{"id":2455,"date":"2021-07-02T23:07:34","date_gmt":"2021-07-02T20:07:34","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=2455"},"modified":"2021-07-02T23:07:43","modified_gmt":"2021-07-02T20:07:43","slug":"clovnul","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=2455","title":{"rendered":"Clovnul"},"content":{"rendered":"\n<p class=\"has-cyan-bluish-gray-background-color has-background has-small-font-size wp-block-paragraph\">\u201eLatura burlesc\u0103 a R\u0103ului la concuren\u021b\u0103 cu derizoriul, din care se na\u0219te angoasa, este specialitatea lui Iulian Ciocan, c\u0103p\u0103t\u00eend noi \u00eenf\u0103\u021bi\u0219\u0103ri prin interpretarea mitului faustic, cu toate avatarurile sale ruse\u0219ti, \u00een Moldova etern\u0103, \u00een Chi\u0219in\u0103ul cunoscutului primar Denis Cartof: rolul lui Mefisto este jucat de un Clovn dispus s\u0103 cumpere p\u0103cate de la amatori, iar Cimpanzeul sau Marele Oligarh, alias Coordonatorul guvern\u0103rii, poate fi o alt\u0103 grimas\u0103 a Clovnului. Nu exist\u0103 \u00eens\u0103 redemp\u021biune, cerurile nu se deschid dec\u00eet pentru a mai l\u0103sa s\u0103 treac\u0103 c\u00eete un stol de ciori, invad\u00eend \u00eencet, \u00een ralanti, dar sigur, \u00eentreaga metropol\u0103. C\u00ee\u021bi dintre muritori s\u00eent preg\u0103ti\u021bi?\u201d (Dan Gulea)<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">\u00cen\u021belegerea faptului c\u0103 majoritatea cititorilor sunt femei \u00eei veni prozatorului Ciprian Poiat\u0103 destul de t\u00e2rziu, abia dup\u0103 publicarea celui de-al treilea roman distopic. La un moment dat i se lu\u0103 v\u0103lul de pe ochi \u0219i pricepu de ce nu era un scriitor popular: \u00een ciuda faptului c\u0103 elabora nara\u021biuni de o mare complexitate, care musteau de ironie subtil\u0103, nu reu\u0219ea s\u0103 ating\u0103\u2026 sufletul feminin. Femeile nu voiau distopii, nu voiau descrieri ale felului \u00een care individul e strivit de un sistem social absurd, ele se d\u0103deau \u00een v\u00e2nt dup\u0103 pove\u0219ti de dragoste, cu prec\u0103dere siropoase \u0219i stupide. Bine\u00een\u021beles c\u0103 Ciprian Poiat\u0103 nu era dispus s\u0103 \u00eembr\u0103\u021bi\u0219eze sentimentalismul dulceag \u0219i s\u0103 fac\u0103 literatur\u0103 de mas\u0103, dar, dac\u0103 ar fi \u0219tiut dinainte c\u0103 majoritatea cititorilor sunt doamne \u0219i domni\u0219oare, ar fi folosit c\u00e2teva trucuri \u00een m\u0103sur\u0103 s\u0103 seduc\u0103 femeile. De pild\u0103, ar fi conturat mai multe personaje feminine memorabile. \u00cen romanele sale, \u00ee\u0219i d\u0103dea seama acum, personajele feminine puteau fi num\u0103rate pe degete \u0219i aveau roluri secundare. Sus-pomenita descoperire \u00eel ajut\u0103 s\u0103 \u00een\u021beleag\u0103 \u0219i importan\u021ba promov\u0103rii textelor literare prin intermediul unor femei influente. Abia acum realiza, cu iritare, c\u0103 muierile cu trecere \u00eei cam neglijau scriitura.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">E drept c\u0103 exista \u0219i o excep\u021bie. Ciprian Poiat\u0103 \u00ee\u0219i \u00eencord\u0103 memoria \u0219i \u00ee\u0219i aminti c\u0103 o babet\u0103, Adela Arici, care trecea drept mare critic literar, \u00eei bombarda mereu post\u0103rile de pe Facebook cu inimioare ro\u0219ii \u0219i comentarii entuziaste. \u00cenainte vreme, t\u00e2n\u0103rul prozator \u00ee\u0219i b\u0103ga picioarele \u00een comentariile babetei \u0219i nu considera necesar s\u0103 schi\u021beze vreun gest de gratitudine, dar acum situa\u021bia se schimbase. Acum, Ciprian Poiat\u0103 avea nevoie de babet\u0103, unde mai pui c\u0103 aceasta posta cronici \u0219i opinii \u00eentr-un uria\u0219 grup de lectur\u0103 \u2013 FEMEIA CITE\u0218TE! \u2013, gener\u00e2nd o sumedenie de reac\u021bii \u0219i discu\u021bii. Post\u0103rile babetei se bucurau de un mare succes \u0219i multe liceene-studente-bibliotecare-literate-mame \u00eempov\u0103rate de griji o venerau \u0219i \u00eei urmau \u00eentocmai recomand\u0103rile. Evrica! Putea s\u0103 devin\u0103 faimos f\u0103r\u0103 s\u0103-\u0219i modifice prea tare scriitura, dac\u0103 o \u00eembrobodea pe babeta influent\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cump\u0103nind bine totul, \u00eei \u00eentinse babetei nada: post\u0103 pe Facebook un mic text despre modul \u00een care \u00ee\u0219i concepea distopiile, iar admiratoarea sa \u00eenghi\u021bi ne\u00eent\u00e2rziat momeala, aduc\u00e2ndu-i laude, elogiindu-i imagina\u021bia debordant\u0103, tehnica narativ\u0103 \u0219i fine\u021bea limbajului, \u00eent\u0103rind cele spuse cu o inimioar\u0103 ro\u0219ie. Pentru a nu da de b\u0103nuit, Ciprian Poiat\u0103 \u00eei mul\u021bumi abia dup\u0103 dou\u0103 zile, spun\u00e2nd c\u0103 se simte foarte flatat. Reac\u021bia nea\u0219teptat\u0103 a prozatorului, a t\u00e2n\u0103rului care o ignorase mereu, o entuziasm\u0103 at\u00e2t de tare pe babet\u0103, \u00eenc\u00e2t \u00eei scrise imediat pe messenger, scuz\u00e2ndu-se totodat\u0103 c\u0103 \u0219i-a luat \u00eendr\u0103zneala s-o fac\u0103. Adela Arici \u00eei m\u0103rturisi t\u00e2n\u0103rului c\u0103 e \u00eenc\u00e2ntat\u0103 de romanele lui, c\u0103 el, Ciprian Poiat\u0103, e cel mai important prozator basarabean. \u201eSunt un critic foarte exigent \u0219i sincer, stimate domnule Poiat\u0103, nu fac niciodat\u0103 complimente gratuite \u0219i v\u0103 spun cu m\u00e2na pe inim\u0103 c\u0103 sunte\u021bi cel mai bun! Cu drag, A.A.\u201c, \u00ee\u0219i \u00eencheia babeta mesajul lung \u0219i plin de c\u0103ldur\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prozatorul nu se gr\u0103bi s\u0103-i mul\u021bumeasc\u0103 nici de aceast\u0103 dat\u0103. \u00cei scrise din nou dup\u0103 dou\u0103 zile, lentoarea aceasta trebuind s-o conving\u0103 pe babet\u0103 c\u0103 t\u00e2n\u0103rul pe care-l venera era departe de orice g\u00e2nd ascuns. \u00cen acest r\u0103stimp, Ciprian Poiat\u0103 reu\u0219i s\u0103 citeasc\u0103 pe s\u0103rite un eseu programatic al Adelei Arici, un text despre proza basarabean\u0103 interbelic\u0103. Tributar cli\u0219eelor perimate de g\u00e2ndire, eseul babetei con\u021binea totu\u0219i c\u00e2teva idei interesante \u0219i observa\u021bii critice pertinente, \u00een spe\u021b\u0103 aceea despre <em>Music-hall<\/em>, \u201eprimul roman urban \u0219i cosmopolit\u201c din literatura basarabean\u0103. A\u0219adar, baba nu era tembel\u0103 \u0219i, ca s-o ung\u0103 cu miere la inim\u0103, Ciprian Poiat\u0103 \u00eei scrise c\u0103 eseul ei e impresionant \u0219i plin de detalii revelatoare\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editura Polirom v\u0103 prezint\u0103 \u00een avanpremier\u0103 un fragment din romanul <i>Clovnul<\/i> de Iulian Ciocan, care va ap\u0103rea \u00een cur\u00eend \u00een colec\u0163ia Fiction Ltd.<\/p>\n","protected":false},"author":69,"featured_media":2456,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[164,29],"tags":[170,525,526,524,128,168],"coauthors":[],"class_list":["post-2455","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avanpremiere","category-fictiune","tag-avanpremiera","tag-clovnul","tag-fiction-ltd","tag-iulian-ciocan","tag-polirom","tag-roman"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/07\/Clovnul-Fiction-LTD-a.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/69"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2455"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2455\/revisions"}],"predecessor-version":[{"id":2457,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2455\/revisions\/2457"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/2456"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2455"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2455"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=2455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}