{"id":2303,"date":"2021-06-01T17:21:24","date_gmt":"2021-06-01T14:21:24","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=2303"},"modified":"2021-06-01T17:21:30","modified_gmt":"2021-06-01T14:21:30","slug":"bestsellers-carturesti-martie-2021","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=2303","title":{"rendered":"Bestsellers C\u0103rture\u0219ti \u2013 martie 2021"},"content":{"rendered":"\n<ul class=\"has-cyan-bluish-gray-background-color has-background has-small-font-size wp-block-list\"><li>Cifrele din dreptul titlurilor, prezentate \u00eentre paranteze drepte, reprezint\u0103 <strong>locul ocupat \u00een topul lunii anterioare<\/strong>, respectiv <strong>num\u0103rul de luni \u00een top<\/strong>.<\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Autori rom\u00e2ni<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/bg1.jpeg\" alt=\"\" class=\"wp-image-2304\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/bg1.jpeg 650w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/bg1-195x300.jpeg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/bg1-480x738.jpeg 480w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1.<strong> Andreea S\u0103vulescu, <em>Ziua \u00een care m-am iubit cu adev\u0103rat<\/em><\/strong> (Bookzone)<em>&nbsp; <\/em><strong>[-\/1]<\/strong><\/p>\n\n\n\n<p>\u00cenva\u021b\u0103 al\u0103turi de Andreea s\u0103 te iube\u0219ti tu \u00een primul r\u00e2nd, s\u0103 te pui pe primul loc \u00een via\u021ba ta, s\u0103 faci pace cu trecutul \u00eentr-un mod vindec\u0103tor \u0219i asumat, nu prin negare, \u0219i s\u0103 iei ce e mai bun de la via\u021b\u0103, eliber\u00e2ndu-te de poverile care-\u021bi apas\u0103 pe suflet, con\u0219tient sau incon\u0219tient.<\/p>\n\n\n\n<p>2. <strong>Tatiana Niculescu<\/strong><strong>, <em>Nepovestitele <\/em><\/strong><strong><em>iubiri<\/em> <em>\u2013 7 <\/em><\/strong><strong><em>minibiografii <\/em><\/strong><strong><em>sentimentale<\/em><\/strong><em> <\/em>(Humanitas) <strong>[1\/2]<\/strong><\/p>\n\n\n\n<p>Neagu Djuvara, principesa Elisabeta, Constantin Poroineanu, Florence Baker sau&nbsp;oameni cu totul necunoscu\u021bi se \u00eent\u00e2lnesc \u00een necugetate, n\u0103b\u0103d\u0103ioase, tr\u0103date sau interzise pagini de via\u021b\u0103 de la sf\u00e2r\u0219itul secolului al XIX-lea \u0219i \u00eenceputul secolului XX.<\/p>\n\n\n\n<p>3. <strong>Ioana P<\/strong><strong>\u00e2rvulescu<\/strong><strong>, <em>Inocen<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Humanitas) <strong>[4\/3]<\/strong><\/p>\n\n\n\n<p>Dou\u0103 viziuni asupra lumii: cea a unei feti\u021be care vede lucrurile \u00eentr-un fel extrem de personal \u015fi cea a femeii care descoper\u0103 secretele \u00eenecate \u00een trecut. Naivitatea comic\u0103 a primei voci \u00eenvinge melancolia celei de-a doua.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Iv Cel Naiv, <em>S\u0103 ne facem de r\u00e2s \u00een fa\u021ba furnicilor<\/em><\/strong><em> <\/em>(Trei) <strong>[6\/2]<\/strong><\/li><li>5.<strong> Radu Paraschivescu, <em>Vitrina cu \u0219arlatani<\/em><\/strong> (Humanitas) <strong>[2\/3]<\/strong><\/li><li>6. <strong>Tatiana \u021a\u00eebuleac, <em>Vara \u00een care mama a avut ochii verzi<\/em><\/strong> (Cartier) <strong>[3\/3]<\/strong><\/li><li>7. <strong>Gabriel Liiceanu, Andrei Ple\u0219u, <em>Despre destin<\/em><\/strong> (Humanitas) <strong>[7\/3]<\/strong><\/li><li>8. <strong>Andreea S\u0103vulescu, <em>Tr\u0103ie\u0219te autentic<\/em> <\/strong>(Bookzone)<strong> [-\/1]<\/strong><\/li><li>9. <strong>Iulian T\u0103nase, <em>Un animal necunoscut \u0219i alte patruzeci de povestiri<\/em><\/strong>(Vellant) [-\/1]<\/li><li>10. <strong>10. Gabriel Liiceanu, <em>Isus al meu<\/em><\/strong> (Humanitas) <strong>[10\/3]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Fic\u021biune<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--653x1024.png\" alt=\"\" class=\"wp-image-2305\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--653x1024.png 653w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--191x300.png 191w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--768x1204.png 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii--480x752.png 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Delia-Owens-Acolo-unde-ca\u0302nta\u0306-racii-.png 957w\" sizes=\"(max-width: 653px) 100vw, 653px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1.