{"id":2420,"date":"2021-06-22T19:20:28","date_gmt":"2021-06-22T16:20:28","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=2420"},"modified":"2021-06-22T19:20:33","modified_gmt":"2021-06-22T16:20:33","slug":"galanterie-si-libidoupe-un-singur-platou","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=2420","title":{"rendered":"Galanterie \u0219i libidou<br>pe-un singur platou"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Duta_coperta-662x1024.jpg\" alt=\"\" class=\"wp-image-2421\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Duta_coperta-662x1024.jpg 662w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Duta_coperta-194x300.jpg 194w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Duta_coperta-768x1188.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Duta_coperta-993x1536.jpg 993w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Duta_coperta-480x742.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Duta_coperta.jpg 1324w\" sizes=\"(max-width: 662px) 100vw, 662px\" \/><figcaption>Mircea Dan Du\u021b\u0103,\u00a0<em>Pl\u00edz suj\u010dof jor mobajl foun sen\u0165u\/Pliz suiciof ior mobail f\u0103un senchiu<\/em>, Editura Next Page, Bucure\u0219ti, 2020.<\/figcaption><\/figure><\/div>\n\n\n\n<p>Poetul rom\u00e2n de expresie ceh\u0103 Mircea Dan Du\u021b\u0103 \u00ee\u0219i antologheaz\u0103 \u00een volumul bilingv\u00a0<em>Pl\u00edz suj\u010dof jor mobajl foun sen\u0165u\/Pliz suiciof ior mobail f\u0103un senchiu<\/em>\u00a0(Next Page, 2020) poeme din patru proiecte distincte, printre care strecoar\u0103 \u0219i c\u00e2teva inedite;\u00a0meritul traducerilor rom\u00e2ne\u0219ti \u00eei apar\u021bine Kate\u0159inei Kozlovsk\u00e1.<\/p>\n\n\n\n<p>Opt\u00e2nd pentru o oralitate prozaico-dramatic\u0103, poetul e chitit s\u0103 submineze \u00een aceste versuri toate situa\u021biile oficioase iritante de care se love\u0219te genericul&nbsp;<em>homo socius<\/em>&nbsp;\u2013 de la conduite protocolare justificabile prin natura profesiunii p\u00e2n\u0103 la mici gesturi de complezen\u021b\u0103 gratuite. Prin urmare, frontul atitudinal pe care alege Du\u021b\u0103 s\u0103-\u0219i plaseze solilocviile dialogate este cel dintre&nbsp;<em>galanterie<\/em>&nbsp;\u0219i&nbsp;<em>libidou<\/em>. \u00cen tran\u0219eele limbajului de lemn al secolului XXI, cel tehno-birocratic, \u00eent\u00e2lnit la toate nivelurile societ\u0103\u021bilor post-industriale, autorul \u00ee\u0219i itereaz\u0103 \u00een stil propriu secven\u021be de via\u021b\u0103 aparent inofensive. Supun\u00e2ndu-le \u00eens\u0103 contrafactualit\u0103\u021bii unor feti\u0219uri personale, acestea \u00ee\u0219i dau arama pe fa\u021b\u0103: descoperim cum, scoase din context, toate codurile etice nu sunt dec\u00e2t tot at\u00e2tea artificialit\u0103\u021bi \u0219ubrede, lesne de abolit de patimile profund umane. Specula\u021biile auctoriale intentate situa\u021biilor restrictiv-inhibitoare favorizeaz\u0103, din punct de vedere poetic, dou\u0103 planuri: unul erotic, cel\u0103lalt umoristic.<\/p>\n\n\n\n<p>Vocea poetic\u0103 din&nbsp;<em>Pliz suiciof&#8230;&nbsp;<\/em>este, a\u0219adar, a unui om-etalon \u00een sens dublu, dovedindu-se recalcitrant pentru sistem, dar nostim \u0219i brav pentru resursele umane\/individualit\u0103\u021bile aceluia\u0219i sistem. O carte cu mult haz orchestrat autentic de o con\u0219tiin\u021b\u0103 poetic\u0103 ancorat\u0103 \u00een pluriperspectivism.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>O carte cu mult haz orchestrat autentic de o con\u0219tiin\u021b\u0103 poetic\u0103 ancorat\u0103 \u00een pluriperspectivism.<\/p>\n","protected":false},"author":14,"featured_media":2421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[300],"tags":[514,301,177,134],"coauthors":[],"class_list":["post-2420","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-graffiti","tag-editura-next-page","tag-graffiti","tag-mihok-tamas-2","tag-mircea-dan-duta"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Duta_coperta.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2420"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2420\/revisions"}],"predecessor-version":[{"id":2422,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2420\/revisions\/2422"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/2421"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2420"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=2420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}