{"id":2481,"date":"2021-07-07T10:46:49","date_gmt":"2021-07-07T07:46:49","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=2481"},"modified":"2021-07-07T10:46:57","modified_gmt":"2021-07-07T07:46:57","slug":"jurnalul-lui-kafka-ma-cutremura-si-ma-urmareste-si-n-somn-mircea-cartarescu","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=2481","title":{"rendered":"\u201eJurnalul lui Kafka m\u0103 cutremur\u0103 \u0219i m\u0103 urm\u0103re\u0219te \u0219i-n somn.\u201d (Mircea C\u0103rt\u0103rescu)"},"content":{"rendered":"\n<p>\u00censcris \u00een lista celor mai importante c\u0103r\u021bi ale secolului trecut, <em>Jurnalul<\/em> este prezent prin traduceri \u00een libr\u0103riile din \u00eentreaga lume: \u201e<em>Jurnalul<\/em> este capodopera literar\u0103 a lui Kafka\u201d (<em>The New Yorker<\/em>).<\/p>\n\n\n\n<p>Notele de jurnal ale lui Franz Kafka, scrise \u00een limba german\u0103 \u00eentre 1910 \u0219i 1923, includ observa\u021bii, detalii despre via\u021ba de zi cu zi, reflec\u021bii asupra ideilor filozofice, relat\u0103ri ale viselor \u0219i idei pentru viitoare c\u0103r\u021bi. <em>Jurnalul <\/em>ofer\u0103 o imagine detaliat\u0103 a g\u00e2ndurilor \u0219i sentimentelor scriitorului, precum \u0219i a unora dintre cele mai memorabile afirma\u021bii ale sale.<\/p>\n\n\n\n<p>\u201eTraducerea a fost f\u0103cut\u0103 dup\u0103 volumul <em>Tageb\u00fccher in der Fassung der Handschrift<\/em>, ap\u0103rut \u00een 1990 la Editura S. Fischer din Frankfurt am Main, unde textul jurnalului este \u00eengrijit de Michael M\u00fcller, iar cel al \u00eensemn\u0103rilor de c\u0103l\u0103torie de Malcolm Pasley. Acest volum reprezint\u0103 traducerea celor dou\u0103sprezece caiete de <em>Jurnal<\/em>, a dosarelor intercalate cronologic \u00eentre acestea \u0219i a \u00eensemn\u0103rilor de c\u0103l\u0103torie. A\u0219a cum se poate vedea \u0219i din titlul original, volumul amintit respect\u0103 \u00abvarianta din manuscris\u00bb.<\/p>\n\n\n\n<p>Aparatul critic urmeaz\u0103 \u00eendeaproape o selec\u0163ie a numeroaselor \u0219i am\u0103nun\u0163itelor note din volumul <em>Tageb\u00fccher in der Fassung der Handschrift<\/em>. <em>Kommentarband<\/em>, editat de Hans-Gerd Koch, Michael M\u00fcller \u0219i Malcolm Pasley, volum ap\u0103rut \u00een acela\u0219i an, tot la Editura S. Fischer, \u0219i care \u00eenso\u0163e\u0219te, completeaz\u0103 \u0219i comenteaz\u0103 <em>Jurnalul<\/em>\u201d, afirma regretatul traduc\u0103tor <strong>Radu Gabriel P\u00e2rvu<\/strong> \u00een nota care \u00eenso\u021be\u0219te edi\u021bia publicat\u0103 de Editura <strong>Pandora M<\/strong> \u00een cadrul colec\u021biei <strong>ANANSI. World Fiction<\/strong>.<\/p>\n\n\n\n<p><em>Jurnalul<\/em> lui Franz Kafka reprezint\u0103 lumea interioar\u0103 a unui om care s-a sim\u021bit toat\u0103 via\u021ba un proscris. Tot ceea ce Kafka a \u00eencercat s\u0103 ascund\u0103 \u00een literatura lui este aici asumat:<\/p>\n\n\n\n<p>\u201eUr\u0103sc tot ceea ce nu se refer\u0103 la literatur\u0103; m\u0103 plictise\u0219te faptul de a purta discu\u021bii (chiar dac\u0103 ele au subiect literar); m\u0103 plictise\u0219te s\u0103 fac vizite, iar bucuriile \u0219i suferin\u021bele rudelor mele m\u0103 plictisesc p\u00e2n\u0103-n ad\u00e2ncul sufletului. C\u00e2nd fac conversa\u021bie, tot ceea ce g\u00e2ndesc \u00ee\u0219i pierde din importan\u021b\u0103, din seriozitate \u0219i din autenticitate. Spaima de a avea o rela\u021bie, teama c\u0103 m\u0103 voi rev\u0103rsa \u00een partea cealalt\u0103. Atunci nu voi mai fi niciodat\u0103 singur.\u201d<br><br>N\u0103scut \u00een 1883 la Praga, \u00eentr-o comunitate evreiasc\u0103 germanofon\u0103, <strong>Franz Kafka<\/strong> este cel mai mare dintre cei \u0219ase copii ai familiei unui mic negustor. \u00cen copil\u0103rie n-au lipsit conflictele cu autoritatea patern\u0103, \u00eembl\u00e2nzite adesea de apropierea mamei, o femeie educat\u0103. Elev \u0219i apoi student str\u0103lucit, Kafka urmeaz\u0103, \u00eempins de voin\u021ba tat\u0103lui, studii de drept, definitiv\u00e2ndu-le cu o diplom\u0103 de doctorat. \u00cen timpul studiilor \u00ee\u0219i face prieteni printre arti\u0219ti, scriitori \u0219i studen\u021bi la filosofie. Tot acum \u00eel cunoa\u0219te pe Max Brod, care avea s\u0103-i fie al\u0103turi pe tot parcursul vie\u021bii. Din 1906 lucreaz\u0103 pentru o firm\u0103 de asigur\u0103ri. \u00cen