{"id":2090,"date":"2021-05-08T11:06:54","date_gmt":"2021-05-08T08:06:54","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=2090"},"modified":"2021-05-08T11:07:00","modified_gmt":"2021-05-08T08:07:00","slug":"femei-nelinistite","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=2090","title":{"rendered":"Femei nelini\u0219tite"},"content":{"rendered":"\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/05\/ura_prietenie_dragoste.png\" alt=\"\" class=\"wp-image-2091\" width=\"200\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/05\/ura_prietenie_dragoste.png 467w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/05\/ura_prietenie_dragoste-200x300.png 200w\" sizes=\"(max-width: 467px) 100vw, 467px\" \/><figcaption>Alice Munro, <em>Ur\u0103, prietenie, dragoste, c\u0103s\u0103torie,<\/em> traducere de Justina Bandol, edi\u021bia din Colec\u021bia CPT, Editura Litera, 2020<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Alice Munro (n. 1931) publica aceste nou\u0103 povestiri \u00een anul 2001, iar volumul avea s\u0103 fie un mare succes, deopotriv\u0103 de critic\u0103 (Los Angeles Times Book Prize for Fiction) \u0219i de audien\u021b\u0103, dou\u0103 dintre nuvele fiind ecranizate mai mult dec\u00eet satisf\u0103c\u0103tor \u0219i cu distribu\u021bii remarcabile, una imediat dup\u0103 apari\u021bia c\u0103r\u021bii (<em>Away from Her<\/em>, regia Sarah Polley), cealalt\u0103 \u00een 2013, cu c\u00eeteva luni \u00eenainte s\u0103 primeasc\u0103 Nobelul (<em>Hateship, Loveship<\/em>, regia Liza Johnson).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Faptul c\u0103 ambele ecraniz\u0103ri au fost f\u0103cute de femei vine \u00een sprijinul constantei prozelor lui Alice Munro care au, \u00een general, protagoniste \u0219i teme specifice feminit\u0103\u0163ii: desprinderea de familie, maturizarea \u015fi acceptarea corpului, provoc\u0103rile sexualit\u0103\u0163ii, mariajului \u015fi maternit\u0103\u0163ii, sacrificiul, devotamentul \u015fi adulterul, dragostea, secretele \u015fi tr\u0103darea, corvoadele vie\u0163ii domestice, cre\u015fterea copiilor \u015f.a. C\u0103ci, cum am scris \u0219i cu alte ocazii, personajele sale s\u00eent femei aflate fie la \u00eenceputul vie\u021bii de adult, fie la jum\u0103tatea vie\u021bii, \u00eentr-un moment \u00een care, de\u015fi au mo\u015ftenit \u015fi se confrunt\u0103 cu reguli legate de sex, religie, c\u0103s\u0103torie, tr\u0103iesc o perioad\u0103 de emancipare, astfel c\u0103 multe povestiri au ca tem\u0103 central\u0103 fuga de acas\u0103 (de l\u00eeng\u0103 p\u0103rin\u0163i \u015fi\/sau cu un b\u0103rbat), adulterul sau divor\u0163ul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen volumul de fa\u021b\u0103 \u00eent\u00eelnim \u0219i adolescente \u00eencurcate de menstrua\u021bie sau de fizicul neatr\u0103g\u0103tor, \u0219i femei divor\u021bate \u00een c\u0103utarea unui nou iubit, \u0219i femei pe moarte sau al\u0103turi de un so\u021b muribund care nu le-a fost fidel. Plaja conflictual\u0103 e larg\u0103, dar nu at\u00eet de divers\u0103, motiv pentru care povestiri din volume diferite \u00ee\u0219i r\u0103spund tematic, cre\u00eend omogenitate \u00een cadrul operei.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Imediat ce ajunge major\u0103, o fat\u0103 fuge de acas\u0103 cu un vecin v\u0103duv, deopotriv\u0103 \u00een c\u0103utarea independen\u021bei \u0219i a unei figuri paterne, spre neconsolarea surorii ei vitrege mai mici (povestire \u00eenrudit\u0103 cu \u201eDesp\u0103r\u0163irea de Maverley\u201d din volumul <em>Drag\u0103 via\u0163\u0103, <\/em>Editura Litera). \u00cen urma unei nevinovate farse epistolare, o slujnic\u0103 s\u0103rac\u0103 \u0219i neatr\u0103g\u0103toare, dar ambi\u021bioas\u0103 \u0219i devotat\u0103, pune la cale un furt, \u00een urma c\u0103ruia se c\u0103s\u0103tore\u0219te \u0219i na\u0219te un copil, schimb\u00eendu-\u0219i, cumva de una singur\u0103, destinul (proza titular\u0103 ecranizat\u0103 de Liza Johnson). O femeie proasp\u0103t divor\u021bat\u0103 \u00eel re\u00eent\u00eelne\u0219te, \u00een casa de var\u0103 a unor prieteni, pe b\u0103rbatul, acum \u00eensurat \u0219i cu copii, de care se \u00eendr\u0103gostise \u00een copil\u0103rie, \u00eenainte ca el s\u0103 se mute neanun\u021bat din ora\u0219 \u00eempreun\u0103 cu tat\u0103l lui.