<strong> Delia Owens, <em>Acolo unde c\u00e2nt\u0103 racii<\/em><\/strong> (Trei) <strong>[3\/3]<\/strong><\/p>\n\n\n\n<p>Zvonurile despre Fata Mla\u0219tinii au circulat mul\u021bi ani \u00een Barkley Cove, un or\u0103\u0219el lini\u0219tit de pe coasta Carolinei de Nord. A\u0219a c\u0103, \u00een 1969, c\u00e2nd frumosul Chase Andrews este g\u0103sit mort, localnicii b\u0103nuiesc imediat c\u0103 a fost ucis de Kya Clark, adev\u0103ratul nume al Fetei Mla\u0219tinii. \u00cens\u0103 Kya nu este nici pe departe s\u0103lb\u0103ticiunea pe care \u0219i-o \u00eenchipuie lumea.<\/p>\n\n\n\n<p>2. <strong>Walter Tevis<\/strong><strong>, <em>Gambitul <\/em><\/strong><strong><em>Damei<\/em><\/strong> (Bookzone) <strong>[1\/3]<\/strong><\/p>\n\n\n\n<p><em>Gambitul Damei<\/em> este povestea micu\u021bei orfane care, \u00eentr-o lume a dependen\u021belor, \u00ee\u0219i dore\u0219te s\u0103 evadeze din realitatea ap\u0103s\u0103toare ce o \u00eenconjoar\u0103. \u0218i are dou\u0103 modalit\u0103\u021bi: s\u0103 joace \u0219ah \u0219i s\u0103 ia micile pastile verzi.<\/p>\n\n\n\n<p>3. <strong>Matt Haig<\/strong><strong>, <em>Biblioteca <\/em><\/strong><strong><em>de <\/em><\/strong><strong><em>la <\/em><\/strong><strong><em>miezul <\/em><\/strong><strong><em>nop<\/em><\/strong><strong><em>\u021bii<\/em><\/strong> (Nemira) <strong>[2\/3]<\/strong><\/p>\n\n\n\n<p>O singur\u0103 bibliotec\u0103. O infinitate de vie\u021bi. Care e cea mai bun\u0103?<\/p>\n\n\n\n<p>Undeva, la marginea universului, exist\u0103 o bibliotec\u0103 infinit\u0103 de c\u0103r\u021bi, iar fiecare poveste din ele provine dintr-o alt\u0103 realitate. Una spune povestea vie\u021bii tale a\u0219a cum e, alta spune povestea vie\u021bii tale a\u0219a cum ar fi fost dac\u0103 ai fi luat alt\u0103 decizie \u00eentr-un anumit moment. To\u021bi ne \u00eentreb\u0103m mereu cum ar fi putut s\u0103 fie vie\u021bile noastre. Dar dac\u0103 am g\u0103si r\u0103spunsul \u00eentr-o bibliotec\u0103?<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Heather Morris, <em>Tatuatorul de la Auschwitz<\/em><\/strong> (Humanitas Fiction) <strong>[4\/3]<\/strong><\/li><li>5. <strong>Irvin D. Yalom, <em>Pl\u00e2nsul lui Nietzsche<\/em><\/strong> (Humanitas Fiction) <strong>[8\/3]<\/strong><\/li><li>6. <strong>John Boyne, <em>B\u0103iatul cu pijamale \u00een dungi<\/em><\/strong> (Rao) <strong>[7\/3]<\/strong><\/li><li>7.<strong> Irvin Yalom, <em>Minciuni pe canapea<\/em><\/strong> (Humanitas Fiction) <strong>[6\/3]<\/strong><\/li><li>8. <strong>Alex Michaelides, <em>Pacienta t\u0103cut\u0103<\/em><\/strong> (Litera) <strong>[5\/3]<\/strong><\/li><li>9.<strong> Ann Patchett, <em>Casa olandez\u0103<\/em> <\/strong>(Humanitas Fiction) [-\/1]<\/li><li>10. <strong>Louise Fein, <em>Fiica Reichului<\/em><\/strong> (Nemira) [-\/1]<\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Poezie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Nichita-Sta\u0306nescu-Tu-ai-un-fel-de-paradis-al-ta\u0306u-664x1024.jpeg\" alt=\"\" class=\"wp-image-2306\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Nichita-Sta\u0306nescu-Tu-ai-un-fel-de-paradis-al-ta\u0306u-664x1024.jpeg 664w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Nichita-Sta\u0306nescu-Tu-ai-un-fel-de-paradis-al-ta\u0306u-195x300.jpeg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Nichita-Sta\u0306nescu-Tu-ai-un-fel-de-paradis-al-ta\u0306u-768x1184.jpeg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Nichita-Sta\u0306nescu-Tu-ai-un-fel-de-paradis-al-ta\u0306u-480x740.jpeg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Nichita-Sta\u0306nescu-Tu-ai-un-fel-de-paradis-al-ta\u0306u.jpeg 949w\" sizes=\"(max-width: 664px) 100vw, 664px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Nichita St\u0103nescu, <em>Tu ai un fel de paradis al t\u0103u<\/em><\/strong> (Bestseller) <strong>[2\/3]<\/strong><\/p>\n\n\n\n<p>O selec\u021bie din cele mai frumoase poeme de dragoste semnate de Nichita St\u0103nescu.<\/p>\n\n\n\n<p>2. <strong>Svetlana C\u00e2rstean<\/strong><strong>, <em>S\u00eent <\/em><\/strong><strong><em>alta<\/em><\/strong> (Nemira) <strong>[1\/3]<\/strong><\/p>\n\n\n\n<p>\u201eArthur Rimbaud ar fi iubit arta cu care Svetlana C\u00e2rstean a actualizat&nbsp;<em>Je est un autre<\/em>. Svetlana este&nbsp;<em>une autre<\/em>&nbsp;\u00een sensul precis inten\u021bionat de Rimbaud \u2013 cu adaosul capacit\u0103\u021bii poeziei de a povesti direct \u0219i curajos o via\u021b\u0103 de azi. Un subtil sim\u021b al umorului, auzul perfect \u0219i privirea f\u0103r\u0103 ifose dau acestei c\u0103r\u021bi o caden\u021b\u0103 deosebit\u0103, care pune de acord istoria poetei cu via\u021ba ob\u0219teasc\u0103. Frumuse\u021bea lumii \u00een mi\u0219care, prezentul care se \u00eendep\u0103rteaz\u0103 \u0219i devine pove\u0219ti, plutesc prin t\u0103r\u00eemuri geografice \u0219i psihologice \u00een acest poem-fluviu.