{"id":2260,"date":"2021-06-01T16:41:00","date_gmt":"2021-06-01T13:41:00","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=2260"},"modified":"2021-06-01T11:42:18","modified_gmt":"2021-06-01T08:42:18","slug":"rmn-eco-poemul","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=2260","title":{"rendered":"RMN. Eco-poemul"},"content":{"rendered":"\n
\"\"
Mih\u00f3k Tam\u00e1s,\u00a0Biocharia<\/em>. Ritual ecolatru<\/em>, Bucure\u015fti, [frACTalia], 2020<\/figcaption><\/figure><\/div>\n\n\n\n

Chiar de la volumul winrar de tot<\/em> (2015), Mih\u00f3k Tam\u00e1s \u0219i-a confirmat apartenen\u021ba \u00een cercul poe\u021bilor juni, dar maturi, st\u00e2rnind multiple interpret\u0103ri pe text; de la etichet\u0103ri precum: o poezie a asfaltului<\/em>, o invita\u021bie la autenticitate<\/em>, la \u201eo poetic\u0103 esen\u021bialist\u0103 proclamat\u0103 cu tupeu\u201d (Al. Cistelecan), ori \u201erafinament, inteligen\u021b\u0103 emo\u021bional\u0103 \u0219i discurs introspectiv\u201d (Gelu Vla\u0219in), un lucru e imposibil de t\u0103g\u0103duit, \u0219i anume c\u0103 poemul lui Mih\u00f3k Tam\u00e1s circumscrie \u0219i desemneaz\u0103 deopotriv\u0103 imaginea unui vas comunicant, echilibrat textual, ce (se) roste\u0219te despre adev\u0103ruri, sond\u0103ri \u0219i c\u0103ut\u0103ri intim personalizate in extremis. Dac\u0103 precedentul s\u0103u volum cuticular <\/em>amprenteaz\u0103 arhitectura liric\u0103 auctorial\u0103 cu un soi de voluptate a senzorial-senzualului, articul\u00e2nd imago-uri \u00eendr\u0103zne\u021be, f\u0103r\u0103 false \u0219i ipocrite pudibonderii, construind o supra-metafor\u0103 a cuticulei<\/em>, ce \u00een cazul acestor poezii acteaz\u0103 drept membran\u0103 protectoare \u0219i voit rezistent\u0103 la toate intemperiile frustr\u0103rii \u0219i traumei sinelui liric, biocharia. Ritual ecolatru<\/em> (Editura frACTalia, Bucure\u0219ti, 2020) permuteaz\u0103 f\u0103r\u0103 doar \u0219i poate aceast\u0103 membran\u0103 hiper-protectoare \u00eenmiit senzitiv-voluptoas\u0103 \u00eenspre artificial, \u00eenspre alterare, \u00eenspre apocaliptic, radiografiind prizonieratul, pietrificarea \u0219i masca fiin\u021bei, \u00eentr-o gam\u0103 absolut insolit\u0103 a vegetalului vindicativ. \u00centr-un interviu acordat Danei P\u0103tr\u0103noiu, Mih\u00f3k<\/a> Tam\u00e1s expliciteaz\u0103 oarecum arhitectura recentului s\u0103u volum: \u201eOrice habitat e pluristratificat. La fel \u0219i poezia, care e un c\u00e2mp de lupt\u0103 al tuturor termenilor existen\u021bi \u2013 \u0219i cei pe cale de dispari\u021bie, asemeni speciilor de plante sau animale, au dreptul la via\u021b\u0103 \u0219i, deci, pot reprezenta c\u00e2te un nod unic \u0219i irepetabil \u00een aceast\u0103 re\u021bea care e limbajul. C\u00e2t despre ritmul alert, acesta reflect\u0103 agonia unui timp prezent ce accelereaz\u0103 mai vertiginos ca niciodat\u0103. Dac\u0103 alt\u0103dat\u0103 percep\u021bia uman\u0103 avea r\u0103gaz s\u0103 capteze formele prezentului \u00een profunzimea lor, ast\u0103zi \u2013 cel mai probabil din cauza cantit\u0103\u021bii informa\u021bionale \u00eempov\u0103r\u0103toare \u0219i a interconectivit\u0103\u021bii permanente \u2013 tot ce mai reu\u0219im s\u0103 sesiz\u0103m e stratul de la suprafa\u021b\u0103. Iar goana asta ne sedimenteaz\u0103 undeva-n subcon\u0219tient fr\u00e2nturi de realitate, de aici \u0219i activarea recuzitei suprarealiste pe alocuri.\u201d<\/p>\n\n\n\n