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Dat fiind salturile mari \u00een timp, uneori \u015fi de zeci de ani (marc\u0103 \u00eenregistrat\u0103 a artei sale), aproape \u00eentotdeauna este vorba \u015fi despre moarte.<\/p><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">O femeie t\u00een\u0103r\u0103, al c\u0103rei cancer se afl\u0103 \u00een remisie, evadeaz\u0103 pentru o sear\u0103 din cuplu \u0219i din via\u021ba ei, cu ajutorul unui adolescent dezinvolt, atras erotic deopotriv\u0103 de \u00eenf\u0103\u021bi\u0219area ei maladiv\u0103 \u0219i de statutul ei marital, situa\u021bie inofensiv\u0103 \u0219i cumva frivol\u0103, dar care \u00eei confer\u0103 \u00eencredere \u00een continuarea vie\u021bii (o proz\u0103 cumva carverian\/fordian\u0103, dar din perspectiv\u0103 feminin\u0103). O so\u021bie \u00ee\u0219i \u00eencinereaz\u0103 so\u021bul ateu convins \u00een urma sinuciderii acestuia, cauzat\u0103 de o boal\u0103 muscular\u0103 degenerativ\u0103, confrunt\u00eendu-se cu preten\u021bia de a i se expune cadavrul din partea liceului, unde el predase biologia evolu\u021bionist\u0103 spre nemul\u021bumirea cresc\u00eend\u0103 a comunit\u0103\u021bii religioase (o proz\u0103 \u00eenrudit\u0103, prin alian\u021b\u0103 tematic\u0103, cu \u201eUltima var\u0103\u201d de Bernard Schlink din volumul <em>Minciuni de var\u0103<\/em>, Editura Polirom). \u00cen fine, \u00eentr-o alt\u0103 proz\u0103 despre moarte, un b\u0103rbat se vede nevoit s\u0103-\u0219i interneze so\u021bia \u00eentr-un azil, devenind martorul f\u0103r\u0103 voie \u0219i f\u0103r\u0103 putere al rela\u021biei pe care so\u021bia sa senil\u0103 o dezvolt\u0103 subit cu un alt pacient (proza ecranizat\u0103 de Sarah Polley).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00centr-o povestire cvasi-autobiografic\u0103, o scriitoare divor\u021bat\u0103 spune povestea unei m\u0103tu\u0219e extravagante, fascinante \u00een copil\u0103rie, dar dezam\u0103gitoare la maturitate, sup\u0103rat\u0103 pe nepoata ei care-i folosise \u00eentr-o povestire o \u00eent\u00eemplare personal\u0103. O proz\u0103 cu b\u0103taie \u00een dou\u0103 direc\u021bii: a scriitorului ca martor manipulator al evenimentelor vie\u021bii, dar \u0219i ca observator am\u0103git de natura uman\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen volumul de fa\u021b\u0103 \u00eent\u00eelnim \u0219i adolescente \u00eencurcate de menstrua\u021bie sau de fizicul neatr\u0103g\u0103tor, \u0219i femei divor\u021bate \u00een c\u0103utarea unui nou iubit, \u0219i femei pe moarte sau al\u0103turi de un so\u021b muribund care nu le-a fost fidel.<\/p>\n","protected":false},"author":9,"featured_media":2091,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[59,52],"tags":[424,105,88,426,87,416,425],"coauthors":[],"class_list":["post-2090","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-flashbook","category-rubrici","tag-alice-munro","tag-editura-litera","tag-flashbook","tag-justina-bandol","tag-marius-chivu","tag-nr-4-2021","tag-ura-prietenie-dragoste-casatorie"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/05\/ura_prietenie_dragoste.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2090"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2090\/revisions"}],"predecessor-version":[{"id":2092,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2090\/revisions\/2092"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/2091"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2090"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2090"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=2090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}