\u201c \u2013 Andrei Codrescu<\/p>\n\n\n\n<p>3.<strong> Alina Purcaru, Paula Erizanu, <em>Un secol de poezie rom\u00e2n\u0103 scris\u0103 de femei II<\/em> <\/strong>(Cartier)<strong> [-\/1]<\/strong><\/p>\n\n\n\n<p>\u201eMo\u015ftenirea l\u0103sat\u0103 de poetele care au debutat \u00een perioada 1945-1989, \u00een Rom\u00e2nia, Republica Moldova \u015fi \u00een diaspor\u0103, este vast\u0103, un \u00eentreg continent de explorat. \u00cen volumul de fa\u0163\u0103, sunt prezente nume cunoscute pasiona\u0163ilor de literatur\u0103, precum Angela Marinescu, Mariana Marin, Magda C\u00e2rneci sau Nora Iuga, poete prezente \u00een manuale \u015fi deci cunoscute de publicul larg, ca Ana Blandiana sau Nina Cassian, dar \u015fi poete care merit\u0103 s\u0103 fie citite mult mai mult, precum Grete Tartler, Constan\u0163a Buzea, Gabriela Melinescu sau Marcela Benea, pentru a oferi doar c\u00e2teva exemple.\u201d (Alica Purcaru, Paula Erizanu)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Nichita St\u0103nescu, <em>Integrala poeziei<\/em><\/strong> (Vasiliana) <strong>[5\/3]<\/strong><\/li><li>5. <strong>Andrei Codrescu<em>, Visul diacritic <\/em><\/strong>(Nemira)<strong> [-\/1]<\/strong><\/li><li>6.<strong> Ruxandra Novac, <em>Alwards<\/em><\/strong> (Trei) <strong>[9\/3]<\/strong><\/li><li>7.<strong>Mihai Eminescu, <em>Poezii<\/em><\/strong> (Humanitas) <strong>[4\/3]<\/strong><\/li><li>8. <strong>Teona Galgo\u021biu, <em>M\u0103 uit \u00eenapoi \u0219i dispare<\/em><\/strong> (OMG) <strong>[-\/1]<\/strong><\/li><li>9. <strong>Nichita St\u0103nescu, <em>Lec\u021bia despre cub<\/em><\/strong> (Cartea Rom\u00e2neasc\u0103) <strong>[-\/1]<\/strong><\/li><li>10. <strong><em>111 cele mai frumoase poezii de dragoste din literatura rom\u00e2n\u0103<\/em><\/strong> (Nemira) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Istorie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii-.jpg\" alt=\"\" class=\"wp-image-1767\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii-.jpg 685w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii--206x300.jpg 206w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Yuval-Noah-Harari-Sapiens.-Scurta\u0306-istorie-a-omenirii--480x701.jpg 480w\" sizes=\"(max-width: 685px) 100vw, 685px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1.<strong> Yuval Noah Harari, <em>Sapiens. Scurt\u0103 istorie a omenirii<\/em><\/strong> (Polirom) <strong>[1\/2]<\/strong><\/p>\n\n\n\n<p>Acum 100.000 de ani, pe p\u0103m\u00eent existau cel pu\u0163in \u015fase specii de oameni. Ast\u0103zi exist\u0103 una singur\u0103: noi, Homo sapiens. Ce s-a \u00eent\u00eemplat cu celelalte? \u015ei cum am ajuns s\u0103 fim st\u0103p\u00eenii planetei?<\/p>\n\n\n\n<p>2.<strong>Bill Fawcett<\/strong><strong>, <em>100 <\/em><\/strong><strong><em>de <\/em><\/strong><strong><em>gre<\/em><\/strong><strong><em>\u0219eli <\/em><\/strong><strong><em>care <\/em><\/strong><strong><em>au <\/em><\/strong><strong><em>schimbat <\/em><\/strong><strong><em>istori<\/em><\/strong><strong><em>a<\/em><\/strong> (Litera) <strong>[4\/2]<\/strong><\/p>\n\n\n\n<p>De la Linia Maginot, la Criza rachetelor cubaneze, istoria este plin\u0103 de mi\u0219c\u0103ri proaste \u0219i de idei mai pu\u021bin geniale care s-au transformat \u00een dezastre cu consecin\u021be nelimitate. Acest volum analizeaz\u0103 o sut\u0103 de astfel de puncte de cotitur\u0103.<\/p>\n\n\n\n<p><strong>3. Yuval Noah Harari<\/strong><strong>, <em>Homo Deus. Scurt<\/em><\/strong><strong><em>\u0103 <\/em><\/strong><strong><em>istorie <\/em><\/strong><strong><em>a <\/em><\/strong><strong><em>viitorului<\/em><\/strong> (Polirom) <strong>[2\/2]<\/strong><\/p>\n\n\n\n<p>De-a lungul istoriei, omenirea s-a confruntat constant cu trei probleme cruciale: r\u0103zboiul, foametea \u015fi molimele. \u00cen secolul XX, a reu\u015fit s\u0103 le rezolve \u00een mare m\u0103sur\u0103.&nbsp;Ce anume va lua \u00eens\u0103 locul r\u0103zboiului, foametei \u015fi molimelor \u00een agenda omenirii? Ce destin vom alege pentru noi \u00een\u015fine, ce scopuri ne vom stabili?