RMN-ul propus de Mih\u00f3k Tam\u00e1s deconspir\u0103 un soi de sta\u021bie termini a fiin\u021bei, o captivitate, o solitudine, o sufocare, o deconstruc\u021bie \u0219i deopotriv\u0103 o descompunere a acesteia, o \u00een\u021bepenire \u00een artificios, o alunecare \u00eenspre categoria umbrei, o \u00eempietrire a m\u0103\u0219tii, o deconspirare a improviza\u021biei \u0219i a inautenticului \u2013 toate conotate negativ, toate devoalate ca m\u0103rci ale p\u0103gubosului, ale derizoriului\u2026<\/p><\/blockquote>\n\n\n\n

De la publicarea sa, cartea s-a bucurat de varii analize hermeneutice, mai toate identific\u00e2nd ca seve ideatice nume precum Donna Haraway, Rosi Braidotti, afiliindu-i registrul poetic unor ecosisteme lirice semnate de Gabi Eftimie, Andrei Dobo\u0219, Bogdan Tiutiu, articul\u00e2nd un limbaj naumian. Apropriindu-\u0219i-le pe toate acestea ca background ori ca teren fecund al eco-poemului, RMN-ul propus de Mih\u00f3k Tam\u00e1s deconspir\u0103 un soi de sta\u021bie termini a fiin\u021bei, o captivitate, o solitudine, o sufocare, o deconstruc\u021bie \u0219i deopotriv\u0103 o descompunere a acesteia, o \u00een\u021bepenire \u00een artificios, o alunecare \u00eenspre categoria umbrei, o \u00eempietrire a m\u0103\u0219tii, o deconspirare a improviza\u021biei \u0219i a inautenticului \u2013 toate conotate negativ, toate devoalate ca m\u0103rci ale p\u0103gubosului, ale derizoriului (\u201efurtuna zg\u00e2l\u021b\u00e2ia f\u0103lcile terrei\/ bezna se cimenta \u00een carii\/ pe suprafa\u021ba uscat\u0103 a lacului\/ n\u0103p\u00e2rleam de m\u0103tasea-mor\u021bilor\u201d; \u201eprintre r\u0103d\u0103cinile lui fragede articula\u021biile noastre\/ jucau alba-neagra c-un bob de n\u0103ut\/ blufau ru\u0219inea m\u0103sluiau iluminarea\u201d; \u201ep\u0103ianjenii de ap\u0103 goneau razele luminii artificiale\/ catedrala epav\u0103 g\u0103zduia peste opt sute de specii de pe\u0219te\/ algele demineralizate aveau camere montate \u00een spori\u201d; \u201edup\u0103 acalmia tectonic\u0103\/ nimeni nu-\u0219i mai amintea dang\u0103tele\/ umbrele uliilor pe panoul solar\/ (…) b\u0103rba\u021bii purtau nuiele cu \u00eensemne\/ femeile vie\u021buiau \u00een bucla unei mari uimiri\u201d; \u201eprin\u0219i \u00eentre limbile de foc\/ \u0219i cine s\u0103 le spun\u0103\/ povestea mai departe\/ civiliza\u021bii carbonizate\/ \u00een pozi\u021bie de lotus\u201d; \u201eochiul-de-p\u0103un\/ a fost ras de pe hublou\/ za\u021bul compostat\/ ne-a \u00eenghi\u021bit sandalele\u201d). Vocaliz\u00e2nd sentin\u021be definitive, poemul lui Mih\u00f3k Tam\u00e1s penalizeaz\u0103 p\u00e2n\u0103 \u0219i cuplul ce e \u0219i el contaminat de procesul descompunerii, sufocat de cotidianul proxim, redus ca fiin\u021bare la vid, \u00eentr-o dinamic\u0103 liric\u0103 apocaliptic\u0103 a vendetei habitatului asupra umanului, \u00eentr-o er\u0103 nu doar a post-, ci \u0219i \u2013 mai ales \u2013 a meta-umanului, desen\u00e2nd perspective dincolo de real, ivite parc\u0103 din subteran\u0103, impun\u00e2nd o hegemonie S.F. a regnului vegetal \u0219i animal (\u201edou\u0103 sta\u021bii p\u00e2n\u0103 la dedeman c\u00e2t dou\u0103 \u00eenghi\u021bituri \u00een sec\/ aplica\u021bia \u2013 setat\u0103 pe restaurante libaneze\/ inima \u2013 pe cl\u0103diri cu risc seismic ridicat\/ metropola m\u0103 altereaz\u0103 sinestezic\u201d; \u201ene rosteam numele \u0219i lucrurile ni se retr\u0103geau \u00eend\u0103r\u0103t\/ ne leg\u0103nam \u00een negur\u0103 \u0219i organele noastre complotau\u201d; \u201etu b\u00e2jb\u00e2iai pe dantel\u0103ria ar\u0103mie\/ cu picioru\u0219ele tale o mie\/ locuiam \u00eentr-un lampion chinezesc\u201d<\/em>; \u201edezastrele au un impact pozitiv asupra personalit\u0103\u021bii umane\/ (…) \u0219ocul survenit \u00een urma cataclismului\/ inhib\u0103 hormonii de cre\u0219tere<\/em>\u201d).<\/p>\n\n\n\n

