{"id":2576,"date":"2021-07-18T13:15:56","date_gmt":"2021-07-18T10:15:56","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=2576"},"modified":"2021-07-18T13:16:00","modified_gmt":"2021-07-18T10:16:00","slug":"jertfe-cu-un-aer-calm","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=2576","title":{"rendered":"\u201eJertfe cu un aer calm\u201d"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"372\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/Yves-Klein.jpg\" alt=\"\" class=\"wp-image-2577\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/Yves-Klein.jpg 600w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/Yves-Klein-300x186.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/Yves-Klein-480x298.jpg 480w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Yves Klein<\/figcaption><\/figure><\/div>\n\n\n\n<p>Lao Tse socotea c\u0103 ceea ce d\u0103 sens ulciorului e golul pe care-l con\u021bine. Con\u0219tiin\u021ba uman\u0103: un gol \u00een a\u0219teptare. \u00cen misterioasa, suprema a\u0219teptare a unui plin care poate a nu fi din lumea aceasta.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Jertfe cu un aer calm, de intimitate, aidoma unei veioze aprinse seara, la culcare. Jertfe dr\u0103muite de-a lungul unei vie\u021bi \u00eentregi.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Scriptor. Joc timpuriu, dar \u0219i joc t\u00eerziu: te prefaci c\u0103 scrii ceea ce cite\u0219ti.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>\u201eInvidia este cel mai greu de m\u00eenuit dintre toate felurile de du\u0219m\u0103nie, c\u0103ci pe to\u021bi ceilal\u021bi du\u0219mani \u00eei \u00eembl\u00eenzesc binefacerile, dar pe cel pizma\u0219 \u0219i r\u0103ut\u0103cios, darul \u0219i binele \u00eel a\u021b\u00ee\u021b\u0103 mai r\u0103u\u201d (Sf\u00eentul Vasile cel Mare).<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Puzderia de lucruri anoste, f\u0103r\u0103 rost \u00een via\u021ba ta, ap\u0103s\u0103toare \u0219i pentru c\u0103 nu pot ajunge la durerea ca atare.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Scriptor. Dac\u0103 nu \u021bi-ai confesat deziluzia \u00eentr-un fel sau altul, mai ai dreptul de-a te socoti tu \u00eensu\u021bi?<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>\u201eKarl Marx este considerat cel mai mare filosof din istorie, de c\u0103tre 27,93 la sut\u0103 din britanici. Potrivit unui sondaj publicat \u00een cotidianul <em>The Guardian<\/em>, autorul <em>Manifestului comunist<\/em> \u0219i al <em>Capitalului<\/em> \u00eei \u00eentrece \u00een preferin\u021bele britanicilor pe filosofii David Hume (cu 12, 67 la sut\u0103 din voturi) \u0219i Ludwig Wittgenstein (cu 6,8 la sut\u0103). C\u00eet despre Platon \u0219i Socrate, ace\u0219tia au fost trimi\u0219i pe locul cinci, respectiv opt. <em>The Guardian<\/em> subliniaz\u0103 c\u0103 ascult\u0103torilor postului de radio care a realizat sondajul li s-a propus o list\u0103 de 20 de filosofi din epoci diferite, din care trebuia ales g\u00eenditorul care a jucat cel mai mare rol \u00een istoria filosofiei \u0219i chiar \u00een istoria omenirii. \u00cen total, la vot au participat circa 30.000 de persoane\u201d (<em>Adev\u0103rul<\/em>, 2005).<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Azi, la noi, somnul ra\u021biunii nu mai na\u0219te mon\u0219tri terifian\u021bi, ci banale compromisuri.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Una din dou\u0103: po\u021bi dori fie o \u00eemplinire mai mare, fie o ne\u00eemplinire mai mare.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Ne\u00eemplinirea poate ajunge la o paloare aristocratic\u0103, poate c\u0103p\u0103ta, \u00een cele din urm\u0103, patina noble\u021bei. E metanoia sa&nbsp; formal\u0103.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Ultra\u0219ocanta crea\u021bie a lui Yves Klein, care efectua picturi cu \u00abpensule vivante\u00bb, tinere nude muiate \u00een vopsele \u0219i t\u00eer\u00eete pe p\u00eenz\u0103. Se afl\u0103 aici o bizar\u0103 \u00eent\u00eelnire a contrariilor: concep\u021bia abstract\u0103 se \u00eent\u00eelne\u0219te cu concretul senzual, limita teoretic\u0103 ajunge a colabora cu limita biologic\u0103 a practic\u0103rii artei. Oare \u00eent\u00eempl\u0103tor \u00cengerul-Demon, cum era numit Yves Klein, a fost chemat de timpuriu \u00een ceruri, la numai 34 de ani?<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>\u021aine mai mult la idei dec\u00eet la emo\u021bii, din impresia c\u0103 ideile ar fi mai durabile dec\u00eet emo\u021biile ajut\u00eendu-ne astfel s\u0103 ne conserv\u0103m. O conservare la rece, o solemn\u0103 mumificare.