&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Yuval Noah Harari, <em>21 de lec\u021bii pentru secolul XXI<\/em><\/strong> (Polirom) <strong>[6\/2]<\/strong><\/li><li>5. <strong>Catherine Nixey, <em>Epoca \u00eentunec\u0103rii: Cum a distrus Cre\u0219tinismul lumea clasic\u0103<\/em><\/strong> (Humanitas) <strong>[9\/3]<\/strong><\/li><li>6. <strong>Johan Huizinga, <em>Amurgul Evului Mediu<\/em><\/strong> (Trei) <strong>[-\/1]<\/strong><\/li><li>7.<strong> Mark Galeotti<em>, O scurt\u0103 istorie a Rusiei<\/em> <\/strong>(Humanitas)<strong> [-\/1]<\/strong><\/li><li>8.<strong>Neagu Djuvara, <em>O scurt\u0103 istorie ilustrat\u0103 a rom\u00e2nilor<\/em><\/strong> (Humanitas) <strong>[3\/3]<\/strong><\/li><li>9.<strong> Peter Frankopan<em>, Drumurile m\u0103t\u0103sii. O nou\u0103 istorie a lumii <\/em><\/strong>(Trei) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Patricia Posner, <em>Farmacistul de la Auschwitz<\/em><\/strong> (Rao) <strong>[5\/3]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Filosofie\/Psihologie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-665x1024.jpg\" alt=\"\" class=\"wp-image-1036\" width=\"200\" height=\"307\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-665x1024.jpg 665w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-195x300.jpg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-768x1183.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i-480x739.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Marcus-Aurelius-Ga\u0302nduri-cptre-sine-i\u0302nsus\u0326i.jpg 974w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Marcus Aurelius, <em>G\u00e2nduri c\u0103tre sine \u00eensu\u0219i<\/em><\/strong> (Humanitas) <strong>[1\/3]<\/strong><\/p>\n\n\n\n<p>\u201eO carte de c\u0103p\u0103t\u00e2i a civiliza\u0163iei europene.\u201c \u2013 Andrei Ple\u0219u<\/p>\n\n\n\n<p>\u201eCu ani \u00een urm\u0103 am cump\u0103rat o edi\u0163ie veche din Marc Aureliu care purta urm\u0103toarea dedica\u0163ie: \u00abS\u0103-\u0163i fie prieten \u00een ceasurile grele \u015fi s\u0103 te sprijine cum m-a sprijinit pe mine.\u00bb Nu cred c\u0103 i se poate face unei c\u0103r\u0163i un elogiu mai frumos dec\u00e2t acest \u00abprieten \u00een ceasurile grele\u00bb.\u201c \u2014 Emil Cioran<\/p>\n\n\n\n<p>\u201eMarcus Aurelius a fost primul personaj care s-a aventurat sistematic pe teritoriul eului, care l-a vizitat \u015fi care a scris de fapt un tratat despre tehnici de ameliorare \u015fi de \u0163inere \u00een fr\u00e2u a eului propriu.\u201c \u2014 Gabriel Liiceanu<\/p>\n\n\n\n<p>2. <strong>Viktor E. Frankl,<\/strong> <strong><em>Omul \u00een c\u0103utarea sensului vie\u021bii<\/em><\/strong> (Vellant) <strong>[2\/2]<\/strong><\/p>\n\n\n\n<p><em>Omul \u00een c\u0103utarea sensului vie\u021bii<\/em> este cronica experien\u021belor \u00eengrozitoare tr\u0103ite de psihiatrul Viktor Frankl \u00een timpul deten\u021biei sale la Auschwitz \u0219i \u00een alte lag\u0103re concentra\u021bioniste.<\/p>\n\n\n\n<p><strong>3. Sun Tzu<\/strong><strong>, <em>Arta <\/em><\/strong><strong><em>r\u0103zboiului<\/em><\/strong> (Cartex) <strong>[3\/3]<\/strong><\/p>\n\n\n\n<p><em>Arta r<\/em><em>\u0103zboiului<\/em> este o carte care se \u00eenvecineaz\u0103 cu mitul. Cunoa\u0219terea oferit\u0103 pe parcursul celor c\u00e2teva sute de versete este una de tip biblic, iar misterul \u0219i numeroasele incertitudini biobibliografice au generat un plus de fascina\u021bie. At\u00e2t despre Sun Tzu, c\u00e2t \u0219i despre <em>Arta razboiului<\/em> istoricii au foarte pu\u021bine certitudini. S-a convenit c\u0103 \u021bin de secolul al V-lea \u00ee.Hr., o epoc\u0103 \u00een care China trecea de la o armat\u0103 de tip feudal la una profesionist\u0103\u2026<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Dr. Kevin Dutton \u0219i Andy McNab, <em>ABC-ul psihopatului de succes<\/em><\/strong> (Globo) <strong>[5\/2]<\/strong><\/li><li>5.<strong> Dr. Clarissa Pinkola Estes, <em>Femei care alearg\u0103 cu lupii. Pove\u0219ti \u0219i mituri ale arhetipului femeii s\u0103lbatice<\/em> <\/strong>(Niculescu)<strong> [-\/1]<\/strong><\/li><li>6. <strong>Kevin Dutton, <em>\u00cen\u021belepciunea psihopa\u021bilor<\/em><\/strong> (Globo) <strong>[7\/2]<\/strong><\/li><li>7. <strong>Seneca, <em>Alt timp nu am<\/em><\/strong> (Snk) <strong>[9\/3]<\/strong><\/li><li>8. <strong>Robin Norwood, <em>Femei care iubesc prea mult<\/em><\/strong> (Litera) <strong>[4\/2]<\/strong><\/li><li>9. <strong>Joe Dispenza, <em>Antreneaz\u0103-\u021bi creierul!