Paradoxal, dincolo de senza\u021bia acut\u0103 a pietrific\u0103rii fiin\u021bei, a suspend\u0103rii sale \u00eentr-un afar\u0103<\/em> impregnat de artificial, de virusarea cu \u00eensemnele hiper-protec\u021biei studiate, mecanice, contraf\u0103cute, poemul lui Mih\u00f3k Tam\u00e1s respir\u0103 un dinamism obvios al imago-ului extinc\u021biei, cl\u0103dindu-\u0219i un traseu imbatabil ce \u00eengurgiteaz\u0103 \u0219i totodat\u0103 imagineaz\u0103 timpi ai trecutului, prezentului \u0219i ai viitorului, to\u021bi infecta\u021bi pare-se de atributele pr\u0103bu\u0219irii, ale cobor\u00e2rii \u00een infernul golirii de sens; perform\u00e2nd un mixaj al imago-ului mitic despuiat de magia de odinioar\u0103 cu un imago cataclismic, poemul auctorial demasc\u0103 \u00eentr-un registru al categoricului dureros improviza\u021bia, falsul \u0219i automatismul fiin\u021bei (\u201eam v\u0103zut trunchiuri retezate la \u00een\u0103l\u021bimea gleznei\/ tihna ielelor acupunctura lemnului pe pieile albe\/ (…) b\u0103tr\u00e2ni cu ochelari fumurii \u00eenghe\u021ba\u021bi \u00een azot lichid\/ portaluri pornind din bunc\u0103r ateriz\u00e2nd \u00een samovar\/ (…) blufau ru\u0219inea m\u0103sluiau iluminarea\u201d; \u201earborase curcubeul metalic\/ nu va mai subven\u021biona aerul\/ fiin\u021be cu m\u0103nu\u0219i de cauciuc\/ preg\u0103teau exoplanetele\/ (…) am inspirat ne-am spart pl\u0103m\u00e2nii\/ ca pe ni\u0219te pungi de chipsuri unsuroase\/ am b\u0103ut substan\u021be ne-am contrastat\u201d; \u201eglob de sticl\u0103\/ creat pentru tine\/ cadoul perfect\u201d; \u201eun pod detonat \u00eentre empatie \u0219i fapt\u0103.\/ corpul meu se va t\u00e2r\u00ee afar\u0103 din cu\u0219c\u0103\/ corpul meu \u00eemi va supravie\u021bui\u201d; \u201e\u0219i fiecare din noi va primi\/ un ruj extravagant\/ testat pe animale\/ cu care s\u0103-\u0219i demarce\/ pulberea neagr\u0103\u201d; \u201efrumo\u0219i \u0219i minoritari ne vor g\u0103si termitele\/ flori artificiale lipite cu silicon \u00een v\u00e2rful unor cactu\u0219i de camer\u0103\/ frumo\u0219i \u0219i minoritari\/ mori\u0219ti ventil\u00e2nd vacuitatea\u201d).<\/p>\n\n\n\n

Eco-poemul lui Mih\u00f3k Tam\u00e1s deconspir\u0103 f\u0103r\u0103 doar \u0219i poate un modus vivendi poetic veridic \u0219i veritabil, persuad\u00e2ndu-\u0219i lectorul de substan\u021ba sa articulat\u0103 fie \u0219i-ntr-un registru al crepuscularului fiin\u021bei.<\/p>\n","protected":false},"excerpt":{"rendered":"

Eco-poemul lui Mih\u00f3k Tam\u00e1s deconspir\u0103 f\u0103r\u0103 doar \u0219i poate un modus vivendi poetic veridic \u0219i veritabil, persuad\u00e2ndu-\u0219i lectorul de substan\u021ba sa articulat\u0103 fie \u0219i-ntr-un registru al crepuscularului fiin\u021bei.<\/p>\n","protected":false},"author":13,"featured_media":2263,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[480,106,481,102,177,416],"coauthors":[],"class_list":["post-2260","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-biocharia","tag-cronica-literara","tag-fractalia","tag-ioana-cistelecan","tag-mihok-tamas-2","tag-nr-4-2021"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/06\/Mihok_tamas.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2260"}],"version-history":[{"count":3,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2260\/revisions"}],"predecessor-version":[{"id":2266,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2260\/revisions\/2266"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/2263"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2260"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=2260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}