trei) <strong>[1\/4]<\/strong><\/p>\n\n\n\n<p>\u00cen 2016, Nas a pornit \u00eentr-o c\u0103l\u0103torie de 1000 de zile prin lume. Dar nu s-a \u00eendreptat c\u0103tre obi\u0219nuitele atrac\u021bii turistice, pentru c\u0103 a vrut s\u0103 cunoasc\u0103 oameni reali \u0219i s\u0103 vad\u0103 locurile pe care le numesc ei \u201eacas\u0103\u201d \u2013 de la sate din Africa \u0219i mahalale din India p\u00e2n\u0103 la zg\u00e2rie-norii din Singapore \u0219i de\u0219erturile Australiei.<\/p>\n\n\n\n<p>3. <strong>Jheni Osman, <em>Cartea mic\u0103 a marilor expedi\u021bii. Aventuri \u00een necunoscut care au schimbat lumea<\/em><\/strong>(Niculescu) <strong>[-\/1]<\/strong><\/p>\n\n\n\n<p><em>Cartea mic\u0103 a marilor expedi\u021bii<\/em> ne poart\u0103 \u00eentr-o c\u0103l\u0103torie antrenant\u0103 \u0219i plin\u0103 de suspans pe p\u0103m\u00e2nt, sub ap\u0103 \u0219i \u00een spa\u021biul cosmic, pentru a descoperi aventurile excep\u021bionale \u0219i inovatoare ale unor oameni curio\u0219i \u0219i curajo\u0219i. Aceste expedi\u021bii au avut o influen\u021b\u0103 cov\u00e2r\u0219itoare asupra imaginii noastre despre lume, ne-au transformat modul de via\u021b\u0103 \u0219i au inspirat genera\u021bii \u00eentregi.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Adelin\u00a0Petri\u0219or, <em>\u021aara cu un singur gras<\/em><\/strong> (Polirom) <strong>[8\/4]<\/strong><\/li><li>5. <strong>Robert \u00a0Macfarlane, <em>Lumea de sub noi. O c\u0103l\u0103torie \u00een ad\u00e2ncul p\u0103m\u00e2ntului<\/em><\/strong> (Polirom) <strong>[2\/4]<\/strong><\/li><li>6. <strong>Heinrich Harrer, <em>\u0218apte ani \u00een Tibet<\/em> <\/strong>(Polirom)<strong> [4\/2]<\/strong><\/li><li>7. <strong>Ana Hoga\u0219, Ionu\u021b Florea, <em>Oyibo: 2 oameni, 1 motociclet\u0103, 14 luni \u00een Africa<\/em><\/strong><em> <\/em>(Humanitas) <strong>[9\/2]<\/strong><\/li><li>8. <strong>Bill Bryson, <em>De cealalt\u0103 parte a lumii. C\u0103l\u0103torind prin Australia<\/em><\/strong> (Polirom) <strong>[-\/3]<\/strong><\/li><li>9. <strong>Nikos Kazantzakis, <em>Jurnal de c\u0103l\u0103torie \u00een Japonia \u0219i China<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Marius Chivu, <em>Trei s\u0103pt\u0103m\u00e2ni \u00een Himalaya<\/em><\/strong> (Humanitas) <strong>[-\/3]<\/strong><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Urm\u0103toarele topuri au fost realizate \u00een func\u021bie de v\u00eenz\u0103rile \u00eenregistrate \u00een intervalul 1-30 aprilie 2021 \u00een re\u021beaua de libr\u0103rii C\u0103rture\u0219ti \u0219i pe carturesti.ro.<\/p>\n","protected":false},"author":2,"featured_media":2599,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[161],"tags":[162,499],"coauthors":[],"class_list":["post-2598","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bestsellers-carturesti","tag-bestsellers-carturesti","tag-nr-5-2021"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/inquam-photo-timisoara-piata-operei-libraria-carturesti-inaugurare-131966.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2598"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2598\/revisions"}],"predecessor-version":[{"id":2898,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2598\/revisions\/2898"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/2599"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2598"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=2598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}