<\/em><\/strong> (Curtea Veche) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Jeffrey E. Young, Janet S. Klosko, <em>Cum s\u0103-\u021bi reinventezi via\u021ba<\/em><\/strong> (Trei) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Critic\u0103 \u0219i istorie literar\u0103<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Albert-Camus-Discursurile-din-Suedia-.jpg\" alt=\"\" class=\"wp-image-1768\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Albert-Camus-Discursurile-din-Suedia-.jpg 655w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Albert-Camus-Discursurile-din-Suedia--197x300.jpg 197w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Albert-Camus-Discursurile-din-Suedia--480x733.jpg 480w\" sizes=\"(max-width: 655px) 100vw, 655px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Albert&nbsp;Camus, <em>Discursurile din Suedia<\/em><\/strong> (Polirom) <strong>[1\/2]<\/strong><\/p>\n\n\n\n<p>Pentru prima dat\u0103 \u00een limba rom\u00e2n\u0103, apar reunite sub titlul&nbsp;<em>Discursurile din Suedia<\/em>&nbsp;discursul rostit de Albert Camus la Stockholm dup\u0103 ceremonia decern\u0103rii Premiului Nobel pentru Literatur\u0103 \u015fi conferin\u0163a sus\u0163inut\u0103 \u00een fa\u0163a studen\u0163ilor de la Universitatea din Uppsala \u00een decembrie 1957.&nbsp;<\/p>\n\n\n\n<p>2.<strong>Umberto&nbsp;Eco<\/strong><strong>, <em>Cum <\/em><\/strong><strong><em>se <\/em><\/strong><strong><em>face <\/em><\/strong><strong><em>o <\/em><\/strong><strong><em>tez<\/em><\/strong><strong><em>\u0103 <\/em><\/strong><strong><em>de <\/em><\/strong><strong><em>licen<\/em><\/strong><strong><em>\u021b\u0103<\/em><\/strong> (Editia 2020) (Polirom) <strong>[3\/3]<\/strong><\/p>\n\n\n\n<p>Un \u00eendrumar complet despre cum se scrie o lucrare \u0219tiin\u021bific\u0103 riguroas\u0103.<br>Studen\u021bii, \u00een primul r\u00eend cei de la sec\u021biile umaniste, pot afla ce \u00eenseamn\u0103 teza de licen\u021b\u0103, cum s\u0103-\u0219i aleag\u0103 tema \u0219i s\u0103-\u0219i organizeze timpul de lucru, cum s\u0103 \u00eentreprind\u0103 o cercetare bibliografic\u0103 \u0219i s\u0103 ordoneze materialul, cum se redacteaz\u0103 teza.<\/p>\n\n\n\n<p>3. <strong>Adrian&nbsp;Papahagi<\/strong><strong>,<em> Shakespeare <\/em><\/strong><strong><em>interpretat <\/em><\/strong><strong><em>de Adrian Papahagi. Sonete \u2022 Romeo <\/em><\/strong><strong><em>\u0219i Julieta<\/em><\/strong> (Polirom) <strong>[2\/3]<\/strong><\/p>\n\n\n\n<p>Sesiz\u0103m originalitatea destabilizant\u0103 a&nbsp;<em>Sonetelor<\/em>&nbsp;lui Shakespeare \u00eencep\u00eend cu destinatarii acestora.&nbsp;<em>Romeo \u0219i Julieta<\/em> este scandat\u0103 de sonete, culmin\u00eend cu primul dialog amoros al tinerilor veronezi. Volumul face parte dintr-o serie care \u00ee\u0219i propune s\u0103 analizeze \u00eentreaga oper\u0103 dramatic\u0103 \u0219i liric\u0103 a lui Shakespeare.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Mihai Iov\u0103nel, <em>Istoria literaturii rom\u00e2ne contemporane 1990-2020<\/em><\/strong> (Polirom) <strong>[-\/1]<\/strong><\/li><li>5. <strong>Laszlo Alexandru, <em>Lectura lui Dante. <\/em>Vol. 1.<em> Infernul<\/em><\/strong> (Cartier) <strong>[4\/3]<\/strong><\/li><li>6. <strong>Ioan-Aurel Pop, <em>Veghea asupra limbii rom\u00e2ne<\/em><\/strong> (Litera) <strong>[5\/3]<\/strong><\/li><li>7. <strong>Adrian&nbsp;Papahagi, <em>Shakespeare interpretat de Adrian Papahagi. Visul unei nop\u021bi de var\u0103 \u2022 Cum v\u0103 place<\/em><\/strong> (Polirom) <strong>[6\/3]<\/strong><\/li><li>8. <strong>Corin&nbsp;Braga, <em>Enciclopedia imaginariilor din Rom\u00e2nia.<\/em> Vol. I: <em>Imaginar literar<\/em><\/strong> (Polirom) <strong>[7\/3]<\/strong><\/li><li>9. <strong>Matei C\u0103linescu, <em>Cinci fe\u021be ale modernit\u0103\u021bii<\/em><\/strong>(Polirom) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Eugen Simion,<em> Scriitori rom\u00e2ni de azi<\/em><\/strong><em> <\/em><strong><em>II<\/em><\/strong> (Cartea Rom\u00e2neasc\u0103) <strong>[9\/2]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi pentru copii<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Jeff-Kinney-Jurnalul-unui-pus\u0326ti-15.-La-ananghie-703x1024.jpg\" alt=\"\" class=\"wp-image-1038\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Jeff-Kinney-Jurnalul-unui-pus\u0326ti-15.