aceast\u0103 perioad\u0103 scrie primele povestiri, pe care avea s\u0103 le publice \u00een volum, sub titlul <em>Contempla\u021bie<\/em>, \u00een 1913. <em>Metamorfoza<\/em> apare \u00een 1915, urmat\u0103 de <em>Verdictul<\/em>, \u00een 1916, de <em>Colonia penitenciar\u0103 <\/em>\u0219i de un volum de povestiri dedicat tat\u0103lui s\u0103u, <em>Un medic de \u021bar\u0103<\/em>, \u00een 1919. \u00cempins de s\u0103n\u0103tatea precar\u0103, Kafka renun\u021b\u0103 la slujb\u0103 \u0219i p\u0103r\u0103se\u0219te Praga, unde revine cu trei luni \u00eenaintea mor\u021bii (iunie 1924). <em>America<\/em>, <em>Procesul<\/em> \u0219i <em>Castelul<\/em>, romane r\u0103mase neterminate, nu ar fi fost cunoscute publicului f\u0103r\u0103 ajutorul prietenului Max Brod. Acesta le public\u0103 postum, \u00eempotriva dorin\u021bei autorului lor, care le voia arse.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background has-small-font-size\">\u00cen 2021, \u00een colec\u021bia&nbsp;<a href=\"https:\/\/pandoram.ro\/categorie\/anansi-world-fiction\/24\/?utm_source=NL&amp;utm_medium=Email&amp;utm_campaign=Despre-02_03_2021\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>ANANSI. World Fiction<\/strong><\/a>&nbsp;vor ap\u0103rea \u00een jur de 40 de c\u0103r\u021bi, lista incluz\u00e2nd majoritatea titlurilor recompensate cu cele mai importante premii literare ale anului trecut. Opera poetei Louise Gl\u00fcck, laureata Nobelului literar, va fi tradus\u0103 \u0219i publicat\u0103 \u00eencep\u00e2nd cu acest an, al\u0103turi de romanul&nbsp;<em>The Discomfort of Evening<\/em>&nbsp;semnat de scriitoarea olandez\u0103 Marieke Lucas Rijneveld, premiat cu The International Booker Prize, precum \u0219i de romanul&nbsp;<em>Shuggie Bain<\/em>&nbsp;de Douglas Stuart, recompensat cu The Booker Prize 2020.<br><a href=\"https:\/\/pandoram.ro\/categorie\/anansi-world-fiction\/24\/?utm_source=NL&amp;utm_medium=Email&amp;utm_campaign=Despre-02_03_2021\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>ANANSI. World Fiction<\/strong><\/a>&nbsp;este cea mai recent\u0103 colec\u021bie dedicat\u0103 traducerilor din literatura universal\u0103 de pe pia\u021ba de carte din Rom\u00e2nia. Noul proiect editorial, coordonat de scriitorul \u0219i editorul Bogdan-Alexandru St\u0103nescu, a fost lansat la finalul lunii septembrie 2020. A\u0219ezat\u0103 sub semnul lui Anansi, zeul african al pove\u0219tilor, colec\u021bia&nbsp;<a href=\"https:\/\/pandoram.ro\/categorie\/anansi-world-fiction\/24\/?utm_source=NL&amp;utm_medium=Email&amp;utm_campaign=Despre-02_03_2021\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>ANANSI. World Fiction<\/strong><\/a>&nbsp;include cinci serii:&nbsp;<strong>Anansi. Contemporan<\/strong>&nbsp;\u2013 dedicat\u0103 literaturii actuale,&nbsp;<strong>Anansi. Clasic<\/strong>&nbsp;\u2013 un spa\u021biu al clasicilor secolului XX,&nbsp;<strong>Anansi. Mentor<\/strong>&nbsp;\u2013 ce reune\u0219te eseuri literare,<strong>&nbsp;Anansi. Ego<\/strong>&nbsp;\u2013 seria dedicat\u0103 memorialisticii \u0219i&nbsp;<strong>Anansi. Blues<\/strong>&nbsp;\u2013 seria poeziei.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zilele acestea, a plecat c\u0103tre libr\u0103riile din \u00eentreaga \u021bar\u0103 o nou\u0103 edi\u021bie, rev\u0103zut\u0103, a <i>Jurnalului<\/i> lui Franz Kafka, editat\u0103 \u00een colec\u021bia ANANSI. World Fiction \u00eentr-un format grafic deosebit.<\/p>\n","protected":false},"author":2,"featured_media":2482,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[65],"tags":[224,178,532,531,533,181,534,199],"coauthors":[],"class_list":["post-2481","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stiri-si-anunturi","tag-anansi-world-fiction","tag-anunturi","tag-franz-kafka","tag-jurnal","tag-mircea-cartarescu","tag-pandora-m","tag-radu-gabriel-parvu","tag-traducere"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/comunicat-anansi-franz-kafka.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2481"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2481\/revisions"}],"predecessor-version":[{"id":2483,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2481\/revisions\/2483"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/2482"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2481"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=2481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}