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Iluzia nu se \u00eempotrive\u0219te realului, ci deziluziei ce se na\u0219te odat\u0103 cu ea, pe care o poart\u0103 \u00een s\u00eenul s\u0103u.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>\u201ePrin m\u0103rturii autentice despre via\u021ba noastr\u0103, g\u00eendesc, \u00eel putem adeveri pe Dumnezeu \u00een infinita Lui capacitate de a crea via\u021b\u0103, niciodat\u0103 repetat\u0103. Crea\u021bia noastr\u0103 poate fi considerat\u0103 concurent\u0103 ceea ce ne-ar plasa \u00een orgoliu \u0219i competi\u021bie cu El. Jurnalul meu e, deci, mult mai smerit \u0219i mai folositor Credin\u021bei dec\u00eet muzica \u0219i poezia mea care folosesc \u00een primul r\u00eend oamenilor\u201d (Nina Cassian). Gura p\u0103c\u0103tosului\u2026<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Adesea factorul \u201eminor\u201d e mai rezistent dec\u00eet factorul \u201emajor\u201d, fiindc\u0103 e nepreten\u021bios, lipsit de emfaz\u0103. Firescul s\u0103u e r\u0103spl\u0103tit.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Extenuat prin prea mult\u0103 ra\u021biocinare.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>\u201eDar poate c\u0103, \u00eentr-un moment de sinceritate, to\u021bi oamenii reprezentativi ai Restaura\u021biei ar fi coincis \u00een definirea g\u00eendirii cu aceste cuvinte: a g\u00eendi \u00eenseamn\u0103 a c\u0103uta nod \u00een papur\u0103\u201d (Ortega y Gasset).<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>A vorbi: a comunica. A scrie: a \u00eencerca s\u0103 creezi o alt\u0103 fiin\u021b\u0103.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Poate c\u0103 menirea cea mai important\u0103 a unei doctrine e cea de-a h\u0103r\u021bui alte doctrine, f\u0103c\u00eendu-le astfel ca, din necesit\u0103\u021bi defensive, s\u0103-\u0219i asigure un plus de inteligen\u021b\u0103.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>De ce aceast\u0103 trufie a triste\u021bii la X? Acest impuls orgolios al melancoliei?<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>\u201eOrice metod\u0103 este un \u00abIncipit vita nova\u00bb care pretinde s\u0103 se stilizeze. Caracteristica metodei este continuitatea, astfel \u00eenc\u00eet nu \u0219tie s\u0103 se g\u00eendeasc\u0103 la o metod\u0103 discontinu\u0103. \u0218i cum con\u0219tiin\u021ba este discontinu\u0103 \u2013 orice metod\u0103 \u021bine de con\u0219tiin\u021b\u0103 \u2013 rezult\u0103 de aici disparitatea, lipsa de coinciden\u021b\u0103 a tr\u0103irii \u00een mod con\u0219tient \u0219i a metodei care i se propune\u201d (Maria Zambrano).<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Marile dureri \u0219i marile iubiri tind spre transverbalitate, ferindu-se de a intra \u00een competi\u021bie cu verbul care obi\u0219nuie\u0219te a-\u0219i subordona f\u0103r\u0103 complexe restul plajei afective.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Durere \u0219i amintirea unui moment de bucurie. Acel moment de bucurie de odinioar\u0103 \u00ee\u021bi pare a fi ap\u0103rut anume \u00een con\u0219tiin\u021b\u0103 spre a te conduce la durerea actual\u0103.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p>Val\u00e9ry, r\u0103u de gur\u0103: \u201eo experien\u021b\u0103 rea face mai mult dec\u00eet un sfat bun\u201d.<\/p>\n\n\n\n<p class=\"has-text-align-center\">*<\/p>\n\n\n\n<p class=\"has-text-align-left\"> A insista prea mult pe o eviden\u021b\u0103 poate deveni la fel de jenant ca \u0219i a o evita.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Se afl\u0103 aici o bizar\u0103 \u00eent\u00eelnire a contrariilor: concep\u021bia abstract\u0103 se \u00eent\u00eelne\u0219te cu concretul senzual, limita teoretic\u0103 ajunge a colabora cu limita biologic\u0103 a practic\u0103rii artei. Oare \u00eent\u00eempl\u0103tor \u00cengerul-Demon, cum era numit Yves Klein, a fost chemat de timpuriu \u00een ceruri, la numai 34 de ani?<\/p>\n","protected":false},"author":5,"featured_media":2577,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[54,52],"tags":[73,74,499],"coauthors":[],"class_list":["post-2576","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-asterisc","category-rubrici","tag-asterisc","tag-gheorghe-grigurcu","tag-nr-5-2021"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/Yves-Klein.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2576"}],"version-history":[{"count":3,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2576\/revisions"}],"predecessor-version":[{"id":2582,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2576\/revisions\/2582"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/2577"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2576"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=2576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}