-La-ananghie-703x1024.jpg 703w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Jeff-Kinney-Jurnalul-unui-pus\u0326ti-15.-La-ananghie-206x300.jpg 206w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Jeff-Kinney-Jurnalul-unui-pus\u0326ti-15.-La-ananghie-768x1118.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Jeff-Kinney-Jurnalul-unui-pus\u0326ti-15.-La-ananghie-1055x1536.jpg 1055w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Jeff-Kinney-Jurnalul-unui-pus\u0326ti-15.-La-ananghie-480x699.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Jeff-Kinney-Jurnalul-unui-pus\u0326ti-15.-La-ananghie.jpg 1099w\" sizes=\"(max-width: 703px) 100vw, 703px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Jeff Kinney, <em>Jurnalul unui pu\u0219ti 15. La ananghie<\/em><\/strong> (Art) <strong>[1\/3]<\/strong><\/p>\n\n\n\n<p>Greg Heffley \u0219i familia lui pornesc la drum pentru o excursie cu cortul de-a lungul \u021b\u0103rii. Sunt gata pentru aventura vie\u021bii lor. Numai c\u0103 le sunt date peste cap planurile \u0219i se trezesc bloca\u021bi \u00eentr-un parc pentru autorulote care nu-i tocmai locul potrivit pentru o var\u0103 de vis.<\/p>\n\n\n\n<p>Situa\u021bia se \u00eenr\u0103ut\u0103\u021be\u0219te pentru familia Heffley c\u00e2nd cerul se deschide \u0219i nivelul apei \u00eencepe s\u0103 creasc\u0103, f\u0103c\u00e2ndu-i s\u0103 se \u00eentrebe dac\u0103 vacan\u021ba lor mai are sor\u021bi de izb\u00e2nd\u0103 \u2013 sau dac\u0103 sunt deja la ananghie, f\u0103r\u0103 sc\u0103pare.<\/p>\n\n\n\n<p>2. <strong>Kimberly Brubaker Bradley<\/strong><strong>, <em>R<\/em><\/strong><strong><em>\u0103zboiul <\/em><\/strong><strong><em>care <\/em><\/strong><strong><em>mi-<\/em><\/strong><strong><em>a <\/em><\/strong><strong><em>salvat <\/em><\/strong><strong><em>via<\/em><\/strong><strong><em>\u021ba<\/em><\/strong> (Art) <strong>[2\/2]<\/strong><\/p>\n\n\n\n<p>\u00centr-o lume nesigur\u0103, pe fundalul luptei pentru supravie\u021buire din \u00eentuneca\u021bii ani ai celui de-Al Doilea R\u0103zboi Mondial, Ada, o feti\u021b\u0103 de nou\u0103 ani, are de purtat propria ei b\u0103t\u0103lie pentru a demonstra c\u0103 nu e cu nimic diferit\u0103 de ceilal\u021bi.<\/p>\n\n\n\n<p>3. <strong>David Walliams<\/strong><strong>, <em>Bunicu<\/em><\/strong><strong><em>\u021ba <\/em><\/strong><strong><em>ho<\/em><\/strong><strong><em>\u021boman<\/em><\/strong><strong><em>\u0103<\/em><\/strong> (Art) <strong>[7\/3]<\/strong><\/p>\n\n\n\n<p>Pe Ben \u00eel plictisesc de moarte serile de vineri, pe care trebuie s\u0103 la petreac\u0103 \u00een casa bunicii. Unul dintre motive ar fi c\u0103 m\u00e2nc\u0103rurile ei sunt f\u0103cute doar din varz\u0103 &#8211; iar asta e o regul\u0103 valabil\u0103 chiar \u015fi pentru pr\u0103jituri&#8230; \u00cens\u0103 cur\u00e2nd descoper\u0103 c\u0103 Buni are un secret \u00eentunecat. Este oare b\u0103tr\u00e2nica inofensiv\u0103, cu p\u0103r alb, protez\u0103 auditiv\u0103 \u015fi din\u0163i fal\u015fi un ho\u0163 interna\u0163ional de bijuterii?<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Antoine De Saint-Exupery, <em>Micul Prin\u021b<\/em><\/strong> (Rao) <strong>[8\/3]<\/strong><\/li><li>5. <strong>Raina Telgemeier, <em>Surori<\/em><\/strong> (Art) <strong>[-\/1]<\/strong><\/li><li>6.<strong>Alex Rovira, Francesc Miralles, <em>Pove\u0219ti ca s\u0103 te iube\u0219ti mai mult: 35 de istorioare care cultiv\u0103 respectul de sine<\/em><\/strong> (Humanitas) <strong>[6\/2]<\/strong><\/li><li>7.<strong> Erin Hunter, <em>Pisicile r\u0103zboinice vol. 23 \u2013 Sub semnul Stelelor. R\u0103zboinicul uitat<\/em> <\/strong>(ALL)<strong> [-\/1]<\/strong><\/li><li>8. <strong>Ioana Chicet-Macoveiciuc, <em>Caietul, roman mic pentru feti\u021bele care cresc mari<\/em><\/strong> (Univers) <strong>[5\/2]<\/strong><\/li><li>9. <strong>Al. Mitru, <em>Legendele Olimpului. Eroii<\/em><\/strong>(Art) <strong>[-\/1]<\/strong><\/li><li>10.&nbsp; <strong>R.J. Palacio, <em>Minunea<\/em><\/strong> (Art) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>Eseu<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Elif-Shafak-Cum-sa\u0306-ra\u0306ma\u0302i-lucid-i\u0302ntr-o-epoca\u0306-a-dezbina\u0306rii.jpg\" alt=\"\" class=\"wp-image-1039\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Elif-Shafak-Cum-sa\u0306-ra\u0306ma\u0302i-lucid-i\u0302ntr-o-epoca\u0306-a-dezbina\u0306rii.jpg 390w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/02\/Elif-Shafak-Cum-sa\u0306-ra\u0306ma\u0302i-lucid-i\u0302ntr-o-epoca\u0306-a-dezbina\u0306rii-195x300.jpg 195w\" sizes=\"(max-width: 390px) 100vw, 390px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">1. <strong>Elif&nbsp;Shafak, <em>Cum s\u0103 r\u0103m\u00e2i lucid \u00eentr-o epoc\u0103 a dezbin\u0103rii<\/em><\/strong> (Polirom) <strong>[1\/3]<\/strong><\/p>\n\n\n\n<p>Vrem s\u0103 ne \u00eentoarcem la situa\u0163ia de dinaintea pandemiei? A fost ea una \u201enormal\u0103\u201d? Cum s\u0103 ne men\u0163inem lucizi \u00eentr-o lume haotic\u0103 \u015fi dezbinat\u0103, \u00een care na\u0163ionalismul, homofobia, autoritarismul \u015fi discriminarea devin amenin\u0163\u0103ri globale? \u015ei cum s\u0103 r\u0103m\u00eenem calmi c\u00eend s\u00eentem l\u0103sa\u0163i pe dinafar\u0103, c\u00eend s\u00eentem tot mai singuri, c\u00eend nu putem purta un dialog cu cei cu opinii diferite de ale noastre? De ce diversitatea devine un pericol, iar apatia, angoasa, dezam\u0103girea \u015fi nesiguran\u0163a ne-au invadat fiin\u0163a? La urma urmei, cine s\u00eentem \u015fi cum ne definim identitatea? Avem dolean\u0163e, nemul\u0163umiri \u015fi r\u0103bufniri de furie pe care vrem s\u0103 ni le facem cunoscute, dar oare ne ascult\u0103 cineva?<\/p>\n\n\n\n<p>2. <strong>Malcolm Gladwell, <em>Excep\u021bionalii. Povestea succesului<\/em><\/strong> (Publica) <strong>[2\/3]<\/strong><\/p>\n\n\n\n<p>Pove\u0219tile despre cei care au un foarte, foarte mare succes se \u00eenv\u00e2rt \u00een jurul inteligen\u021bei \u0219i ambi\u021biei. \u00cen&nbsp;<em>Excep<\/em><em>\u021bionalii<\/em>, Malcolm Gladwell spune c\u0103 adev\u0103rata explica\u021bie e cu totul alta, iar dac\u0103 vrem s\u0103 \u00een\u021belegem cum se ajunge at\u00e2t de departe, ar trebui s\u0103 ne lu\u0103m timp s\u0103 cunoa\u0219tem tot ce \u021bine de contextul acestor oameni: familia, locul unde au copil\u0103rit, data na\u0219terii. Gladwell contest\u0103 mitul a\u0219a-zisului merit personal, explor\u00e2nd raportul dintre succes \u0219i cultur\u0103, hazard, sincronizare, na\u0219tere \u0219i noroc, \u0219i felul \u00een care, \u00een pofida calit\u0103\u021bilor \u0219i talentului cuiva, mo\u0219tenirea cultural\u0103 poate func\u021biona ca o piedic\u0103.<\/p>\n\n\n\n<p>3. <strong>Carlo Cipolla, <em>Legile fundamentale ale imbecilit\u0103\u021bii umane<\/em><\/strong> (Humanitas) <strong>[9\/3]<\/strong><\/p>\n\n\n\n<p>Despre imbecili \u0219i nebuni se scrie cu o nesf\u00e2r\u0219it\u0103 fascina\u021bie cel pu\u021bin din vremea Rena\u0219terii; de la elogii la studii sociopsihologice, de la piese de teatru de Shakespeare la pove\u0219ti de Creang\u0103, satisfac\u021bia descoperirii unei lumi din care to\u021bi suntem convin\u0219i c\u0103 nu facem parte a atras cititorii secole de-a r\u00e2ndul. Nimeni nu a \u00eencercat s\u0103 \u00eembine \u00eens\u0103 ironia fin\u0103 cu o metod\u0103 \u0219tiin\u021bific\u0103 \u00eenainte de Carlo M. Cipolla, ale c\u0103rui afirma\u021bii caustice devin teritoriul unei desf\u0103\u0219ur\u0103ri de sisteme carteziene \u0219i statistici de-a dreptul \u00eenc\u00e2nt\u0103toare.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4. <strong>Alain De Botton, <em>Statut \u0219i anxietate<\/em><\/strong> (Vellant) <strong>[5\/3]<\/strong><\/li><li>5. <strong>Aldous&nbsp;Huxley, <em>Por\u021bile percep\u021biei. Raiul \u0219i iadul<\/em><\/strong> (Polirom)<strong> [8\/2]<\/strong><\/li><li>6. <strong>Alain De Botton, <em>A privi \u0219i a vedea<\/em><\/strong> (Vellant) <strong>[10\/3]<\/strong><\/li><li>7.<strong> Aurora Liiceanu, <em>Sindromul Greta Garbo. Despre celebritate \u0219i anonimat <\/em><\/strong>(Polirom)<strong> [-\/1]<\/strong><\/li><li>8. <strong>George&nbsp;Orwell, <em>Despre adevar<\/em><\/strong> (Polirom) <strong>[6\/3]<\/strong><\/li><li>9.<strong> Andrei Ple\u0219u, <em>Nelini\u0219ti vechi \u0219i noi <\/em><\/strong>(Humanitas)<strong> [-\/1]<\/strong><\/li><li>10. <strong>Emil Cioran, <em>Despre Fran\u021ba<\/em><\/strong> (Humanitas) <strong>[-\/1]<\/strong><\/li><\/ul>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>C\u0103r\u021bi de c\u0103l\u0103torie<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Nuseir-Yassin-Bruce-Kluger-I\u0302n-jurul-lumii-i\u0302n-60-de-secunde-.jpeg\" alt=\"\" class=\"wp-image-2307\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Nuseir-Yassin-Bruce-Kluger-I\u0302n-jurul-lumii-i\u0302n-60-de-secunde-.jpeg 390w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Nuseir-Yassin-Bruce-Kluger-I\u0302n-jurul-lumii-i\u0302n-60-de-secunde--195x300.jpeg 195w\" sizes=\"(max-width: 390px) 100vw, 390px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\"><strong>1. Nuseir Yassin, Bruce Kluger, <em>\u00cen jurul lumii \u00een 60 de secunde<\/em><\/strong> (Trei) <strong>[2\/3]<\/strong><\/p>\n\n\n\n<p>\u00cen 2016, Nas a pornit \u00eentr-o c\u0103l\u0103torie de 1000 de zile prin lume. Dar nu s-a \u00eendreptat c\u0103tre obi\u0219nuitele atrac\u021bii turistice, pentru c\u0103 a vrut s\u0103 cunoasc\u0103 oameni reali \u0219i s\u0103 vad\u0103 locurile pe care le numesc ei \u201eacas\u0103\u201d \u2013 de la sate din Africa \u0219i mahalale din India p\u00e2n\u0103 la zg\u00e2rie-norii din Singapore \u0219i de\u0219erturile Australiei.<\/p>\n\n\n\n<p><strong>2. Robert &nbsp;Macfarlane<\/strong><strong>, <em>Lumea <\/em><\/strong><strong><em>de <\/em><\/strong><strong><em>sub <\/em><\/strong><strong><em>noi. O <\/em><\/strong><strong><em>c\u0103l<\/em><\/strong><strong><em>\u0103torie <\/em><\/strong><strong><em>\u00een <\/em><\/strong><strong><em>ad\u00e2ncul <\/em><\/strong><strong><em>p\u0103m\u00e2ntului<\/em><\/strong> (Polirom) <strong>[1\/3]<\/strong><\/p>\n\n\n\n<p>Dintr-un unghi de vedere geologic asupra planetei noastre, Macfarlane pune o \u00eentrebare vital\u0103 \u0219i tulbur\u0103toare: oare s\u00eentem ni\u0219te buni str\u0103mo\u0219i pentru P\u0103m\u00eentul viitorului? De la primele pagini, remarcabile, p\u00een\u0103 la concluzia \u00eenc\u0103rcat\u0103 de emo\u021bie,&nbsp;<em>Lumea de sub noi<\/em>&nbsp;este un periplu \u00een care se \u00eempletesc miracolele \u0219i pierderea, teama \u0219i speran\u021ba. O carte ce ne va schimba felul \u00een care privim lumea.<\/p>\n\n\n\n<p><strong>3. Aldous Huxley<em>, C\u0103l\u0103toria unui sceptic \u00een jurul lumii<\/em> <\/strong>(Polirom)<strong> [-\/1]<\/strong><\/p>\n\n\n\n<p>\u00cen c\u0103l\u0103toria sa de un an prin lume (India, Birmania, Japonia, China, America), Aldous Huxley \u00ee\u0219i noteaz\u0103 impresiile puternice l\u0103sate de locurile pe care le viziteaz\u0103 \u0219i de oamenii pe care \u00eei cunoa\u0219te.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>4.<strong> Heinrich Harrer, <em>\u0218apte ani \u00een Tibet<\/em> <\/strong>(Polirom)<strong> [-\/1]<\/strong><\/li><li>5. <strong>Mirel B\u0103nic\u0103, <em>Prin Rom\u00e2nia. Carnete de drum<\/em><\/strong>(Polirom) <strong>[-\/1]<\/strong><\/li><li>6. <strong>Elena Stancu, Cosmin Bumbu\u021b, <em>Acas\u0103, pe drum: 4 ani teleleu<\/em><\/strong> (Humanitas) <strong>[9\/2]<\/strong><\/li><li>7. <strong>Cristian Lascu, Helmut Ignat, <em>Din Antarctica la Sc\u0103ri\u0219oara: Pe urmele lui Emil Racovi\u021b\u0103<\/em><\/strong> (Humanitas) <strong>[6\/3]<\/strong><\/li><li>8. <strong>Adelin&nbsp;Petri\u0219or, <em>\u021aara cu un singur gras<\/em><\/strong> (Polirom) <strong>[7\/3]<\/strong><\/li><li>9. <strong>Ana Hoga\u0219, Ionu\u021b Florea, <em>Oyibo: 2 oameni, 1 motociclet\u0103, 14 luni \u00een Africa<\/em><\/strong>(Humanitas) <strong>[-\/1]<\/strong><\/li><li>10. <strong>Sabina Fati, <em>Ocolul M\u0103rii Negre \u00een 90 de zile: \u0219apte \u021b\u0103ri, opt grani\u021be \u0219i o lovitur\u0103 de stat \u00een prime-time<\/em><\/strong><em> <\/em>(Humanitas) <strong>[4\/2]<\/strong><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Urm\u0103toarele topuri au fost realizate \u00een func\u021bie de v\u00eenz\u0103rile \u00eenregistrate \u00een intervalul 1-31 martie 2021 \u00een re\u021beaua de libr\u0103rii C\u0103rture\u0219ti \u0219i pe carturesti.ro.<\/p>\n","protected":false},"author":2,"featured_media":2309,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[161],"tags":[162,416],"coauthors":[],"class_list":["post-2303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bestsellers-carturesti","tag-bestsellers-carturesti","tag-nr-4-2021"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/carturesti.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2303"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2303\/revisions"}],"predecessor-version":[{"id":2310,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2303\/revisions\/2310"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/2309"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2303"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=2303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}